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File:Leibniz four elements.jpg
Leibniz representation of universe resulting by combination of Aristotle four elements
File:The Elements, Chelsea Porcelain Manufactory - Indianapolis Museum of Art - DSC00573.JPG
Rococo set of personification figurines of the Four Elements, 1760s, Chelsea porcelain

Template:Classic element The classical elements typically refer to earth, water, air, fire, and (later) aether which were proposed to explain the nature and complexity of all matter in terms of simpler substances.<ref name="Boyd2003">Template:Cite book</ref><ref name="Ball2004">Template:Cite book</ref> Ancient cultures in Greece, Angola, Tibet, India, and Mali had similar lists which sometimes referred, in local languages, to "air" as "wind", and to "aether" as "space".

File:AMA Symbol of Meetei Sanamahism.jpg
The concept of five classical elements in the traditional Meitei religion (Sanamahism)

These different cultures and even individual philosophers had widely varying explanations concerning their attributes and how they related to observable phenomena as well as cosmology. Sometimes these theories overlapped with mythology and were personified in deities. Some of these interpretations included atomism (the idea of very small, indivisible portions of matter), but other interpretations considered the elements to be divisible into infinitely small pieces without changing their nature.

While the classification of the material world in ancient India, Hellenistic Egypt, and ancient Greece into air, earth, fire, and water was more philosophical, during the Middle Ages medieval scientists used practical, experimental observation to classify materials.<ref name="Jim">Template:Cite AV media</ref> In Europe, the ancient Greek concept, devised by Empedocles, evolved into the systematic classifications of Aristotle and Hippocrates. This evolved slightly into the medieval system, and eventually became the object of experimental verification in the 17th century, at the start of the Scientific Revolution.Template:Citation needed

Modern science does not support the classical elements to classify types of substances. Atomic theory classifies atoms into more than a hundred chemical elements such as oxygen, iron, and mercury, which may form chemical compounds and mixtures. The modern categories roughly corresponding to the classical elements are the states of matter produced under different temperatures and pressures. Solid, liquid, gas, and plasma share many attributes with the corresponding classical elements of earth, water, air, and fire, but these states describe the similar behavior of different types of atoms at similar energy levels, not the characteristic behavior of certain atoms or substances.

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Hellenistic philosophy

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Aristotelian elements and qualities
Four classical elements
Four classical elements

Template:Clear Empedoclean elements Template:Clear 🜂    fire Template:· 🜁 air    
🜄 water Template:· 🜃 earth

The ancient Greek concept of four basic elements, these being earth (Template:Lang Template:Transliteration), water (Template:Lang Template:Transliteration), air (Template:Lang Template:Transliteration), and fire (Template:Lang Template:Transliteration), dates from pre-Socratic times and persisted throughout the Middle Ages and into the Early modern period, deeply influencing European thought and culture.Template:Sfnp

Pre-Socratic elements

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Water, air, or fire?

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File:Four Classical Elements in Burning Log.svg
The four classical elements of Empedocles and Aristotle illustrated with a burning log. The log releases all four elements as it is destroyed.

Template:MainThe classical elements were first proposed independently by several early Pre-Socratic philosophers.Template:Sfnp Greek philosophers had debated which substance was the arche ("first principle"), or primordial element from which everything else was made. Thales (Template:Circa) believed that water was this principle. Anaximander (Template:Circa) argued that the primordial substance was not any of the known substances, but could be transformed into them, and they into each other.Template:SfnpTemplate:Sfnp Anaximenes (Template:Circa) favored air, and Heraclitus (fl.Template:Circa) championed fire.Template:Sfnp

Fire, earth, air, and water

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Template:Main The Greek philosopher Empedocles (Template:Circa) was the first to propose the four classical elements as a set: fire, earth, air, and water.Template:Sfnp He called them the four "roots" (Template:Lang, Template:Transliteration). Empedocles also proved (at least to his own satisfaction) that air was a separate substance by observing that a bucket inverted in water did not become filled with water, a pocket of air remaining trapped inside.Template:Sfnp

Fire, earth, air, and water have become the most popular set of classical elements in modern interpretations. One such version was provided by Robert Boyle in The Sceptical Chymist, which was published in 1661 in the form of a dialogue between five characters. Themistius, the Aristotelian of the party, says:<ref>Template:Cite book</ref>

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Humorism (Hippocrates)

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An engraving of Hippocrates by Peter Paul Rubens, 1638
Hippocrates

According to Galen, these elements were used by Hippocrates (Template:Circa) in describing the human body with an association with the four humours: yellow bile (fire), black bile (earth), blood (air), and phlegm (water). Medical care was primarily about helping the patient stay in or return to their own personal natural balanced state.<ref>Template:Cite book</ref>

Plato

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Head bust of Plato
Plato

Plato (428/423 – 348/347 BC) seems to have been the first to use the term "element (Template:Lang, Template:Transliteration)" in reference to air, fire, earth, and water.<ref>Template:Citation</ref> The ancient Greek word for element, Template:Transliteration (from Template:Transliteration, "to line up") meant "smallest division (of a sun-dial), a syllable", as the composing unit of an alphabet it could denote a letter and the smallest unit from which a word is formed.

