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Led Zeppelin were an English rock band formed in London in 1968. The band comprised vocalist Robert Plant, guitarist Jimmy Page, bassist-keyboardist John Paul Jones and drummer John Bonham. With a heavy, guitar-driven sound and drawing from influences including blues and folk music, Led Zeppelin are cited as a progenitor of hard rock and heavy metal. They significantly influenced the music industry, particularly in the development of album-oriented rock and stadium rock.
Led Zeppelin evolved from a previous band, the Yardbirds, and were originally named "the New Yardbirds". They signed a deal with Atlantic Records that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, Led Zeppelin, was a top-ten album in several countries and features such tracks as "Good Times Bad Times", "Dazed and Confused" and "Communication Breakdown". Led Zeppelin II (1969), their first number-one album, includes "Whole Lotta Love" and "Ramble On". In 1970, they released Led Zeppelin III which opens with "Immigrant Song". Their untitled fourth album, commonly known as Led Zeppelin IV (1971), is one of the best-selling albums in history, with 37 million copies sold. It includes "Black Dog", "Rock and Roll" and "Stairway to Heaven", with the latter being among the most popular and influential works in rock. Houses of the Holy (1973) includes "The Song Remains the Same" and "The Rain Song". Physical Graffiti (1975), a double album, features "Trampled Under Foot" and "Kashmir".
Page composed most of Led Zeppelin's music, while Plant wrote most of the lyrics. Jones occasionally contributed keyboard-focused parts, particularly on the band's final album. The latter half of their career saw a series of record-breaking tours that earned the group a reputation for excess and debauchery. Although they remained commercially and critically successful, their touring and output, which included Presence (1976) and In Through the Out Door (1979), declined in the late 1970s. After Bonham's death in 1980, the group disbanded. The three surviving members have sporadically collaborated and participated in one-off concerts, including the 2007 Ahmet Ertegun Tribute Concert in London, with Bonham's son Jason Bonham on drums.
Led Zeppelin are one of the best-selling music artists of all time, with estimated record sales of between 200 and 300 million units worldwide. They achieved eight consecutive UK number-one albums and six number-one albums on the US Billboard 200, with five of their albums certified Diamond in the US by the Recording Industry Association of America (RIAA). Rolling Stone described them as "the heaviest band of all time", "the biggest band of the seventies", and "unquestionably one of the most enduring bands in rock history".<ref>Template:Cite magazine</ref> They were inducted into the Rock and Roll Hall of Fame in 1995; the museum's biography states that they were "as influential" in the 1970s as the Beatles were in the 1960s.<ref>Template:Cite web</ref>
History
[edit]Formation: 1966–1968
[edit]In 1966, London-based session guitarist Jimmy Page joined the blues-influenced rock band the Yardbirds to replace bassist Paul Samwell-Smith. Page soon switched from bass to lead guitar, creating a dual lead guitar line-up with Jeff Beck. Following Beck's departure in October 1966, the Yardbirds became a four-piece with Page as the sole guitarist. This new line-up recorded an album, Little Games, in 1967, before embarking on a tour of the United States, during which they performed several songs which would later be part of Led Zeppelin's early repertoire, including covers of Johnny Burnette's "Train Kept A-Rollin'" and "Dazed and Confused", a song originally written and recorded by Jake Holmes.Template:Sfn In early April 1968, the Yardbirds held a recording session at Columbia Studios in New York City, recording a number of tracks including a Page-Relf composition initially titled "Knowing That I'm Losing You", which was eventually re-recorded by Led Zeppelin as "Tangerine".<ref>Template:Cite book</ref><ref>Template:Cite web</ref>
The Yardbirds' 1968 tour proved to be exhausting for the band. Drummer Jim McCarty and vocalist Keith Relf aimed to embark in a more acoustic direction, forming a folk rock duo which would eventually evolve into the group Renaissance.<ref>Template:Cite web</ref> Page, on the other hand wanted to continue the heavier blues-based sound he had established with the Yardbirds. With the support of the Yardbirds' new manager Peter Grant, Page planned to form a supergroup with Beck and himself on guitars, and The Who's Keith Moon and John Entwistle on drums and bass, respectively.Template:Sfn Vocalists Steve Winwood and Steve Marriott were also considered for the project.Template:Sfn The group never formed, although Page, Beck, and Moon had recorded a song together in 1966, "Beck's Bolero", in a session that also included bassist-keyboardist John Paul Jones.Template:Sfn
The Yardbirds played their final gig on 7 July 1968 at Luton College of Technology in Bedfordshire.Template:Sfn They were still committed to several concerts in Scandinavia, so McCarty and Relf authorised Page and bassist Chris Dreja to use the Yardbirds' name to fulfill the band's obligations. Page and Dreja began putting a new line-up together. Page's first choice for the lead singer was Terry Reid, but Reid declined the offer and suggested Robert Plant, a singer for the Band of Joy and Hobbstweedle.Template:Sfn Plant eventually accepted the position, recommending former Band of Joy drummer John Bonham.Template:Sfn John Paul Jones enquired about the vacant position of bass guitarist, at the suggestion of his wife, after Dreja dropped out of the project to become a photographer.Template:SfnTemplate:Refn Page had known Jones since they were both session musicians, and agreed to let him join as the final member.Template:Sfn
In August 1968, the four played together for the first time in a room below a record store on Gerrard Street in London.Template:Sfn Page suggested that they attempt "Train Kept A-Rollin'", originally a jump blues song popularised in a rockabilly version by Johnny Burnette, which had been covered by the Yardbirds. "As soon as I heard John Bonham play", Jones recalled, "I knew this was going to be great ... We locked together as a team immediately".Template:Sfn Before leaving for Scandinavia, the group took part in a recording session for the P. J. Proby album Three Week Hero. The album's track "Jim's Blues", with Plant on harmonica, was the first studio track to feature all four future members of Led Zeppelin.Template:Sfn
The band completed the Scandinavian tour as the New Yardbirds, playing together for the first time in front of a live audience at Gladsaxe Teen Club at the Egegård School (today Gladsaxe School) festive hall, Gladsaxe, Denmark, on 7 September 1968.Template:Sfn Later that month, they began recording their first album, which was based on their live set. The album was recorded and mixed in nine days, and Page covered the costs.Template:Sfn After the album's completion, the band were forced to change their name after Dreja issued a cease and desist letter, stating that Page was allowed to use the New Yardbirds moniker for the Scandinavian dates only.Template:Sfn One account of how the new band's name was chosen held that Moon and Entwistle had suggested that a supergroup with Page and Beck would go down like a "lead balloon", an idiom for being very unsuccessful or unpopular.Template:Sfn The group dropped the 'a' in lead at the suggestion of Peter Grant, so that those unfamiliar with the term would not pronounce it "leed".Template:Sfn The word "balloon" was replaced by "zeppelin", a word which, according to music journalist Keith Shadwick, brought "the perfect combination of heavy and light, combustibility and grace" to Page's mind.Template:Sfn
