Queen (band)
Template:Short description Template:Pp-vandalism Template:Pp-move Template:Use British English Template:Use dmy dates Template:Infobox musical artist Queen are a British rock band formed in London in 1970 by Freddie Mercury (lead vocals, piano), Brian May (guitar, vocals), and Roger Taylor (drums, vocals), later joined by John Deacon (bass). Their earliest works were influenced by progressive rock, hard rock and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock.
Before forming Queen, May and Taylor had played together in the band Smile. Mercury was a fan of Smile and encouraged them to experiment with more elaborate stage and recording techniques. He joined in 1970 and suggested the name "Queen". Deacon was recruited in February 1971, before the band released their self-titled debut album in 1973. Queen first charted in the UK with their second album, Queen II, in 1974. Sheer Heart Attack later that year and A Night at the Opera in 1975 brought them international success. The latter featured "Bohemian Rhapsody", which topped the UK singles chart for nine weeks and helped popularise the music video format. The band's 1977 album News of the World contained "We Will Rock You" and "We Are the Champions", which have become anthems at sporting events. By the early 1980s, Queen were one of the biggest stadium rock bands in the world. "Another One Bites the Dust" from The Game (1980) became their best-selling single, and their 1981 compilation album Greatest Hits is the best-selling album in the UK and is certified 9x Platinum in the US by the Recording Industry Association of America (RIAA). Their performance at the 1985 Live Aid concert is ranked among the greatest in rock history by various publications. In August 1986, Mercury gave his last performance with Queen at Knebworth, England.
Mercury was diagnosed with AIDS in 1987. The band released two more albums, The Miracle in 1989 and Innuendo in 1991. On 23 November 1991, Mercury publicly revealed his AIDS diagnosis, and the next day died of bronchopneumonia, a complication of AIDS. One more album was released featuring Mercury's vocals, 1995's Made in Heaven. Deacon retired in 1997, while May and Taylor continued to make sporadic appearances together. Since 2004, they have toured as "Queen +", with vocalists Paul Rodgers and Adam Lambert.
Queen have been a global presence in popular culture for more than half a century. Estimates of their record sales range from 250 million to 300 million, making them one of the world's best-selling music artists. In 1990, Queen received the Brit Award for Outstanding Contribution to British Music. They were inducted into the Rock and Roll Hall of Fame in 2001, and with each member having composed hit singles, all four were inducted into the Songwriters Hall of Fame in 2003. In 2005, they received the Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors. In 2018, they were presented the Grammy Lifetime Achievement Award, and they were awarded the Polar Music Prize in 2025.
History
[edit]1968–1971: Foundations
[edit]The founding members of Queen met in west London during the late 1960s. Guitarist Brian May had built his own guitar with his father in 1963, and formed the group 1984 (named after Orwell's novel) the following year with singer Tim Staffell.Template:Sfn May left the group in early 1968 to focus on his degree in Physics and Infrared Astronomy at Imperial College and find a group that could write original material.Template:Sfn He formed the group Smile with Staffell (now playing bass) and keyboardist Chris Smith.Template:Sfn To complete the line-up, May placed an advertisement on a college notice board for a "Mitch Mitchell/Ginger Baker type" drummer; Roger Taylor, a young dental student, auditioned and got the job.Template:Sfn Smith left the group in early 1969, immediately before a gig at the Royal Albert Hall with Free and the Bonzo Dog Doo-Dah Band.Template:Sfn
While attending Ealing Art College in west London, Staffell became friends with fellow student Farrokh "Freddie" Bulsara, who was from Zanzibar and of Indian Parsi descent.Template:Sfn<ref>Template:Cite news</ref> Bulsara had studied fashion design for a year before switching to graphic art and design,Template:Sfn and soon became a keen fan of Smile. He asked if he could join the group as lead singer, but May felt Staffell would not give up that role.Template:Sfn He also ran a stall in Kensington Market with Taylor.Template:Sfn
In 1970, Staffell quit Smile, feeling his interests in soul and R&B clashed with the group's hard rock sound and being fed up with the lack of success. He formed the group Humpy Bong with former Bee Gees drummer Colin Petersen.Template:Sfn The remaining members accepted Bulsara as lead singer, and recruited Taylor's friend Mike Grose as bassist. The four played their first gig at a fundraising event in Truro on 27 June 1970.Template:Sfn Bulsara suggested the group should be renamed to "Queen". The others were uncertain at first, but he said, "it's wonderful, dear, people will love it".Template:Sfn At the same time, he decided to change his surname to Mercury, inspired by the line "Mother Mercury, look what they've done to me" in the song "My Fairy King".Template:Sfn The group played their first London gig on 18 July.<ref>Template:Cite news</ref> The early set consisted of material that later appeared on the first two albums, along with various rock and roll covers, such as Cliff Richard and the Shadows' "Please Don't Tease". They attracted the attention of producer John Anthony, who was interested in the group's sound but thought they had the wrong bass player.Template:Sfn After three live gigs, Mike Grose decided not to continue with the band and was replaced by Barry Mitchell (ex Crushed Butler). Mitchell played thirteen gigs with Queen between August 1970 and January 1971.Template:Sfn In turn, Mitchell left in January 1971 and was replaced by Doug Bogie for two live gigs.Template:Sfn
1971–1974: Queen and Queen II
[edit]In February 1971, John Deacon joined Queen. In addition to being an experienced bassist, his quiet demeanour complemented the band, and he was skilled in electronics.Template:Sfn On 2 July, Queen played their first show with the classic line-up of Mercury, May, Taylor and Deacon at a Surrey college outside London.Template:Sfn May called Terry Yeadon, an engineer at Pye Studios where Smile had recorded, to see if he knew anywhere where Queen could go. Yeadon had since moved to De Lane Lea Studios' new premises in Wembley, and they needed a group to test out the equipment and recording rooms. He tried asking the Kinks but couldn't get hold of them. Therefore, he told Queen they could record some demos in exchange for the studio's acoustic tests.Template:Sfn They recorded five of their own songs, "Liar", "Keep Yourself Alive", "Great King Rat", "The Night Comes Down" and "Jesus". During the recording, producers John Anthony and Roy Thomas Baker visited the band. The two were taken with "Keep Yourself Alive" and began promoting the band to several record companies.Template:Sfn
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Promoter Ken Testi managed to attract the interest of Charisma Records, who offered Queen an advance of around £25,000, but the group turned them down as they realised the label would promote Genesis as a priority. Testi then entered discussions with Trident Studios' Norman Sheffield, who offered the band a management deal under Neptune Productions, a subsidiary of Trident, to manage the band and enable them to use their facilities, while the management searched for a deal. This suited both parties, as Trident were expanding into management, and under the deal, Queen were able to make use of the hi-tech recording facilities used by signed musicians.Template:Sfn Taylor later described these early off-peak studio hours as "gold dust".<ref name=":0">Template:Cite web</ref>
Queen began 1972 with a gig at Bedford College, London where only six people turned up. After a few more shows, they stopped live performances for eight months to work on the album with Anthony and Baker.Template:Sfn During the sessions at Trident, they saw David Bowie with the Spiders from Mars live and realised they needed to make an impact with the album, otherwise they would be left behind.Template:Sfn Co-producers Anthony and Baker initially clashed with the band (May in particular) on the direction of the album, bringing the band's inexperience in the studio to bear.Template:Sfn The band's fighting centered around their efforts to integrate technical perfection with the reality of live performances, leading to what Baker referred to as "kitchen sink overproduction".<ref>Template:Cite book</ref> The resulting album was a mix of heavy metal and progressive rock.Template:Sfn The group were unhappy with the re-recording of "The Night Comes Down", so the finished album uses the De Lane Lea demo. Another track, "Mad the Swine" was dropped from the running order after the band and Baker could not agree on a mix.Template:Sfn Mike Stone created the final mix for "Keep Yourself Alive", and he went on to work on several other Queen albums.Template:Sfn By January 1972, the band finished recording their debut album, but had yet to secure a record contract.Template:Sfn In order to attract record company interest, Trident booked a "showcase" gig on 6 November at The Pheasantry, followed by a show at the Marquee Club on 20 December.Template:Sfn
Queen promoted the unreleased album in February 1973 on BBC Radio 1, still unsigned. The following month, Trident managed to strike a deal with EMI Records. "Keep Yourself Alive" was released as a single on 6 July, with the album Queen appearing a week later. The front cover showed a shot of Mercury live on stage taken by Taylor's friend Douglass Puddifoot. Deacon was credited as "Deacon John" while Taylor used his full name, Roger Meddows-Taylor.Template:Sfn The album was received well by critics; Gordon Fletcher of Rolling Stone called it "superb",<ref name=RS1 /> and Chicago's Daily Herald called it an "above-average debut".<ref>Template:Cite news</ref> However, it drew little mainstream attention, and "Keep Yourself Alive" sold poorly. Retrospectively, it is cited as the album's highlight, and in 2008 Rolling Stone ranked it 31st in the "100 Greatest Guitar Songs of All Time", describing it as "an entire album's worth of riffs crammed into a single song".<ref>Template:Cite magazine</ref> The album was certified gold in the UK and the US.<ref name="bhsa" /><ref name="RIAAC" />
Template:Listen The group began to record their second album, Queen II in August 1973. Now able to use regular studio time, they decided to make full use of the facilities available. May created a multi-layer guitar introduction "Procession", while Mercury wrote "The Fairy Feller's Master Stroke" based on the painting of the same name by Richard Dadd.Template:Sfn The group spent the remainder of the year touring the UK, supporting Mott the Hoople, and began to attract an audience.Template:Sfn The tour ended with two shows at the Hammersmith Odeon on 14 December, playing to 7,000 people.Template:Sfn
In January 1974, Queen played the Sunbury Pop Festival in Australia. They arrived late, and were jeered and taunted by the audience who expected to see home grown acts. Before leaving, Mercury announced, "when we come back to Australia, Queen will be the biggest band in the world!"Template:SfnTemplate:Sfn Queen II was released in March, and features Mick Rock's iconic Dietrich-inspired image of the band on the cover.Template:Sfn This image would later be used as the basis for "Bohemian Rhapsody" music video production.<ref name="cover">Template:Cite news</ref>Template:Refn The album reached number five on the British album chart and became the first Queen album to chart in the UK. The Mercury-written lead single "Seven Seas of Rhye" reached number 10 in the UK, giving the band their first hit.Template:Sfn The album featured a 'layered' sound which would become their signature, and features long complex instrumental passages, fantasy-themed lyrics, and instrumental virtuosity.Template:Sfn<ref name="Erlewine Queen II">Template:Cite web</ref> Aside from its only single, the album also included the song "The March of the Black Queen", a six-minute epic which lacks a chorus.<ref>Template:Cite web</ref> Critical reaction was mixed; the Winnipeg Free Press, while praising the band's debut album, described Queen II as an "over-produced monstrosity".<ref>Template:Cite web</ref> AllMusic has described the album as a favourite among the band's hardcore fans,<ref>Template:Cite web</ref> and it is the first of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.<ref name="1001albums"/> The group ended their early 1974 UK tour with a show at the Rainbow Theatre on 31 March. Mercury chose to a wear a Zandra Rhodes-designed tunic for the gig, changing into a slashed black top midway through the show.Template:Sfn
1974–1976: Sheer Heart Attack to A Night at the Opera
[edit]In May 1974, a month into the band's first US tour opening for Mott the Hoople, May collapsed and was diagnosed with hepatitis, forcing the cancellation of their remaining dates.Template:Sfn May was still absent when the band started work on their third album, but he returned midway through the recording process.Template:Sfn Released in 1974, Sheer Heart Attack reached number two in the UK,<ref>Template:Cite web</ref> sold well throughout Europe, and went gold in the US.<ref name=RIAAC/> It gave the band their first real experience of international success, and was a hit on both sides of the Atlantic.<ref>Template:Cite web</ref> The album experimented with a variety of musical genres, including British music hall, heavy metal, ballads, ragtime, and Caribbean. May's "Now I'm Here" documented the group's curtailed American tour, and "Brighton Rock" served as a vehicle for his regular on-stage solo guitar spot. Deacon wrote his first song for the group, "Misfire", while the live favourite "Stone Cold Crazy" was credited to the whole band. Mercury wrote the closing number, "In the Lap of the Gods", with the intention that the audience could sing along to the chorus when played live. This would be repeated later on, more successfully, in songs such as "We Are the Champions.Template:Sfn
