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Wuxing (Chinese philosophy)

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wuxing diagram
Diagram of the interactions between the wuxing. The "generative" cycle is illustrated by grey arrows running clockwise on the outside of the circle, while the "destructive" or "conquering" cycle is represented by blue arrows inside the circle.

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File:VM Mu-Huo-Tu-Jin-Shui zhi Shen 4594.jpg
Tablet in the Temple of Heaven of Beijing, written in Chinese and Manchu, dedicated to the gods of the Five Movements. The Manchu word usiha, meaning "star", explains that this tablet is dedicated to the five planets, Jupiter, Mars, Saturn, Venus and Mercury, and the movements which they govern.

Template:Transliteration (Template:Lang-zh),Template:Efn usually translated as Five Phases or Five Agents,<ref>Theobald, Ulrich (2011) "Yin-Yang and Five Agents Theory, Correlative Thinking" in ChinaKnowledge.de - An Encyclopaedia on Chinese History, Literature and Art</ref> is a fivefold conceptual scheme used in many traditional Chinese fields of study to explain a wide array of phenomena, including terrestrial and celestial relationships, influences, and cycles, that characterise the interactions and relationships within science, medicine, politics, religion and social relationships and education within Chinese culture.

The five agents are traditionally associated with the classical planets Mars, Mercury, Jupiter, Venus, Saturn as depicted in the etymological section below. In ancient Chinese astronomy and astrology, that spread throughout East Asia, was a reflection of the seven-day planetary order of Fire, Water, Wood, Metal, Earth.<ref>The Chinese encyclopaedia Cihai (辭海), under the entry for "seven luminaries calendar" (七曜曆, qī yào lì), describes the "method of recording days according to the seven luminaries [七曜 qī yào]." China normally observes the following order: Sun, Moon, Mars, Mercury, Jupiter, Venus, and Saturn. Seven days make one week, which is repeated in a cycle. This method -- originating in ancient Babylon (or ancient Egypt according to one theory), used by the Romans at the time of the 1st century CE, and later transmitted to other countries -- existed in China in the 4th century AD. It was also transmitted to China by Manichaeans in the 8th century AD from the country of Kang (康) in Central Asia (translation after Bathrobe's Days of the Week in Chinese, Japanese & Vietnamese, plus Mongolian and Buryat (cjvlang.com)).</ref>Template:Efn When in their "heavenly stems" generative cycle as represented in the below cycles section and depicted in the diagram above running consecutively clockwise (Wood, Fire, Earth, Metal, Water).<ref>Template:Cite book</ref> When in their overacting destructive arrangement of Wood, Earth, Water, Fire, Metal, natural disasters, calamity, illnesses and disease will ensue.

The wuxing system has been in use since the second or first century BCE during the Han dynasty. It appears in many seemingly disparate fields of early Chinese thought, including music, feng shui, alchemy, astrology, martial arts, military strategy, I Ching divination, religion and traditional medicine, serving as a metaphysics based on cosmic analogy.

Etymology

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File:Imperial Encyclopaedia - Education and Conduct - pic001 - 太極圖.png
Taijitu diagram featuring the wuxing in the center (from the Complete Classics Collection of Ancient China by Chen Menglei)

Wuxing originally referred to the five classical planets (from brightest to dimmest: Venus, Jupiter, Mercury, Mars, Saturn), which were with the combination of the Sun and the Moon, conceived as creating yang and yin of the five forces of earthly life. This is why the word is composed of Chinese characters meaning "five" (Template:Lang-zh) and "moving" (Template:Lang-zh). "Moving" is shorthand for "planets", since the word for planets in Chinese has been translated as "moving stars" (Template:Lang-zh).<ref name="Zai 2015">Dr Zai, J. Taoism and Science: Cosmology, Evolution, Morality, Health and more. Ultravisum, 2015.</ref> Some of the Mawangdui Silk Texts (before 168 BC) also connect the wuxing to the wude (Template:Lang-zh), the Five Virtues and Five Emotions .<ref name="Contemporary China p. 72">Nathan Sivin (1987), Traditional Medicine in Contemporary China, p. 72.</ref><ref name="Dechar 2006 20–360">Template:Cite book</ref> Scholars believe that various predecessors to the concept of wuxing were merged into one system of many interpretations in the Han dynasty.<ref name=":0">Template:Cite web</ref>

Wuxing was first translated into English as "the Five Elements", drawing parallels with the Greek and Indian Vedic static, solid or formative arrangement of the four elements.<ref>Template:Cite book</ref><ref name="Contemporary China p. 73">Nathan Sivin (1987), Traditional Medicine in Contemporary China, p. 73.</ref><ref name="Dechar 2006 20–360"/> This translation is still in common use among practitioners of Traditional Chinese medicine, such as in the name of Five Element acupuncture and Japanese meridian therapy.<ref>Template:Cite book</ref><ref>Template:Cite book</ref> However, this analogy could be misleading as the four elements are concerned with form, substance and quantity, whereas the post heaven arrangement of the wuxing are "primarily concerned with process, change, and quality".<ref name="Chinese History p. 179">Nathan Sivin (1995), "Science and Medicine in Chinese History", in his Science in Ancient China (Aldershot, England: Variorum), text VI, p. 179.</ref> For example, the wuxing element "Wood" is more accurately thought of as the "vital essence" and growth of trees rather than the physical innate substance wood.<ref name="Lecture Room, CCTV-10">Template:Cite AV media</ref> This led sinologist Nathan Sivin to propose the alternative translation "five phases" in 1987.<ref name="Sivin 1987.73">Nathan Sivin (1987), Traditional Medicine in Contemporary China (Ann Arbor: Center for Chinese Studies, The University of Michigan) p. 73.</ref> But "phase" also fails to capture the full meaning of wuxing. In some contexts, the wuxing are indeed associated with physical substances.<ref name="Nappi">Template:Cite book</ref> Historian of Chinese medicine Manfred Porkert proposed the (somewhat unwieldy) term "Evolutive Phase".<ref name="Nappi" /> Perhaps the most widely accepted translation among modern scholars is the "five agents" or "five transformations".<ref>Template:Cite book</ref><ref>Template:Cite book</ref>