Grant secured a $143,000 advance contract ($Template:Inflation today) from Atlantic Records in November 1968—at the time, the biggest deal of its kind for a new band.Template:Sfn Atlantic was a label with a catalogue of mainly blues, soul, and jazz artists, but in the late 1960s, it began to take an interest in British progressive rock acts. At the recommendation of British singer Dusty Springfield, a friend of Jones who at the time was completing her first Atlantic album, Dusty in Memphis, record executives signed Led Zeppelin without having ever seen them.Template:Sfn Under the terms of their contract, the band had autonomy in deciding when they would release albums and tour and had the final say over the contents and design of each album. They would also decide how to promote each release and which tracks to release as singles. They formed their own company, Superhype, to handle all publishing rights.Template:Sfn
Early years: 1968–1970
[edit]Still billed as the New Yardbirds, the band began their first tour of the UK on 4 October 1968, when they played at the Mayfair Ballroom in Newcastle upon Tyne.<ref>Template:Cite book</ref> Their first show as Led Zeppelin was at the University of Surrey in Battersea on 25 October.<ref>Template:Cite web</ref> Tour manager Richard Cole, who would become a major figure in the touring life of the group, organised their first North American tour at the end of the year.Template:SfnTemplate:Refn Their debut album, Led Zeppelin, was released in the US during the tour on 13 January 1969, and peaked at number 10 on the Billboard chart;<ref>Template:Cite web</ref> it was released in the UK, where it peaked at number 6, on 31 March.Template:Sfn According to Steve Erlewine, the album's memorable guitar riffs, lumbering rhythms, psychedelic blues, groovy, bluesy shuffles and hints of English folk music made it "a significant turning point in the evolution of hard rock and heavy metal".Template:Sfn
In their first year, Led Zeppelin completed four US and four UK concert tours, and also released their second album, Led Zeppelin II. Recorded mostly on the road at various North American studios, it was an even greater commercial success than their first album and reached the number one chart position in the US and the UK.Template:Sfn The album further developed the mostly blues-rock musical style established on their debut release, creating a sound that was "heavy and hard, brutal and direct", and which would be highly influential and frequently imitated.Template:Sfn Steve Waksman has suggested that Led Zeppelin II was "the musical starting point for heavy metal".Template:Sfn
The band saw their albums as indivisible, complete listening experiences, disliking the re-editing of existing tracks for release as singles. Grant maintained an aggressive pro-album stance, particularly in the UK, where there were few radio and TV outlets for rock music. Without the band's consent, however, some songs were released as singles, particularly in the US.Template:Sfn In 1969, an edited version of "Whole Lotta Love", a track from their second album, was released as a single in the US. It reached number four in the Billboard chart in January 1970, selling over one million copies and helping to cement the band's popularity.Template:Sfn The group also increasingly shunned television appearances, citing their preference that their fans hear and see them in live concerts.Template:SfnTemplate:Sfn
Following the release of their second album, Led Zeppelin completed several more US tours. They played initially in clubs and ballrooms, and then in larger auditoriums as their popularity grew.Template:Sfn Some early Led Zeppelin concerts lasted more than four hours, with expanded and improvised live versions of their repertoire. Many of these shows have been preserved as bootleg recordings. It was during this period of intensive concert touring that the band developed a reputation for off-stage excess.Template:SfnTemplate:Refn
In 1970, Page and Plant retired to Bron-Yr-Aur, a remote cottage in Wales, to commence work on their third album, Led Zeppelin III.<ref>Template:Cite web</ref> The result was a more acoustic style that was strongly influenced by folk and Celtic music, and showcased the band's versatility. The album's rich acoustic sound initially received mixed reactions, with critics and fans surprised at the turn from the primarily electric arrangements of the first two albums, further fuelling the band's hostility to the musical press.Template:Sfn It reached number one in the UK and US charts, but its stay would be the shortest of their first five albums.Template:Sfn The album's opening track, "Immigrant Song", was released as a US single in November 1970 against the band's wishes, reaching the top twenty on the Billboard chart.Template:Sfn
Page played his 1959 Dragon Telecaster until a friend stripped Page's custom modifications and repainted the guitar.<ref>Template:Citation</ref><ref>Template:Cite web</ref> From 1969 on the mahogany "Number 1" Les Paul has been Page's main guitar.<ref>Template:Citation</ref>
"The Biggest Band in the World": 1970–1975
[edit]During the 1970s, Led Zeppelin reached new heights of commercial and critical success that made them one of the most influential groups of the era, eclipsing their earlier achievements.Template:SfnTemplate:Sfn The band's image also changed as the members began to wear elaborate, flamboyant clothing, with Page taking the lead on the flamboyant appearance by wearing a glittering moon-and-stars outfit. Led Zeppelin changed their show by using things such as lasers, professional light shows and mirror balls.Template:Sfn They began travelling in a private jet airliner, a Boeing 720 (nicknamed the Starship), rented out entire sections of hotels (including the Continental Hyatt House in Los Angeles, known colloquially as the "Riot House"), and became the subject of frequently repeated stories of debauchery. One involved John Bonham riding a motorcycle through a rented floor of the Riot House,Template:Sfn while another involved the destruction of a room in the Tokyo Hilton, leading to the group being banned from that establishment for life.Template:Sfn Although Led Zeppelin developed a reputation for trashing their hotel suites and throwing television sets out of the windows, some suggest that these tales have been exaggerated. According to music journalist Chris Welch, "[Led Zeppelin's] travels spawned many stories, but it was a myth that [they] were constantly engaged in acts of wanton destruction and lewd behaviour".Template:Sfn
Led Zeppelin released their fourth album on 8 November 1971. The album is officially untitled but variously referred to as Led Zeppelin IV, Untitled, IV, or, due to the four symbols appearing on the record label, as Four Symbols, Zoso or Runes.Template:Sfn The band had wanted to release the fourth album with no title or information, in response to the music press "going on about Zeppelin being a hype", but the record company wanted something on the cover, so in discussions, it was agreed to have four symbols to represent both the four members of the band and that it was the fourth album.Template:Sfn With 37 million copies sold, Led Zeppelin IV is one of the best-selling albums in history, and its massive popularity cemented Led Zeppelin's status as superstars in the 1970s.Template:SfnTemplate:Sfn By 2021, it had sold 24 million copies in the United States alone.<ref>Template:Cite web</ref> The track "Stairway to Heaven", never released as a single, was the most requested and most played song on American rock radio in the 1970s.<ref>Template:Cite magazine</ref> The group followed up the album's release with tours of the UK, Australasia, North America, Japan, and the UK again from late 1971 through early 1973.