The single "Killer Queen" was written by Mercury about a high-class prostitute.Template:Sfn It reached number two on the British charts,<ref name="bhsa"/> and became their first US hit, reaching number 12 on the Billboard Hot 100.<ref name="bbtfh">Template:Cite book</ref> The song was partly recorded at Rockfield Studios in Wales.<ref>Template:Cite book</ref> With Mercury playing the grand piano, it combines camp, vaudeville, and British music hall with May's guitar. "Now I'm Here" was released as the second single, reached number eleven.<ref name="Jones BBC">Template:Cite web</ref> In 2006, Classic Rock ranked Sheer Heart Attack number 28 in "The 100 Greatest British Rock Albums Ever",<ref>Template:Cite web</ref> and in 2007, Mojo ranked it No.88 in "The 100 Records That Changed the World".<ref>Mojo, June 2007, "The 100 Records That Changed the World"</ref> It is also the second of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.<ref name="1001albums"/>
In January 1975, Queen left for a world tour with an upgraded light show. They toured the US as headliners, and played in Canada for the first time.Template:Sfn Several dates were cancelled after Mercury contracted laryngitis.Template:Sfn The band then toured Japan from mid-April to the beginning of May. They were greeted by thousands of screaming fans, and played eight times in seven cities.Template:SfnTemplate:Sfn Despite the success, Queen were still tied to the original Trident deal and wages. They were all living in relative poverty in bedsits, and Deacon was refused money for a deposit on a house. EMI contacted lawyer Jim Beach, who tried to find a way of extracting them from their contract. Trident complained that they had invested £200,000 in Queen and wanted their money back first.Template:Sfn In August, after an acrimonious split with Trident, the band negotiated themselves out of their contract and searched for new management.Template:Sfn One of the options they considered was an offer from Led Zeppelin's manager, Peter Grant, who wanted them to sign with Led Zeppelin's own production company, Swan Song Records. The band were concerned about being a lower priority than Zeppelin and Bad Company (also signed to Swan Song) and instead contacted Elton John's manager, John Reid, who accepted the position.Template:SfnTemplate:Sfn Reid's first instruction to the band was "I'll take care of the business; you make the best record you can".Template:Sfn
Queen started work on their fourth album A Night at the Opera, taking its name from the popular Marx Brothers movie. At the time, it was the most expensive album ever produced, costing £40,000 and using three different studios.Template:Sfn Like its predecessor, the album features diverse musical styles and experimentation with stereo sound. Mercury wrote the opening song "Death on Two Legs", a savage dig at perceived wrongdoers (and later dedicated to Trident in concert)Template:SfnTemplate:Sfn and the camp vaudeville "Lazing on a Sunday Afternoon" and "Seaside Rendezvous".Template:Sfn May's "The Prophet's Song" was an eight-minute epic; the middle section is a canon, with simple phrases layered to create a full-choral sound. The Mercury penned ballad, "Love of My Life", featured a harp and overdubbed vocal harmonies.Template:Sfn Template:Quote box
The best-known song on the album, "Bohemian Rhapsody", originated from pieces of music that Mercury had written at Ealing College. Mercury played a run-through of the track on piano in his flat to Baker, stopping suddenly to announce, "This is where the opera section comes in".Template:Sfn When the rest of the band started recording the song they were unsure as to how it would be pieced together. After recording the backing track, Baker left a 30-second section of tape to add the operatic vocals. Reportedly, 180 overdubs were used, to the extent that the original tape wore thin.Template:Sfn EMI initially refused to release the single, thinking it too long, and demanded a radio edit which Queen refused. Mercury's close friend and advisor, Capital London radio DJ Kenny Everett, played a pivotal role in giving the single exposure.<ref name="Everett">Template:Cite news</ref> He was given a promotional copy on the condition he didn't play it, but ended up doing so fourteen times over a single weekend.Template:Sfn Capital's switchboard was overwhelmed with callers inquiring when the song would be released.<ref name="Everett"/> With EMI forced to release "Bohemian Rhapsody" due to public demand, the single reached number one in the UK for nine weeks.<ref name="bhsa"/>Template:Sfn It is the third-best-selling single of all time in the UK, surpassed only by Band Aid's "Do They Know It's Christmas?" and Elton John's "Candle in the Wind 1997", and is the best-selling commercial single (i.e. not for charity) in the UK. It also reached number nine in the US (a 1992 re-release reached number two on the Billboard Hot 100 for five weeks).<ref name="bbtfh"/> It is the only single ever to sell a million copies on two separate occasions,<ref name="Queen Online">Template:Cite web</ref> and became the Christmas number one twice in the UK, the only single ever to do so. It has also been voted the greatest song of all time in three different polls.<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite web</ref>
"Bohemian Rhapsody" was promoted with a music video directed by Bruce Gowers, who had already shot several of Queen's live concerts. The group wanted a video so they could avoid appearing on the BBC's Top of the Pops, which would clash with tour dates, and it would have looked strange miming to such a complex song.<ref>Directed by Carl Johnston (4 December 2004). The Story of Bohemian Rhapsody. (Television production). BBC. Retrieved 9 March 2019</ref> Filmed at Elstree Studios in Hertfordshire, the video cost £3,500, five times the typical promotional budget, and was shot in three hours. The operatic section featured a reprise of the Queen II cover, with the band member's heads animated.Template:SfnTemplate:Sfn On the impact of the "Bohemian Rhapsody" promotional video, Rolling Stone states: "Its influence cannot be overstated, practically inventing the music video seven years before MTV went on the air."<ref name="BR music vid">Template:Cite magazine</ref> Ranking it number 31 on their list of the 50 key events in rock music history, The Guardian stated it "ensured videos would henceforth be a mandatory tool in the marketing of music".<ref>Template:Cite news</ref> Radio broadcaster Tommy Vance states, "It became the first record to be pushed into the forefront by virtue of a video. Queen were certainly the first band to create a 'concept' video. The video captured the musical imagery perfectly. You cannot hear that music without seeing the visuals in your mind's eye."Template:Refn
A Night at the Opera was very successful in the UK,<ref name="bhsa">Template:Cite book</ref> and went triple platinum in the United States.<ref name=RIAAC/> The British public voted it the 13th-greatest album of all time in a 2004 Channel 4 poll.<ref>Template:Cite web</ref> It has also ranked highly in international polls; in a worldwide Guinness poll, it was voted the 19th-greatest of all time,<ref>Template:Cite web</ref> and an ABC poll saw the Australian public vote it the 28th-greatest of all time.<ref>Template:Cite web</ref> A Night at the Opera has frequently appeared in "greatest albums" lists reflecting the opinions of critics. Among other accolades, it was ranked number 16 in Q magazine's "The 50 Best British Albums Ever" in 2004, a poll done in collaboration with British music and entertainment retailer HMV.<ref>Template:Cite news</ref> It was also placed at number 230 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time" in 2003.<ref>Template:Cite magazine</ref> A Night at the Opera is the third and final Queen album to be featured in the book 1001 Albums You Must Hear Before You Die.<ref name="1001albums">Template:Cite web</ref> The second single from the album was Deacon's "You're My Best Friend", which peaked at number sixteen on the US Billboard Hot 100,<ref name="bbtfh"/> and went on to become a worldwide top-ten hit.<ref name="Queen Online"/> The band's A Night at the Opera Tour began in November 1975, and covered Europe, the US, Japan, and Australia.Template:Sfn On 24 December, Queen played a special concert at the Hammersmith Odeon which was broadcast live on the BBC show The Old Grey Whistle Test, with the audio being later broadcast on BBC Radio 1. It became one of the band's most popular bootleg recordings for decades before being officially released in 2015.<ref>Template:Cite web</ref>
1976–1979: A Day at the Races to Live Killers
[edit]By 1976, Queen were back in the studio recording A Day at the Races, which is often regarded as a sequel album to A Night at the Opera.<ref>Template:Cite web</ref>Template:Sfn It again borrowed the name of a Marx Brothers movie, and its cover was similar to that of A Night at the Opera, a variation on the same Queen logo.<ref name=night/> The most recognisable of the Marx Brothers, Groucho Marx, invited Queen to visit him in his Los Angeles home in March 1977; there the band thanked him in person, and performed "'39" a cappella.Template:Sfn Baker did not return to produce the album; instead the band self-produced with assistance from Mike Stone, who performed several of the backing vocals.Template:Sfn The major hit on the album was "Somebody to Love", a gospel-inspired song in which Mercury, May, and Taylor multi-tracked their voices to create a gospel choir.Template:Sfn The song went to number two in the UK,<ref name="bhsa"/> and number thirteen in the US.<ref name="bbtfh"/> The album also featured one of the band's heaviest songs, May's "Tie Your Mother Down", which became a staple of their live shows.<ref>Template:Cite webTemplate:Verify quote</ref><ref>Template:Cite web</ref> Musically, A Day at the Races was by both fans' and critics' standards a strong effort, reaching number one in the UK and Japan, and number five in the US.<ref name="bhsa"/><ref name=night>Template:Cite web</ref>
Queen played a landmark gig on 18 September 1976, a free concert in Hyde Park, London, organised by the entrepreneur Richard Branson.<ref name="Hyde Park"/> It set an attendance record at the park, with 150,000 people confirmed in the audience.<ref name="Hyde Park">Template:Cite web</ref>Template:Sfn Queen were late arriving onstage and ran out of time to play an encore; the police informed Mercury that he would be arrested if he attempted to go on stage again.Template:Sfn May enjoyed the gig particularly, as he had been to see previous concerts at the park, such as the first one organised by Blackhill Enterprises in 1968, featuring Pink Floyd.Template:Sfn
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On 1 December 1976, Queen were the intended guests on London's early evening Today programme, but they pulled out at the last-minute, which saw their late replacement on the show, EMI labelmate the Sex Pistols, give their infamous expletive-strewn interview with Bill Grundy.Template:Sfn<ref>Template:Cite web</ref> During the A Day at the Races Tour in 1977, Queen performed sold-out shows at Madison Square Garden, New York, in February, supported by Thin Lizzy, and Mercury and Taylor socialised with that group's leader Phil Lynott.Template:Sfn They ended the tour with two concerts at Earls Court, London, in June, which commemorated the Silver Jubilee of Queen Elizabeth II, and at the cost of £50,000 the band used a lighting rig in the shape of a crown for the first time.Template:Sfn<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
The band's sixth studio album News of the World was released in 1977, which has gone four times platinum in the US, and twice in the UK.<ref name=RIAAC>Template:Cite web</ref> The album contained many songs tailor-made for live performance, including two of rock's most recognisable anthems, "We Will Rock You" and the rock ballad "We Are the Champions", both of which became enduring international sports anthems, and the latter reached number four in the US.<ref name="bbtfh"/><ref name=alm>Template:Cite web</ref> Queen commenced the News of the World Tour in November 1977, and Robert Hilburn of the Los Angeles Times called this concert tour the band's "most spectacularly staged and finely honed show".<ref>Template:Cite news</ref> During the tour they sold out another two shows at MSG, and in 1978 they received the Madison Square Garden Gold Ticket Award for passing more than 100,000 unit ticket sales at the venue.<ref>Template:Cite web</ref>
In 1978, Queen released Jazz, which reached number two in the UK and number six on the Billboard 200 in the US.<ref>Template:Cite web</ref> The album included the hit singles "Fat Bottomed Girls" and "Bicycle Race" on a double-sided record. Critical reviews of the album in the years since its release have been more favourable than initial reviews.<ref>Template:Cite web</ref><ref>Template:Cite magazine</ref> Another notable track from Jazz, "Don't Stop Me Now", provides another example of the band's exuberant vocal harmonies.<ref>Donald A. Guarisco, "Don't Stop Me Now". AllMusic. Retrieved 12 July 2011</ref>
In 1978, Queen toured the US and Canada, and spent much of 1979 touring in Europe and Japan.<ref name="tour">Template:Cite web</ref> They released their first live album, Live Killers, in 1979; it went platinum twice in the US.<ref>Template:Cite web</ref> Queen also released the very successful single "Crazy Little Thing Called Love", a rockabilly inspired song done in the style of Elvis Presley.<ref>Template:Cite magazine</ref><ref name="Crazy"/> The song made the top 10 in many countries, topped the Australian ARIA Charts for seven consecutive weeks, and was the band's first number one single in the US where it topped the Billboard Hot 100 for four weeks.<ref name="bbtfh"/><ref>Kent, David (1993) (doc). Australian Chart Book 1970–1992. Australian Chart Book, St Ives, N.S.W</ref> Having written the song on guitar and played rhythm on the record, Mercury played rhythm guitar when performing the song live, the first time he ever played guitar in concert.<ref name="Crazy">Template:Cite web</ref> On 26 December 1979, Queen played the opening night at the Concert for the People of Kampuchea in London, having accepted a request by the event's organiser, Paul McCartney.<ref name="Crazy"/> The concert was the last date of their Crazy Tour of London.Template:Sfn
