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Spice Girls

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The Spice Girls were a British girl group formed in 1994, consisting of Mel B ("Scary Spice"); Melanie C ("Sporty Spice"); Emma Bunton ("Baby Spice"); Geri Halliwell ("Ginger Spice"); and Victoria Beckham ("Posh Spice"). They have sold over 100 million records worldwide,<ref name="bauermedia-feb-17">Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> making them the best-selling girl group of all time.<ref name="bestselling1" /><ref name="bestselling2" /><ref name="bestselling3" /><ref>Template:Harvnb</ref><ref>Template:Cite web</ref><ref name="Spice-Beatles comparison" /> With their "girl power" mantra, the Spice Girls redefined the girl-group concept by targeting a young female fanbase.<ref name=johnharlow/><ref name=andrewsmith/> They led the teen pop resurgence of the 1990s, were a major part of the Cool Britannia era, and became popular culture icons of the decade.<ref name="Time magazine">Template:Cite magazine</ref><ref name=sherrie>Template:Cite book</ref><ref name="spice girls bio"/>

The Spice Girls were formed by Heart Management, who held auditions to create a girl group to compete with the British boy bands popular at the time. After leaving Heart, the Spice Girls hired Simon Fuller as their manager and signed with Virgin Records. They released their debut single, "Wannabe", in 1996, which reached number one on the charts of 37 countries.<ref name="bbc37">Template:Cite news</ref><ref name="Billboardwann">Template:Cite magazine</ref> Their debut album, Spice (1996), sold more than 23 million copies worldwide,<ref name="sales-worldwide">References:

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Template:Cite web</ref> becoming the best-selling album by a female group in history.<ref name="US sales">Template:Cite magazine</ref> It also produced three more number-one singles: "Say You'll Be There", "2 Become 1" and "Who Do You Think You Are"/"Mama". Their second album, Spiceworld (1997), sold more than 14 million copies worldwide.<ref name=spiceworldsales/> The Spice Girls achieved three number-one singles from the album with "Spice Up Your Life", "Too Much" and "Viva Forever". Both albums encapsulated the group's dance-pop style and message of female empowerment, with vocal and songwriting contributions shared equally by the members.

In 1997, the Spice Girls made their live concert debut and released a feature film, Spice World, both to commercial success. In 1998, the group embarked on the Spiceworld Tour, which was attended by an estimated 2.1 million people worldwide, becoming the highest-grossing concert tour by a female group.<ref name="bbcatoz">Template:Cite news</ref> Halliwell left the Spice Girls mid-tour in May 1998. Following a number-one single with "Goodbye" (1998) and a successful 1999 concert tour, the Spice Girls released their R&B-influenced third album, Forever, in 2000. It featured their ninth number one single with "Holler"/"Let Love Lead the Way", setting a record for most UK number ones by a girl group of all time.<ref>Template:Cite web</ref> By the end of 2000, the Spice Girls entered a hiatus to concentrate on their solo careers. Since then, they have reunited for a performance at the 2012 Summer Olympics closing ceremony<ref name="auto">Template:Cite web</ref><ref>Template:Cite web</ref> and for two concert tours: the Return of the Spice Girls from 2007 to 2008 as a five-piece and the Spice World — 2019 UK Tour, without Beckham. Both tours won the Billboard Live Music Award for highest-grossing engagements, making the Spice Girls the top touring all-female group from 1998 to 2020.<ref name="pollstar" />

The Spice Girls have won five Brit Awards, three American Music Awards, four Billboard Music Awards, three MTV Europe Music Awards and one MTV Video Music Award. In 2000, they became the youngest recipients of the Brit Award for Outstanding Contribution to Music.<ref>Template:Harvnb</ref> Notable elements of the Spice Girls' symbolism include Halliwell's Union Jack dress and the nicknames that were given to each member of the group by the British press. Numerous endorsement deals and merchandise brought the group additional success, with a global gross income estimated at $500–800 million by May 1998.<ref name="ewspice">Template:Cite magazine</ref>Template:Refn According to the Music Week writer Paul Gorman, their media exposure helped usher in an era of celebrity obsession in pop culture.<ref name="spice girls legacy" />

History

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1994–1995: Formation and early years

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Template:Quote box In the early 1990s, Bob Herbert and Chris Herbert, the father-and-son duo of Heart Management, decided to create a girl group to compete with the boy bands who dominated UK pop music at the time.<ref>Template:Harvnb</ref> With the financier Chic Murphy, they envisioned an act comprising "five strikingly different girls"<ref name="rolling stone interview"/> who would each appeal to a different audience. In February 1994, Heart Management placed an advertisement in the trade paper The Stage asking for singers to audition for an all-female pop band at London's Danceworks studios.<ref>Template:Harvnb</ref> Approximately 400 women attended the audition on 4 March 1994. They were placed in groups of 10 and danced a routine to "Stay" by Eternal, followed by solo auditions in which they performed songs of their choice.<ref name=sinclair200838/>

After several weeks of deliberation, Victoria Adams, Melanie Brown, Melanie Coloma and Michelle Stephenson were among a dozen or so women who advanced to a second round of auditions in April. Suffering from a tonsillitis,<ref>Template:Harvnb</ref> Melanie Chisholm couldn't be present at the second round of auditions. However, after said auditions, Melanie Coloma was let go by the Herberts, who called Melanie C to replace her, after<ref name=sinclair200838>Template:Harvnb</ref><ref>Template:Harvnb</ref> Geri Halliwell persuaded the Herberts to let her attend the next round of auditions.<ref>Template:Harvnb</ref> A week after the second audition, Adams, Brown, Halliwell and Stephenson were asked to attend a recall at Nomis Studios in Shepherd's Bush, performing "Signed, Sealed, Delivered I'm Yours" on their own and as a group.<ref>Template:Harvnb</ref> Chisholm was also invited.<ref>Template:Harvnb</ref> The five women were selected for a band initially named Touch.<ref name="Sinclair2728"/>

The group moved into a three-bedroom house in Maidenhead, Berkshire, and spent most of 1994 practising songs written for them by Bob Herbert's long-time associates John Thirkell and Erwin Keiles.<ref>Template:Harvnb</ref> According to Stephenson, the songs were aimed at a very young audience, and none were later used by the Spice Girls.<ref name="Sinclair29">Template:Harvnb</ref> During these first months, the group worked on demos at South Hill Park Recording Studios in Bracknell with the producer and studio owner Michael Sparkes and the songwriter and arranger Tim Hawes. They were also tasked with choreographing their own dance routines, which they worked on at Trinity Studios in Knaphill, near Woking, Surrey.<ref>Template:Harvnb</ref> A few months into the training, Stephenson was fired for a perceived lack of commitment.Template:Refn Heart Management turned to the group's vocal coach, Pepi Lemer, to find a replacement. After Lemer's first recommendation declined the offer, Lemer recommended her former pupil Emma Bunton, who auditioned for the Herberts and joined as the fifth member.<ref name=sinclair3031/>

As their training continued, the group performed small showcases for a few of Heart Management's associates. In one performance, they added a rap section they had written to one of Thirkell and Keiles' songs. Keiles was furious with the changes and insisted they learn to write songs properly. The group began professional songwriting lessons;<ref>Template:Harvnb</ref> during one session, they wrote a song called "Sugar and Spice" with Hawes, which inspired them to change their name to Spice.<ref name=mcgibbon9798>Template:Harvnb</ref>

Signing with Virgin Records

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By late 1994, the group felt insecure, as they still did not have an official contract with Heart Management and were frustrated with the management team's direction. They persuaded Herbert to set up a showcase performance in front of industry writers, producers and A&R men in December 1994 at the Nomis Studios, where they received an "overwhelmingly positive" reaction.<ref name="sinclair20083334" /> The Herberts quickly set about creating a binding contract for them. Encouraged by the reaction they had received at the Nomis showcase, all five members refused to sign the contracts on legal advice from, among others, Adams's father.<ref name="sinclair20083334">Template:Harvnb</ref> In January, the group began songwriting sessions with Richard Stannard, whom they had impressed at the showcase, and his partner Matt Rowe. During these sessions the songs "Wannabe" and "2 Become 1" were written.<ref name="sinclair4049" />

In March 1995, the group left Heart Management, feeling Heart was unwilling to listen to their ideas. To ensure they kept control of their work, they allegedly stole the master recordings of their discography from the management offices.<ref>Template:Harvnb</ref>Template:Refn The next day, the group tracked down the Sheffield-based songwriter Eliot Kennedy, who had been present at the Nomis showcase, and persuaded him to work with them. Through contacts they had made at the showcase, they were also introduced to the Absolute production team. With Kennedy and Absolute's help, the group spent the next several weeks writing and recording demos for the majority of the songs that would be released on their debut album, including "Say You'll Be There" and "Who Do You Think You Are".<ref name="sinclair4049">Template:Harvnb</ref> Their demos caught the attention of Simon Fuller of 19 Entertainment, who signed them to his management company in May 1995.<ref>Template:Harvnb</ref>

By this point, industry buzz around Spice had grown and major record labels in London and Los Angeles were keen to sign them. After a bidding war, they signed a five-album deal with Virgin Records in July 1995.<ref>Template:Harvnb</ref> Fuller took them on an extensive promotional tour in Los Angeles, where they met with studio executives in the hopes of securing film and television opportunities.<ref>Template:Harvnb</ref> Their name was changed to the Spice Girls as a rapper was already using the name Spice. The new name was chosen as industry people often referred to them derisively as "the Spice girls".<ref>Template:Harnvb</ref><ref name="sggen" /> They continued to write and record tracks for their debut album.<ref name="cripps141">Template:Harvnb</ref>

1996–1997: Breakthrough

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Template:Main On 8 July 1996, the Spice Girls released their debut single "Wannabe" in the United Kingdom. In the weeks before the release, the music video received a trial airing on music channel the Box.<ref name=sinclair75>Template:Harvnb</ref> It was an instant hit and was aired up to seventy times a week at its peak.<ref>Template:Harvnb</ref> After the video was released, the Spice Girls had their first live broadcast TV slot on LWT's Surprise Surprise. Earlier in May, they had conducted their first music press interview with Paul Gorman,<ref>Template:Cite web</ref> the contributing editor of trade paper Music Week, at Virgin Records' Paris headquarters. His piece recognised that the Spice Girls were about to institute a change in the charts away from Britpop and towards out-and-out pop. He wrote: "Just when boys with guitars threaten to rule pop life—Damon's all over Smash Hits, Ash are big in Big! and Liam can't move for tabloid frenzy—an all-girl, in-yer-face pop group have arrived with enough sass to burst that rockist bubble."<ref name=firstinterview>Template:Cite magazine</ref> "Wannabe" entered the UK Singles Chart at number three before spending the next seven weeks at number one. The song proved to be a global hit, hitting number one in 37 countries, including four consecutive weeks atop the Billboard Hot 100 in the US, and becoming not only the best-selling debut single by an all-female group but also the best-selling single by an all-female group of all time.<ref name=bbc37/><ref>Template:Harvnb</ref><ref name="PMS">Template:Cite web</ref>