Aristotle

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Statue at the Aristotle University of Thessaloniki
Aristotle

In On the Heavens (350 BC), Aristotle defines "element" in general:<ref>Template:Citation</ref><ref>Template:Cite book</ref> Template:Blockquote

In his On Generation and Corruption,<ref>Template:Cite wikisource</ref>Template:Sfnp Aristotle related each of the four elements to two of the four sensible qualities:

A classic diagram has one square inscribed in the other, with the corners of one being the classical elements, and the corners of the other being the properties. The opposite corner is the opposite of these properties, "hot – cold" and "dry – wet".

Aether

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Aristotle added a fifth element, aether (Template:Lang Template:Transliteration), as the quintessence, reasoning that whereas fire, earth, air, and water were earthly and corruptible, since no changes had been perceived in the heavenly regions, the stars cannot be made out of any of the four elements but must be made of a different, unchangeable, heavenly substance.Template:Sfnp It had previously been believed by pre-Socratics such as Empedocles and Anaxagoras that aether, the name applied to the material of heavenly bodies, was a form of fire. Aristotle himself did not use the term aether for the fifth element, and strongly criticised the pre-Socratics for associating the term with fire. He preferred a number of other terms indicating eternal movement, thus emphasising the evidence for his discovery of a new element.<ref>Template:Cite encyclopedia.</ref> These five elements have been associated since Plato's Timaeus with the five platonic solids. Earth was associated with the cube, air with the octahedron, water with the icosahedron, and fire with the tetrahedron. Of the fifth Platonic solid, the dodecahedron, Plato obscurely remarked, "...the god used [it] for arranging the constellations on the whole heaven". Aristotle added a fifth element, aither (aether in Latin, "ether" in English) and postulated that the heavens were made of this element, but he had no interest in matching it with Plato's fifth solid.<ref>Wildberg (1988): Wildberg discusses the correspondence of the Platonic solids with elements in Timaeus but notes that this correspondence appears to have been forgotten in Epinomis, which he calls "a long step towards Aristotle's theory", and he points out that Aristotle's ether is above the other four elements rather than on an equal footing with them, making the correspondence less apposite.</ref>

Neo-Platonism

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The Neoplatonic philosopher Proclus rejected Aristotle's theory relating the elements to the sensible qualities hot, cold, wet, and dry. He maintained that each of the elements has three properties. Fire is sharp (ὀξυτητα), subtle (λεπτομερειαν), and mobile (εὐκινησιαν) while its opposite, earth, is blunt (αμβλυτητα), dense (παχυμερειαν), and immobile (ακινησιαν<ref>Template:Cite thesis</ref>); they are joined by the intermediate elements, air and water, in the following fashion:<ref>Template:Citation</ref>

Fire Sharp Subtle Mobile
Air Blunt Subtle Mobile
Water Blunt Dense Mobile
Earth Blunt Dense Immobile

Hermeticism

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Template:Anchor A text written in Egypt in Hellenistic or Roman times called the Kore Kosmou ("Virgin of the World") ascribed to Hermes Trismegistus (associated with the Egyptian god Thoth), names the four elements fire, water, air, and earth. As described in this book:

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Ancient Indian philosophy

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Hinduism

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The system of five elements are found in Vedas, especially Ayurveda, the pancha mahabhuta, or "five great elements", of Hinduism are:

  1. bhūmi or pṛthvī (earth),<ref>Template:Cite book</ref>
  2. āpas or jala (water),
  3. agní or tejas (fire),
  4. vāyu, vyāna, or vāta (air or wind)
  5. ākāśa, vyom, or śūnya (space or zero) or (aether or void).<ref>Template:Cite book</ref>

They further suggest that all of creation, including the human body, is made of these five essential elements and that upon death, the human body dissolves into these five elements of nature, thereby balancing the cycle of nature.<ref>Template:Cite book</ref>

The five elements are associated with the five senses, and act as the gross medium for the experience of sensations. The basest element, earth, created using all the other elements, can be perceived by all five senses — (i) hearing, (ii) touch, (iii) sight, (iv) taste, and (v) smell. The next higher element, water, has no odor but can be heard, felt, seen and tasted. Next comes fire, which can be heard, felt and seen. Air can be heard and felt. "Akasha" (aether) is beyond the senses of smell, taste, sight, and touch; it being accessible to the sense of hearing alone.<ref>Template:Cite book</ref><ref>Template:Cite book</ref><ref>Template:Cite book</ref>

Buddhism

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Buddhism has had a variety of thought about the five elements and their existence and relevance, some of which continue to this day.