1980–1982: The Game, Hot Space and stadium tours
[edit]Queen began their 1980s career with The Game. It featured the singles "Crazy Little Thing Called Love" and "Another One Bites the Dust", both of which reached number one in the US.<ref name="bbtfh"/> After attending a Queen concert in Los Angeles, Michael Jackson suggested to Mercury backstage that "Another One Bites the Dust" be released as a single, and in October 1980 it spent three weeks at number one.Template:Sfn The album topped the Billboard 200 for five weeks,<ref>Template:Cite book</ref> and sold over four million copies in the US.<ref name=RIAAC/> It was also the first appearance of a synthesiser on a Queen album. Heretofore, their albums featured a distinctive "No Synthesisers!" sleeve note. The note is widely assumed to reflect an anti-synth, pro-"hard"-rock stance by the band,<ref>Template:Cite web</ref> but was later revealed by producer Roy Thomas Baker to be an attempt to clarify that those albums' multi-layered solos were created with guitars, not synths, as record company executives kept assuming at the time.<ref name="sos1995">Template:Cite magazine</ref> In September 1980, Queen performed three sold-out shows at Madison Square Garden.Template:Refn In 1980, Queen also released the soundtrack they had recorded for Flash Gordon.<ref>Template:Cite book</ref> At the 1981 American Music Awards in January, "Another One Bites the Dust" won the award for Favorite Pop/Rock Single, and Queen were nominated for Favorite Pop/Rock Band, Duo, or Group.<ref>Template:Cite web</ref>
In February 1981, Queen travelled to South America as part of The Game Tour, and became the first rock band outside the Americas to play stadiums in Latin America.<ref name="SA Concerts">Template:Cite news</ref> On playing the concerts, Classic Rock magazine states, "They were under the spotlight from all quarters, as the entire music industry waited to see if their ambitious plans would bear fruit".<ref name="SA Concerts"/> Tom Pinnock in the March 1981 issue of Melody Maker wrote, Template:Blockquote
The tour included five shows in Argentina, one of which drew the largest single concert crowd in Argentine history with an audience of 300,000 in Buenos Aires<ref>Template:Cite news Retrieved 15 January 2011</ref> and two concerts at the Morumbi Stadium in São Paulo, Brazil, where they played to more than 131,000 people in the first night (then the largest paying audience for a single band anywhere in the world)<ref>Template:Cite news</ref> and more than 120,000 people the following night.<ref>Henke, James (11 June 1981) "Queen Holds Court in South America" Rolling Stone Retrieved 15 January 2011</ref> A region then largely ruled by military dictatorships, the band were greeted with scenes of fan-fever, and the promoter of their first shows at the Vélez Sarsfield Stadium in Buenos Aires was moved to say: "For music in Argentina, this has been a case of before the war and after the war. Queen have liberated this country, musically speaking."<ref name="Melody Maker">Template:Cite news</ref> The group's second show at Vélez Sarsfield was broadcast on national television and watched by over 30 million. Backstage, they were introduced to footballer Diego Maradona.Template:Sfn
Topping the charts in Brazil and Argentina, the ballad "Love of My Life" stole the show in South American concerts. Mercury would stop singing and would then conduct the audience as they took over, with Lesley-Ann Jones writing "the fans knew the song by heart. Their English was word-perfect."Template:Refn Later that year Queen performed for more than 150,000 on 9 October at Monterrey (Estadio Universitario) and 17 and 18 at Puebla (Estadio Zaragoza), Mexico.Template:Sfn Though the gigs were successful, they were marred by a lack of planning and suitable facilities, with audiences throwing projectiles on stage. Mercury finished the final gig saying, "Adios, amigos, you motherfuckers!"Template:Sfn On 24 and 25 November, Queen played two nights at the Montreal Forum, Quebec, Canada.<ref>Template:Cite press release</ref> One of Mercury's most notable performances of The GameTemplate:'s final track, "Save Me", took place in Montreal, and the concert is recorded in the live album, Queen Rock Montreal.<ref>Template:Cite web</ref>
Queen worked with David Bowie on the 1981 single "Under Pressure". The first-time collaboration with another artist was spontaneous, as Bowie happened to drop by the studio while Queen were recording. Mercury and Bowie recorded their vocals on the track separately to each other, each coming up with individual ideas. The song topped the UK charts.Template:Sfn In October, Queen released their first compilation album, titled Greatest Hits, which showcased the group's highlights from 1974 to 1981.Template:Sfn The best-selling album in UK chart history, it is the only album to sell over seven million copies in the UK.<ref name="OCC GH">Template:Cite web</ref> As of July 2022, it has spent over 1000 weeks in the UK Album Chart.<ref name="Queen head all-time sales chart">Template:Cite news</ref><ref>Template:Cite news</ref> According to The Telegraph, approximately one in three families in the UK own a copy.<ref>Template:Cite newsTemplate:Cbignore</ref> The album is certified nine times platinum in the US.<ref name=RIAAC/> As of August 2024, it has spent over 600 weeks on the US Billboard 200.<ref name="Billboard all time"/> Greatest Hits has sold over 25 million copies worldwide.<ref>Template:Cite news</ref>
Template:Quote box In 1982, the band released the album Hot Space, a departure from their trademark seventies sound, this time being a mixture of pop rock, dance, disco, funk, and R&B.<ref>Template:Cite web</ref> Most of the album was recorded in Munich during the most turbulent period in the band's history.Template:Sfn Mercury and Deacon enjoyed the new soul and funk influences, but Taylor and May were less favourable, and were critical of the influence Mercury's personal manager Paul Prenter had on him.Template:Sfn According to Mack, Queen's producer, Prenter loathed rock music and was in Mercury's ear throughout the Hot Space sessions.Template:Sfn May was also scathing of Prenter—Mercury's manager from 1977 to 1984—for being dismissive of the importance of radio stations and their vital connection between the artist and the community, and for denying them access to Mercury.<ref>Template:Cite web</ref> May states, "this guy, in the course of one tour, told every record station to fuck off".Template:Sfn Queen roadie Peter Hince wrote "None of the band cared for him [Prenter], apart from Freddie", with Hince regarding Mercury's favouring of Prenter as an act of "misguided loyalty".Template:Sfn During the Munich sessions, Mercury spent time with Mack and his family, becoming godfather to Mack's first child.Template:Sfn Q magazine would list Hot Space as one of the top fifteen albums where great rock acts lost the plot.<ref>Template:Cite magazine</ref> Though the album confused some fans with the change of musical direction, it still reached number 4 in the UK.Template:Sfn
Queen toured to promote Hot Space, but found some audience unreceptive to the new material. At a gig in Frankfurt, Mercury told some people heckling the new material, "If you don't want to listen to it, go home!"Template:Sfn Former Mott the Hoople keyboardist Morgan Fisher joined as an additional touring member.Template:Sfn Shows were planned at Arsenal Stadium and Old Trafford, but these were cancelled as Pope John Paul II was touring Britain, leading to a lack of available outdoor facilities such as toilets. The gigs were moved to the Milton Keynes Bowl and Elland Road, Leeds instead. The Milton Keynes concert was filmed by Tyne Tees Television and later released on DVD.Template:Sfn On 14 and 15 September 1982, the band performed their last two gigs in the US with Mercury on lead vocals, playing at The Forum in Inglewood, California.<ref>Template:Cite news</ref> Fisher was replaced as touring keyboardist by Fred Mandel for the North American shows.Template:Sfn The band stopped touring North America after their Hot Space Tour, as their success there had waned, although they performed on American television for the only time during the eighth-season premiere of Saturday Night Live on 25 September of the same year;<ref>Template:Cite web</ref> it became the final public performance of the band in North America before the death of their frontman. Their fall in popularity in the US has been partially attributed to homophobia:Template:Sfn Mikal Gilmore for Rolling Stone writes, "At some shows on the band's 1980 American tour, fans tossed disposable razor blades onstage: They didn't like this identity of Mercury—what they perceived as a brazenly gay rock & roll hero—and they wanted him to shed it."<ref>Template:Cite magazine</ref> The group finished the year with a Japanese tour.Template:Sfn
1983–1984: The Works
[edit]After the Hot Space Tour concluded with a concert at Seibu Lions Stadium in Tokorozawa, Japan in November 1982, Queen decided they would take a significant amount of time off. May later said at that point, "we hated each other for a while".Template:Sfn The band reconvened nine months later to begin recording a new album at the Record Plant Studios, Los Angeles and Musicland Studios, Munich.<ref>Template:Cite book</ref> Several members of the band also explored side projects and solo work. Taylor released his second solo album, Strange Frontier. May released the mini-album Star Fleet Project, collaborating with Eddie Van Halen.<ref>Template:Cite web</ref> Queen left Elektra Records, their label in the US, Canada, Japan, Australia, and New Zealand, and signed onto EMI/Capitol Records.Template:Sfn
In February 1984, Queen released their eleventh studio album, The Works. Hit singles included "Radio Ga Ga", which makes a nostalgic defence of the radio format, "Hammer to Fall" and "I Want to Break Free".<ref>Template:Cite news</ref><ref>Lazell, Barry (1989) Rock movers & shakers p.404. Billboard Publications, Inc.,</ref> Rolling Stone hailed the album as "the Led Zeppelin II of the eighties."Template:Sfn In the UK The Works went triple platinum and remained in the albums chart for two years.<ref>Tobler, John Who's who in rock & roll p.1971. Crescent Books, 1991</ref> The album failed to do well in the US, where, in addition to issues with their new record label Capitol Records (who had recently severed ties with their independent promotions teams due to a government report on payola),Template:Sfn the cross-dressing video for "I Want to Break Free", a spoof of the British soap opera Coronation Street, proved controversial and was banned by MTV.<ref>Template:Cite magazine</ref> The concept of the video came from Roger Taylor via a suggestion from his girlfriend.Template:Sfn He told Q magazine: "We had done some really serious, epic videos in the past, and we just thought we'd have some fun. We wanted people to know that we didn't take ourselves too seriously, that we could still laugh at ourselves."<ref>Template:Cite news</ref> Director of the video David Mallet said Mercury was reluctant to do it, commenting "it was a hell of a job to get him out of the dressing room".Template:Sfn
That year, Queen began The Works Tour, the first tour to feature keyboardist Spike Edney as an extra live musician. The tour featured nine sold-out dates in October in Bophuthatswana, South Africa, at the arena in Sun City.<ref>Template:Cite web</ref><ref name="hotshotdigital">Template:Cite web</ref> Upon returning to England, they were the subject of outrage, having played in South Africa during the height of apartheid and in violation of worldwide divestment efforts and a United Nations cultural boycott. The band responded to the critics by stating that they were playing music for fans in South Africa, and they also stressed that the concerts were played before integrated audiences.Template:Sfn Queen donated to a school for the deaf and blind as a philanthropic gesture but were fined by the British Musicians' Union and placed on the United Nations' blacklisted artists.<ref>Template:Cite news</ref> In 2021, Taylor voiced his regret for the decision to perform at Sun City, saying that "we went with the best intentions, but I still think it was kind of a mistake."<ref name="Scarlett 2021">Template:Cite web</ref>
1985–1986: Live Aid, A Kind of Magic and tours
[edit]In January 1985, Queen headlined two nights of the first Rock in Rio festival at Rio de Janeiro, Brazil, and played in front of over 300,000 people each night.<ref>Template:Cite book</ref> The Boston Globe described it as a "mesmerising performance".<ref name="globe"/> Highlights from both nights were released on VHS as Queen: Live in Rio, which was broadcast on MTV in the US.<ref name="globe">Template:Cite web</ref><ref>Template:Cite news</ref> In April and May 1985, Queen completed the Works Tour with sold-out shows in Australia and Japan.<ref>Grein, Paul. Billboard 4 May 1985. p. 42. Billboard. Retrieved 2 June 2011</ref> Template:Quote box
At Live Aid, held at Wembley on 13 July 1985, in front of the biggest-ever TV audience of an estimated 400 million, Queen performed some of their greatest hits. Many of the sold-out stadium audience of 72,000 people clapped, sang, and swayed in unison.Template:Sfn<ref>Template:Cite news</ref> The show's organisers, Bob Geldof and Midge Ure; other musicians such as Elton John and Cliff Richard; and journalists writing for the BBC, CNN, Rolling Stone, MTV, The Guardian and The Daily Telegraph, among others, described Queen as the highlight.<ref name="BBC - Queen win greatest live gig poll">Template:Cite news</ref><ref>"Flashback: Queen Steal the Show at Live Aid" Template:Webarchive. Rolling Stone. Retrieved 4 April 2013
"Queen: their finest moment at Live Aid" Template:Webarchive. The Telegraph. 24 September 2011
"Live Aid 1985: A day of magic" Template:Webarchive. CNN. Retrieved 17 July 2013
"Live Aid Memories: 'It was life-changing: my life was not all about just me anymore' " Template:Webarchive. The Independent. Retrieved 13 September 2013
"Queen most loved band" Template:Webarchive. The Guardian. Retrieved 19 April 2009