Led Zeppelin's next album, Houses of the Holy, was released in March 1973. It featured further experimentation by the band, who expanded their use of synthesisers and mellotron orchestration. The predominantly orange album cover, designed by the London-based design group Hipgnosis, depicts images of nude children climbing the Giant's Causeway in Northern Ireland. Although the children are not shown from the front, the cover was controversial at the time of the album's release. As with the band's fourth album, neither their name nor the album title was printed on the sleeve.Template:Sfn
Houses of the Holy topped charts worldwide,Template:Sfn and the band's subsequent concert tour of North America in 1973 broke records for attendance, as they consistently filled large auditoriums and stadiums. At Tampa Stadium in Florida, they played to 56,800 fans, breaking the record set by the Beatles' 1965 Shea Stadium concert and grossing $309,000.Template:Sfn Three sold-out shows at Madison Square Garden in New York City were filmed for a motion picture, but the theatrical release of this project (The Song Remains the Same) was delayed until 1976. Before the final night's performance, $180,000 ($Template:Inflation today) of the band's money from gate receipts was stolen from a safe deposit box at the Drake Hotel.Template:Sfn
In 1974, Led Zeppelin took a break from touring and launched their own record label, Swan Song, named after an unreleased song. The record label's logo is based on a drawing called Evening: Fall of Day (1869) by William Rimmer. The drawing features a figure of a winged human-like being interpreted as either Apollo or Icarus.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>Template:Sfn The logo can be found on Led Zeppelin memorabilia, especially T-shirts. In addition to using Swan Song as a vehicle to promote their own albums, the band expanded the label's roster, signing artists such as Bad Company, the Pretty Things and Maggie Bell.Template:Sfn The label was successful while Led Zeppelin existed, but folded less than three years after they disbanded.Template:Sfn
In 1975, Led Zeppelin's double album Physical Graffiti was their first release on the Swan Song label. It consisted of fifteen songs, of which eight had been recorded at Headley Grange in 1974 and seven had been recorded earlier. A review in Rolling Stone magazine referred to Physical Graffiti as Led Zeppelin's "bid for artistic respectability", adding that the only bands Led Zeppelin had to compete with for the title "The World's Best Rock Band" were the Rolling Stones and the Who.Template:Sfn The album was a massive commercial and critical success. Shortly after the release of Physical Graffiti, all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart,Template:Sfn and the band embarked on another North American tour,Template:Sfn now employing sophisticated sound and lighting systems.Template:Sfn In May 1975, Led Zeppelin played five sold-out nights at the Earls Court Arena in London, at the time the largest arena in Britain.Template:Sfn
Hiatus from touring and return: 1975–1977
[edit]Following their triumphant Earls Court appearances, Led Zeppelin took a holiday and planned an autumn tour in America, scheduled to open with two outdoor dates in San Francisco.Template:Sfn In August 1975, however, Plant and his wife Maureen were involved in a serious car crash while on holiday in Rhodes, Greece. Plant suffered a broken ankle and Maureen was badly injured; a blood transfusion saved her life.Template:Sfn Unable to tour, he headed to the Channel Island of Jersey to spend August and September recuperating, with Bonham and Page in tow. The band then reconvened in Malibu, California. During this forced hiatus, much of the material for their next album, Presence, was written.Template:Sfn
By this time, Led Zeppelin were the world's number one rock attraction,Template:Sfn having outsold most bands of the time, including the Rolling Stones.Template:Sfn Presence, released in March 1976, marked a change in the Led Zeppelin sound towards more straightforward, guitar-based jams, departing from the acoustic ballads and intricate arrangements featured on their previous albums. Though it was a platinum seller, Presence received a mixed reaction among fans and the music press, with some critics suggesting that the band's excesses may have caught up with them.Template:SfnTemplate:Sfn Page had been using heroin regularly since 1975 and relied on it during the rapid recording sessions for the album, a habit which affected the band's later live shows and studio recordings, although he has since denied this.Template:Sfn
Because of Plant's injuries, Led Zeppelin did not tour in 1976. Instead, the band completed the concert film The Song Remains the Same and the accompanying soundtrack album. The film premiered in New York City on 20 October 1976, but was given a lukewarm reception by critics and fans.Template:Sfn The film was particularly unsuccessful in the UK, where, unwilling to tour since 1975 because of their tax exile status, Led Zeppelin faced an uphill battle to recapture the public's affection.Template:Sfn
In 1977, Led Zeppelin embarked on another major concert tour of North America. The band set another attendance record, with an audience of 76,229 at their Silverdome concert on 30 April.Template:Sfn It was, according to the Guinness Book of Records, the largest attendance to that date for a single act show.Template:Sfn Although the tour was financially profitable, it was beset by off-stage problems. On 19 April, over 70 people were arrested as about 1,000 fans tried to gatecrash Cincinnati Riverfront Coliseum for two sold-out concerts, while others tried to gain entry by throwing rocks and bottles through glass doors.Template:Sfn On 3 June, a concert at Tampa Stadium was cut short because of a severe thunderstorm, despite tickets indicating "Rain or Shine". A riot broke out, resulting in arrests and injuries.<ref>Template:Cite web</ref>