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Following the release of "Wannabe", an article in Top of the Pops magazine identified each Spice Girl with a unique nickname based on their personalities. Though unintended, the use of these nicknames became widespread and they were later adopted globally.<ref name="Intent Media"/> Riding a wave of publicity and hype, the group released their next singles in Europe. In October, "Say You'll Be There" was released topping the charts for two weeks. "2 Become 1" was released in December, becoming their first Christmas number one and selling 462,000 copies in its first week,<ref>Template:Cite web</ref> making it the fastest-selling single of the year. The two tracks continued the group's remarkable sales, giving them three of the top five best-selling songs of 1996 in the UK.<ref>Template:Cite web</ref> In November 1996, the Spice Girls released their debut album, Spice, in Europe. The success was unprecedented and drew comparisons to Beatlemania,<ref name="Spice-Beatles comparison" /> leading the press to dub it "Spicemania"<ref name="sun cover">Template:Cite web</ref><ref name="spicemania">Template:Cite magazine</ref><ref name="spicemania 2">Template:Cite web</ref> and the group the "Fab Five".<ref>Template:Cite magazine</ref><ref name="BBC Geri departure" /><ref name="fab five cnn">Template:Cite web</ref> In seven weeks Spice had sold 1.8 million copies in Britain alone,<ref name="BPI">Template:Cite web</ref> making the Spice Girls the fastest-selling British act since the Beatles. In total, the album sold over 3 million copies in Britain,<ref name="BPI" /> the best-selling album of all time in the UK by a female group,<ref name="everyhit">Every Hit. Best-Selling Albums of All Time. UK Database, Spice sold 2.9 million.</ref> certified ten times platinum,<ref name="BPI" /> and reached number one for fifteen non-consecutive weeks.<ref name="15 weeks">Template:Cite web</ref> In Europe the album became the best-selling album of 1997 and was certified 8× Platinum by the IFPI for sales in excess of 8 million copies.<ref name="IFPI 1997">Template:Cite web</ref>

That same month, the Spice Girls attracted a crowd of 500,000 when they switched on the Christmas lights in Oxford Street, London.<ref name="official timeline">Template:Cite web</ref> At the same time, Fuller started to set up multi-million dollar sponsorship deals for the Spice Girls with Pepsi, Walkers, Impulse, Cadbury and Polaroid.<ref name="spicebrand" /> The group ended 1996 winning three trophies at the Smash Hits awards at the London Arena, including best video for "Say You'll Be There".<ref name="cripps141" />

International success

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In January 1997, "Wannabe" was released in the United States. It proved to be a catalyst in helping the Spice Girls break into the US market when it debuted on the Hot 100 Chart at number eleven. At the time, this was the highest-ever debut by a non-American act, beating the previous record held by the Beatles for "I Want to Hold Your Hand",<ref name="official timeline" /> and the joint highest entry for a debut act alongside Alanis Morissette's "Ironic".<ref>Template:Harvnb</ref> "Wannabe" reached number one in the US for four weeks. In February, Spice was released in the US, and became the best-selling album of 1997 in the US, peaking at number one, and was certified 7× Platinum by the RIAA<ref name="RIAA">Template:Cite web</ref> for sales in excess of 7.4 million copies.<ref>Template:Cite web</ref> The album was also included in the Top 100 Albums of All Time list by the Recording Industry Association of America (RIAA) based on US sales.<ref>"Gold and Platinum: Top 100 Albums Template:Webarchive". Recording Industry Association of America. Retrieved 2 October 2007.</ref> In total, the album sold over 23 million copies worldwide<ref name="sales-worldwide" /> becoming the best-selling album in pop music history by an all-female group.<ref name="US sales" />

Template:Quote box Later that month, the Spice Girls performed "Who Do You Think You Are" to open the 1997 Brit Awards, with Geri Halliwell wearing a Union Jack mini-dress that became one of pop history's most famed outfits.<ref name=harpersbazaar/><ref name="dress poll"/> At the ceremony, the group won two Brit Awards; Best British Video for "Say You'll Be There" and Best British Single for "Wannabe".<ref>Template:Cite web</ref> In March 1997, a double A-side of "Mama"/"Who Do You Think You Are" was released in Europe, the last from Spice, which once again saw them at number one,<ref>Template:Harvnb</ref> making the Spice Girls the first group since the Jackson 5 to have four consecutive number one hits.<ref name="official timeline"/>

Girl Power!, the Spice Girls' first book, was launched later that month at Virgin Megastore. It sold out its initial print run of 200,000 copies within a day, and was eventually translated into more than 20 languages.<ref name=sinclair102103/> In April, One Hour of Girl Power was released; it sold 500,000 copies in the UK between April and June to become the best-selling pop video ever,<ref name=sinclair102103>Template:Harvnb</ref><ref>Template:Cite magazine</ref> and was eventually certified thirteen times platinum.<ref name=BPI/> In May, Spice World, a film starring the group, was announced by the Spice Girls at the Cannes Film Festival.<ref name=telegraphfilm/> The group also performed their first live UK show for the Prince's Trust benefit concert.<ref name=smith142>Template:Harvnb</ref> At the show, they breached royal protocol when Brown and then Halliwell planted kisses on Prince Charles' cheeks and pinched his bottom, causing controversy.<ref name="official timeline"/> That same month, Virgin released Spice Girls Present... The Best Girl Power Album... Ever!, a multi-artist compilation album compiled by the group. It reached number two on the UK Compilation Chart<ref>Template:Cite web</ref> and was certified Gold by the BPI.<ref name=BPI/> At the Ivor Novello Awards, "Wannabe" won the awards for International Hit of the Year and Best-Selling British Single.<ref name=ivors97/>

Spice World began filming in June and wrapped in August.<ref>Template:Harvnb</ref> The film was to be set to the songs from the group's second studio album, but no songs had been written when filming began. The group thus had to do all the songwriting and recording at the same time as they were filming Spice World, resulting in a gruelling schedule that left them exhausted.<ref>Template:Harvnb</ref> Among the songs that were written during this period was "Stop", the lyrics for which cover the group's frustrations with being overworked by their management.<ref>Template:Cite tweet</ref>

In September, the Spice Girls performed "Say You'll Be There" at the 1997 MTV Video Music Awards at Radio City Music Hall in New York City, and won Best Dance Video for "Wannabe".<ref>Template:Cite web</ref> The MTV Awards came five days after the death of Diana, Princess of Wales, with tributes paid to her throughout the ceremony. Chisholm stated, "We'd like to dedicate this award to Princess Diana, who is a great loss to our country."<ref>Template:Cite news</ref> At the 1997 Billboard Music Awards, the group won four awards for New Artist of the Year, Billboard Hot 100 Singles Group of the Year, Billboard 200 Group of the Year and Billboard 200 Album of the Year for Spice.<ref>Template:Cite magazine</ref>

Spiceworld and feature film

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In October 1997, the Spice Girls released the first single from their second album, Spiceworld, "Spice Up Your Life". It entered the UK Singles Chart at number one, making it the group's fifth consecutive number-one single.<ref name="occ">Template:Cite web</ref> That same month, the group performed their first live major concert to 40,000 fans in Istanbul, Turkey.<ref>Template:Cite web</ref> Later, they launched the Royal British Legion's Poppy Appeal,<ref name="poppy appeal">Template:Cite web</ref> then travelled to South Africa to meet Nelson Mandela, who announced, "These are my heroes."<ref name="bbcmandela">Template:Cite web</ref>

In November, the Spice Girls released Spiceworld. It set a new record for the fastest-selling album when it shipped seven million copies over the course of two weeks. Gaining favourable reviews,<ref name="RS Spiceworld">Template:Cite magazine</ref> the album went on to sell over 10 million copies in Europe,<ref name="IFPI 1998">Template:Cite web</ref> Canada,<ref name="CRIA">Template:Cite web</ref> and the United States<ref name="RIAA" /> combined, and 14 million copies worldwide.<ref name="spiceworldsales">Template:Harvnb</ref>

Criticised in the United States for releasing the album just nine months after their debut there, which gave the group two simultaneous Top 10 albums in the Billboard album charts,<ref name="two top 10">Template:Cite magazine</ref> and suffering from over-exposure at home,<ref name="poppy appeal" /> the Spice Girls began to experience a media backlash. They were criticised for their number of sponsorship deals—more than 20—and their chart positions declined.<ref name="thebiographychannel1">Template:Cite web</ref> Nevertheless, the Spice Girls remained the best-selling pop group of both 1997 and 1998.<ref name="sinclair2008148149">Template:Harvnb</ref>

On 7 November 1997, the Spice Girls performed "Spice Up Your Life" at the MTV Europe Music Awards and won the Best Group award.<ref>Template:Cite web</ref> The morning of the performance, they fired Fuller and began managing themselves.<ref>Template:Harvnb</ref>Template:Refn To ensure a smooth transition, Halliwell allegedly stole a mobile phone from Fuller's assistant that contained the group's schedule and Fuller's business contacts.<ref>Template:Harvnb</ref>Template:Refn The firing was front-page news around the world. Many commentators speculated that Fuller had been the mastermind behind the group, and that the Spice Girls had lost their impetus and direction.<ref>Template:Harvnb</ref><ref>Template:Cite web</ref>Template:Refn

Later in November, the Spice Girls became the first pop group to host ITV's An Audience with...<ref name="itv.com">Template:Cite web</ref> Their show was watched by 11.8 million viewers in the UK, one fifth of the population.<ref name="Sinclair 2004, p. 148">Template:Harvnb</ref> In December 1997, the second single from Spiceworld, "Too Much", was released, becoming the Spice Girls' second Christmas number one and their sixth consecutive number-one UK single. That month, the Spice Girls launched a feature-length film, Spice World. The world premiere, at the Empire Theatre in Leicester Square, London, was attended by celebrities including Prince Charles, Prince William and Prince Harry.<ref>Template:Cite web</ref> The film was a commercial success but received poor reviews.<ref name="telegraphfilm" /> The Spice Girls ended 1997 as the year's most played artist on American radio.<ref name="PR news">'Spiceworld' Album Sales Jump, as Spice Girls' New Pop Vehicle Steadily Gains Velocity Template:Webarchive. PR Newswire. 20 November 1997. Retrieved 18 February 2017.</ref>

1998: Spiceworld tour and Halliwell's departure

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In January 1998, the Spice Girls attended the US premiere of Spice World at the Mann's Chinese Theatre.<ref>Template:Cite web</ref> At the 1998 American Music Awards a few days later, they won the awards for Favorite Album, Favorite New Artist and Favorite Group in the pop/rock category.<ref>Template:Cite web</ref> In February, they won a special award for overseas success at the 1998 Brit Awards,<ref name="brits98">Template:Cite web</ref> with combined sales of more than 45 million albums and singles worldwide.<ref name="45mrecords">Template:Cite magazine</ref> That night, the group performed their next single, "Stop",<ref name="brits98" /> their first not to reach number one in the UK, entering at number two.<ref name="occ" /> On 24 February 1998, the Spice Girls embarked on the Spiceworld Tour, starting in Dublin, Ireland, before moving to mainland Europe and North America and returning to the UK for two performances at Wembley Stadium.<ref>Template:Cite web</ref> Later that year, the Spice Girls sang on the official England World Cup song "(How Does It Feel to Be) On Top of the World", their last song with Halliwell until 2007.Template:Citation needed

On 31 May 1998, Halliwell announced her departure from the Spice Girls through her solicitor.<ref name="BBC Geri departure">Template:Cite web</ref>Template:Refn The announcement was preceded by days of frenzied press speculation after Halliwell missed two concerts in Norway and was absent from a performance on The National Lottery Draws.<ref name="BBC Geri departure" /><ref>Template:Cite web</ref> Halliwell first cited creative differences,<ref name="BBC Geri departure" /> and later said that she was suffering from exhaustion and disillusionment. Rumours of a power struggle with Brown circulated in the press.<ref name="gerirolling">Template:Cite magazine</ref><ref name="geriplastic">Template:Cite news</ref> Halliwell's departure shocked fans and became one of the biggest entertainment news stories of the year, making international headlining news.<ref name="gerileaves" /><ref name="billboardbreakup">Template:Cite magazine</ref> The four remaining members were adamant that the group would carry on.<ref name="BBC Geri departure" />

The North American leg of the Spiceworld Tour went on as planned, beginning in West Palm Beach, Florida, on 15 June, and grossing $93.6 million over 40 sold-out performances.<ref>Template:Cite web</ref> The tour was attended by an estimated 2.1 million people over 97 shows with an estimated gross of $220-$250 million, the highest-grossing concert tour by a female group.<ref name="bbcatoz" /> It was accompanied by a documentary film, Spice Girls in America: A Tour Story.<ref name="atourstory">Template:Cite web</ref> "Viva Forever", the last single released from Spiceworld, and became the Spice Girls' seventh UK's number-one. The video was made before Halliwell's departure and features all five members in stop-motion animated form.<ref>Template:Cite web</ref>