In the Pali literature, the mahabhuta ("great elements") or catudhatu ("four elements") are earth, water, fire and air. In early Buddhism, the four elements are a basis for understanding suffering and for liberating oneself from suffering. The earliest Buddhist texts explain that the four primary material elements are solidity, fluidity, temperature, and mobility, characterized as earth, water, fire, and air, respectively.<ref>Template:Cite book</ref>

The Buddha's teaching regarding the four elements is to be understood as the base of all observation of real sensations rather than as a philosophy. The four properties are cohesion (water), solidity or inertia (earth), expansion or vibration (air) and heat or energy content (fire). He promulgated a categorization of mind and matter as composed of eight types of "kalapas" of which the four elements are primary and a secondary group of four are colour, smell, taste, and nutriment which are derivative from the four primaries.<ref>Template:Cite book</ref>Template:Efn<ref>Template:Cite book</ref>

Thanissaro Bhikkhu (1997) renders an extract of Shakyamuni Buddha's from Pali into English thus: Template:Blockquote

Tibetan Buddhist medical literature speaks of the Template:IAST (five elements) or "elemental properties":<ref name=":0">Template:Cite book</ref> earth, water, fire, wind, and space.<ref name=":0" /> The concept was extensively used in traditional Tibetan medicine.<ref>Template:Cite journal</ref><ref>Template:Cite web</ref><ref name=":0" /> Tibetan Buddhist theology, tantra traditions, and "astrological texts" also spoke of them making up the "environment, [human] bodies," and at the smallest or "subtlest" level of existence, parts of thought and the mind.<ref name=":0" /> Also at the subtlest level of existence, the elements exist as "pure natures represented by the five female buddhas", Ākāśadhātviśvarī, Buddhalocanā, Mamakī, Pāṇḍarāvasinī, and Samayatārā, and these pure natures "manifest as the physical properties of earth (solidity), water (fluidity), fire (heat and light), wind (movement and energy), and" the expanse of space.<ref name=":0" /> These natures exist as all "qualities" that are in the physical world and take forms in it.<ref name=":0" />

Ancient African philosophy

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Angola

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File:Kongo Cosmogram 3.png
The Bakongo Cosmogram

In traditional Bakongo religion, the five elements are incorporated into the Kongo cosmogram. This sacred symbol also depicts the physical world (Nseke), the spiritual world of the ancestors (Mpémba), the Kalûnga line that runs between the two worlds, the circular void that originally formed the two worlds (mbûngi), and the path of the sun. Each element correlates to a period in the life cycle, which the Bakongo people also equate to the four cardinal directions. According to their cosmology, all living things go through this cycle.<ref>Template:Cite book</ref>

  • Aether represents mbûngi, the circular void that begot the universe.
  • Air (South) represents musoni, the period of conception that takes place during spring.
  • Fire (East) represent kala, the period of birth that takes place during summer.
  • Earth (North) represents tukula, the period of maturity that takes place during fall.
  • Water (West) represents luvemba, the period of death that takes place during winter

Mali

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In traditional Bambara spirituality, the Supreme God created four additional essences of himself during creation. Together, these five essences of the deity correlate with the five classical elements.<ref>Template:Cite book</ref><ref>Template:Cite web</ref>

  • Koni is the thought and void (aether).
  • Bemba (also called Pemba) is the god of the sky and air.
  • Nyale (also called Koroni Koundyé) is the goddess of fire.
  • Faro is the androgynous god of water.
  • Ndomadyiri is the god and master of the earth.

Post-classical history

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Alchemy

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File:Vitriol.png
Seventeenth century alchemical emblem showing the four Classical elements in the corners of the image, alongside the tria prima on the central triangle

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The elemental system used in medieval alchemy was developed primarily by the anonymous authors of the Arabic works attributed to Pseudo Apollonius of Tyana.Template:Sfnp This system consisted of the four classical elements of air, earth, fire, and water, in addition to a new theory called the sulphur-mercury theory of metals, which was based on two elements: sulphur, characterizing the principle of combustibility, "the stone which burns"; and mercury, characterizing the principle of metallic properties. They were seen by early alchemists as idealized expressions of irreducible components of the universe<ref>Template:Cite book</ref> and are of larger consideration within philosophical alchemy.