Miles, Barry (2008) "Massive Music Moments" Template:Webarchive. p. 159. Anova Books. Retrieved 21 May 2011</ref><ref name="The Mysterious Mr Mercury">Template:Cite web</ref> Interviewed backstage, Roger Waters stated: "Everybody's been buzzing about Queen that I've run into. They had everybody completely spellbound."<ref>Template:Cite newsTemplate:Cbignore</ref> An industry poll in 2005 ranked it the greatest rock performance of all time.<ref name="BBC - Queen win greatest live gig poll"/><ref>Template:Cite news</ref> Mercury's powerful, sustained note—"Aaaaaay-o"—during the call-and-response a cappella segment came to be known as "The Note Heard Round the World".<ref>Template:Cite news</ref><ref>Template:Cite web</ref> The band were revitalised by the response to Live Aid—a "shot in the arm" Roger Taylor called it—and the ensuing increase in record sales.<ref name="mojo">Mojo, August 1999, issue number 69. "Their Britannic Majesties Request" by David Thomas, page 87.</ref> In 1986 Mercury commented: "From our perspective, the fact that Live Aid happened when it did was really lucky. It came out of nowhere to save us. For sure that was a turning point. Maybe you could say that in the history of Queen, it was a really special moment."<ref>Template:Cite magazine</ref>
Queen ended 1985 by releasing the single "One Vision" and a limited-edition boxed set of Queen albums, The Complete Works. The package included the 1984 Christmas single "Thank God It's Christmas" and previously unreleased material.<ref>International who's who in popular music p.129. Routledge, 2002</ref> In early 1986, Queen recorded the album A Kind of Magic, containing several reworkings of songs written for the fantasy action film Highlander.<ref name="Highlander">Template:Cite web</ref> The album was successful in the UK, West Germany and several other countries, producing a string of hits including "A Kind of Magic", "Friends Will Be Friends", "Princes of the Universe" and "Who Wants to Live Forever"; the latter featuring an orchestra conducted by Michael Kamen. The album was less successful in North America, reaching 46 in the US, and was described by biographer Mark Blake as "a so-so album" and "a somewhat uneven listening experience".<ref>Template:Cite book</ref> In 2007, Classic Rock ranked it the 28th greatest soundtrack album of all time.<ref>Template:Cite web</ref>
In mid-1986, Queen went on the Magic Tour, their final tour with Mercury.<ref>Template:Cite web</ref> They once again hired Spike Edney.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Queen began the tour at the Råsunda Stadium in Stockholm, Sweden, and later performed a concert at Slane Castle, Ireland, in front of an audience of 95,000, which broke the venue's attendance record.<ref>Musician, Issues 93–98. p.44. Amordian Press, 1986. Retrieved 5 June 2011</ref> The band also played behind the Iron Curtain when they performed to a crowd of 80,000 at the Népstadion in Budapest (released in the concert film Hungarian Rhapsody: Queen Live in Budapest), in what was one of the biggest rock concerts ever held in Eastern Europe.<ref>Template:Cite book</ref> More than one million people saw Queen on the tour—400,000 in the UK alone, a record at the time.<ref name="hotshotdigital" />
The Magic Tour's highlight was at Wembley Stadium and resulted in the live double album Queen at Wembley, released on CD and as a live concert VHS/DVD, which has gone five times platinum in the US and four times platinum in the UK.<ref name="RIAAC" /><ref>Template:Cite web</ref> The demand for tickets saw extra dates added to the tour, with concert promoter Harvey Goldsmith stating "they seem to have an endless market."<ref name="Goldsmith">Template:Cite news</ref> Queen could not book Wembley for a third night, but played at Knebworth Park in Hertfordshire on 9 August. The show sold out within two hours and over 120,000 fans packed the park for what was Queen's final performance with Mercury.<ref>Template:Cite news</ref><ref>Template:Cite web</ref> At the end of the concert the band appeared on stage for the final time to an encore of "God Save the Queen", with Mercury, in his crown and gown, bidding the crowd "goodnight and sweet dreams".<ref name="Goldsmith"/> Roadie Peter Hince states, "At Knebworth, I somehow felt it was going to be the last for all of us"; Brian May recalled Mercury saying "I'm not going to be doing this forever. This is probably the last time."Template:Sfn
1988–1992: The Miracle, Innuendo and Mercury's final years
[edit]In October 1986, two months after his final concert, Mercury, on his return to London from holiday, was confronted by a tabloid frenzy at Heathrow Airport with the British newspapers the News of the World and The Sun reporting he had his blood tested for HIV/AIDS at a Harley Street clinic, but Mercury was quoted as saying he was "perfectly fit and healthy".<ref name="Goldsmith"/> Fans noticed his increasingly gaunt appearance in 1988, with Mercury insisting he was merely "exhausted" and too busy to provide interviews; he was now 42 years old and had been involved in music for nearly two decades.<ref>VH1 Legends: Queen-Viacom International, VH1, 1997.</ref> He had in fact been diagnosed as HIV positive in 1987, but did not make his illness public, with only his inner circle of colleagues and friends aware of his condition.<ref name="BrianQuoteFreddie"/>
Template:Multiple image After working on various solo projects during 1988 (including Mercury's collaboration with Montserrat Caballé, Barcelona), the band released The Miracle in 1989. The album continued the direction of A Kind of Magic, using a pop-rock sound mixed with a few heavy numbers. It spawned the hit singles "I Want It All"—which became an anti-apartheid anthem in South Africa—"Scandal", and "The Miracle".<ref>Template:Cite AV media notes</ref><ref>Template:Cite web</ref> The Miracle also began a change in direction of Queen's songwriting philosophy. Beforehand, nearly all songs had been written by and credited to a single member. With The Miracle, their songwriting became more collaborative, and they vowed to credit the final product only to Queen as a group.Template:Sfn
In 1990, Queen ended their contract with Capitol and signed with Hollywood Records; through the deal, Disney acquired the North American distribution rights to Queen's catalogue for $10 million, and remains the group's music catalogue owner and distributor in the US and Canada; the band retained ownership of the global rights through the UK-based Queen Productions Ltd.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> In February that year, Mercury made what would prove to be his final public appearance when he joined the rest of Queen onstage at the Dominion Theatre in London to collect the Brit Award for Outstanding Contribution to British Music.<ref>Template:Cite news</ref>
Their fourteenth studio album, Innuendo, was released in early 1991 with "Innuendo" and other charting singles released later in the year. The music video for "The Show Must Go On" featured archive footage of Queen's performances between 1981 and 1989, and along with the manner of the song's lyrics, fuelled reports that Mercury was dying.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Mercury was increasingly ill and could barely walk when the band recorded "The Show Must Go On" in 1990. Because of this, May had concerns about whether he was physically capable of singing it, but May recalled that he "completely killed it".<ref name="RollingStoneSingers" /> The rest of the band were ready to record when Mercury felt able to come into the studio, for an hour or two at a time. May says of Mercury: "He just kept saying. 'Write me more. Write me stuff. I want to just sing this and do it and when I am gone you can finish it off.' He had no fear, really."<ref name="Montreux studio" /> The band's second-greatest hits compilation, Greatest Hits II, followed in October 1991; it is the tenth best-selling album in the UK,<ref name="bpialbums">Template:Cite web</ref> the seventh best-selling album in Germany,<ref>Template:Cite web</ref> is certified Diamond in France where it is one of the best-selling albums,<ref>Template:Cite news</ref> and has sold 16 million copies worldwide.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
On 23 November 1991, in a prepared statement made on his deathbed, Mercury confirmed that he had AIDS.<ref name="Bret_1996_179">Template:Cite book</ref> Within 24 hours of the statement, he died of bronchial pneumonia, which was brought on as a complication of the disease.<ref>Template:Cite news</ref> His funeral service on 27 November in Kensal Green, West London was private, and held in accordance with the Zoroastrian religious faith of his family.<ref name="FreddieFuneral">Template:Cite web</ref><ref>Template:Cite web</ref>
"Bohemian Rhapsody" was re-released as a single shortly after Mercury's death, with "These Are the Days of Our Lives" as the double A-side. The music video for the latter contains Mercury's final scenes in front of the camera. Ron Hart of Rolling Stone wrote, "the conga-driven synth ballad "These Are the Days of Our Lives" is InnuendoTemplate:'s most significant single, given that its video marked the last time his fans were able to see the singer alive."<ref>Template:Cite magazine</ref> The video was recorded on 30 May 1991 (which proved to be Mercury's final work with Queen).<ref>Template:Cite news</ref> The single went to number one in the UK, remaining there for five weeks—the only recording to top the Christmas chart twice and the only one to be number one in four different years (1975, 1976, 1991, and 1992).<ref>Template:Cite news</ref> Initial proceeds from the single—approximately £1,000,000—were donated to the Terrence Higgins Trust, an AIDS charity.<ref name="Avert - History of HIV & AIDS in the UK">Template:Cite web</ref>
Queen's popularity was stimulated in North America when "Bohemian Rhapsody" was featured in the 1992 comedy film Wayne's World.<ref name="Billboard1992"/> Its inclusion helped the song reach number two on the Billboard Hot 100 for five weeks in 1992 (including its 1976 chart run, it remained in the Hot 100 for a combined 41 weeks),<ref name="Billboard1992"/> and won the band an MTV Award at the 1992 MTV Video Music Awards.<ref>Template:Cite web</ref> The compilation album Classic Queen also reached number four on the Billboard 200, and is certified three times platinum in the US.<ref name=RIAAC/><ref name="Billboard1992"/> Wayne's World footage was used to make a new music video for "Bohemian Rhapsody", with which the band and management were delighted.<ref>Made in Heaven video documentary "Champions of the World".</ref>
On 20 April 1992, The Freddie Mercury Tribute Concert was held at London's Wembley Stadium to a crowd of 72,000.<ref name="definitive3">Template:Cite book</ref> Performers, including Def Leppard, Robert Plant, Tony Iommi, Roger Daltrey, Guns N' Roses, Elton John, David Bowie, George Michael, Annie Lennox, Seal, Extreme, and Metallica performed various Queen songs along with the three remaining Queen members (and Spike Edney.) The concert is listed in the Guinness Book of Records as "The largest rock star benefit concert",<ref>Template:Cite book</ref> as it was televised to over 1.2 billion viewers worldwide,<ref name="hotshotdigital"/> and raised over £20,000,000 for AIDS charities.<ref name="Avert - History of HIV & AIDS in the UK"/>
1995–2003: Made in Heaven to 46664 Concert
[edit]
Queen's last album with Mercury, titled Made in Heaven, was released in 1995, four years after his death.<ref>Template:Cite web</ref> Featuring tracks such as "Too Much Love Will Kill You" and "Heaven for Everyone", it was constructed from Mercury's final recordings in 1991, material left over from their previous studio albums and re-worked material from May, Taylor, and Mercury's solo albums. The album also featured the song "Mother Love", the last vocal recording Mercury made, which he completed using a drum machine, over which May, Taylor and Deacon later added the instrumental track.<ref>Template:Cite book</ref> After completing the penultimate verse, Mercury had told the band he "wasn't feeling that great" and stated, "I will finish it when I come back, next time". Mercury never returned to the studio afterwards, leaving May to record the final verse of the song.<ref name="Montreux studio">Template:Cite newsTemplate:Cbignore</ref> Both stages of recording, before and after Mercury's death, were completed at the band's studio in Montreux, Switzerland.<ref name="SMH">Template:Cite news</ref> The album reached number one in the UK following its release, their ninth number one album, and sold 20 million copies worldwide.<ref name=GUAR>Template:Cite news</ref><ref name="definitive2">Template:Cite book</ref> On 25 November 1996, a statue of Mercury was unveiled in Montreux overlooking Lake Geneva, almost five years to the day since his death.<ref name="SMH"/><ref>Montreuxmusic – Freddie Mercury statue. EMI international. Template:Webarchive</ref> Template:Quote box
In 1997, Queen returned to the studio to record "No-One but You (Only the Good Die Young)", a song dedicated to Mercury and all those who die too soon.<ref>Template:Cite web</ref> It was released as a bonus track on the Queen Rocks compilation album later that year, and features in Greatest Hits III.<ref>Template:Cite web</ref> In January 1997, Queen performed "The Show Must Go On" live with Elton John and the Béjart Ballet in Paris on a night Mercury was remembered, and it marked the last performance and public appearance of John Deacon, who chose to retire.<ref>Template:Cite web</ref> The Paris concert was only the second time Queen had played live since Mercury's death, prompting Elton John to urge them to perform again.<ref name="Chronicle">Template:Cite web</ref> Brian May and Roger Taylor performed together at several award ceremonies and charity concerts, sharing vocals with various guest singers. During this time, they were billed as Queen + followed by the guest singer's name. In 1998, the duo appeared at Luciano Pavarotti's benefit concert with May performing "Too Much Love Will Kill You" with Pavarotti, later playing "Radio Ga Ga", "We Will Rock You", and "We Are the Champions" with Zucchero. They again attended and performed at Pavarotti's benefit concert in Modena, Italy in May 2003.<ref>Template:Cite web</ref> Several of the guest singers recorded new versions of Queen's hits under the Queen + name, such as Robbie Williams providing vocals for "We Are the Champions" for the soundtrack of A Knight's Tale (2001).<ref name="RobbieWATC">Template:Cite web</ref>