While on tour in the United States, the Spice Girls wrote and recorded new material. They released a new song, "Goodbye", before Christmas in 1998.<ref name="songwriters" /> It was seen as a tribute to Halliwell, although parts of it had originally been written when Halliwell was still a part of the group. It became the Spice Girls' third consecutive Christmas number one, equalling the record previously set by the Beatles.<ref name="OCGoodbye">Template:Cite web</ref> In November, Bunton and Chisholm appeared at the 1998 MTV Europe Music Awards without their other bandmates, accepting two awards on behalf of the Spice Girls for Best Pop Act and Best Group.<ref>Template:Cite web</ref> That year, Brown and Adams announced they were pregnant. Brown was married to the dancer Jimmy Gulzer and became known as Mel G for a brief period; she gave birth to their daughter Phoenix Chi in February 1999.<ref name="people">Template:Cite news</ref> Adams gave birth a month after to her son Brooklyn, whose father was the Manchester United footballer David Beckham. Later that year, she married Beckham in a highly publicised wedding in Ireland, taking on his surname, becoming Victoria Beckham.<ref>Template:Cite news</ref>

1999–2000: Forever, solo work, hiatus and split

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File:Spicegirls-holler.JPG
The Spice Girls as a four-piece performing "Holler" in Cologne, Germany at the Return of the Spice Girls tour

By 1999, Brown, Bunton, and Chisholm, had all released music as solo artists.<ref>Template:Cite magazine</ref> They returned to the studio in August 1999 after an eight-month recording break. It was initially more pop-influenced, similar to their first two albums, and included production from Eliot Kennedy.<ref>Template:Cite web</ref> The sound took on a more mature direction when American producers including Rodney Jerkins, Jimmy Jam and Terry Lewis came on board to collaborate with the group.<ref>Template:Cite web</ref>

In December 1999, the Spice Girls embarked on a UK tour, Christmas in Spiceworld, in London and Manchester, during which they showcased new songs from the third album.<ref>Template:Cite web</ref> The eight-show tour was attended by more than 153,000 people, grossing $5.7 million in ticket sales. The first four shows, at Manchester Evening News Arena, grossed $2.6 million; the second portion of the tour saw the group play another four shows at Earls Court Arena, grossing $3.1 million.<ref>Template:Cite web</ref> Earlier in the year, the Spice Girls recorded the song "My Strongest Suit" for Elton John and Tim Rice's Aida, a concept album which became the musical Aida. The Spice Girls performed again at the 2000 Brit Awards in March, where they received the Lifetime Achievement award. Halliwell attended but did not join her former bandmates on stage.<ref name="lifetime">Template:Cite web</ref>

In November 2000, the Spice Girls released their third and final album, Forever. With an edgier R&B sound, it received lukewarm reviews.<ref>Template:Cite magazine</ref> In the US, it reached number 39 on the Billboard 200 albums chart. In the UK, it was released the same week as Westlife's Coast to Coast and the chart battle was widely reported by the media; Westlife reached number one and the Spice Girls number two.<ref>Template:Cite web</ref> The lead single, the double A-side "Holler" / "Let Love Lead the Way", became Spice Girls' ninth UK number one.<ref name="newsbbc2">Template:Cite news</ref> It failed to enter the US Billboard Hot 100, reaching number seven on the Bubbling Under Hot 100 chart and number 31 on the Hot Dance Music/Club Play chart. The Spice Girls' only major performance of the single came at the 2000 MTV Europe Music Awards in November.<ref>Template:Cite web</ref> In total, Forever sold over four million copies.<ref>Template:Cite web</ref> The Spice Girls ceased promotional activities in December 2000, as they began an indefinite hiatus to concentrate on their solo careers.<ref name="simth206">Template:Harvnb</ref> They insisted that the group was not splitting.<ref>Template:Cite web</ref>

2007–2008: Return of the Spice Girls and Greatest Hits

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File:Spice Girls 2008 01 cropped.jpg
The Spice Girls performing "Wannabe" as the closing number of their Return of the Spice Girls Tour, at the Air Canada Centre, in Toronto

On 28 June 2007, all five members of the Spice Girls, held a press conference at the O2 Arena revealing their intention to reunite for a worldwide concert tour, the Return of the Spice Girls.<ref name="reunion">Template:Cite web</ref> The plan to re-form had long been speculated by the media, with previous attempts by the organisers of Live 8<ref>Template:Cite web</ref> and Concert for Diana to reunite the group as a five-piece falling through.<ref name="well seasoned rumour">Template:Cite web</ref> Each member of the group was reportedly paid £10 million ($20 million) to do the reunion tour.<ref>Template:Cite news</ref> Giving You Everything, an official documentary film about the reunion, was directed by Bob Smeaton and first aired on Australia's Fox8 on 16 December 2007,<ref>Template:Cite web</ref> followed by BBC One in the UK on 31 December.<ref name=givingyoueverything>Template:Cite web</ref>

Ticket sales for the first London date of the Return of the Spice Girls tour sold out in 38 seconds.<ref name=38seconds/> It was reported that over one million people signed up in the UK alone and over five million worldwide for the ticket ballot on the band's official website.<ref name=38seconds>BBC News. Fans snap up Spice Girls tickets. BBC. Retrieved 14 October 2007.</ref> Sixteen additional dates in London were added,<ref>Spice Girls add more dates to tour. The Press Association. Retrieved 18 November 2007.</ref> all selling out within one minute.<ref name="abcnews1"/> In the United States, Las Vegas, Los Angeles and San Jose shows also sold out, prompting additional dates to be added.<ref>Template:Cite news</ref> It was announced that the Spice Girls would be playing dates in Chicago and Detroit and Boston, as well as additional dates in New York to keep up with the demand. The tour opened in Vancouver on 2 December 2007, with the Spice Girls performing to an audience of 15,000 people, singing 20 songs and changing outfits a total of eight times.<ref>Template:Cite web</ref> Along with the tour sellout, the Spice Girls licensed their name and image to the supermarket chain Tesco.<ref name="tesco ad">Template:Cite webTemplate:Cbignore</ref>

The Spice Girls' comeback single, "Headlines (Friendship Never Ends)", was announced as the official Children in Need charity single for 2007 and was released 5 November. The first public appearance on stage by the Spice Girls occurred at the Victoria's Secret Fashion Show, where they performed two songs, 1998 single "Stop" and the lead single from their greatest hits album, "Headlines (Friendship Never Ends)". The show was filmed by CBS on 15 November 2007 for broadcast on 4 December 2007.<ref name="yahoo2007">Sage, Alexandria. Spice Girls strut down Victoria's Secret runway. Yahoo News. 16 November 2007. Retrieved 5 December 2007.</ref> They also performed both songs live for the BBC Children in Need telethon on 16 November 2007 from Los Angeles. The release of "Headlines (Friendship Never Ends)" peaked at number eleven on the UK Singles Chart, making it the group's lowest-charting British single to date. The album peaked at number two on the UK Albums Chart. On 1 February 2008, it was announced that due to personal and family commitments their tour would come to an end in Toronto on 26 February 2008, meaning that tour dates in Beijing, Hong Kong, Shanghai, Sydney, Cape Town and Buenos Aires were cancelled.<ref>"Spice Girls cut short world tour". BBC News. Retrieved 2 February 2008.</ref>

The tour was the highest-grossing concert act of 2007–2008, measured as the twelve months ending in April 2008.<ref name="abcnews1">Template:Cite web</ref> It produced $107.2 million in ticket sales and merchandising, with sponsorship and ad deals bringing the total to $200 million.<ref name=Billboard08>Template:Cite magazine</ref> The tour's 17-night sellout stand at the O2 Arena in London was the highest-grossing engagement of the year, netting £16.5 million (US$33 million) and drawing an audience of 256,647, winning the 2008 Billboard Touring Award for Top Boxscore.<ref>Template:Cite magazine</ref><ref name="archive1">Template:Cite magazine</ref> The group's comeback also netted them several other awards, including the Capital Music Icon Award, the Glamour Award for Best Band, and the Vodafone Live Music Award for Best Live Return, the last of which saw them beat out acts such as Led Zeppelin and the Sex Pistols.<ref>Template:Cite webTemplate:Cbignore</ref>

2010, 2012: Viva Forever! and London Olympics

[edit]
File:Spice Girls Viva Forever.jpg
The Spice Girls at the Viva Forever! premiere night, 2012

At the 2010 Brit Awards, the Spice Girls received a special award for "Best Performance of the 30th Year".<ref name="Brits 30"/> The award was for their 1997 Brit Awards performance of "Wannabe" and "Who Do You Think You Are", with Geri Halliwell and Mel B receiving the award from Samantha Fox on behalf of the group.<ref name="Brits 30">Template:Cite news</ref>

That year, the Spice Girls collaborated with Fuller, Judy Craymer and Jennifer Saunders to develop a stage musical, Viva Forever!. Similar to the ABBA musical Mamma Mia!, Viva Forever! used the group's music to create an original story.<ref>Template:Cite news</ref> In June 2012, to promote the musical, the Spice Girls reunited for a press conference at the St. Pancras Renaissance London Hotel, where the music video for "Wannabe" had been filmed<ref name="West End">Template:Cite web</ref> exactly sixteen years earlier.<ref name=sinclair75/> They also appeared in the documentary Spice Girls' Story: Viva Forever!, which aired on 24 December 2012 on ITV1.<ref>Template:Cite news</ref> Viva Forever! premiered at the West End's Piccadilly Theatre in December 2012, with all five Spice Girls in attendance.<ref>Template:Cite web</ref> It was panned by critics<ref>Template:Cite web</ref> and closed after seven months, with a loss of at least £5 million.<ref>Template:Cite web</ref>

In August 2012, the Spice Girls reunited to perform a medley of "Wannabe" and "Spice Up Your Life" at the 2012 Summer Olympics closing ceremony.<ref name="auto"/><ref>Template:Cite web</ref> Their performance received acclaim, and became the most-tweeted moment of the Olympics with over 116,000 tweets per minute on Twitter.<ref name="olympicstweet">Template:Cite web</ref>

2016, 2018–2019: G.E.M and Spice World tour

[edit]

Template:Main On 8 July 2016, Brown, Bunton and Halliwell released a video celebrating the 20th anniversary of "Wannabe" and teased news from them as a three-piece.<ref>Template:Cite web</ref> Beckham and Chisholm opted not to take part but gave the project their blessing.<ref>Template:Cite webTemplate:Cbignore</ref> A new song, "Song for Her", was leaked online in November.<ref>Template:Cite web</ref> The reunion project was cancelled due to Halliwell's pregnancy.<ref name=geri90s/>

File:SpiceGirlWembley150619-2 (48999823438).jpg
The Spice Girls (without Beckham) perform at Wembley Stadium, London, June 2019.