The three metallic principles—sulphur to flammability or combustion, mercury to volatility and stability, and salt to solidity—became the tria prima of the Swiss alchemist Paracelsus. He reasoned that Aristotle's four element theory appeared in bodies as three principles. Paracelsus saw these principles as fundamental and justified them by recourse to the description of how wood burns in fire. Mercury included the cohesive principle, so that when it left in smoke the wood fell apart. Smoke described the volatility (the mercurial principle), the heat-giving flames described flammability (sulphur), and the remnant ash described solidity (salt).Template:Sfnp

Chinese

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Chinese traditional concepts adopt a set of elements called the Template:Lang (wuxing, literally "five planets"). These five are Metal or Gold, Wood, Water, Fire, and Earth or Soil.<ref>Theobald, Ulrich (2011) "Yin-Yang and Five Agents Theory, Correlative Thinking" in ChinaKnowledge.de - An Encyclopaedia on Chinese History, Literature and Art</ref> These can be linked to Taiji, Yinyang, Four Symbols, Bagua, Hexagram and I Ching.

Japanese

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Japanese traditions use a set of elements called the Template:Lang (godai, literally "five great"). These five are earth, water, fire, wind/air, and void. These came from Indian Vastu shastra philosophy and Buddhist beliefs; in addition, the classical Chinese elements (Template:Lang, wu xing) are also prominent in Japanese culture, especially to the influential Neo-Confucianists during the medieval Edo period.<ref>Template:Cite web</ref>

  • Earth represented rocks and stability.
  • Water represented fluidity and adaptability.
  • Fire represented life and energy.
  • Wind represented movement and expansion.
  • Void or Sky/Heaven represented spirit and creative energy.

Medieval Aristotelian philosophy

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The Islamic philosophers al-Kindi, Avicenna and Fakhr al-Din al-Razi followed Aristotle in connecting the four elements with the four natures heat and cold (the active force), and dryness and moisture (the recipients).<ref name="rafati">Template:Cite journal</ref>

Medicine Wheel

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The medicine wheel symbol is a modern invention attributed to Native American peoples dating to approximately 1972, with the following descriptions and associations being a later addition. The associations with the classical elements are not grounded in traditional Indigenous teachings and the symbol has not been adopted by all Indigenous American nations.<ref name="Shaw">Template:Cite magazine</ref><ref name="Jung">Template:Cite web</ref><ref>Template:Cite web</ref><ref name="Beyer">Template:Cite web</ref><ref name="Bear">Template:Cite book</ref>

  • Earth (South) represents the youth cycle, summer, the Indigenous race, and cedar medicine.
  • Fire (East) represents the birth cycle, spring, the Asian race, and tobacco medicine.
  • Wind/Air (North) represents the elder cycle, winter, the European race, and sweetgrass medicine.
  • Water (West) represents the adulthood cycle, autumn, the African race, and sage medicine.

Modern history

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File:Artus Wolffort - The Four Elements.jpg
Artus Wolffort, The Four Elements, before 1641

Chemical element

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The Aristotelian tradition and medieval alchemy eventually gave rise to modern chemistry, scientific theories and new taxonomies. By the time of Antoine Lavoisier, for example, a list of elements would no longer refer to classical elements.<ref>Template:Cite book</ref> Some modern scientists see a parallel between the classical elements and the four states of matter: solid, liquid, gas and weakly ionized plasma.<ref>Template:Citation</ref>

Modern science recognizes classes of elementary particles which have no substructure (or rather, particles that are not made of other particles) and composite particles having substructure (particles made of other particles).

Western astrology

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Western astrology uses the four classical elements in connection with astrological charts and horoscopes. The twelve signs of the zodiac are divided into the four elements: Fire signs are Aries, Leo and Sagittarius, Earth signs are Taurus, Virgo and Capricorn, Air signs are Gemini, Libra and Aquarius, and Water signs are Cancer, Scorpio, and Pisces.Template:Sfnp

Criticism

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The Dutch historian of science Eduard Jan Dijksterhuis writes that the theory of the classical elements "was bound to exercise a really harmful influence. As is now clear, Aristotle, by adopting this theory as the basis of his interpretation of nature and by never losing faith in it, took a course which promised few opportunities and many dangers for science."Template:Sfnp Bertrand Russell says that Aristotle's thinking became imbued with almost biblical authority in later centuries. So much so that "Ever since the beginning of the seventeenth century, almost every serious intellectual advance has had to begin with an attack on some Aristotelian doctrine".Template:Sfnp

See also

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Notes

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References

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Bibliography

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