In November 1999, Greatest Hits III was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust". A live version of "Somebody to Love" by George Michael and a live version of "The Show Must Go On" with Elton John were also featured in the album.<ref>Template:Cite web</ref> By this point, Queen's vast amount of record sales made them the second-bestselling artist in the UK of all time, behind the Beatles.<ref name="definitive2"/> In November 2000, the band released the box set, The Platinum Collection. It is certified seven times platinum in the UK and five times platinum in the US.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> On 18 October 2002, Queen were awarded the 2,207th star on the Hollywood Walk of Fame, for their work in the music industry, which is located at 6358 Hollywood Blvd.<ref>Template:Cite news</ref> On 29 November 2003, May and Taylor performed at the 46664 Concert hosted by Nelson Mandela at Green Point Stadium, Cape Town, to raise awareness of the spread of HIV/AIDS in South Africa.<ref name="SAConcert"/> A new song, "Invincible Hope", featuring Mandela's speech and credited to Queen + Nelson Mandela, was performed during the concert and later released on the 46664: One Year On EP.<ref>Template:Cite news</ref> During that period May and Taylor spent time at Mandela's home, discussing how Africa's problems might be approached, and two years later the band were made ambassadors for the 46664 cause.<ref name="SAConcert">Template:Cite web</ref>
2004–2009: Queen + Paul Rodgers
[edit]
At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005 with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be "featured with" Queen as "Queen + Paul Rodgers", not replacing Mercury.<ref name="bmcom_jdr">Template:Cite web</ref> In November 2004, Queen were among the inaugural inductees into the UK Music Hall of Fame, and the award ceremony was the first event at which Rodgers joined May and Taylor as vocalist.<ref name="SAConcert"/>
Between 2005 and 2006, Queen + Paul Rodgers embarked on a world tour, which was the first time Queen toured since their last tour with Freddie Mercury in 1986.<ref name="2005Guardian">Template:Cite news</ref> Taylor said: "We never thought we would tour again, Paul came along by chance and we seemed to have a chemistry. Paul is just such a great singer. He's not trying to be Freddie."<ref name="2005Guardian"/> The first leg was in Europe, the second in Japan, and the third in the US in 2006.<ref name="concertography">Template:Cite web</ref> Queen received the inaugural VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas, Nevada, on 25 May 2006.<ref>Template:Cite magazine</ref> Foo Fighters performed "Tie Your Mother Down" to open the ceremony before being joined on stage by May, Taylor, and Rodgers, who played a selection of Queen hits.<ref>Template:Cite web</ref>
Queen + Paul Rodgers performed at the Nelson Mandela 90th Birthday Tribute held in Hyde Park, London on 27 June 2008, to commemorate Mandela's ninetieth birthday, and again promote awareness of the HIV/AIDS pandemic.<ref>Template:Cite news</ref> The first Queen + Paul Rodgers album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the US on 28 October 2008.<ref name=GUAR/> The band again toured Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans;<ref name=QANDPR>Template:Cite web</ref> the concert was released on DVD.<ref name=QANDPR/> The tour then moved to Russia, and the band performed two sold-out shows at the Moscow Arena.<ref name="QROD">Template:Cite web</ref> Having completed the first leg of the European tour, which saw the band play 15 sold-out dates across nine countries, the UK leg of the tour sold out within 90 minutes of going on sale and included three London dates, the first of which was the O2 Arena on 13 October.<ref>Template:Cite web</ref> The last leg of the tour was in South America, and included a sold-out concert at José Amalfitani Stadium, Buenos Aires.<ref name="QROD"/>
Queen and Paul Rodgers split up on 12 May 2009.<ref name="QNME"/> Rodgers stated: "My arrangement with [Queen] was similar to my arrangement with Jimmy [Page] in The Firm in that it was never meant to be a permanent arrangement".<ref name="QNME">Template:Cite web</ref> Rodgers did not rule out the possibility of working with Queen again.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
2009–2011: Departure from EMI, 40th anniversary
[edit]On 20 May 2009, May and Taylor performed "We Are the Champions" live on the season finale of American Idol with winner Kris Allen and runner-up Adam Lambert providing a vocal duet.<ref name="AIdol">Template:Cite web</ref> A new greatest hits compilation Absolute Greatest was released on 16 November and peaked at number 3 in the UK.<ref>Template:Cite web</ref> It contains 20 of Queen's hits spanning their career and was released in four different formats: single disc, double disc (with commentary), double disc with feature book, and a vinyl record. Before its release, Queen ran an online competition to guess the track listing as a promotion for the album.<ref>Template:Cite web</ref> On 15 November 2009, May and Taylor performed "Bohemian Rhapsody" live on the British TV show The X Factor alongside the finalists.<ref>Template:Cite news</ref>
On 20 August 2010, Queen's manager Jim Beach announced that the band had signed a new contract with Universal Music<ref name="label">Template:Cite web</ref> after almost 40 years with EMI.<ref>Template:Cite news</ref> On 22 September, May confirmed that the band's new deal was with Island Records, a subsidiary of Universal Music Group.<ref>Template:Cite webTemplate:Cbignore</ref><ref>Template:Cite webTemplate:Cbignore</ref> Hollywood Records remained as the group's label in the US and Canada. For the first time since the late 1980s, Queen's catalogue now has the same distributor worldwide, as Universal distributes for both the Island and Hollywood labels (for a time in the late 1980s, Queen was on EMI-owned Capitol Records in the US).<ref>Template:Cite magazine</ref>
On 14 March 2011, the band's 40th anniversary, Queen's first five albums were re-released in the UK and some other territories as remastered deluxe editions; the US versions were released on 17 May.<ref>Template:Cite web</ref> The second five albums of Queen's back catalogue were released worldwide on 27 June, and on 27 September in the US and Canada.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> The final five were released in the UK on 5 September.<ref>Template:Cite web</ref>
In May 2011, Jane's Addiction vocalist Perry Farrell said that Queen were scouting their live bassist Chris Chaney to join the band.<ref>Template:Cite web</ref> In the same month, Paul Rodgers stated he might tour with Queen again in the future.<ref>Template:Cite web</ref> At the 2011 Broadcast Music, Incorporated (BMI) Awards held in London on 4 October, Queen received the BMI Icon Award for their airplay success in the US.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> At the 2011 MTV Europe Music Awards on 6 November, Queen received the Global Icon Award, which Katy Perry presented to Brian May.<ref name="EMA"/> Queen closed the awards ceremony, with Lambert singing "The Show Must Go On", "We Will Rock You" and "We Are the Champions".<ref name="EMA">Template:Cite web</ref> The collaboration received a positive response from fans and critics, resulting in speculation about future projects together.<ref name="Sonisphere">Template:Cite web</ref>
2011–present: Queen + Adam Lambert, Queen Forever
[edit]
On 25 and 26 April, May and Taylor appeared on the eleventh series of American Idol at the Nokia Theatre, Los Angeles, performing a Queen medley with the six finalists on the first show, and the following day performed "Somebody to Love" with the 'Queen Extravaganza' band.<ref>Template:Cite magazine</ref> Queen were scheduled to headline Sonisphere at Knebworth on 7 July 2012 with Adam Lambert<ref>Template:Cite web</ref> before the festival was cancelled.<ref name="Cancelled">Template:Cite web</ref> Queen said that they were looking to find another venue.<ref name="queenstate">Template:Cite web</ref> Queen + Adam Lambert played two shows at the Hammersmith Apollo, London on 11 and 12 July 2012.<ref>Template:Cite news</ref><ref>Template:Cite web</ref> Both shows sold out within 24 hours of tickets going on sale.<ref>Template:Cite news</ref> A third London date was scheduled for 14 July.<ref>Template:Cite web</ref> On 30 June, Queen + Lambert performed in Kyiv, Ukraine at a joint concert with Elton John for the Elena Pinchuk ANTIAIDS Foundation.<ref>Template:Cite web</ref> Queen also performed with Lambert on 3 July 2012 at Moscow's Olympic Stadium,<ref>Template:Cite news</ref><ref>Template:Cite news</ref> and on 7 July 2012 at the Municipal Stadium in Wroclaw, Poland.<ref>Template:Cite news</ref>
On 12 August 2012, Queen performed at the closing ceremony of the 2012 Summer Olympics in London.<ref>Template:Cite web</ref> The performance at London's Olympic Stadium opened with a remastered video clip of Mercury on stage performing his call and response routine during their 1986 concert at Wembley Stadium.<ref name="Olympics2012"/> Following this, May performed part of the "Brighton Rock" solo before being joined by Taylor and solo artist Jessie J for a performance of "We Will Rock You".<ref name="Olympics2012">Template:Cite news</ref><ref>Template:Cite newsTemplate:Cbignore</ref>
On 20 September 2013, Queen + Adam Lambert performed at the iHeartRadio Music Festival at the MGM Grand Hotel & Casino in Las Vegas.<ref>Template:Cite news</ref> Queen + Adam Lambert toured North America in 2014<ref>Template:Cite web</ref><ref>Template:Cite web</ref> and Australia and New Zealand in August and September 2014.<ref>Template:Cite news</ref> In an interview with Rolling Stone, May and Taylor said that although the tour with Lambert is a limited thing, they are open to him becoming an official member, and cutting new material with him.<ref>Template:Cite magazine</ref> In November 2014 Queen released a new album Queen Forever.<ref name="queenforever">Template:Cite webTemplate:Cbignore</ref> The album is largely a compilation of previously released material but features three new tracks featuring vocals from Mercury with backing added by the surviving members of Queen. One new track, "There Must Be More to Life Than This", is a duet between Mercury and Michael Jackson.<ref>Template:Cite news</ref> Queen + Adam Lambert performed in Central Hall, Westminster, at the Big Ben New Year concert on New Year's Eve 2014 and New Year's Day 2015.<ref>Template:Cite web</ref>
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In 2016, the group embarked across Europe and Asia on the Queen + Adam Lambert 2016 Summer Festival Tour. This included closing the Isle of Wight Festival in England on 12 June where they performed "Who Wants to Live Forever" as a tribute to the victims of the mass shooting at a gay nightclub in Orlando, Florida earlier that day.<ref>Template:Cite news</ref> On 12 September they performed at the Yarkon Park in Tel Aviv, Israel for the first time in front of 58,000 people.<ref>Template:Cite magazine</ref> As part of the Queen + Adam Lambert Tour 2017–2018, the band toured North America in mid-2017, Europe in late 2017, then played Australia and New Zealand in February and March 2018.<ref>Template:Cite magazine</ref> On 24 February 2019, Queen + Adam Lambert opened the 91st Academy Awards ceremony held at the Dolby Theatre in Hollywood, Los Angeles.<ref>Template:Cite news</ref> In July 2019 they embarked on the North American leg of The Rhapsody Tour, with the dates sold out in April.<ref>Template:Cite news</ref> They toured Japan and South Korea in January 2020 followed by Australia and New Zealand the following month.<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref> On 16 February the band reprised their Live Aid set for the first time in 35 years at the Fire Fight Australia concert at ANZ Stadium in Sydney to raise money for the 2019–20 Australian bushfire crisis.<ref>Template:Cite news</ref>
Because Queen were not able to tour due to the COVID-19 pandemic, they released a live album with Adam Lambert on 2 October 2020. The song collection, titled Live Around the World, contains highlights selected by the band members from over 200 shows throughout their history. It marked their first live album with Lambert who, as of 2020, has played 218 shows with the band.<ref>Template:Cite web</ref> On 31 December 2020, Queen performed on the Japanese New Year's Eve television special Kōhaku with composer Yoshiki and vocalist Sarah Brightman.<ref>Template:Cite web</ref> In 2021, Queen received the Japan Gold Disc Award for the fourth time (having previously won it in 2005, 2019 and 2020) as the most popular Western act in Japan.<ref>Template:Cite news</ref>
On 4 June 2022, Queen + Adam Lambert opened the Platinum Party at the Palace outside Buckingham Palace to mark the Queen's Platinum Jubilee.<ref>Template:Cite web</ref> Performing a three-song set, they opened with "We Will Rock You" which had been introduced in a comedy segment where Queen Elizabeth II and Paddington Bear tapped their tea cups to the beat of the song.<ref>Template:Cite web</ref><ref>Template:Cite news</ref> A previously unheard Queen song with Mercury's vocals, "Face It Alone", recorded over thirty years previously and originally thought "unsalvageable" by May and Taylor, was released on 13 October 2022; five more songs — "You Know You Belong to Me", "When Love Breaks Up", "Dog With a Bone", "Water", and "I Guess We're Falling Out" — were released on 18 November 2022 as part of The Miracle Collector's Edition box set.<ref>Template:Cite news</ref>
Music style and influences
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Queen drew artistic influence from British rock acts of the 1960s and early 1970s, such as the Beatles, the Kinks, Cream, Led Zeppelin, Pink Floyd, the Who, Black Sabbath, Slade, Deep Purple, David Bowie, Genesis, and Yes,<ref>Queen's influences;