In late 2018 the Spice Girls officially announced their second reunion tour, with tickets going on sale in November 2018. They also revealed they would do it as a four-piece without Beckham, as she declined to join due to commitments regarding her fashion business.<ref>Template:Cite web</ref> Each of the four participating members was reportedly paid £12 million for the tour.<ref>Template:Cite web</ref>

On 24 May 2019, they began the Spice World – 2019 Tour of the UK and Ireland at Croke Park in Dublin, Ireland. The tour concluded with three concerts at London's Wembley Stadium, with the last taking place on 15 June 2019. Over 13 dates, the tour produced 700,000 spectators and earned $78.2 million in ticket sales.<ref name=2019boxscore>Template:Cite magazine</ref> The three-night sellout stand at Wembley Stadium was the highest-grossing engagement of the year, drawing an audience of 221,971 and winning the 2019 Billboard Live Music Award for Top Boxscore.<ref>Template:Cite magazine</ref> Despite sound problems in the early concerts, Anna Nicholson in The Guardian wrote, "As nostalgia tours go, this could hardly have been bettered."<ref>Template:Cite web</ref>

Alongside the tour, the group teamed up with the children's book franchise Mr. Men to create derivative products such as books, cups, bags and coasters.<ref name=mrmen>Template:Cite web</ref><ref>Template:Cite web</ref> On 13 June 2019, it was reported that Paramount Animation had greenlit an animated Spice Girls film with old and new songs. The project will be produced by Simon Fuller and written by Karen McCullah and Kirsten Smith. A director has not been announced.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

2020–2024: Anniversary commemorations

[edit]

To mark the 25th anniversary of "Wannabe", an EP was released in July 2021 that included previously unreleased demos.<ref>Template:Cite magazine</ref> On 29 October, the Spice Girls released Spice25, a deluxe reissue of Spice featuring previously unreleased demos and remixes.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> The deluxe release saw the album reenter the UK Albums Chart at number five.<ref>Template:Cite web</ref>

On 27 September 2022, the Spice Girls announced the tracklisting for Spiceworld25, the 25th anniversary edition of their album Spiceworld. The new collection features previously unreleased live versions and remixes, plus previously available B-sides "Walk of Life" and "Outer Space Girls" and a megamix.<ref name="Step">Template:Cite web</ref> Their song "Step to Me" was released digitally for the first time ever on the same day as the album announcement.<ref name="Step"/> Spiceworld25 was released on 4 November 2022 and charted at number 46 on the UK Albums Chart.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> To promote the reissue, new music videos for "Spice Up Your Life" and "Never Give Up on the Good Times" were also released.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref>

The Royal Mail issued fifteen stamps from 11 January 2024 onwards to mark the 30th anniversary of the Spice Girls.<ref name="Stamps">Template:Cite news</ref>

Artistry

[edit]

Musical style

[edit]

According to AllMusic's Stephen Thomas Erlewine, the Spice Girls "used dance-pop as a musical base, but they infused the music with a fiercely independent, feminist stance that was equal parts Madonna, post-riot grrrl alternative rock feminism, and a co-opting of the good-times-all-the-time stance of England's new lad culture."<ref name="spice girls bio"/> Their songs incorporated a variety of genres, which Halliwell described as a "melding" of the group members' eclectic musical tastes,<ref name="85m">Template:Cite news</ref> but otherwise kept to mainstream pop conventions.<ref name=leach>Template:Cite journal</ref> Chisholm said: "We all had different artists that we loved. Madonna was a big influence and TLC; we watched a lot of their videos."<ref>Template:Cite news</ref> A regular collaborator on the group's first two albums was the production duo known as Absolute, made up of Paul Wilson and Andy Watkins. Absolute initially found it difficult to work with the group as the duo was heavily into R&B music at the time, while the Spice Girls according to Wilson were "always very poptastic".<ref name=sinclair4748>Template:Harvnb</ref> Wilson said of the group's musical output: "Their sound was actually not getting R&B quite right."<ref name=sinclair49>Template:Harvnb</ref>

In his biography of the band, Wannabe: How the Spice Girls Reinvented Pop Fame (2004), Rolling Stone journalist David Sinclair said that the "undeniable artistry" of the group's songs had been overlooked. He said the Spice Girls "instinctively had an ear for a catchy tune" without resorting to the "formula balladry and bland modulations" of 90s boy bands Westlife and Boyzone.<ref name=sinclair8789>Template:Harvnb</ref> He praised their "more sophisticated" second album, Spiceworld, saying: "Peppered with personality, and each conveying a distinctive musical flavour and lyrical theme, these are songs which couldn't sound less 'manufactured', and which, in several cases, transcend the pop genre altogether."<ref name=sinclair8789/>

Lyrical themes

[edit]
File:Victoriaandemmaonpoleslv.jpg
Beckham and Bunton performing "2 Become 1" in Las Vegas on 11 December 2007. The song, which addresses the importance of safe sex, has been praised for its sex-positive message.<ref name="Power"/>

The Spice Girls' lyrics promote female empowerment and solidarity.<ref name="spice girls bio"/><ref name=bbcgp/><ref name=ferber>Template:Cite web</ref> Given the young age of their target audience, Lucy Jones of The Independent said the Spice Girls' songs were subversive for their time: "The lyrics were active rather than passive: taking, grabbing, laying it down – all the things little girls were taught never to do. 'Stop right now, thank you very much'. 'Who do you think you are?' 'I'll tell you what I want, what I really, really want'."<ref name=lucyjones/> Musicologist Nicola Dibben cited "Say You'll Be There" as an example of how the Spice Girls inverted traditional gender roles in their lyrics, depicting a man who has fallen in love and displays too much emotion and a woman who remains independent and in control.<ref name=dibben>Template:Cite journal</ref> The Spice Girls emphasised the importance of sisterhood over romance in songs such as "Wannabe", and embraced safe sex in "2 Become 1".<ref name="Power"/>

Lauren Bravo, author of What Would the Spice Girls Do?: How the Girl Power Generation Grew Up (2018), found that even when the Spice Girls sang about romance, the message was "cheerfully non-committal", in contrast to the songs about breakups and unrequited love other pop stars were singing at the time.<ref name=bravo/> Writing for Bustle, Taylor Ferber praised the female-driven lyrics as ahead of their time, citing the inclusivity and optimism of songs such as "Spice Up Your Life" and the sex-positivity of "Last Time Lover" and "Naked". Ferber concluded: "Between all of their songs about friendship, sex, romance, and living life, a central theme in almost all Spice Girls music was loving yourself first."<ref name=ferber/>

Vocal arrangements

[edit]

Template:Blockquote

Unlike prior pop vocal groups, the Spice Girls shared vocals, rather than having a lead vocalist supported by others.<ref name=sinclair200830>Template:Harvnb</ref> The group did not want any one member to be considered the lead singer, and so each song was divided into one or two lines each, before all five voices harmonised in the chorus. The group faced criticism as this meant that no one voice could stand out, but Sinclair concluded that it "was actually a clever device to ensure that they gained the maximum impact and mileage from their all-in-it-together girl-gang image".<ref name=sinclair200830/>

The Spice Girls' former vocal coach, Pepi Lemer, described their individual voices as distinct and easy to distinguish, citing the "lightness" of Bunton's voice and the "soulful sound" of Brown's and Chisholm's.<ref>Template:Harvnb</ref> Biographer Sean Smith cited Chisholm as the vocalist the group could not do without.<ref>Template:Harvnb</ref> Sinclair noted that while Chisholm's ad libs are a distinctive feature of certain Spice Girls songs, the difference in the amount of time her voice was featured over any other member was negligible.<ref>Template:Harvnb</ref>

While vocal time was distributed equally, musicologist Nicola Dibben found that there was an "interesting inequality" in the way that vocal styles were distributed within the group, which she felt conformed to certain stereotypes associated with race and socioeconomic background.<ref name=dibben/> According to Dibben, most of the declamatory style of singing in the group's singles were performed by Brown, the only black member, and Chisholm, whom Dibben classified as white working class; this was in contrast to the more lyrical sections allotted to Beckham, whom Dibben classified as white middle class.<ref name=dibben/>

Songwriting

[edit]

The Spice Girls did not play instruments,<ref name="Sinclair 2008" /> but co-wrote all of their songs.<ref name=Sinclair20085354/><ref name=spicelinear>Spice (liner notes). Spice Girls. Virgin Records. 1996. CDV2812.</ref><ref name=spiceworldlinear>Spiceworld (liner notes). Spice Girls. Virgin Records. 1997. CDV2850.</ref><ref name=foreverlinear>Forever (liner notes). Spice Girls. Virgin Records. 2000. 7243 8 50467 4 2.</ref> According to their frequent collaborator Richard Stannard, they had two approaches to songwriting: ballads were written in a traditional way with the group sitting around a piano, while songs such as "Wannabe" were the result of tapping into their "mad" energy.<ref name=songwriters>Template:Cite news</ref> Eliot Kennedy, another regular co-writer, said that songwriting sessions with the Spice Girls were "very quick and short".<ref name=Sinclair20085354>Template:Harvnb</ref> He described his experience working with them:

What I said to them was, "Look, I've got a chorus—check this out." And I'd sing them the chorus and the melody—no lyrics or anything—and straight away five pads and pencils came out and they were throwing lines at us. Ten minutes later, the song was written. Then you go through and refine it. Then later, as you were recording it you might change a few things here and there. But pretty much it was a real quick process. They were confident in what they were doing, throwing it out there.<ref name="Sinclair 2008">Template:Harvnb</ref>

Absolute's Paul Wilson recalled an experience whereby he and Watkins were responsible for writing the backing track and the group would then write the lyrics. Watkins added: "I wasn't an 18-year-old girl. They always had this weird ability to come up with phrases that you'd never heard of."<ref name=Sinclair20085354/> He said the members would create dance routines at the same time as writing songs,<ref name="sinclair49" /> and that "They knew what they wanted to write about, right from day one. You couldn't force your musical ideas upon them."<ref name=sinclair49/>

From the onset, the Spice Girls established a strict 50–50 split of the publishing royalties between them and their songwriting collaborators. As with their vocal arrangements, they were also adamant on maintaining parity between themselves in the songwriting credits.<ref name=Sinclair20085152>Template:Harvnb</ref>Template:Refn Sinclair said:

The deal between themselves was a strict five-way split on their share of the songwriting royalties on all songs irrespective of what any one member of the group had (or had not) contributed to any particular song. Apart from ease of administration, this was also a symbolic expression of the unity which was so much part and parcel of the Spice philosophy.<ref name=Sinclair20085152/>

Sinclair identified Halliwell as a major source of ideas for the Spice Girls' songs, including many of the concepts and starting points for the group's songs.<ref name=Sinclair20085354/> Tim Hawes, who worked with the group when they were starting out, said Halliwell's strength was in writing lyrics and pop hooks, and estimated that she was responsible for 60–70% of the lyrics in the songs he worked on.<ref name=mcgibbon9798/> The group's collaborators credit the other members of the group as being more active than Halliwell in constructing the melodies and harmonies of their songs.<ref name=mcgibbon9798/><ref name=sinclair49/><ref name=Sinclair20085354/> Matt Rowe, who wrote several songs with the Spice Girls, agreed that Halliwell was particularly good when it came to writing lyrics and credits the lyrics for "Viva Forever" to her. He felt that all five members had contributed equally to the songwriting.<ref name=Sinclair20085152/>

Cultural impact and legacy

[edit]

Template:Promotional section

Pop music resurgence and girl group boom

[edit]

The Spice Girls debuted at a time when alternative rock, hip-hop and R&B dominated global music charts. In the group's first interview in May 1996, Halliwell told Music Week: "We want to bring some of the glamour back to pop, like Madonna had when we were growing up. Pop is about fantasy and escapism, but there's so much bullshit around at the moment."<ref name=firstinterview/> The modern pop phenomenon that the Spice Girls created by targeting early Millennials was credited with changing the music landscape by reviving the pop music genre,<ref name="landscape">Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref> bringing about the global wave of late-1990s and early-2000s teen pop acts such as the Backstreet Boys, Britney Spears, Christina Aguilera and NSYNC.<ref name="teen pop">Template:Cite news</ref><ref name="pop music">Template:Cite news</ref><ref name="billboard wannabe video">Template:Cite magazine</ref><ref name="spice girls ruined 1990s">Template:Cite news</ref>