After 23 July show at the Day on the Green festival at the Oakland Coliseum in Oakland, California, Bonham and members of Led Zeppelin's support staff were arrested after a member of promoter Bill Graham's staff was badly beaten during the band's performance by Zeppelin manager Peter Grant and one of his security goons, John Bindon.Template:SfnTemplate:Sfn The following day's second Oakland concert was the group's final live appearance in the United States. Two days later, as they checked in at a French Quarter hotel for their 30 July performance at the Louisiana Superdome, Plant received news that his five-year-old son, Karac, had died from a stomach virus. The rest of the tour was immediately cancelled, prompting widespread speculation about Led Zeppelin's future.Template:SfnTemplate:Sfn Template:Clear
Bonham's death and break-up: 1978–1980
[edit]In November 1978, the group recorded at Polar Studios in Stockholm, Sweden. The resulting album, In Through the Out Door, featured sonic experimentation that again drew mixed reactions from critics.Template:Sfn Nevertheless, the album reached number one in the UK and the US in just its second week of release. With this album's release, Led Zeppelin's entire catalogue returned to the Billboard Top 200 in the weeks of 27 October and 3 November 1979.Template:Sfn
In August 1979, after two warm-up shows in Copenhagen, Led Zeppelin headlined two concerts at the Knebworth Music Festival, playing to a crowd of approximately 104,000 on the first night.Template:Sfn A brief, low-key European tour was undertaken in June and July 1980, featuring a stripped-down set without the usual lengthy jams and solos. On 27 June, at a show in Nuremberg, West Germany, the concert came to an abrupt halt in the middle of the third song, when Bonham collapsed onstage and was rushed to hospital.Template:Sfn Speculation in the press suggested that his collapse had been the result of excessive alcohol and drug use, but the band claimed that he had simply overeaten.Template:Sfn
A North American tour, the band's first since 1977, was scheduled to commence on 17 October 1980. On 24 September, Bonham was picked up by Led Zeppelin assistant Rex King to attend rehearsals at Bray Studios.Template:Sfn During the journey, Bonham asked to stop for breakfast, where he downed four quadruple vodkas (from Template:Convert), with a ham roll. After taking a bite of the ham roll he said to his assistant, "breakfast". He continued to drink heavily after arriving at the studio. The rehearsals were halted late that evening and the band retired to Page's house—the Old Mill House in Clewer, Windsor.
After midnight, Bonham, who had fallen asleep, was taken to bed and placed on his side. At 1:45 pm the next day, Benji LeFevre (Led Zeppelin's new tour manager) and John Paul Jones found Bonham dead. The cause of death was asphyxiation from vomit; the finding was accidental death.Template:Sfn<ref name="srapdisbnds">Template:Cite news</ref> An autopsy found no other recreational drugs in Bonham's body. Although he had recently begun to take Motival (a cocktail of the antipsychotic fluphenazine and the tricyclic antidepressant nortriptyline) to combat his anxiety, it is unclear if these substances interacted with the alcohol in his system.Template:Sfn<ref>Template:Cite web</ref> Bonham's remains were cremated and his ashes interred on 12 October 1980, at Rushock parish church, Worcestershire.
The planned North American tour was cancelled, and despite rumours that Cozy Powell, Carmine Appice, Barriemore Barlow, Simon Kirke, Ric Lee or Bev Bevan would join the group as his replacement, the remaining members decided to disband. A 4 December 1980 press statement stated that, "We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."<ref name="srapdisbnds" /> The statement was signed simply "Led Zeppelin".Template:Sfn
Post-breakup
[edit]1980s
[edit]Following Led Zeppelin's dissolution, the first significant musical project by one of its members was the Honeydrippers, which Plant initially formed in 1981. The group, featuring Page on lead guitar, along with studio musicians and friends of the pair, including Jeff Beck, Paul Shaffer, and Nile Rodgers, released its only album in 1984. Plant focused on a different direction from Zeppelin, playing standards and in a more R&B style, highlighted by a cover of "Sea of Love" that peaked at number three on the Billboard chart in early 1985.Template:Sfn
The studio album Coda – a collection of Zeppelin outtakes and unused tracks – was issued in November 1982. It included two tracks from the Royal Albert Hall in 1970, one each from the Led Zeppelin III and Houses of the Holy sessions, and three from the In Through the Out Door sessions. It also featured a 1976 Bonham drum instrumental with electronic effects added by Page, called "Bonzo's Montreux".Template:Sfn
On 13 July 1985, Page, Plant, and Jones reunited for the Live Aid concert at JFK Stadium, Philadelphia, playing a short set featuring drummers Tony Thompson and Phil Collins, and bassist Paul Martinez. Collins had contributed to Plant's first two solo albums while Martinez was a member of Plant's solo band. The performance was marred by a lack of rehearsal with the two drummers, Page's struggles with an out-of-tune guitar, poorly functioning monitors, and Plant's hoarse voice.Template:SfnTemplate:Sfn Page described the performance as "pretty shambolic",<ref>Template:Cite news</ref> while Plant characterised it as an "atrocity".Template:Sfn
The three members reunited again on 14 May 1988, for the Atlantic Records 40th Anniversary concert, with Bonham's son Jason on drums. The result was again disjointed: Plant and Page had argued immediately prior to taking the stage about whether to play "Stairway to Heaven", and Jones' keyboards were absent from the live television feed.Template:SfnTemplate:Sfn Page described the performance as "one big disappointment" and Plant said "the gig was foul".Template:Sfn
1990s
[edit]The first Led Zeppelin box set, featuring tracks remastered under Page's supervision, was released in 1990 and bolstered the band's reputation, leading to abortive discussions among members about a reunion.Template:Sfn This set included four previously unreleased tracks, including a version of Robert Johnson's "Travelling Riverside Blues".Template:Sfn The song peaked at number seven on the Billboard Album Rock Tracks chart.<ref>Template:Cite magazine</ref> Led Zeppelin Boxed Set 2 was released in 1993; the two box sets together contained all known studio recordings, as well as some rare live tracks.Template:Sfn