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Template:*Template:Cite magazine</ref> with Mercury also inspired by the rock and roll singers Little Richard,Template:Sfn Elvis Presley<ref name="chilton">Template:Cite web</ref> and the gospel singer Aretha Franklin.Template:Sfn On the Beatles, Brian May stated they "built our bible as far as musical composition, arrangement and production went. The White Album is a complete catalogue of how you should use a studio to build songs."<ref>Template:Cite news</ref> Mercury said, "John Lennon was larger than life, and an absolute genius. Even at a very early stage when they were the Beatles, I always preferred John Lennon's things. I don't know why. He just had that magic."<ref name="chilton"/> May and Mercury were influenced by Jimi Hendrix, with Mercury saying "he really had everything any rock 'n' roll star should have",Template:Sfn and May saying "Jimi is, of course, my number one. And I've always said that [...] I never stop learning from Jimi."<ref>Template:Cite news</ref> Mercury's thesis for his Ealing College diploma was on Hendrix, and Mercury and Taylor closed their Kensington Market stall on 18 September 1970 to commemorate his death.Template:Sfn
At their outset in the early 1970s, Queen's music has been characterised as "Led Zeppelin meets Yes" due to its combination of "acoustic/electric guitar extremes and fantasy-inspired multi-part song epics".<ref>Template:Cite web</ref> Although Mercury stated Robert Plant as his favourite singer and Led Zeppelin as "the greatest" rock band, he also said Queen "have more in common with Liza Minnelli than Led Zeppelin. We're more in the showbiz tradition than the rock'n'roll tradition".<ref name="chilton"/> In his book on Essential Hard Rock and Heavy Metal, Eddie Trunk described Queen as "a hard rock band at the core but one with a high level of majesty and theatricality that delivered a little something for everyone", as well as observing that the band "sounded British".<ref name="trunk">Template:Cite book</ref> Rob Halford of Judas Priest commented, "It's rare that you struggle to label a band. If you're a heavy metal band you're meant to look and sound like a heavy metal band but you can't really call Queen anything. They could be a pop band one day or the band that wrote 'Bicycle Race' the next and a full-blown metal band the next. In terms of the depth of the musical landscape that they covered, it was very similar to some extent to the Beatles."<ref>Template:Cite web</ref> While stating they were influenced by various artists and genres, Joe Bosso of Guitar World magazine writes, "Queen seemed to occupy their own lane."<ref>Template:Cite news</ref>
Queen composed music that drew inspiration from many different genres of music, often with a tongue-in-cheek attitude.<ref>Template:Cite news</ref> The music styles and genres they have been associated with include progressive rock (also known as symphonic rock),<ref name="allmusic"/> art rock,<ref name="Erlewine Queen II"/><ref name="marsh 1977"/> glam rock,<ref>Template:Cite news</ref> arena rock,<ref name="allmusic" /> heavy metal,<ref name="allmusic">Template:Cite web</ref> operatic pop,<ref name="allmusic"/> pop rock,<ref name="allmusic"/> psychedelic rock,<ref>Template:Cite magazine</ref> baroque pop,<ref name="gilmore">Template:Cite magazine</ref> and rockabilly.<ref name="gilmore"/> Queen also wrote songs that were inspired by musical styles not typically associated with rock groups, such as opera,<ref name="a night at the opera">Template:Cite web</ref> music hall,<ref name="a night at the opera"/> folk music,<ref name="a day at the races">Template:Cite web</ref> gospel,<ref>Template:Cite book</ref> ragtime,<ref>Template:Cite book</ref> and dance/disco.<ref>Template:Cite webTemplate:Dead link</ref> Their 1980 single "Another One Bites the Dust" became a major hit single in the funk rock genre.<ref>Template:Cite book</ref> Known for their anthemic songs which are a staple of sports arenas and stadiums the world over,<ref>Template:Cite news</ref><ref>Template:Cite news</ref> several Queen songs were written with audience participation in mind, such as "We Will Rock You" and "We Are the Champions".<ref>Template:Cite web</ref> Similarly, "Radio Ga Ga" became a live favourite for the band because it would have "crowds clapping like they were at a Nuremberg rally".<ref>Template:Cite book</ref>
In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feedback.<ref>Template:Cite webTemplate:Cbignore</ref><ref>Template:Cite news</ref> May has used Vox AC30 amplifiers almost exclusively since a meeting with Rory Gallagher at a gig in London during the late 1960s or early 1970s.<ref>Template:Cite news (repr. January 2014)</ref> He also uses a sixpence as a plectrum.<ref>Template:Cite news</ref> Sonic experimentation figured heavily in Queen's songs. A distinctive characteristic of Queen's music are the vocal harmonies which are usually composed of the voices of May, Mercury, and Taylor best heard on the studio albums A Night at the Opera and A Day at the Races. Some of the development of this sound is attributed to the producer Roy Thomas Baker and engineer Mike Stone.<ref>Template:Cite web</ref><ref>Template:Cite webTemplate:Dead link</ref> Queen were also known for multi-tracking voices to imitate the sound of a large choir through overdubs. For instance, according to Brian May, there are over 180 vocal overdubs in "Bohemian Rhapsody".<ref>Template:Cite news</ref> The band's vocal structures have been compared with the Beach Boys.<ref name="marsh 1977">Template:Cite magazine</ref><ref>Template:Cite web</ref>
Media
[edit]Logo
[edit]Having studied graphic design in art college, Mercury also designed Queen's logo, called the Queen crest, shortly before the release of the band's first album.<ref name=LOGO/> The logo combines the zodiac signs of all four members: two lions for Leo (Deacon and Taylor), a crab for Cancer (May), and two fairies for Virgo (Mercury).<ref name=LOGO/> The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion.<ref name=LOGO/> There is also a crown inside the Q and the whole logo is over-shadowed by an enormous phoenix. The whole symbol bears a passing resemblance to the royal coat of arms of the United Kingdom, particularly with the lion supporters.<ref name=LOGO>Template:Cite web</ref> The original logo, as found on the reverse side of the cover of the band's first album, was a simple line drawing. Later sleeves bore more intricately coloured versions of the logo.<ref name=LOGO/><ref>Template:Cite web</ref>
Music videos
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Directed by Bruce Gowers, the groundbreaking "Bohemian Rhapsody" promotional video sees the band adopt a "decadent 'glam' sensibility".<ref name="Rock VH1"/> Replicating Mick Rock's photograph of the band from the cover of Queen II—which itself was inspired by a photo of actress Marlene Dietrich from Shanghai Express (1932)—the video opens with "Queen standing in diamond formation, heads tilted back like Easter Island statues" in near darkness as they sing the a cappella part.<ref name="Rock VH1">Template:Cite web</ref>
One of the industry's leading music video directors, David Mallet, directed some of their subsequent videos. Some of their later videos use footage from classic films: "Under Pressure" incorporates 1920s silent films, Sergei Eisenstein's Battleship Potemkin and F. W. Murnau's Nosferatu; the 1984 video for "Radio Ga Ga" includes footage from Fritz Lang's Metropolis (1927); "Calling All Girls" was a homage to George Lucas's THX 1138;<ref>Template:Cite web</ref> and the 1995 video "Heaven for Everyone" shows footage from Georges Méliès' A Trip to the Moon (1902) and The Impossible Voyage (1904).<ref>Template:Cite book</ref> The first part of Mallet's music video for "I Want to Break Free" spoofed the popular long-running British soap opera Coronation Street.Template:Sfn
The music video for "Innuendo" combines stop motion animation with rotoscoping and band members appear as illustrations and images taken from earlier Queen music videos on a cinema screen akin to the dystopian film Nineteen Eighty-Four (1984).<ref>Queen – Champions of the World video (1995)</ref> The music videos for "Flash" (from Flash Gordon) and "Princes of the Universe" (from Highlander) are themed on the films the band recorded soundtracks for, with the latter featuring Mercury briefly re-enact the sword-fighting scene with the titular character.<ref>Template:Cite news</ref> Queen also appeared in conventional music videos. "We Will Rock You" was filmed outdoors in Roger Taylor's back garden during a cold day in early January 1977.<ref name="McLeod"/> Filmed at the New London Theatre later that year, the music video for "We Are the Champions" features the band—with Mercury in a trademark Harlequin outfit—performing in front of an enthusiastic crowd who wave Queen scarves in a manner similar to English football fans.<ref name="McLeod">Template:Cite book</ref> The last music video of the group while Mercury was alive, "These Are the Days of Our Lives", was filmed in black and white to hide the full extent of his illness.<ref>Template:Cite news</ref>
Musical theatre
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In May 2002, a musical or "rock theatrical" based on the songs of Queen, titled We Will Rock You, opened at the Dominion Theatre in London's West End.<ref name=wwry>Template:Cite news</ref> The musical was written by British comedian and author Ben Elton in collaboration with Brian May and Roger Taylor, and produced by Robert De Niro. It has since been staged in many cities around the world.<ref name=wwry/> The launch of the musical coincided with Queen Elizabeth II's Golden Jubilee. As part of the Jubilee celebrations, Brian May performed a guitar solo of "God Save the Queen",<ref name="brian may biography">Template:Cite web</ref> as featured on Queen's A Night at the Opera, from the roof of Buckingham Palace. The recording of this performance was used as video for the song on the 30th Anniversary DVD edition of A Night at the Opera.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Following the Las Vegas premiere on 8 September 2004, Queen were inducted into the Hollywood RockWalk in Sunset Boulevard, Los Angeles.<ref>Template:Cite web</ref>
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The original London production was scheduled to close on Saturday, 7 October 2006, at the Dominion Theatre, but due to public demand, the show ran until May 2014.<ref>"Queen musical We Will Rock You to close after 12 years" Template:Webarchive. BBC. Retrieved 28 October 2014</ref> We Will Rock You has become the longest-running musical ever to run at this prime London theatre, overtaking the previous record holder, the musical Grease.<ref>Template:Cite web</ref> Brian May stated in 2008 that they were considering writing a sequel to We Will Rock You.<ref>Template:Cite news</ref> The musical toured around the UK in 2009, playing at Manchester Palace Theatre, Sunderland Empire, Birmingham Hippodrome, Bristol Hippodrome, and Edinburgh Playhouse.<ref>Template:Cite web</ref> By December 2022 the musical had been seen by 20 million people across 28 countries.<ref name="Radio Times"/> In the summer of 2023 it returned to London with a 12-week run at the London Coliseum.<ref name="Radio Times">Template:Cite news</ref>
Sean Bovim created "Queen at the Ballet", a tribute to Mercury, which uses Queen's music as a soundtrack for the show's dancers, who interpret the stories behind tracks such as "Bohemian Rhapsody", "Radio Ga Ga", and "Killer Queen".<ref>Template:Cite news</ref> Queen's music also appears in the Off-Broadway production Power Balladz, most notably the song "We Are the Champions", with the show's two performers believing the song was "the apex of artistic achievement in its day".<ref>Christopher Isherwood (19 August 2010) Here They Go Again: Head-Banging Anthems of Their Youth Template:Webarchive The New York Times</ref>
Software and digital releases
[edit]In conjunction with Electronic Arts, Queen released the computer game Queen: The eYe in 1998.<ref>Template:Cite web</ref> The game received mixed reviews. Several reviewers described the fight sequences as frustrating, due to unresponsive controls and confusing camera angles.<ref name="pczone">Template:Cite magazine</ref><ref name="pcpowerplay">Template:Cite magazine</ref> PC Zone found the game's graphics unimpressive,<ref name="pczone" /> although PC PowerPlay considered them "absolutely stunning".<ref name="pcpowerplay" /> The extremely long development time resulted in graphic elements that already seemed outdated by the time of release.<ref>PC Review: Queen: The Eye Review Template:Webarchive</ref>
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Under the supervision of May and Taylor, numerous restoration projects have been under way involving Queen's lengthy audio and video catalogue. DVD releases of their 1986 Wembley concert (titled Live at Wembley Stadium), 1982 Milton Keynes concert (Queen on Fire – Live at the Bowl), and two Greatest Video Hits (Volumes 1 and 2, spanning the 1970s and 1980s) have seen the band's music remixed into 5.1 and DTS surround sound. So far, only two of the band's albums, A Night at the Opera and The Game, have been fully remixed into high-resolution multichannel surround on DVD-Audio. A Night at the Opera was re-released with some revised 5.1 mixes and accompanying videos in 2005 for the 30th anniversary of the album's original release (CD+DVD-Video set). In 2007, a Blu-ray edition of Queen's previously released concerts, Queen Rock Montreal & Live Aid, was released, marking their first project in 1080p HD.<ref>Template:Cite web</ref>
Queen have been featured multiple times in the Guitar Hero franchise: a cover of "Killer Queen" in the original Guitar Hero, "We Are The Champions", "Fat Bottomed Girls", and the Paul Rodgers collaboration "C-lebrity" in a track pack for Guitar Hero World Tour, "Under Pressure" with David Bowie in Guitar Hero 5,<ref>Template:Cite web</ref> "I Want It All" in Guitar Hero: Van Halen,<ref>Template:Cite web</ref> "Stone Cold Crazy" in Guitar Hero: Metallica,<ref>Template:Cite web</ref> and "Bohemian Rhapsody" in Guitar Hero: Warriors of Rock.<ref>Template:Cite web</ref> On 13 October 2009, Brian May revealed there was "talk" going on "behind the scenes" about a dedicated Queen Rock Band game.<ref>Template:Cite news</ref>