The Spice Girls have been credited with paving the way for the girl groups and female pop singers that have come after them.<ref name="eonline">Template:Cite news</ref><ref>Template:Cite news</ref><ref name="spice girls pop music">Template:Cite news</ref> Unlike previous girl groups, such as the Andrews Sisters, whose target market was male record buyers, the Spice Girls targeted a young female fanbase.<ref name=johnharlow>Template:Cite news</ref><ref name=andrewsmith>{{]cite news|title=Girls on top. After Spice, all-girl groups are dominating the charts. They're successful, but who's got the power?|work=The Observer|page=7|first=Andrew|last=Smith|date=22 August 1999 |id=Template:ProQuest }}</ref> In the UK, they are further credited for disrupting the then male-dominated pop music scene.<ref name="spice girls pop music"/><ref name="modern pop phenomenon">Template:Cite news</ref> Prior to the Spice Girls, girl groups such as Bananarama had hit singles in the UK but their album sales were generally underwhelming.<ref name="Intent Media"/> A common opinion within the British music industry at the time was that an all-girl pop group would not work because both girls and boys would find the concept too threatening.<ref name=sinclair200876>Template:Harnvb</ref> As a result, teen magazines such as Smash Hits and Top of the Pops initially refused to feature the Spice Girls.<ref name=johnharlow/>

The massive commercial success of the Spice Girls led to a boom of new girl groups in the late 1990s and early 2000s.<ref name="andrewsmith" /><ref name="girl thing" /> Around 20 new girl groups were launched in the UK in 1999, followed by another 35 the next year.<ref name="girl thing"/> Groups that emerged during this period include All Saints, B*Witched, Atomic Kitten, Girl Thing, Girls@Play, Girls Aloud and the Sugababes, all hoping to emulate the Spice Girls' success.<ref name=andrewsmith/><ref name="girl thing">Template:Cite news</ref><ref name="girl groups">Template:Cite news</ref> Outside of the UK and Ireland, girl groups such as New Zealand's TrueBliss,<ref>Template:Cite web</ref> Australia's Bardot,<ref>Template:Cite web</ref> Germany's No Angels,<ref>Template:Cite web</ref> Belgium's K3, Spain's Bellepop,<ref>Template:Cite news</ref> Brazil's Rouge,<ref>Template:Cite web</ref> US's Cheetah Girls,<ref>Template:Cite web</ref><ref>Template:Cite news</ref> as well as South Korea's Baby Vox<ref>Template:Cite web</ref> and f(x) were also modelled after the Spice Girls.<ref>Template:Cite serialTemplate:Cbignore</ref>

Twenty-first-century girl groups continue to cite the Spice Girls as a major source of influence, including the Pussycat Dolls,<ref name="pcd">Template:Cite news</ref> 2NE1,<ref name="2NE1">Template:Cite news</ref> Girls' Generation,<ref name="snsd">Template:Cite news</ref> Little Mix,<ref name="LM">Template:Cite news</ref><ref name="LM 2">Template:Cite magazine</ref> Fifth Harmony,<ref name="5H">Template:Cite news</ref> Haim,<ref>Template:Cite news</ref> and Blackpink.<ref>Template:Cite web</ref> Solo female artists who have been similarly influenced by the group include Jess Glynne,<ref name="superfans">Template:Cite news</ref> Anne-Marie, Foxes,<ref name="superfans"/> Alexandra Burke,<ref name="superfans"/> JoJo, Charli XCX,<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> Rita Ora,<ref>Template:Cite web</ref> Billie Eilish,<ref>Template:Cite web</ref> and Beyoncé.<ref>Template:Cite web</ref> During her 2005 "Reflections" concert series, Filipino singer Regine Velasquez performed a medley of five Spice Girls songs as a tribute to the group, citing them as a major influence on her music.<ref>Template:Cite news</ref> Danish singer-songwriter decided to pursue music after watching the Spice Girls on TV as a child, saying in a 2014 interview: "I have them and only them to thank—or to blame—for becoming a singer."<ref>Template:Cite web</ref> 16-time Grammy Award-winning singer-songwriter Adele credits the Spice Girls as a major influence in regard to her love and passion for music, stating that "they made me what I am today".<ref name="adele">Template:Cite web</ref><ref name="adele 2">Template:Cite news</ref>

Girl power

[edit]

Template:Main "Girl power" was a label for the particular facet of feminist empowerment embraced by the band, emphasising female confidence,<ref name=lucyjones/> individuality and sisterhood.<ref name=bbcgp/><ref name="girl power article"/><ref name="girl power 3">Template:Cite web</ref> The Spice Girls' particular approach to "girl power" was seen as a boisterous, independent, and sex-positive response to "lad culture".<ref name="Ashby">Template:Cite journal</ref> The phrase was regularly espoused by all five members—although most closely associated with Halliwell—and was often delivered with a peace sign.<ref name="girl power book">Template:Cite book</ref> The "girl power" slogan was originally coined by US punk band Bikini Kill in 1991 and subsequently appeared in a few songs in the early and mid-1990s; most notably, it was the title of British pop duo Shampoo's 1996 single which Halliwell later said was her introduction to the phrase.<ref name="shampoo">Template:Cite web</ref><ref name="spice girls at 20">Template:Cite web</ref> Although the term did not originate with them, it was not until the emergence of the Spice Girls in 1996 that "girl power" exploded onto the mainstream consciousness.<ref name="Power">Template:Cite magazine</ref> According to Chisholm, the band were inspired to champion this cause as a result of the sexism they encountered when they were first starting out in the music business.<ref>Template:Cite web</ref> Industry insiders credit Halliwell as being the author of the group's "girl power" manifesto,<ref name=sinclair200876/><ref>Template:Harvnb</ref> while Halliwell herself once spoke of former British prime minister Margaret Thatcher as being "the pioneer of our ideology".Template:Refn

In all, the focused, consistent presentation of "girl power" formed the centrepiece of their appeal as a band.<ref name=johnharlow/> The Spice Girls' brand of postfeminism was distinctive and its message of empowerment appealed to young girls, adolescents and adult women; by being politically neutral, it did not alienate consumers with different allegiances.<ref name="spice girls legacy"/><ref name="girl power article"/><ref name="Ashby"/> Virgin's director of press Robert Sandall explained the novelty of the group: "There had never been a group of girls who were addressing themselves specifically to a female audience before."<ref name=sinclair7173>Template:Harvnb</ref> Similarly, John Harlow of The Sunday Times believed it was this "loyal[ty] to their sex" that set the Spice Girls apart from their predecessors, enabling them to win over young female fans where previous girl groups had struggled.<ref name=johnharlow/> While "girl power" put a name to a social phenomenon, it was met with mixed reactions.<ref name="girl power article">Template:Cite web</ref><ref name="spice girls feminism">Template:Cite web</ref> Some commentators credit the Spice Girls with reinvigorating mainstream feminism—popularised as "girl power"—in the 1990s,<ref name="Power"/><ref name="huffpost">Template:Cite web</ref> with their mantra serving as a gateway to feminism for their young fans.<ref name=bravo/><ref name="spice girls feminism"/><ref name="girl power gateway">Template:Cite web</ref> Conversely, critics dismiss it as no more than a shallow marketing tactic and accuse the group of commercialising the social movement.<ref name=lucyjones>Template:Cite web</ref><ref name="spice girls legacy"/> Regardless, "girl power" became a cultural phenomenon,<ref name="newstatesman">Template:Cite web</ref> adopted as the mantra for millions of girls<ref name=bravo/><ref name="girl power article"/> and even making it into the Oxford English Dictionary.<ref name="girl power dictionary">BBC News. Article on "Girl Power" being added to the Oxford English Dictionary. British Broadcasting Corporation. 17 January 2002.</ref> In summation of the concept, author Ryan Dawson said, "The Spice Girls changed British culture enough for Girl Power to now seem completely unremarkable."<ref name="Spice-Beatles comparison">Dawson, Ryan. "Beatlemania and Girl Power: An Anatomy of Fame". Bigger Than Jesus: Essays on Popular Music. University of Cambridge. Archived from original on 28 April 2005. Retrieved 17 February 2017.</ref>

File:SpiceGirlWembley150619-122 (49000557707).jpg
The Spice Girls perform "Wannabe" as a four-piece on 15 June 2019. The song has become emblematic of the group's girl power manifesto.

In keeping with their "girl power" manifesto, the Spice Girls' songs have been praised for their "genuinely empowering messages about friendship and sisterhood,"<ref name=bbcgp>Template:Cite web</ref> which set them apart from the typical love songs their pop contemporaries were singing.<ref name=bravo>Template:Cite web</ref> Billboard magazine said their lyrics "demonstrated real, noncompetitive female friendship," adding that the messages the Spice Girls imparted have held up well compared to the lyrics sung by later girl groups such as the Pussycat Dolls.<ref name="Power"/> The group's debut single "Wannabe" has been hailed as an "iconic girl power anthem".<ref name="wannabe story">Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> In 2016, the United Nations launched their #WhatIReallyReallyWant Global Goals campaign by filming a remake of the "Wannabe" music video to highlight gender inequality issues faced by women across the world. The video, which premiered on YouTube and ran in movie theatres internationally,<ref name=unitednations/> featured British girl group M.O, Canadian "viral sensation" Taylor Hatala, Nigerian-British singer Seyi Shay and Bollywood actress Jacqueline Fernandez lip-syncing to the song in various locations around the world.<ref>Template:Cite magazine</ref> In response to the remake, Beckham said, "How fabulous is it that after 20 years the legacy of the Spice Girls' girl power is being used to encourage and empower a whole new generation?"<ref name=unitednations>Template:Cite web</ref>

At the 43rd People's Choice Awards in 2017, Blake Lively dedicated her "Favorite Dramatic Movie Actress" award to "girl power" in her acceptance speech; she credited the Spice Girls, saying: "What was so neat about them was that they're all so distinctly different, and they were women, and they owned who they were, and that was my first introduction into girl power."<ref>Template:Cite magazine</ref> In 2018, Rolling Stone named the Spice Girls' "girl power" ethos on The Millennial 100, a list of 100 people, music, cultural touchstones and movements that have shaped the Millennial generation.<ref>Template:Cite magazine</ref> Writing in 2019 about the group's influence on what she called the "Spice Girls Generation", Caity Weaver of The New York Times concluded, "Marketing ploy or not, 'Girl power' had become a self-fulfilling prophecy."<ref name=sggen>Template:Cite news</ref>

Cool Britannia

[edit]

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File:Geri Halliwell in concert cropped.jpg
Halliwell wearing a replica of her iconic Union Jack dress that she had worn at the 1997 Brit Awards which was a defining image of the era

The term "Cool Britannia" became prominent in the media in the 1990s and represented the new political and social climate that was emerging with the advances made by New Labour and the new British prime minister Tony Blair.<ref>Template:Cite news</ref><ref>Template:Cite web</ref> Coming out of a period of 18 years of Conservative government, Tony Blair and New Labour were seen as young, cool and appealing, a driving force in giving Britain a feeling of euphoria and optimism.<ref>Template:Cite web</ref>

Although by no means responsible for the onset of "Cool Britannia", the arrival of the Spice Girls added to the new image and re-branding of Britain, and underlined the growing world popularity of British, rather than American, pop music. This fact was underlined at the 1997 Brit Awards; the group won two awards<ref name="brit 1997">Template:Cite web</ref> but it was Halliwell's iconic red, white and blue Union Jack mini-dress that appeared in media coverage around the world,<ref>Template:Harvnb</ref> becoming an enduring image of "Cool Britannia".<ref name="dress poll">Template:Cite web</ref><ref>Template:Cite web</ref> The Spice Girls were identified as part of another British Invasion of the US,<ref name=britishinvasion>Template:Cite web</ref> and in 2016, Time acknowledged the Spice Girls as "arguably the most recognisable face" of "Cool Britannia".<ref name="Time magazine"/>