In 1994, Page and Plant reunited for a 90-minute "UnLedded" MTV project. They later released an album called No Quarter: Jimmy Page and Robert Plant Unledded, which featured some reworked Led Zeppelin songs, and embarked on a world tour the following year. This is said to be the beginning of a rift between the band members, as Jones was not even told of the reunion.Template:Sfn
In 1995, Led Zeppelin were inducted into the United States Rock and Roll Hall of Fame by Steven Tyler and Joe Perry of Aerosmith. Jason and Zoë Bonham also attended, representing their late father.Template:Sfn At the induction ceremony, the band's inner rift became apparent when Jones joked upon accepting his award, "Thank you, my friends, for finally remembering my phone number", causing consternation and awkward looks from Page and Plant.Template:Sfn Afterwards, they played one brief set with Tyler and Perry, with Jason Bonham on drums, and then a second with Neil Young, this time with Michael Lee playing the drums.Template:Sfn
In 1997, Atlantic released a single edit of "Whole Lotta Love" in the US and the UK, the only single the band released in their homeland, where it peaked at number 21.Template:Sfn November 1997 saw the release of Led Zeppelin BBC Sessions, a two-disc set largely recorded in 1969 and 1971.Template:Sfn Page and Plant released another album called Walking into Clarksdale in 1998, featuring all new material, but after disappointing sales, the partnership dissolved before a planned Australian tour.Template:Sfn
2000s
[edit]The year 2003 saw the release of the triple live album How the West Was Won, and Led Zeppelin DVD, a six-hour chronological set of live footage that became the best-selling music DVD in history.Template:Sfn In July 2007, Atlantic/Rhino and Warner Home Video announced three Zeppelin titles to be released that November: Mothership, a 24-track best-of spanning the band's career; a reissue of the soundtrack The Song Remains the Same, including previously unreleased material; and a new DVD.Template:Sfn Zeppelin also made their catalogue legally available for download,<ref>Template:Cite news</ref> becoming one of the last major rock bands to do so.Template:Sfn
On 10 December 2007, Zeppelin reunited for the Ahmet Ertegun Tribute Concert at the O2 Arena in London, with Jason Bonham again taking his father's place on drums. According to Guinness World Records 2009, the show set a record for the "Highest Demand for Tickets for One Music Concert" as 20 million requests were submitted online.<ref>Template:Cite news</ref> Critics praised the performanceTemplate:Sfn and there was widespread speculation about a full reunion.Template:Sfn Page, Jones and Jason Bonham were reported to be willing to tour and to be working on material for a new Zeppelin project.<ref>Template:Cite news</ref> Plant continued his touring commitments with Alison Krauss,Template:Sfn stating in September 2008 that he would not record or tour with the band.<ref>Template:Cite web</ref>Template:Sfn "I told them I was busy and they'd simply have to wait," he recalled in 2014. "I would come around eventually, which they were fine with – at least to my knowledge. But it turns out they weren't. And what's even more disheartening, Jimmy used it against me."Template:Sfn
Jones and Page reportedly looked for a replacement for Plant; candidates including Steven Tyler of Aerosmith, and Myles Kennedy of Alter Bridge.Template:Sfn However, in January 2009, it was confirmed that the project had been abandoned.Template:Sfn "Getting the opportunity to play with Jimmy Page, John Paul Jones and Jason Bonham was pretty special," Kennedy recalled. "That is pretty much the zenith right there. That was a crazy, good experience. It's something I still think of often ... It's so precious to me."Template:Sfn
2010s
[edit]A film of the O2 performance, Celebration Day, premiered on 17 October 2012 and was released on DVD on 19 November.Template:Sfn The film grossed $2 million in one night, and the live album peaked at number 4 and 9 in the UK and US, respectively.Template:Sfn Following the film's premiere, Page revealed that he had been remastering the band's discography.Template:Sfn The first wave of albums, Led Zeppelin, Led Zeppelin II, and Led Zeppelin III, were released on 2 June 2014.<ref>Template:Cite web</ref> The second wave of albums, Led Zeppelin IV and Houses of the Holy, were released on 27 October 2014.<ref>Template:Cite web</ref> Physical Graffiti was released on 23 February 2015, almost exactly forty years to the day after the original release.<ref>Template:Cite web</ref> The fourth and final wave of studio album reissues, Presence, In Through the Out Door, and Coda, were released on 31 July 2015.Template:Sfn
Through this remastering project, each studio album was reissued on CD and vinyl and was also available in a Deluxe Edition, which contained a bonus disc of previously unheard material (CodaTemplate:'s Deluxe Edition would include two bonus discs). Each album was also available in a Super Deluxe Edition Box Set, which included the remastered album and bonus disc on both CD and 180-gram vinyl, a high-definition audio download card of all content at 96 kHz/24 bit, a hardbound book filled with rare and previously unseen photos and memorabilia, and a high-quality print of the original album cover.<ref>Template:Cite web</ref>
On 6 November 2015, the Mothership compilation was reissued using the band's newly remastered audio tracks.<ref>Template:Cite web</ref> The reissuing campaign continued the next year with the re-release of BBC Sessions on 16 September 2016. The reissue contained a bonus disc with nine unreleased BBC recordings, including the heavily bootlegged but never officially released "Sunshine Woman".<ref>Template:Cite web</ref>
To commemorate the band's 50th anniversary, Page, Plant and Jones announced an official illustrated book celebrating 50 years since the formation of the band.<ref>Template:Cite web</ref> Also released for the celebration was a reissue of How the West Was Won on 23 March 2018, which includes the album's first pressing on vinyl.<ref>Template:Cite web</ref> For Record Store Day on 21 April 2018, Led Zeppelin released a 7" single "Rock and Roll" (Sunset Sound Mix)/"Friends" (Olympic Studio Mix), their first single in 21 years.<ref>Template:Cite news</ref>