Queen have also been featured multiple times in the Rock Band franchise: a track pack of 10 songs which are compatible with Rock Band, Rock Band 2, and Rock Band 3 (three of those are also compatible with Lego Rock Band). Their hit "Bohemian Rhapsody" was featured in Rock Band 3 with full harmony and keys support. The band also appeared in the video game Lego Rock Band as playable Lego avatars.<ref>Template:Cite web</ref> In March 2009, Sony Computer Entertainment released a Queen branded version of the company's karaoke franchise, SingStar. The game, which is available on PlayStation 2 and PlayStation 3, is titled SingStar Queen and has 25 songs on the PS3 and 20 on the PS2.<ref>Template:Cite magazine</ref> "We Will Rock You" and other songs by Queen also appear in DJ Hero.<ref>Template:Cite web</ref>
Bohemian Rhapsody
[edit]Template:Main In a September 2010 BBC interview, Brian May announced that Sacha Baron Cohen was to play Mercury in a biographical film about the band.<ref>Template:Cite news</ref> Time commented with approval on his singing ability and visual similarity to Mercury.<ref>Template:Cite news</ref> However, in July 2013, Baron Cohen dropped out of the role due to "creative differences" between him and the surviving band members.<ref>Template:Cite web</ref> In December 2013, it was announced that Ben Whishaw, known for playing Q in the James Bond film Skyfall, was a possible replacement for Baron Cohen in the role of Mercury,<ref name="whishaw">Template:Cite news</ref> but Whishaw pulled out a few months later amidst uncertainty about how the film was progressing.<ref>Template:Cite news</ref>
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The project regained momentum in 2016. It was announced on 4 November that the film had secured the backing of 20th Century Fox, New Regency and GK Films. By this time, the film's working title was Bohemian Rhapsody, after the band's song of the same name. Freddie Mercury was to be played by Rami Malek, and shooting was scheduled to begin in early 2017.<ref>Template:Cite web</ref> The motion picture was written by Anthony McCarten, with a story by McCarten and Peter Morgan, who received Oscar nominations for his screenplays The Queen and Frost/Nixon.<ref>Template:Cite news</ref>
Released in October 2018, Bohemian Rhapsody focuses on Queen's formative years and the period leading up to the celebrated performance at the 1985 Live Aid concert.<ref>Template:Cite news</ref> The film has grossed over $900 million worldwide,<ref>"Bohemian Rhapsody". Box Office Mojo. Retrieved 14 April 2019</ref> making it the highest-grossing musical biographical film of all time.<ref>Template:Cite news</ref> Despite receiving mixed reviews, it won the Golden Globe Award for Best Motion Picture – Drama. Malek received wide acclaim and numerous accolades for his portrayal of Mercury, including the Academy Award for Best Actor.<ref>Template:Cite news</ref> The Live Aid segment was praised, but there was criticism from not exploring more complex themes involving Mercury, with the New York Post's Johnny Oleksinski stating, "What we ultimately wanted from Bohemian Rhapsody was not carbon-copied concerts, but behind-closed-doors insight into a deeply private, complicated, internationally beloved superstar."<ref>Template:Cite news</ref> After the release of the film, "Bohemian Rhapsody" re-entered the US Billboard Hot 100 for the third time (having previously charted in 1976 and 1992), charting at number 33 on 12 November 2018.<ref>Template:Cite magazine</ref> Bohemian Rhapsody: The Original Soundtrack received an American Music Award for Top Soundtrack.<ref>Template:Cite news</ref>
Other films
[edit]The soundtrack for the film Flash Gordon (1980) was by Queen. The band also contributed music to Highlander (the original 1986 film),<ref name="Highlander"/><ref>Template:Cite webTemplate:Dead link</ref> with "A Kind of Magic", "One Year of Love", "Who Wants to Live Forever", "Hammer to Fall", and the theme "Princes of the Universe", which was also used as the theme of the Highlander TV series (1992–1998).<ref>Template:Cite book</ref> In choosing music for Highlander, director Russell Mulcahy stated, "I thought about one band – Queen. They write strong, anthemic songs and this movie needs their energy".Template:Sfn In the US, "Bohemian Rhapsody" was re-released as a single in 1992 after appearing in the comedy film Wayne's World.<ref name="Billboard1992"/> The single subsequently reached number two on the Billboard Hot 100 (with "The Show Must Go On" as the first track on the single) and helped rekindle the band's popularity in North America.<ref name="Billboard1992">Template:Cite book</ref><ref>Olson, James Stuart (1999). Historical dictionary of the 1970s p.292. Greenwood Publishing Group, 1999. Retrieved 30 May 2011</ref>
Several films have featured their songs performed by other artists. A version of "Somebody to Love" by Anne Hathaway was in the 2004 film Ella Enchanted.<ref>Template:Cite web</ref> In 2006, Brittany Murphy also recorded a cover of the same song for the 2006 film Happy Feet.<ref>Template:Cite web</ref> In 2001, a version of "The Show Must Go On" was performed by Jim Broadbent and Nicole Kidman in the film musical Moulin Rouge!.<ref>Template:Cite webTemplate:Dead link</ref> The 2001 film A Knight's Tale has a version of "We Are the Champions" performed by Robbie Williams and Queen; the film also features "We Will Rock You" played by the medieval audience.<ref>Template:Cite web</ref>
Television
[edit]"I Was Born to Love You" was used as the theme song of the Japanese television drama Pride on Fuji Television in 2004, starring Takuya Kimura and Yūko Takeuchi. The show's soundtrack also contained other songs by Queen.<ref>Yukari Shima (14 November 2005) Japan Report BrianMay.com. Retrieved 11 June 2011</ref> A song that has grown in popularity four decades since its release, the initial rebirth of "Don't Stop Me Now" has been attributed to its appearance in the 2004 cult classic zombie apocalypse film Shaun of the Dead.<ref>Template:Cite magazine</ref> The song has featured in the BBC television show Top Gear, and in 2005 it was voted as "The Greatest Driving Song Ever" by the series' viewers.<ref>Template:Cite web</ref> In the Channel 4 sitcom Father Ted, Graham Norton as Father Noel Furlong performs "Bohemian Rhapsody" in the episode "The Mainland".<ref>Template:Cite news</ref>
Keeping in a tradition of naming each season's episodes after songs by 1970s rock bands, the eighth and final season of That '70s Show had episodes named after Queen songs. "Bohemian Rhapsody" served as the season premiere.<ref>Template:Cite web</ref> With an entry for the year 1977, Queen featured in the VH1 series I Love the '70s, broadcast in the US.<ref>Template:Cite news</ref> The Simpsons has made storylines which have featured Queen songs such as "We Will Rock You", "We Are the Champions" (both sung by Homer), and "You're My Best Friend".<ref>Template:Cite web</ref> The latter also appears in Family Guy, as does "Another One Bites the Dust", and an episode of the show, "Killer Queen", is named after (and features) the song.<ref>Template:Cite web</ref> Queen were profiled in season 1, episode 16 of VH1's Legends, broadcast in 1998.<ref>Template:Cite book</ref>
On 11 April 2006, Brian May and Roger Taylor appeared on the American singing contest television show American Idol. Each contestant was required to sing a Queen song during that week of the competition. Songs which appeared on the show included "Bohemian Rhapsody", "Fat Bottomed Girls", "The Show Must Go On", "Who Wants to Live Forever", and "Innuendo". Brian May later criticised the show for editing specific scenes,<ref>Template:Cite news</ref> one of which made the group's time with contestant Ace Young look negative, despite it being the opposite. Taylor and May again appeared on the American Idol season 8 finale in May 2009, performing "We Are the Champions" with finalists Adam Lambert and Kris Allen.<ref name="AIdol"/> On 15 November 2009, Brian May and Roger Taylor appeared on the singing contest television show The X Factor in the UK.<ref name=autogenerated1>Template:Cite news</ref>
In 2007, Queen featured as one of the main artists in the fifth episode of the BBC/VH1 series Seven Ages of Rock—focusing on stadium rock, the episode itself was named "We Are the Champions".<ref>Template:Cite news</ref> In the autumn of 2009, Glee featured the fictional high school's show choir singing "Somebody to Love" as their second act performance in the episode "The Rhodes Not Taken". The performance was included on the show's Volume 1 soundtrack CD.<ref>Template:Cite web</ref> In June 2010, the choir performed "Another One Bites the Dust" in the episode "Funk".<ref>"Funk: Featured Music". Fox Retrieved 3 July 2011</ref> The following week's episode, "Journey to Regionals", features a rival choir performing "Bohemian Rhapsody" in its entirety. The song was featured on the episode's EP. In May 2012, the choir performed "We Are the Champions" in the episode "Nationals", and the song features in The Graduation Album.<ref>Template:Cite web</ref> In November 2014, The Nation's Favourite Queen Song, a 90-minute television special counting down Britain's 20 favourite Queen songs, aired on ITV in the UK.<ref>Template:Cite news</ref> In November 2021, The Queen Family Singalong, featuring performances of songs by Queen accompanied with on-screen karaoke lyrics encouraging viewers to sing along, aired on ABC in the US.<ref>Template:Cite web</ref>
Legacy
[edit]Upon being awarded the Polar Music Prize in 2025, Queen were described as being "a band synonymous with the very fabric of pop culture" who "have made an impact on music that spans decades, generations and genres", and they are "beloved the world over".<ref>Template:Cite news</ref> In 2002, "Bohemian Rhapsody" was voted "the UK's favourite hit of all time" in a poll conducted by the Guinness World Records British Hit Singles Book.<ref>Template:Cite news</ref> In 2004, the song was inducted into the Grammy Hall of Fame.<ref>Template:Cite web</ref> Many scholars consider the "Bohemian Rhapsody" music video groundbreaking, crediting it with popularising the medium.<ref name="BR music vid"/><ref name="Welch">Template:Cite news</ref><ref>Template:Cite book</ref> Rock historian Paul Fowles stated that the song is "widely credited as the first global hit single for which an accompanying video was central to the marketing strategy".<ref name="Fowles">Template:Cite book</ref> It has been hailed as paving the way for the MTV Generation.<ref>Template:Cite news</ref> In December 2018, "Bohemian Rhapsody" became the most-streamed song from the 20th century, and the most-streamed classic rock song of all time.<ref name="Forbes Sales">Template:Cite web</ref> The song and original video were downloaded more than 1.6 billion times.<ref>Template:Cite web</ref> In March 2021 it was certified Diamond in the US for combined digital sales and streams equal to 10 million units.<ref>Template:Cite news</ref> Acclaimed for their stadium rock, in 2005 an industry poll ranked Queen's performance at Live Aid in 1985 as the best live act in history.<ref name="QueenBestLive">Template:Cite news</ref> In 2007, they were also voted the greatest British band in history by BBC Radio 2 listeners.<ref name="QueenBestBritishBand">Template:Cite news</ref>
As of 2005, according to the Guinness Book of World Records, Queen albums have spent a total of 1,322 weeks (twenty-six years) on the UK Album Charts, more time than any other act.<ref name=BCS>Template:Cite news</ref> Also in 2005, with the release of their live album with Paul Rodgers, Queen moved into third place on the list of acts with the most aggregate time spent on the British record charts.<ref>Template:Cite news</ref> In 2022, Greatest Hits was the best-selling album in UK chart history, and the only album to sell over seven million copies in the UK.<ref name="OCC GH"/> As of August 2024, the album has spent over 600 weeks on the US Billboard 200.<ref name="Billboard all time">Template:Cite magazine</ref> Their Greatest Hits II album is the UK's tenth best seller, with sales of 3,746,404 copies.<ref name="bpialbums"/><ref>Brown, Mark (16 November 2006) Queen are the champions in all-time album sales chart The Guardian Retrieved 16 February 2011</ref> Based on record sales, Billboard charts performance, online views and popularity on Spotify, in 2018 Business Insider in the US ranked Queen the third most popular rock band of all time, after the Beatles and Led Zeppelin.<ref>Template:Cite news</ref>
The band have released a total of 18 number-one albums, 18 number-one singles, and 10 number-one DVDs worldwide, making them one of the world's best-selling music artists. Estimates of their record sales range from 250 million to 300 million worldwide.<ref name="Forbes Sales"/><ref>Template:Cite news</ref><ref name="QUEEN'S ROGER TAYLOR BBC News">Template:Cite web</ref><ref>Template:Cite magazine</ref> Inducted into the Rock and Roll Hall of Fame in 2001, the band is the only group in which every member has composed more than one chart-topping single, and all four members were inducted into the Songwriters Hall of Fame in 2003.<ref name="Hall Bio">Template:Cite web</ref><ref>Template:Cite web</ref> In 2009, "We Will Rock You" and "We Are the Champions" were inducted into the Grammy Hall of Fame,<ref>Template:Cite web</ref><ref>Template:Cite news</ref> and the latter was voted the world's favourite song in a 2005 Sony Ericsson global music poll.<ref>Haines, Lester (29 September 2005) 'We Are The Champions' voted world's fave song (Sony Ericsson world music poll) Retrieved 16 February 2011</ref> The band received Ivor Novello Awards for Outstanding Contribution to British Music, in 1987, and Outstanding Song Collection, in 2005, from the British Academy of Songwriters, Composers, and Authors.<ref>"The 32nd Ivor Novello Awards" Template:Webarchive. The Ivors. Retrieved 3 January 2018</ref><ref>"The 50th Ivor Novello Awards" Template:Webarchive. The Ivors. Retrieved 3 January 2018</ref> In recognition of the vocal harmonies of Mercury, May and Taylor, in 2006 Queen were inducted into the Vocal Group Hall of Fame.<ref>Template:Cite web</ref> In 2018 they were presented the Grammy Lifetime Achievement Award.<ref>"Queen, Tina Turner to Receive Grammy Lifetime Achievement Award" Template:Webarchive. Rolling Stone. Retrieved 8 March 2018</ref> In their list for the Global Recording Artist of the Year, the IFPI named Queen the sixth best-selling artist worldwide in 2018, and the fifth best-selling artist in 2019, in both cases the most popular act of their contemporaries.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> In January 2020, Queen became the first band to join Elizabeth II on a British coin, with the commemorative £5 coin, issued by the Royal Mint, featuring the instruments of all four bandmembers.<ref>Template:Cite news</ref> In July 2020, Queen became the third band (after the Beatles and Pink Floyd) to feature on a series of UK postage stamps issued by the Royal Mail.<ref>Template:Cite news</ref>