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The Spice Girls' image was deliberately aimed at young girls, an audience of formidable size and potential. Instrumental to their range of appeal within this demographic was their five distinct personalities and styles, which encouraged fans to identify with one member or another. This rejection of a homogeneous group identity was a stark departure from previous groups such as the Beatles and the Supremes,<ref name="spice girls legacy">Template:Cite news</ref><ref name="brian masters">Template:Cite news</ref><ref>Template:Harvnb</ref> and the Spice Girls model has since been used to style other pop groups such as One Direction.<ref name="1D">Template:Cite news</ref><ref name="1D style">Template:Cite news</ref>

The band's image was inadvertently bolstered by the nicknames bestowed on them by the British press. After a lunch with the Spice Girls in the wake of "WannabeTemplate:" 's release, Peter Loraine, the then-editor of Top of the Pops magazine, and his editorial staff decided to devise nicknames for each member of the group based on their personalities. Loraine explained, "In the magazine we used silly language and came up with nicknames all the time so it came naturally to give them names that would be used by the magazine and its readers; it was never meant to be adopted globally."<ref name="Intent Media"/> Shortly after using the nicknames in a magazine feature on the group, Loraine received calls from other British media outlets requesting permission to use them, and before long the nicknames were synonymous with the Spice Girls.<ref name="Intent Media">Template:Cite news</ref><ref name="girl power 3"/> Jennifer Cawthron, one of the magazine's staff writers, explained how the nicknames were chosen:

Victoria was 'Posh Spice', because she was wearing a Gucci-style mini dress and seemed pouty and reserved. Emma wore pigtails and sucked a lollipop, so obviously she was 'Baby Spice'. Mel C spent the whole time leaping around in her tracksuit, so we called her 'Sporty Spice'. I named Mel B 'Scary Spice' because she was so shouty. And Geri was 'Ginger Spice', simply because of her hair. Not much thought went into that one.<ref name="girl power 3"/>

In a 2020 interview, Chisholm explained that the Spice Girls' image came about unintentionally when, after initially trying to coordinate their outfits as was expected of girl groups at the time, the group decided to just dress in their own individual styles. According to Chisholm, they "never thought too much more of it" until after "Wannabe" was released and the press gave them their nicknames. The group embraced the nicknames and grew into caricatures of themselves, which Chisholm said was "like a protection mechanism because it was like putting on this armour of being this, this character, rather than it actually being you."<ref>Template:Cite web</ref>

Each Spice Girl adopted a distinct, over-the-top trademark style that served as an extension of her public persona.<ref name="iconic looks">Template:Cite web</ref><ref>Template:Cite book</ref>

File:Spicy spice girls (8089395518).jpg
Fans dressed up as the Spice Girls, replicating their signature looks

The Spice Girls are considered style icons of the 1990s; their image and styles becoming inextricably tied to the band's identity.<ref name="iconic looks"/><ref name="platform shoes">Template:Cite web</ref><ref name="style icons">Template:Cite web</ref> They are credited with setting 1990s fashion trends such as Buffalo platform shoes<ref name="footwear">Template:Cite web</ref> and double bun hairstyles.<ref name="double bun">'90s Double Buns are Officially Back. fashionista.com. 3 August 2016.</ref><ref name="scary spice buns">Spice up your barnet! Spice Girl hair is back with a vengeance Template:Webarchive. Evoke.ie. 21 April 2016.</ref> Their styles have inspired other celebrities including Katy Perry,<ref>Katy Perry Says Current Look Is Inspired By The Spice Girls – Audio. Capital FM. 15 December 2013.</ref> Charli XCX,<ref>Template:Cite web</ref> and Bollywood actress Anushka Ranjan.<ref>Template:Cite web</ref> Lady Gaga performed as Emma Bunton (Baby Spice) in high school talent shows<ref>Template:Cite news</ref> and Emma Stone chose the name "Emma" inspired by Emma Bunton after she previously used the name Riley Stone.<ref>Template:Cite news</ref> The group have also been noted for the memorable outfits they have worn, the most iconic being Halliwell's Union Jack dress from the 1997 Brit Awards.<ref>Template:Cite web</ref> The dress was sold at a charity auction to the Las Vegas Hard Rock Cafe for £41,320, giving Halliwell the Guinness World Record at that time for the most expensive piece of pop star clothing ever sold.<ref name="world records">Template:Cite web</ref><ref name="geri world record">Template:Cite web</ref>

Commercialisation and celebrity culture

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At the height of Spicemania, the Spice Girls were involved in a prolific marketing phenomenon.<ref name=brandweek/><ref name=spicebrand/><ref name=sinclair106113>Template:Harvnb</ref> Under the guidance of their mentor and manager Simon Fuller, they advertised for an unprecedented number of brands and became the most merchandised group in music history.<ref name="spice girls at 20"/><ref name="cadbury">Template:Cite web</ref> The group were also a frequent feature of the global press.<ref name="rolling stone interview"/><ref name="slate">Template:Cite magazine</ref> As a result, said biographer David Sinclair, "So great was the daily bombardment of Spice images and Spice product that it quickly became oppressive even to people who were well disposed towards the group."<ref>Template:Harvnb</ref> This was parodied in the video for their song "Spice Up Your Life", which depicts a futuristic dystopian city covered in billboards and adverts featuring the group. Similarly, the North American leg of their 1998 Spiceworld Tour introduced a whole new concert revenue stream when it became the first time advertising was used in a pop concert.<ref name="latimes spiceworld concert">Template:Cite web</ref><ref name="bbc spiceworld concert">Template:Cite web</ref> Overall, the Spice Girls' earnings in the 1990s were on par with that of a medium-sized corporation thanks in large part to their marketing endeavours,<ref name=brandweek>Template:Cite magazine</ref> with their global gross income estimated at $500–800 million by May 1998.<ref name="ewspice"/>Template:Refn

In his analysis of the group's enduring influence on 21st-century popular culture, John Mckie of the BBC observed that while other stars had used brand endorsements in the past, "the Spice brand was the first to propel the success of the band".<ref name="spice girls legacy"/> Christopher Barrett and Ben Cardew of Music Week credited Fuller's "ground-breaking" strategy of marketing the Spice Girls as a brand with revolutionising the pop music industry, "paving the way for everything from The White Stripes cameras to U2 iPods and Girls Aloud phones."<ref name=spicebrand>Template:Cite news</ref> Barrett further noted that pop music and brand synergy have become inextricably linked in the modern music industry, which he attributed to the "remarkable" impact of the Spice Girls.<ref name="Intent Media"/> The GuardianTemplate:'s Sylvia Patterson also wrote of what she called the group's true legacy: "[T]hey were the original pioneers of the band as brand, of pop as a ruthless marketing ruse, of the merchandising and sponsorship deals that have dominated commercial pop ever since."<ref name="spice girls ruined 1990s"/>

The mainstream media embraced the Spice Girls at the peak of their success. The group received regular international press coverage and were constantly followed by paparazzi.<ref name="Sinclair 2004, pp. 115–116">Template:Harvnb</ref> Paul Gorman of Music Week said of the media interest in the Spice Girls in the late 1990s: "They inaugurated the era of cheesy celebrity obsession which pertains today. There is lineage from them to the Kardashianisation not only of the music industry, but the wider culture."<ref name="spice girls legacy"/> The Irish IndependentTemplate:'s Tanya Sweeney agreed that "[t]he vapidity of paparazzi culture could probably be traced back to the Spice Girls' naked ambitions",<ref name="spice girls feminism"/> while Mckie predicted that, "[f]or all that modern stars from Katy Perry to Lionel Messi exploit brand endorsements and attract tabloid coverage, the scale of the Spice Girls' breakthrough in 1996 is unlikely to be repeated—at least not by a music act."<ref name="spice girls legacy"/>

1990s and gay icons

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The Spice Girls have been labelled the biggest pop phenomenon of the 1990s<ref name="spice girls form"/> due to the international record sales,<ref name="outstanding contribution"/> iconic symbolism, global cultural influence<ref name="iconic looks"/><ref name="slate"/> and apparent omnipresence they held during the decade.<ref name="spice girls bio">Template:Cite web</ref><ref name=sinclair106113/> The group appeared on the cover of the July 1997 edition of Rolling Stone accompanied with the headline, "Spice Girls Conquer the World".<ref>Template:Cite book</ref> At the 2000 Brit Awards, the group received the Outstanding Contribution to Music Award in honour of their success in the global music scene in the 1990s.<ref name="outstanding contribution">Template:Cite magazine</ref> The iconic symbolism of the Spice Girls in the 1990s is partly attributed to their era-defining outfits,<ref name="iconic looks"/> the most notable being the Union Jack dress that Halliwell wore at the 1997 Brit Awards. The dress has achieved iconic status, becoming one of the most prominent symbols of 1990s pop culture.<ref name="spice girls form"/><ref name=harpersbazaar/> The status of the Spice Girls as 1990s pop culture icons is also attributed to their vast marketing efforts and willingness to be a part of a media-driven world.<ref name="spice girls legacy"/> Their unprecedented appearances in adverts and the media solidified the group as a phenomenon—an icon of the decade and for British music.<ref name="sherrie"/><ref name="spice girls pop music"/>

A study conducted by the British Council in 2000 found that the Spice Girls were the second-best-known Britons internationally—only behind then-Prime Minister Tony Blair—and the best-known Britons in Asia.<ref>Template:Cite web</ref> The group were featured in VH1's I Love the '90s and the sequel I Love the '90s: Part Deux; the series covered cultural moments from 1990s with the Spice Girls' rise to fame representing the year 1997, while Halliwell quitting the group represented 1998.<ref>Template:Cite episode</ref><ref>Template:Cite episode</ref> In 2006, ten years after the release of their debut single, the Spice Girls were voted the biggest cultural icons of the 1990s with 80 per cent of the votes in a UK poll of 1,000 people carried out for the board game Trivial Pursuit, stating that "Girl Power" defined the decade.<ref name="90s icons">Template:Cite web</ref><ref>Template:Cite web</ref> The Spice Girls also ranked number ten in the E! TV special, The 101 Reasons the '90s Ruled.<ref>Template:Cite web</ref>

Some sources, especially those in the United Kingdom, regard the Spice Girls as gay icons.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> In a 2007 UK survey of more than 5,000 gay men and women, Beckham placed 12th and Halliwell placed 43rd in a ranking of the top 50 gay icons.<ref>Template:Cite web</ref> Halliwell was the recipient of the Honorary Gay Award at the 2016 Attitude Awards<ref name="attitude awards 2016">Template:Cite web</ref> and Chisholm was given the "Celebrity Ally" award at the 2021 British LGBT Awards.<ref>Template:Cite web</ref> In a 2005 interview, Bunton attributed their large gay following to the group's fun-loving nature, open-mindedness and their love of fashion and dressing up.<ref name="Emma Bunton Interview">Template:Cite web</ref> The LGBTQ magazine Gay Times credits the Spice Girls as having been "ferocious advocates of the community" throughout their whole career.<ref name=gaytimesemma>Template:Cite web</ref> According to Bunton, the LGBTQ community was a big influence on the group's music. A desire to be more inclusive also led the group to change the lyrics in "2 Become 1"; the lyric "Any deal that we endeavour/boys and girls feel good together" appears in their debut album but was changed to "Once again if we endeavour/love will bring us back together" for the single and music video release.<ref name=gaytimesemma/>