2020s
[edit]In October 2020, Page released a photo collection called Jimmy Page: The Anthology, confirming a band documentary for the band's 50th anniversary.Template:Sfn A work-in-progress version of the documentary film Becoming Led Zeppelin was screened at the Venice Film Festival in 2021.<ref>Template:Cite magazine</ref> It is the first time band members have agreed to participate in a biographical documentary.<ref>Template:Cite news</ref> It was announced the film would premiere in IMAX in the United States on 7 February 2025.<ref>Template:Cite web</ref>
Artistry
[edit]Led Zeppelin's music was rooted in the blues.Template:Sfn The influence of American blues artists such as Muddy Waters and Skip James was particularly apparent on their first two albums, as was the distinct country blues style of Howlin' Wolf.Template:Sfn There were tracks structured around the twelve-bar blues on every studio album except for one, and the blues directly and indirectly influenced other songs both musically and lyrically.Template:Sfn The band were also strongly influenced by the music of the British, Celtic, and American folk revivals.Template:Sfn Scottish folk guitarist Bert Jansch helped inspire Page, and from him he adapted open tunings and aggressive strokes into his playing.Template:Sfn The band also drew on a wide variety of genres, including world music,Template:Sfn and elements of early rock and roll, jazz, country, funk, soul, and reggae, particularly on Houses of the Holy and the albums that followed.Template:Sfn
The material on the first two albums was largely constructed out of extended jams of blues standardsTemplate:Sfn and folk songs.Template:SfnTemplate:Sfn Page recounted the process, saying "We didn’t over-rehearse things. We just had them so that they were just right, so that there was this tension – maybe there might be a mistake. But there won’t be, because this is how we’re all going to do it and it’s gonna work!"<ref>Template:Cite web</ref> This method led to musical and lyrical elements from different songs and versions, as well as improvised passages, being mixed together to create new material—which would also lead to later accusations of plagiarism and legal disputes over copyright.Template:Sfn Usually the music was developed first, sometimes with improvised lyrics that might then be rewritten for the final version of the song.Template:Sfn From the visit to Bron-Yr-Aur in 1970, the songwriting partnership between Page and Plant became predominant, with Page supplying the music, largely via his acoustic guitar, and Plant emerging as the band's chief lyricist. Jones and Bonham then added to the material, in rehearsal or in the studio, as a song was developed.Template:Sfn In the later stages of the band's career, Page took a back seat in composition and Jones became increasingly important in producing music, often composed on the keyboard. Plant then added lyrics before Page and Bonham developed their parts.Template:SfnTemplate:Sfn
Early lyrics drew on the band's blues and folk roots, often mixing lyrical fragments from different songs.Template:Sfn Many of the band's songs dealt with themes of romance, unrequited love and sexual conquest, which were common in rock, pop and blues music.Template:Sfn Some of their lyrics, especially those derived from the blues, have been interpreted as misogynistic.Template:Sfn Particularly on Led Zeppelin III, they incorporated elements of mythology and mysticism into their music,Template:Sfn which largely grew out of Plant's interest in legends and history.Template:Sfn These elements were often taken to reflect Page's interest in the occult, which resulted in accusations that the recordings contained subliminal satanic messages, some of which were said to be contained in backmasking; these claims were generally dismissed by the band and music critics.Template:Sfn The pastoral fantasies in Plant's songwriting were inspired by the landscape of the Black Country region and J. R. R. Tolkien's high fantasy novel The Lord of the Rings.Template:Sfn Susan Fast argues that as Plant emerged as the band's main lyricist, the songs more obviously reflected his alignment with the West Coast counterculture of the 1960s.Template:Sfn In the later part of the band's career Plant's lyrics became more autobiographical, and less optimistic, drawing on his own experiences and circumstances.Template:Sfn
According to musicologist Robert Walser, "Led Zeppelin's sound was marked by speed and power, unusual rhythmic patterns, contrasting terraced dynamics, singer Robert Plant's wailing vocals, and guitarist Jimmy Page's heavily distorted crunch".Template:Sfn These elements mean that they are often cited as one of the originators of hard rockTemplate:Sfn and heavy metalTemplate:Sfn<ref>Template:Cite magazine</ref> and they have been described as the "definitive heavy metal band",Template:Sfn although the band members have often eschewed the label.Template:Sfn Led Zeppelin, together with Deep Purple and Black Sabbath, have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid- seventies".Template:Sfn Part of this reputation depends on the band's use of distorted guitar riffs on songs like "Whole Lotta Love" and "The Wanton Song".Template:SfnTemplate:Sfn Often riffs were not doubled by guitar, bass and drums exactly, but instead there were melodic or rhythmic variations.Template:Sfn Page's guitar playing incorporated elements of the blues scale with those of eastern music.Template:Sfn Plant's use of high-pitched shrieks has been compared to Janis Joplin's vocal technique.Template:SfnTemplate:Sfn Robert Christgau found him integral to the group's heavy "power blues" aesthetic, functioning as a "mechanical effect" similarly to Page's guitar parts. While noting Plant "hints at real feeling" on some of their acoustic songs, Christgau believed he abandoned traditional blues singing's emphasis on emotional projection in favour of vocal precision and dynamics: "Whether he is mouthing sexist blues cliches or running through one of the band's half-audible, half-comprehensible ... lyrics about chivalry or the counter-culture, his voice is devoid of feeling. Like the tenors and baritones of yore, he wants his voice to be an instrument—specifically, an electric guitar."Template:Sfn Bonham's drumming was noted for its power, his rapid rolls and his fast beats on a single bass drum; while Jones' basslines have been described as melodic and his keyboard playing added a classical touch to the band's sound.Template:SfnTemplate:Sfn
