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Erato

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File:Palestra grande di pompei, affreschi di Moregine, primo triclinio , IV stile, epoca neroniana, le muse 04 erato.jpg
Erato on an antique fresco from Pompeii

In Greek mythology, Erato (Template:IPAc-en; Template:Langx) is one of the Greek Muses, the inspirational goddesses of literature, science, and the arts. The name would mean "desired" or "lovely", if derived from the same root as Eros, as Apollonius of Rhodes playfully suggested in the invocation to Erato that begins Book III of his Argonautica.<ref>Apollonius Rhodius, Argonautica 3.1–5</ref>

Function

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Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo.<ref>Template:Cite encyclopedia</ref> In Simon Vouet's representations, two turtle-doves are eating seeds at her feet. She is sometimes depicted holding a golden arrow, symbolizing "eros", the feeling she inspires in everybody; at times she is accompanied by Eros, holding a torch.

Family

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In Hesiod's genealogy, Erato is the daughter of Zeus and the Titaness Mnemosyne, and the sister to Calliope, Clio, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania.<ref>Hesiod, Theogony 53 ff., 78, 915 ff.; Apollodorus, 1.3.1; Diodorus Siculus, Bibliotheca historica 4.7.1</ref>

Her father gave Erato to Malus (eponym of Malea), as a bride and by him became the mother of Cleophema who bore Aegle (Coronis) by Phlegyas.<ref name="Isyllus, Hymn to Asclepius">Isyllus, Hymn to Asclepius 128.37 ff.</ref>

Development

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File:Erato.jpg
Erato by Simon Vouet

Erato was named with the other muses in Hesiod's Theogony. She was also invoked at the beginning of a lost poem, Rhadine (Template:Lang), that was referred to and briefly quoted by Strabo.<ref>In Geography 8.3.20; Strabo's attribution of the poem to Stesichorus was refuted by H. J. Rose, "Stesichoros and the Rhadine-Fragment", The Classical Quarterly 26.2 (April 1932), pp. 88–92.</ref> The love story of Rhadine made her supposed tomb on the island of Samos a pilgrimage site for star-crossed lovers in the time of Pausanias<ref>Pausanias, Graeciae Descriptio 7.5.13</ref> and Erato has linked again with love in Plato's Phaedrus;<ref>Plato, Phaedrus 259</ref> nevertheless, even in the third century BC, when Apollonius wrote, the Muses were not yet as inextricably linked to specific types of poetry as they became.<ref>Richard Hunter, editor. Jason and the Golden Fleece (Oxford: Clarendon Press, 1993), p. 66 note.</ref>

Erato is also invoked at the start of book 7 of Virgil's Aeneid, which marks the beginning of the second half or "Iliadic" section of the poem.

See also

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Notes

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References

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Further reading

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  • Van Aken, A. R. A. (1961). Template:Lang. Amsterdam: Elsevier.
  • Bartelink, G. J. M. (1988). Template:Lang. Utrecht: Het Spectrum.
  • Cooper, J. C., ed. (1997). Brewer's Book of Myth and Legend. Oxford: Helicon.
  • Lurker, Manfred (2004). Routledge Dictionary of Gods and Demons. London: Routledge.
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