Portrayal in the media

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The Spice Girls became media icons in Great Britain and a regular feature of the British press.<ref name="spice girls bio"/><ref name="rolling stone interview">Template:Cite magazine</ref> During the peak of their worldwide fame in 1997, the paparazzi were constantly seen following them everywhere<ref name="Sinclair 2004, pp. 115–116"/> to obtain stories and gossip about the group, such as a supposed affair between Emma Bunton and manager Simon Fuller, or constant split rumours which became fodder for numerous tabloids.<ref name="spice girls bio"/><ref name="bbc1">Template:Cite web</ref><ref name="latimes 97"/><ref name="ew 1997">Template:Cite magazine</ref> Rumours of in-fighting and conflicts within the group also made headlines, with the rumours suggesting that Geri Halliwell and Melanie Brown in particular were fighting to be the leader of the group.<ref name="ewspice"/> Brown, who later admitted that she used to be a "bitch" to Halliwell, said the problems had stayed in the past.<ref>Template:Cite web</ref> The rumours reached their height when the Spice Girls dismissed their manager Simon Fuller during the power struggles, with Fuller reportedly receiving a £10 million severance cheque to keep quiet about the details of his sacking.<ref name="ewspice"/><ref name="latimes 97">Template:Cite web</ref><ref name="ew 1997"/> Months later, in May 1998, Halliwell would leave the band amid rumours of a falling out with Brown; the news of Halliwell's departure was covered as a major news story by media around the world,<ref name=gerileaves>Template:Cite magazine</ref> and became one of the biggest entertainment news stories of the decade.<ref name=billboardbreakup/>

In February 1997 at the Brit Awards, Halliwell's Union Jack dress from the Spice Girls' live performance made all the front pages the next day. During the ceremony, Halliwell's breasts were exposed twice, causing controversy.<ref name="official timeline"/> In the same year, nude glamour shots of Halliwell taken earlier in her career were released,<ref name="spice girls bio"/> causing some scandal.<ref name="rolling stone interview"/>

The stories of their encounters with other celebrities also became fodder for the press;<ref name="spice girls bio"/><ref name="iconic moments">The most iconic Spice Girls moments. Glamour magazine. 14 July 2016.</ref> for example, in May 1997, at The Prince's Trust 21st-anniversary concert, Brown and Halliwell breached royal protocol when they planted kisses on Prince Charles's cheeks, leaving it covered with lipstick, and later, Halliwell told him "you're very sexy" and also pinched his bottom.<ref name="charles letter"/> In November, the British royal family were considered fans of the Spice Girls, including The Prince of Wales and his sons Prince William and Prince Harry.<ref>"Harry's a real hit with Spice Girls". BBC News. 2 November 1997.</ref><ref>It was all spice on the night BBC News. 16 December 1997</ref><ref>Prince William's Spice-y Christmas femalefirst.co.uk. 17 December 2008</ref> That month, South African President Nelson Mandela said: "These are my heroes. This is one of the greatest moments in my life"<ref name=bbcmandela/> in an encounter organised by Prince Charles, who said, "It is the second greatest moment in my life, the first time I met them was the greatest".<ref name=bbcmandela/> Prince Charles would later send Halliwell a personal letter "with lots of love" when he heard that she had quit the Spice Girls.<ref name="charles letter">Dear Geri... Love Charles. BBC News. 14 August 1998.</ref> In 1998 the video game magazine Nintendo Power created The More Annoying Than the Spice Girls Award, adding: "What could possibly have been more annoying in 1997 than the Spice Girls, you ask?".<ref>Nintendo Power No. 106 (p.81)</ref>

Victoria Adams started dating football player David Beckham in late 1997 after they had met at a charity football match.<ref name="mend">Template:Cite news</ref> The couple announced their engagement in 1998<ref>"Posh Spice and English football star announce engagement". BBC News. 26 January 1998.</ref> and were dubbed "Posh and Becks" by the media, becoming a cultural phenomenon in their own right.<ref>Pryor, Fiona (12 July 2007). Will Brand Beckham break America?. BBC News. Retrieved 24 December 2007.</ref>

Other brand ventures

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Film

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File:The actual Spice Bus from the film Spice World.jpg
The Spice Girls' bus used in the film Spice World (1997)

The group made their film debut in Spice World with director Bob Spiers. Meant to accompany their second album, the style and content of the movie was in the same vein as the Beatles' films in the 1960s such as A Hard Day's Night. The light-hearted comedy, intended to capture the spirit of the Spice Girls, featured Richard E. Grant, Alan Cumming, Roger Moore, Hugh Laurie, Stephen Fry, Elton John, Richard O'Brien, Bob Hoskins, Jennifer Saunders, Elvis Costello and Meat Loaf.<ref>Template:Cite magazine</ref>

Spice World was released in December 1997 and proved to be a hit at the box office, taking in over $100 million worldwide.<ref name=telegraphfilm>Template:Cite news</ref> Despite being a commercial success, the film was widely panned by critics;<ref name=telegraphfilm/> the movie was nominated for seven awards at the 1999 Golden Raspberry Awards where the Spice Girls collectively won the award for "Worst Actress". Considered a cult classic,<ref>Template:Harvnb</ref> several critics have reevaluated the film more positively in the years following its initial release.<ref name=telegraphfilm/><ref>Template:Cite web</ref> Since 2014, the Spice Bus, which was driven by Meat Loaf in the film, has been on permanent display at the Island Harbour Marina on the Isle of Wight, England.<ref name="spice bus display">The Spice Bus. Island Harbour. Retrieved 25 June 2016.</ref>

Television

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Template:Main The Spice Girls have hosted and starred in various television specials. In November 1997, they became the first pop group to host ITV's An Audience with...;<ref name="itv.com"/> their show featured an all-female audience and was watched by 11.8 million viewers in the UK, one fifth of the country's population.<ref name="Sinclair 2004, p. 148"/> The group hosted the Christmas Day edition of Top of the Pops on BBC1 in 1996.<ref>Template:Cite episode</ref> The following year, a special Christmas Eve edition of the BBC series was dedicated to them, titled "Spice Girls on Top of the Pops".<ref name=xmas97/> The group have also starred in numerous MTV television specials, including Spice Girls: Girl Power A–Z and MTV Ultrasound, Sugar and Spice and Everything Nice.<ref name=mtvspecials/> Their concerts have also been broadcast in various countries: Girl Power! Live in Istanbul (1997) was broadcast on ITV,<ref name=xmas97>Template:Cite news</ref> Showtime,<ref name=mtvspecials>Template:Cite news</ref> and Fox Family Channel;<ref>Template:Cite news</ref> Spiceworld Tour (1998) was broadcast on Sky Box Office;<ref>Template:Cite web</ref> and Christmas in Spiceworld (1999) was broadcast on Sky One and Fox Kids, among others.<ref>Template:Cite web</ref>

The group have starred in television commercials for brands such as Pepsi,<ref>Template:Cite web</ref> Polaroid, Walkers, Impulse and Tesco.<ref name="tesco ad"/> They have also released a few official documentary films, including Spice Girls in America: A Tour Story (1999)<ref name=atourstory/> and Giving You Everything (2007).<ref name=givingyoueverything/> Making-of documentaries for their film Spice World were broadcast on Channel 5<ref name=xmas97/> and MTV.<ref>Template:Cite web</ref> The Spice Girls have been the subject of numerous unofficial documentary films, commissioned and produced by individuals independent of the group, including Raw Spice (2001), Seven Days That Shook the Spice Girls (2002), and Spice Girls: How Girl Power Changed Britain (2021). The group have had episodes dedicated to them in several music biography series, including VH1's Behind the Music, E! True Hollywood Story and MTV's BioRhythm.<ref>Template:Cite news</ref>

Merchandise and sponsorship deals

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Template:Main Template:Multiple image In the late 1990s, the Spice Girls were involved in a prolific marketing phenomenon that saw them become the most merchandised group in music history.<ref name="cadbury"/> They negotiated lucrative endorsement deals with numerous brands, including Pepsi, Asda, Cadbury and Target,<ref name="cadbury"/> which led to accusations of overexposure and "selling out".<ref name="thebiographychannel1"/> The group was estimated to have earned over £300 million ($500 million) from their marketing endeavours in 1997 alone.<ref name=bbcearnings>Template:Cite web</ref><ref name=herald/> Their subsequent reunion concert tours saw the Spice Girls launch new sponsorship and advertising campaigns with the likes of Tesco and Victoria's Secret in 2007,<ref name="tesco ad"/><ref>Template:Cite web</ref> and Walkers and Mr. Men in 2019.<ref name=mrmen/><ref>Template:Cite web</ref>

Viva Forever!

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Template:Main Viva Forever! is a jukebox musical written by Jennifer Saunders, produced by Judy Craymer and directed by Paul Garrington. Based on the songs of the Spice Girls, the musical ran at the Piccadilly Theatre in the West End from 11 December 2012 to 29 June 2013.<ref>Template:Cite web</ref>

Career records and achievements

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As a group, the Spice Girls have received a number of notable awards, including five Brit Awards, three American Music Awards, four Billboard Music Awards, three MTV Europe Music Awards, one MTV Video Music Award and three World Music Awards. They have also been recognised for their songwriting achievements with two Ivor Novello Awards.<ref name=ivors97>Template:Cite web</ref> In 2000, they received the Brit Award for Outstanding Contribution to Music, making them the youngest recipients of the Lifetime Achievement award whose previous winners include Elton John, the Beatles and Queen.<ref name="outstanding contribution"/><ref>Template:Cite web</ref>

The Spice Girls are the best-selling British act of the 1990s, having comfortably outsold all of their peers including Oasis and the Prodigy.<ref name=sinclair8789/> They are the best-selling girl group of all time.<ref name=bestselling1>Template:Cite magazine</ref><ref name=bestselling2>Template:Cite newsTemplate:Cbignore</ref><ref name=bestselling3>Template:Cite web</ref> They have sold 100 million records worldwide,<ref name="bauermedia-feb-17"/> achieving certified sales of 13 million albums in Europe,<ref name="IFPI 1997"/> 14 million records in the US<ref name=RIAA/> and 2.4 million in Canada.<ref name=CRIA/> The group achieved the highest-charting debut for a UK group on the Billboard Hot 100 at number five with "Say You'll Be There". They are also the first British band since the Rolling Stones in 1975 to have two top-ten albums in the US Billboard 200 albums chart at the same time (Spice and Spiceworld).<ref name="two top 10"/> In addition to this, the Spice Girls also achieved the highest-ever annual earnings by an all-female group with an income of £29.6 million (approximately US$49 million) in 1998.<ref>Template:Cite web</ref> In 1999, they ranked sixth in Forbes' inaugural Celebrity 100 Power Ranking, which made them the highest-ranking musicians.<ref>Template:Cite web</ref>

File:The Spice Girls Olympic Closing Ceremony by David Jones.jpg
The Spice Girls perform at the 2012 Summer Olympics closing ceremony. Their performance garnered over 116,000 tweets per minute on Twitter to become the most tweeted moment of the entire 2012 Summer Olympics.<ref name=olympicstweet/>

They produced a total of nine number one singles in the UK—tied with ABBA behind Take That (eleven), the Shadows (twelve), Madonna (thirteen), Westlife (fourteen), Cliff Richard (fourteen), the Beatles (seventeen) and Elvis Presley (twenty-one). The group had three consecutive Christmas number-one singles in the UK ("2 Become 1", 1996; "Too Much", 1997; "Goodbye", 1998); they only share this record with the Beatles and LadBaby.<ref name="Guinness Christmas">Template:Cite web</ref> Their first single, "Wannabe", is the most successful song released by an all-female group.<ref name="PMS"/><ref name="world records"/> Debuting on the US Billboard Hot 100 chart at number eleven, it is also the highest-ever-charting debut by a British band in the US, beating the previous record held by the Beatles for "I Want to Hold Your Hand" and the joint highest entry for a debut act, tying with Alanis Morissette.<ref name="official timeline"/>

Spice is the 18th-best-selling album of all time in the UK with over 3 million copies sold, and topped the charts for 15 non-consecutive weeks, the most by a female group in the UK.<ref name="everyhit"/> It is also the best-selling album of all time by a girl group, with sales of over 23 million copies worldwide.<ref name="US sales"/> Spiceworld shipped 7 million copies in just two weeks, including 1.4 million in Britain alone—the largest-ever shipment of an album over 14 days.<ref name="bill">Template:Cite magazine</ref> They are also the first act (and so far only female act) to have their first six singles ("Wannabe", "Say You'll Be There", "2 Become 1", "Mama"/"Who Do You Think You Are", "Spice Up Your Life" and "Too Much") make number one on the UK charts. Their run was broken by "Stop", which peaked at number two in March 1998.<ref>Template:Cite news</ref>