Led Zeppelin have been widely viewed as a hard rock band, although Christgau regarded them as art rock as well.Template:Sfn According to popular music scholar Reebee Garofalo, "because hip critics could not find a constructive way of positioning themselves in relation to Led Zeppelin's ultra-macho presentation, they were excluded from the art rock category despite their broad range of influences."Template:Sfn Christgau wrote in 1972, the band could be considered art rock because they "relate to rock and roll not organically but intellectually", idealising the "amplified beat" as "a kind of formal challenge". Unlike their contemporaries in Jethro Tull and Yes, who use "the physical compulsion of beat and volume to involve the mind", Led Zeppelin "make body music of an oddly cerebral cast, arousing aggression rather than sexuality." As such, along with other second-generation English hard rock bands like Black Sabbath and Mott the Hoople, they can attract both intellectuals and working-class youths in "a strange potential double audience."Template:Sfn Years later, In Through the Out DoorTemplate:'s "tuneful synthesizer pomp" further confirmed for Christgau they were an art rock band.Template:Sfn
Page stated that he wanted Led Zeppelin to produce music that had "light and shade", and held the belief that instrumentation could be used to "set the scene."<ref>Template:Cite book</ref> This began to be more clearly realised beginning with Led Zeppelin III, which made greater use of acoustic instruments.Template:Sfn This approach has been seen as exemplified in the fourth album, particularly on "Stairway to Heaven", which begins with acoustic guitar and recorder and ends with drums and heavy electric sounds.Template:SfnTemplate:Sfn Page was quoted saying, "The music is lyrical without lyrics. The lyrics are telling a story and they're conveying a situation or a person or a reflection or an observation, and the construction of the music I felt was doing the same sort of thing. It was lyrical in the way it was being played."<ref>Template:Cite book</ref> Towards the end of their recording career, they moved to a more mellow and progressive sound, dominated by Jones' keyboard motifs.Template:Sfn They also increasingly made use of various layering and production techniques, including multi-tracking and overdubbed guitar parts.Template:Sfn Their emphasis on the sense of dynamics and ensemble arrangementTemplate:Sfn has been seen as producing an individualistic style that transcends any single music genre.Template:SfnTemplate:Sfn Ian Peddie argues that they were "... loud, powerful and often heavy, but their music was also humorous, self-reflective and extremely subtle".Template:Sfn Page stated that the band's albums were intended to be taken as a whole. He was quoted saying, "We were crafting albums for the album market. It was important, I felt, to have the flow and the rise and fall of the music and the contrast, so that each song would have more impact against the other."<ref>Template:Cite web</ref>
Legacy
[edit]Led Zeppelin is widely regarded as one of the most successful, innovative, and influential bands in the history of rock music.Template:Sfn Rock critic Mikal Gilmore said, "Led Zeppelin—talented, complex, grasping, beautiful and dangerous—made one of the most enduring bodies of composition and performance in twentieth-century music, despite everything they had to overpower, including themselves".Template:Sfn
Led Zeppelin have influenced hard rock and heavy metal bands such as Deep Purple,Template:Sfn Black Sabbath,<ref>Template:Cite web</ref> Rush,Template:Sfn Queen,Template:Sfn Scorpions,Template:Sfn Aerosmith,<ref>Template:Cite web</ref> the Black Crowes,<ref name="The Black Crowes">Template:Cite web</ref> and MegadethTemplate:Sfn as well as progressive metal bands like ToolTemplate:Sfn and Dream Theater.Template:Sfn Jeff Mezydlo of Yardbarker wrote, "While Black Sabbath and Deep Purple also influenced a hard, guitar-driven sound that opened the door for the heavy metal movement, Zeppelin did it better than anybody."<ref>Template:Cite web</ref> The band also influenced some early punk and post-punk bands, among them the Ramones,Template:Sfn Joy DivisionTemplate:SfnTemplate:Sfn and the Cult.Template:Sfn They were also an important influence on the development of alternative rock, as bands adapted elements from the "Zeppelin sound" of the mid-1970s,Template:SfnTemplate:Sfn including the Smashing Pumpkins,Template:SfnTemplate:Sfn Nirvana,Template:Sfn Pearl Jam,Template:Sfn and Soundgarden.Template:Sfn Bands and artists from diverse genres have acknowledged the influence of Led Zeppelin, such as Madonna,<ref>Template:Cite news</ref> Shakira,Template:Sfn Lady Gaga,Template:Sfn Kesha,Template:Sfn and Katie Melua.Template:Sfn
Led Zeppelin have been credited with a major impact on the nature of the music business, particularly in the development of album-oriented rock (AOR) and stadium rock.Template:SfnTemplate:Sfn In 1988 John Kalodner, then-A&R executive of Geffen Records, remarked: "Next to the Beatles they're the most influential band in history. They influence the way music is on records, AOR radio, concerts. They set the standards for the AOR-radio format with 'Stairway to Heaven,' having AOR hits without necessarily having Top 40 hits. They're the ones who did the first real big arena concert shows, consistently selling out and playing stadiums without support. People can do as well as them, but nobody surpasses them."Template:Sfn Andrew Loog Oldham, the former producer and manager of the Rolling Stones, commented on how Led Zeppelin had a major influence on the record business, and the way rock concerts were managed and presented to huge audiences.Template:Sfn In 2007, they were a featured artist in the stadium rock episode of the BBC/VH1 series Seven Ages of Rock.<ref>Template:Cite news</ref>