Queen are one of the most bootlegged bands ever, according to Nick Weymouth, who manages the band's official website.<ref name="MusicWeek">Template:Cite magazine</ref> A 2001 survey discovered the existence of 12,225 websites dedicated to Queen bootlegs, the highest number for any band.<ref>Template:Cite news</ref> Bootleg recordings have contributed to the band's popularity in certain countries where Western music is censored, such as Iran.<ref>Template:Cite news</ref> In a project called Queen: The Top 100 Bootlegs, many of these have been made officially available to download for a nominal fee from Queen's website, with profits going to the Mercury Phoenix Trust.<ref name="MusicWeek" /> In 2004, Queen became the first Western rock act to be officially accepted in Iran following the release of their Greatest Hits album.<ref>Template:Cite news</ref> Rolling Stone ranked Queen at number 52 on its list of the "100 Greatest Artists of All Time",<ref>Way, Gerard (29 April 2011). 100 Greatest Artists Of All Time: Queen Rolling Stone. Retrieved 23 May 2011</ref> while ranking Mercury the 18th-greatest singer,<ref name="RollingStoneSingers">Template:Cite magazine</ref> and May the twenty-sixth-greatest guitarist.<ref>Template:Cite magazine</ref> Rolling Stone readers voted Mercury the second-greatest frontman.<ref>Template:Cite web</ref> Queen were named 13th on VH1's 100 Greatest Artists of Hard Rock list,<ref>Template:Cite web</ref> and in 2010 were ranked 17th on VH1's 100 Greatest Artists of All Time list.<ref>Template:Cite web</ref> In 2012, Gigwise readers named Queen the best band of the past 60 years.<ref>Template:Cite news</ref> Eddie Trunk argued that Queen's importance, in common with Thin Lizzy and Deep Purple, was "not as fully recognized" in the US because elsewhere they "often played to much bigger crowds in stadium venues".<ref name="trunk"/> Queen had stopped touring the US in 1982 as their success there had started to wane, but they remained a touring "juggernaut", filling stadiums and arenas internationally in the 1980s until their final tour (with Mercury) in 1986.<ref name="gilmore"/>
Influence
[edit]
Queen have been credited with making a significant contribution to genres such as hard rock and heavy metal.<ref name="trunk"/><ref name="rollingstone.com">"Queen, first non-blues based heavy metal band". Rolling Stone, Dec 1973.</ref> The band have been cited as an influence by many other musicians. Moreover, like their music, the bands and artists that have claimed to be influenced by Queen or have expressed admiration for them are diverse, spanning different generations, countries, and genres, including heavy metal: Judas Priest,<ref>Template:Cite news</ref> Iron Maiden,<ref name="queencuttings.com">"Queen, 50 greatest songs as voted for by Maiden, Priest, Kiss, etc". Classic Rock magazine, October 2006.</ref> Dream Theater,<ref>Template:Cite web</ref> Trivium,<ref>Template:Cite web</ref> Megadeth,<ref>Template:Cite web</ref> Anthrax,<ref name="MP3 David Lee Roth interview">Template:Cite web</ref> Melvins,<ref>Template:Cite web</ref> Slipknot,<ref>Sutcliffe. 2015. page 227. Corey Taylor: "The older I got, the more I got into Queen, and I got into the harmonies, which were just unreal ... It was one of those things where you go, 'Man I wish I would've started listening to this earlier.' I think Freddie Mercury was one of the best singers ever lived. I think he would look around at a lot of this stuff today and laugh his ass off 'cause it would be so funny to him. Then again, he'd probably be a god to some of these people because he was such a great frontman, such a good singer, and just incredibly gifted man."</ref> Rob Zombie,<ref name="Forbes legacy"/> and Rage Against the Machine;<ref>Sutcliffe. 2015. page 3. Tom Morello: "There is no band remotely like them. There aren't even imitators that come within a hundred city blocks of Queen, and that can be said about very, very few bands. It's one of the few bands in the history of rock music that was actually best in a stadium. And I miss Freddie Mercury very much."</ref> hard rock: Guns N' Roses,<ref>Template:Cite news</ref> Def Leppard,<ref>Template:Cite news</ref> Mötley Crüe,Template:Sfn Steve Vai,<ref>Template:Cite web</ref> the Cult,<ref>Template:Cite web</ref> the Darkness,<ref>Template:Cite web</ref> and Foo Fighters;<ref>Template:Cite webTemplate:Dead linkTemplate:Cbignore</ref> alternative rock: Nirvana,<ref>Template:Cite news</ref> Trent Reznor of Nine Inch Nails,<ref>Template:Cite news</ref> Muse,<ref>Template:Cite web</ref> Red Hot Chili Peppers,<ref>Template:Cite web</ref> Jane's Addiction,<ref>Template:Cite web</ref> the Flaming Lips,<ref>Sutcliffe, 2015. page 2. Wayne Coyne: "Musically they really are phenomenal. Freddie Mercury was just a beautiful singer, and they all are so great as musicians and have so many great moments where it's like, oh my God, here's a band that didn't hold back."</ref> Kid Rock,<ref>Sutcliffe, 2015. page 242. Kid Rock: "I love Queen. The more you listen to Queen, the more you realize, especially if you're a musician, how much of a genius Freddie Mercury was, and Brian May and those guys are."</ref> and Billy Corgan of the Smashing Pumpkins;<ref>"Billy Corgan of Smashing Pumpkins talks about the records that changed his life" (Queen II). Melody Maker. 14 August 1993.</ref> shock rock: Marilyn Manson;<ref>Template:Cite web</ref> pop rock: the Killers,<ref>"The Killers channel Queen, Meat Loaf, for new album" Template:Webarchive. Rolling Stone. Retrieved 13 July 2015</ref> My Chemical Romance,<ref>Template:Cite book</ref> and Panic! at the Disco;<ref name="Panic! At the Disco">Template:Cite web</ref> country: Faith Hill,<ref name="Forbes legacy"/> and Carrie Underwood;<ref>Template:Cite news</ref> pop: George Michael,<ref>Michael sang several Queen songs in concert. This is mentioned in: Patrick Lemieux, Adam Unger. "The Queen Chronology (2nd Edition)" – Page 137.</ref> Robbie Williams,<ref>Template:Cite web</ref> Adele,<ref>Sutcliffe, 2015. page 3. Adele: "I love them. I'm the biggest Queen fan ever ... They're the kind of band that's just in your DNA, really. Everyone just knows who they are."</ref> Lady Gaga,<ref>Template:Cite news</ref> and Katy Perry;<ref>Template:Cite magazine</ref> and K-pop: Psy,<ref>Template:Cite news</ref> and BTS.<ref>Template:Cite web</ref>
In the early 1970s, Queen helped spur the heavy metal genre's evolution by discarding much of its blues influence.<ref name=RS1>Template:Cite web</ref><ref>Classic Rock magazine, October 2006.</ref> Queen's 1974 song "Stone Cold Crazy" has been cited as a precursor of speed metal.<ref name="Jones BBC"/> Metallica recorded a cover version of "Stone Cold Crazy", which first appeared on the Rubáiyát: Elektra's 40th Anniversary album in 1990, and they still performed it live in the 2000s.<ref>Template:Cite webTemplate:Cbignore</ref> Swedish guitarist Yngwie Malmsteen, a pioneer of "neo-classical metal", listened to Queen as a kid, and spoke of Brian May being "very inventive when it comes to tones and having all those pickup configurations. Brian tends not to stick to just pentatonics, either; he mixes it all up, which is how I like to think, too."<ref>Template:Cite news</ref> Thom Yorke of Radiohead received his first guitar at 7 years old, encouraged after seeing May in a broadcast of a Queen concert.<ref name="radiohead">Template:Cite news</ref> At 10 years old, Yorke made his own homemade guitar, trying to imitate what May had done with his Red Special, but he was not satisfied with the result.<ref>Template:Cite web</ref> Subsequently, Queen became one of the first influences of his band.<ref name="radiohead"/>
Band members
[edit]Current members
[edit]- Brian May – guitars, vocals, keyboards, bass guitar Template:Small
- Roger Taylor – drums, vocals, percussion, guitars, keyboards, bass guitar Template:Small
Former members
[edit]- Freddie Mercury – vocals, piano, keyboards, occasional guitar Template:Small
- John Deacon – bass guitar, guitars, keyboards, occasional backing vocals Template:Small
Long-term Queen + vocalists
[edit]- Paul Rodgers – lead vocals, rhythm guitar, keyboards Template:Small
- Adam Lambert – lead vocals Template:Small
Current touring members
[edit]- Spike Edney – keyboards, piano, rhythm guitar, backing vocals Template:Small
- Neil Fairclough – bass, backing vocals Template:Small
- Tyler Warren – percussion, drums, backing vocals Template:Small
Former touring members
[edit]- Morgan Fisher – keyboards Template:Small
- Fred Mandel – keyboards Template:Small
- David Grosman – bass, backing vocals, keyboards Template:Small
- Jamie Moses – rhythm guitar, backing vocals, bass Template:Small
- Danny Miranda – bass, backing vocals, acoustic guitar Template:Small
- Neil Murray – bass Template:Small
- Rufus Tiger Taylor – percussion, drums, backing vocals Template:Small
Early members
[edit]- Mike Grose – bass Template:Small<ref name="Ultimate Classic Rock">Template:Cite web</ref>
- Barry Mitchell – bass Template:Small
- Doug Bogie – bass Template:Small
Timeline
[edit]<timeline> ImageSize = width:805 height:auto barincrement:25 PlotArea =left:120 bottom:100 top:0 right:20 Alignbars = justify DateFormat = dd/mm/yyyy Period = from:01/01/1970 till:{{#time:d/m/Y}} TimeAxis = orientation:horizontal format:yyyy Legend = orientation:vertical position:bottom columns:3 ScaleMajor = increment:5 start:1970 ScaleMinor = increment:1 start:1970
Colors =
id:lvocals value:red legend:Lead_and_backing_vocals id:bvocals value:pink legend:Backing_vocals id:lead value:teal legend:Lead_and_rhythm_guitars id:rhythm value:brightgreen legend:Rhythm_guitars id:bass value:blue legend:Bass id:keyboard value:purple legend:Keyboards id:drums value:orange legend:Drums,_percussion id:studio value:black legend:Studio_albums id:Live value:gray(0.65) legend:Live_album id:bars value:gray(0.9)
BackgroundColors = bars:bars
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bar:Fred text:"Freddie Mercury" bar:Brian text:"Brian May" bar:Grose text:"Mike Grose" bar:Barry text:"Barry Mitchell" bar:Doug text:"Doug Bogie" bar:John text:"John Deacon" bar:Roger text:"Roger Taylor"
PlotData=
width:13 bar:Fred from:01/01/1970 till:24/11/1991 color:lvocals bar:Fred from:01/01/1970 till:24/11/1991 color:keyboard width:3 bar:Fred from:01/06/1979 till:09/08/1986 color:rhythm width:7 bar:Brian from:01/01/1970 till:end color:lead bar:Brian from:start till:end color:lvocals width:3 bar:Brian from:01/01/1973 till:15/09/2008 color:keyboard width:7 bar:Brian from:01/10/2006 till:15/09/2008 color:bass width:9 bar:Grose from:01/01/1970 till:01/09/1970 color:bass bar:Barry from:01/09/1970 till:01/04/1971 color:bass bar:Doug from:01/04/1971 till:01/09/1971 color:bass bar:John from:01/09/1971 till:31/10/1997 color:bass bar:John from:05/08/1973 till:31/10/1997 color:bvocals width:3 bar:John from:05/08/1973 till:31/10/1997 color:rhythm width:7 bar:John from:01/09/1975 till:31/10/1997 color:keyboard width:5 bar:Roger from:01/01/1970 till:end color:drums bar:Roger from:start till:end color:lvocals width:3 bar:Roger from:01/08/1975 till:31/01/1989 color:rhythm width:7 bar:Roger from:31/01/1989 till:15/09/2008 color:keyboard width:7 bar:Roger from:06/07/1977 till:14/10/1978 color:bass width:5 bar:Roger from:01/06/1979 till:22/05/1989 color:keyboard width:5
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layer:back color:studio at:13/07/1973 at:08/03/1974 at:08/11/1974 at:21/11/1975 at:10/12/1976 at:28/10/1977 at:10/11/1978 at:30/06/1980 at:08/12/1980 at:21/05/1982 at:27/02/1984 at:02/06/1986 at:22/05/1989 at:05/02/1991 at:06/11/1995 color:live at:22/06/1979 at:01/12/1986 at:04/12/1986 at:26/05/1992 at:04/11/2004 at:29/10/2007 at:20/09/2012 at:08/09/2014 at:20/11/2015 at:04/11/2016
</timeline>
Awards and nominations
[edit]Discography
[edit]Template:Main Studio albums
- Queen (1973)
- Queen II (1974)
- Sheer Heart Attack (1974)
- A Night at the Opera (1975)
- A Day at the Races (1976)
- News of the World (1977)
- Jazz (1978)
- The Game (1980)
- Flash Gordon (1980)
- Hot Space (1982)
- The Works (1984)
- A Kind of Magic (1986)
- The Miracle (1989)
- Innuendo (1991)
- Made in Heaven (1995)
Concert tours
[edit]Template:Main Template:Div col
- Queen Tour (1973)
- Queen II Tour (1974)
- Sheer Heart Attack Tour (1974–1975)
- A Night at the Opera Tour (1975–1976)
- A Day at the Races Tour (1977)
- News of the World Tour (1977–1978)
- Jazz Tour (1978–1979)
- Crazy Tour (1979)
- The Game Tour (1980–1981)
- Hot Space Tour (1982)
- The Works Tour (1984–1985)
- The Magic Tour (1986)
- Queen + Paul Rodgers Tour (2005–2006)
- Rock the Cosmos Tour (2008)
- Queen + Adam Lambert Tour 2012 (2012)
- Queen + Adam Lambert Tour 2014–2015 (2014–2015)
- Queen + Adam Lambert 2016 Summer Festival Tour (2016)
- Queen + Adam Lambert Tour 2017–2018 (2017–2018)
- The Rhapsody Tour (2019–2024)
See also
[edit]References
[edit]Bibliography
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External links
[edit]Template:Queen Template:Queen singles Template:Navboxes Template:Navboxes Template:Authority control
- Pages with broken file links
- Queen (band)
- 1970 establishments in England
- Arena rock musical groups
- Brit Award winners
- British art rock groups
- British glam rock groups
- British hard rock musical groups
- British heavy metal musical groups
- British pop rock music groups
- British progressive rock groups
- Capitol Records artists
- Elektra Records artists
- EMI Records artists
- Grammy Lifetime Achievement Award winners
- Hollywood Records artists
- Island Records artists
- Ivor Novello Award winners
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- MTV Europe Music Award winners
- Musical groups established in 1970
- Parlophone artists
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