The Spice Girls have the highest-grossing concert tours by an all-female group across two decades (2000–2020), grossing nearly $150 million in ticket sales across 58 shows.<ref name=pollstar>Template:Cite web</ref> They are also the most-merchandised group in music history.<ref name="cadbury"/> Their Spice Girls dolls are the best-selling celebrity dolls of all time with sales of over 11 million;<ref>Template:Cite web</ref><ref>Template:Cite web</ref> the dolls were the second-best-selling toy, behind the Teletubbies, of 1998 in the US according to the trade publication Playthings.<ref>Template:Citation</ref> Their film, Spice World, broke the record for the highest-ever weekend debut on Super Bowl weekend (25 January 1998) in the US, with box office sales of $10,527,222. Spice World topped the UK video charts on its first week of release, selling over 55,000 copies on its first day in stores and 270,000 copies in the first week.<ref name=Billboardthe3>Template:Cite magazine</ref><ref name="spiceworld vid">"'Spiceworld' To Shake Up U.K. Vid Chart?". Billboard. 28 May 1998. Retrieved 14 March 2006.</ref>

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File:Spiceworld-gerihalliwell-outfit.jpg
Geri Halliwell's swimsuit from Spice World at the Hard Rock Cafe in Tokyo, Japan

In February 1997, the "Sugar Lumps", a satirical version of the Spice Girls played by Kathy Burke, Dawn French, Llewella Gideon, Lulu and Jennifer Saunders, filmed a video for British charity Comic Relief. The video starts with the Sugar Lumps as schoolgirls who really want to become pop stars like the Spice Girls, and ends with them joining the group on stage, while dancing and lip-syncing the song "Who Do You Think You Are".<ref>Lulu (2011). Lulu: I Don't Want to Fight. Time Warner Paperbacks. Template:ISBN</ref> The Sugar Lumps later joined the Spice Girls during their live performance of the song on Comic Relief's telethon Red Nose Day event in March 1997.<ref>Template:Cite news</ref> In January 1998, a fight between animated versions of the Spice Girls and pop band Hanson was the headlining matchup in MTV's claymation parody Celebrity Deathmatch Deathbowl '98 special that aired during the Super Bowl XXXII halftime.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> The episode became the highest-rated special in the network's history and MTV turned the concept into a full-fledged television series soon after.<ref>Template:Cite news</ref>

In March 2013, the Glee characters Brittany (Heather Morris), Tina (Jenna Ushkowitz), Marley (Melissa Benoist), Kitty (Becca Tobin) and Unique (Alex Newell) dressed up as the Spice Girls and performed the song "Wannabe" on the 17th episode of the fourth season of the show.<ref>Template:Cite news</ref> In April 2016, the Italian variety show Laura & Paola on Rai 1 featured the hosts, Grammy Award-winning singer Laura Pausini and actress Paola Cortellesi, and their guests, Francesca Michielin, Margherita Buy and Claudia Gerini, dressed up as the Spice Girls to perform a medley of Spice Girls songs as part of a 20th-anniversary tribute to the band.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> In December 2016, the episode "Who Needs Josh When You Have a Girl Group?" of the musical comedy drama series Crazy Ex-Girlfriend featured cast members Rachel Bloom, Gabrielle Ruiz and Vella Lovell performing an original song titled "Friendtopia", a parody of the Spice Girls' songs and "girl power" philosophy.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Rapper Aminé's 2017 single "Spice Girl" is a reference to the group, and the song's music video includes an appearance by Brown.<ref>Template:Cite web</ref> Other songs that reference the Spice Girls include "Grigio Girls" by Lady Gaga,<ref>Template:Cite news</ref> "My Name Is" by Eminem,<ref>Template:Cite web</ref> "Polka Power!" (a reference to "Girl Power") by "Weird Al" Yankovic,<ref>Template:Cite web</ref> "Playinwitme" by Kyle and Kehlani,<ref>Template:Cite magazine</ref> "Kinky" by Kesha,<ref>Template:Cite web</ref> and "Spicy" by Diplo, Herve Pagez and Charli XCX.<ref>Template:Cite magazine</ref>

In the late 1990s, Spice Girls parodies appeared in various American sketch comedy shows including Saturday Night Live (SNL), Mad TV<ref>Template:Cite news</ref> and All That. A January 1998 episode of SNL featured cast members, including guest host Sarah Michelle Gellar, impersonating the Spice Girls for two "An Important Message About ..." sketches.<ref>Template:Cite web</ref> In September 1998, the show once again featured cast members, including guest host Cameron Diaz, impersonating the Spice Girls for a sketch titled "A Message from the Spice Girls".<ref>Template:Cite web</ref><ref>Template:Cite news</ref> Nickelodeon's All That had recurring sketches with the fictional boy band "The Spice Boys", featuring cast members Nick Cannon as "Sweaty Spice", Kenan Thompson as "Spice Cube", Danny Tamberelli as "Hairy Spice", Josh Server as "Mumbly Spice", and a skeleton prop as "Dead Spice".<ref>Template:Cite news</ref>

Parodies of the Spice Girls have also appeared in major advertising campaigns. In 1997, Jack in the Box, an American fast-food chain restaurant, sought to capitalise on "Spice mania" in America by launching a national television campaign using a fictional girl group called the Spicy Crispy Chicks (a take off of the Spice Girls) to promote the new Spicy Crispy Sandwich. The Spicy Crispy Chicks concept was used as a model for another successful advertising campaign called the 'Meaty Cheesy Boys'.<ref name="eonline"/><ref>* Template:Cite web

Other notable groups of people have been labelled as some variation of a play-on-words on the Spice Girls' name as an allusion to the band. In 1997, the term "Spice Boys" emerged in the British media as a term coined to characterise the "pop star" antics and lifestyles off the pitch of a group of Liverpool F.C. footballers that includes Jamie Redknapp, David James, Steve McManaman, Robbie Fowler and Jason McAteer.<ref>Template:Cite web</ref> The label has stuck with these footballers ever since, with John Scales, one of the so-called Spice Boys, admitting in 2015 that, "We're the Spice Boys and it's something we have to accept because it will never change."<ref>Template:Cite webTemplate:Cbignore</ref> In the Philippines, the "Spice Boys" tag was given to a group of young Congressmen of the House of Representatives who initiated the impeachment of President Joseph Estrada in 2001.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> The Australian/British string quartet Bond were dubbed by the international press as the "Spice Girls of classical music" during their launch in 2000 due to their "sexy" image and classical crossover music that incorporated elements of pop and dance music. A spokeswoman for the quartet said in response to the comparisons, "In fact, they are much better looking than the Spice Girls. But we don't welcome comparisons. The Bond girls are proper musicians; they have paid their dues."<ref>Template:Cite web</ref><ref>Template:Cite web</ref> The Women's Tennis Association (WTA) doubles team of Martina Hingis and Anna Kournikova, two-time Grand Slam and two-time WTA Finals Doubles champions, dubbed themselves the "Spice Girls of tennis" in 1999.<ref>Template:Cite news</ref><ref>Template:Cite newsTemplate:Cbignore</ref> Hingis and Kournikova, along with fellow WTA players Venus and Serena Williams, were also labelled the "Spice Girls of tennis", then later the "Spite Girls",<ref>Template:Cite news</ref><ref>Template:Cite news</ref> by the media in the late 1990s due to their youthfulness, popularity and brashness.<ref>Template:Cite news</ref>

Grant Morrison's limited series The Multiversity (2014–2015) had a team of five women called Lady Blackhawks, inspired by Spice Girls' names and hair they were named Killah (Scary), Monkey (Sporty), Red (Ginger), Princess (Posh) and Pixie (Baby).<ref>Template:Cite web</ref>

Wax sculptures of the Spice Girls are currently on display at the famed Madame Tussaud's New York wax museum.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> The sculptures of the Spice Girls (sans Halliwell) were first unveiled in December 1999, making them the first pop band to be modelled as a group since the Beatles in 1964 at the time.<ref>Template:Cite news</ref> A sculpture of Halliwell was later made in 2002,<ref>Template:Cite news</ref> and was eventually displayed with the other Spice Girls' sculptures after Halliwell reunited with the band in 2007. Since 2008, Spiceworld: The Exhibition, a travelling exhibition of around 5,000 Spice Girls memorabilia and merchandise, has been shown in museums across the UK.<ref name=vmag>Template:Cite web</ref><ref>Template:Cite news</ref> The Spice Girls Exhibition, a collection of over 1,000 Spice Girls items owned by Alan Smith-Allison, was held at the Trakasol Cultural Centre in Limassol Marina, Cyprus in the summer of 2016.<ref>Norman, Alix. The magic of girl power Template:Webarchive. Cyprus Mail. 19 July 2016.</ref> Wannabe 1996–2016: A Spice Girls Art Exhibition, an exhibition of Spice Girls-inspired art, was held at The Ballery in Berlin in 2016 to celebrate the 20th anniversary of the group's debut single, "Wannabe".<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Discography

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Concert tours

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Group members

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Timeline

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<timeline> ImageSize = width:900 height:auto barincrement:45 PlotArea = left:60 bottom:60 top:05 right:0 Alignbars = justify DateFormat = dd/mm/yyyy Period = from:03/07/1994 till:15/06/2019 Legend = orientation:horizontal position:bottom TimeAxis = orientation:horizontal format:yyyy ScaleMajor = increment:3 start:1995 ScaleMinor = increment:1 start:1995

Colors =

id:Beckham        value:red
id:Bunton         value:orange
id:Chisholm       value:green
id:Halliwell      value:blue
id:Brown          value:purple
id:Studio         value:black        legend:Studio_album
id:Compilation    value:gray(0.7)    legend:Compilation_album

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layer:back
 color:Studio
  at:19/09/1996
  at:01/11/1997
  at:01/11/2000
 color:Compilation
  at:07/11/2007

BarData =

 bar:Beckham      text:"Beckham"
 bar:Bunton       text:"Bunton"
 bar:Chisholm     text:"Chisholm"
 bar:Halliwell    text:"Halliwell"
 bar:Brown        text:"Brown"

PlotData =

 width:11
 bar:Beckham      from:start         till:31/12/2000    color:Beckham
 bar:Brown        from:start         till:31/12/2000    color:Brown
 bar:Bunton       from:start         till:31/12/2000    color:Bunton
 bar:Chisholm     from:start         till:31/12/2000    color:Chisholm
 bar:Halliwell    from:start         till:31/05/1998    color:Halliwell
 bar:Beckham      from:28/06/2007    till:30/04/2008    color:Beckham
 bar:Brown        from:28/06/2007    till:30/04/2008    color:Brown
 bar:Bunton       from:28/06/2007    till:30/04/2008    color:Bunton
 bar:Chisholm     from:28/06/2007    till:30/04/2008    color:Chisholm
 bar:Halliwell    from:28/06/2007    till:30/04/2008    color:Halliwell
 bar:Beckham      from:01/06/2012    till:31/12/2012    color:Beckham
 bar:Brown        from:01/06/2012    till:31/12/2012    color:Brown
 bar:Bunton       from:01/06/2012    till:31/12/2012    color:Bunton
 bar:Chisholm     from:01/06/2012    till:31/12/2012    color:Chisholm
 bar:Halliwell    from:01/06/2012    till:31/12/2012    color:Halliwell
 bar:Brown        from:05/11/2018    till:end           color:Brown
 bar:Bunton       from:05/11/2018    till:end           color:Bunton
 bar:Chisholm     from:05/11/2018    till:end           color:Chisholm
 bar:Halliwell    from:05/11/2018    till:end           color:Halliwell

</timeline>

Publications

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Books

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Magazines

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See also

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Notes

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References

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Citations

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Book references

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