The band have sold over 200 million albums worldwide according to some sources,Template:SfnTemplate:Sfn while others state that they have sold in excess of 300 million records,Template:Sfn including 111.5 million certified units in the United States. According to the Recording Industry Association of America, Led Zeppelin are the third-highest-selling band, the fifth highest selling music act in the US, and one of only four acts to earn five or more Diamond albums.<ref>Template:Cite web</ref> They achieved eight consecutive number-ones on the UK Albums Chart, a record for most consecutive UK number-one albums shared with ABBA.Template:Sfn Led Zeppelin remain one of the most bootlegged artists in the history of rock music.Template:Sfn
Led Zeppelin also made a significant cultural impact. Jim Miller, editor of Rolling Stone Illustrated History of Rock & Roll, argues that "on one level, Led Zeppelin represents the final flowering of the sixties' psychedelic ethic, which casts rock as passive sensory involvement".Template:Sfn Led Zeppelin have also been described as "the quintessential purveyors"Template:Sfn of masculine and aggressive "cock rock", although this assertion has been challenged.Template:Sfn The band's fashion-sense has been seminal; Simeon Lipman, head of pop culture at Christie's auction house, has commented that "Led Zeppelin have had a big influence on fashion because the whole aura surrounding them is so cool, and people want a piece of that".Template:Sfn Led Zeppelin laid the foundation for the big hair of the 1980s glam metal bands such as Mötley Crüe and Skid Row.Template:Sfn Other musicians have also adapted elements from Led Zeppelin's attitude to clothes, jewellery and hair, such as the hipster flares and tight band T-shirts of Kings of Leon, shaggy hair, clingy T-shirts and bluesman hair of Jack White of the White Stripes, and Kasabian guitarist Sergio Pizzorno's silk scarves, trilbies and side-laced tight jeans.Template:Sfn
Achievements
[edit]Led Zeppelin have collected many honours and awards throughout the course of their career. They were inducted into the Rock and Roll Hall of Fame in 1995,Template:Sfn and the UK Music Hall of Fame in 2006.<ref>Template:Cite news</ref> Among the band's awards are an American Music Award in 2005, and the Polar Music Prize in 2006.<ref>Template:Cite news</ref> Led Zeppelin were the recipient of a Grammy Lifetime Achievement Award in 2005,<ref>Template:Cite news</ref> and four of their recordings have been inducted into the Grammy Hall of Fame.<ref>Template:Cite web</ref> They have been awarded five Diamond albums, as well as fourteen Multi-Platinum, four Platinum and one Gold album in the United States,<ref>Template:Cite web</ref> while in the UK they have five Multi-Platinum, six Platinum, one Gold and four Silver albums.<ref>Template:Cite web</ref> Rolling Stone named Led Zeppelin the 14th-greatest artist of all time in 2004.Template:Sfn
In 2003, Rolling StoneTemplate:'s 500 Greatest Albums of All Time list included Led Zeppelin at number 29,<ref>Template:Cite news</ref> Led Zeppelin IV at number 66,<ref>Template:Cite news</ref> Physical Graffiti at number 70,<ref>Template:Cite news</ref> Led Zeppelin II at number 75,<ref>Template:Cite magazine</ref> and Houses of the Holy at number 149.<ref>Template:Cite magazine</ref> And in 2004, on their 500 Greatest Songs of All Time list, Rolling Stone included "Stairway to Heaven" at number 31, "Whole Lotta Love" at number 75,<ref>Template:Cite web</ref> "Kashmir" at number 140,<ref>Template:Cite web</ref> "Black Dog" at number 294,<ref>Template:Cite web</ref> "Heartbreaker" at number 320,<ref>Template:Cite web</ref> and "Ramble On" at number 433.<ref>Template:Cite web</ref>
In 2005, Page was appointed an Officer of the Order of the British Empire in recognition of his charity work, and in 2009 Plant was honoured as a Commander of the Order of the British Empire for his services to popular music.Template:Sfn The band are ranked number one on VH1's 100 Greatest Artists of Hard Rock<ref>Template:Cite web</ref> and Classic RockTemplate:'s "50 best live acts of all time".<ref>Template:Cite magazine</ref> They were named as the best Rock band in a poll by BBC Radio 2.<ref>Template:Cite news</ref> They were awarded an Ivor Novello Award for "Outstanding Contribution to British Music" in 1977,<ref>Template:Cite magazine</ref> as well as a "Lifetime Achievement Award" at the 42nd Annual Ivor Novello awards ceremony in 1997.Template:Sfn The band were honoured at the 2008 MOJO Awards with the "Best Live Act" prize for their one-off reunion, and were described as the "greatest rock and roll band of all time".<ref>Template:Cite web</ref> In 2010, Led Zeppelin IV was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail; they were unveiled by Jimmy Page.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Led Zeppelin were named as 2012 recipients of the Kennedy Center Honors.Template:Sfn
Band members
[edit]- Robert Plant – vocals, harmonica (1968–1980, 1985, 1988, 1995, 2007)
- Jimmy Page – guitars (1968–1980, 1985, 1988, 1995, 2007)
- John Paul Jones – bass, keyboards (1968–1980, 1985, 1988, 1995, 2007)
- John Bonham – drums, percussion (1968–1980; died 1980)
Guest musicians post-breakup
- Tony Thompson – drums (1985; died 2003)
- Phil Collins – drums (1985)
- Paul Martinez – bass (1985; died 2024)
- Jason Bonham – drums, percussion, backing vocals (1988, 1995, 2007)
- Michael Lee – drums (1995; died 2008)
Discography
[edit]- Led Zeppelin (1969)
- Led Zeppelin II (1969)
- Led Zeppelin III (1970)
- Untitled album (1971) (commonly known as Led Zeppelin IV)
- Houses of the Holy (1973)
- Physical Graffiti (1975)
- Presence (1976)
- In Through the Out Door (1979)
- Coda (1982)
See also
[edit]- List of cover versions of Led Zeppelin songs
- List of Led Zeppelin songs written or inspired by others
Notes
[edit]References
[edit]Bibliography
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Further reading
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External links
[edit]- Template:Official website
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