Cycles

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In traditional doctrine, the five phases are connected in two cycles of interactions: a promoting or generative (Template:Linktext shēng) cycle, also known as "mother-son"; and an overacting or destructive (Template:Linktext ) cycle, also known as "grandfather-grandson" (see diagram). Each of these cycles can be interpreted and analyzed in a forward or reversed direction. In addition to the aforementioned cycles there is also what is considered an "overacting" or excessively generating version of the destructive cycle.Template:Citation needed

Inter-promoting

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The generative cycle (Template:Linktext xiāngshēng) is:

  • Wood feeds Fire
  • Fire produces Earth (ash, lava)
  • Earth bears Metal (geological processes produce minerals)
  • Metal collects Water (water vapor condenses on metal, for example)
  • Water nourishes Wood (Water flowers, plants and other changes in forest)

Inter-regulating

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The destructive cycle (Template:Linktext xiāngkè) is:

  • Wood grasps (or stabilizes) Earth (roots of trees can prevent soil erosion)
  • Earth contains (or directs) Water (dams or river banks)
  • Water dampens (or regulates) Fire
  • Fire melts (or refines or shapes) Metal
  • Metal chops (or carves) Wood

Overacting

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The excessive destructive cycle (Template:Linktext xiāngchéng) is:

  • Wood depletes Earth (depletion of nutrients in soil, over-farming, overcultivation)
  • Earth obstructs Water (over-damming)
  • Water extinguishes Fire
  • Fire melts Metal (affecting its integrity)
  • Metal makes Wood rigid to easily snap.

Weakening

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The reverse generative cycle (Template:Linktext/Template:Linktext xiāngxiè) is:

  • Wood depletes Water
  • Water rusts Metal
  • Metal impoverishes Earth (erosion, destructive mining of minerals)
  • Earth smothers Fire
  • Fire burns Wood (forest fires)

Counteracting

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A reverse or deficient destructive cycle (Template:Linktext xiāngwǔ or Template:Linktext xiānghào) is:

  • Wood dulls Metal
  • Metal de-energizes Fire (conducting heat away)
  • Fire evaporates Water
  • Water muddies (or destabilizes) Earth
  • Earth rots Wood (buried wood rots)

Celestial stem

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Template:Main

Movement Wood Fire Earth Metal Water
Heavenly Stems Jia Template:Lang
Yi Template:Lang
Bing Template:Lang
Ding Template:Lang
Wu Template:Lang
Ji Template:Lang
Geng Template:Lang
Xin Template:Lang
Ren Template:Lang
Gui Template:Lang
Year ends with 4, 5 6, 7 8, 9 0, 1 2, 3

Ming nayin

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In Ziwei divination, nayin (Template:Lang) further classifies the Five Elements into 60 ming (Template:Lang), or life orders, based on the ganzhi. Similar to the astrology zodiac, the ming is used by fortune-tellers to analyse individual personality and destiny.

Order Ganzhi Ming Order Ganzhi Ming Element
1 Jia Zi Template:Lang Sea metal Template:Lang 31 Jia Wu Template:Lang Sand metal Template:Lang Metal
2 Yi Chou Template:Lang 32 Yi Wei Template:Lang
3 Bing Yin Template:Lang Furnace fire Template:Lang 33 Bing Shen Template:Lang Forest fire Template:Lang Fire
4 Ding Mao Template:Lang 34 Ding You Template:Lang
5 Wu Chen Template:Lang Forest wood Template:Lang 35 Wu Xu Template:Lang Meadow wood Template:Lang Wood
6 Ji Si Template:Lang 36 Ji Hai Template:Lang
7 Geng Wu Template:Lang Road earth Template:Lang 37 Geng Zi Template:Lang Adobe earth Template:Lang Earth
8 Xin Wei Template:Lang 38 Xin Chou Template:Lang
9 Ren Shen Template:Lang Sword metal Template:Lang 39 Ren Yin Template:Lang Foil metal Template:Lang Metal
10 Gui You Template:Lang 40 Gui Mao Template:Lang
11 Jia Xu Template:Lang Volcanic fire Template:Lang 41 Jia Chen Template:Lang Lamp fire Template:Lang Fire
12 Yi Hai Template:Lang 42 Yi Si Template:Lang
13 Bing Zi Template:Lang Creek water Template:Lang 43 Bing Wu Template:Lang Sky water Template:Lang Water
14 Ding Chou Template:Lang 44 Ding Wei Template:Lang
15 Wu Yin Template:Lang Fortress earth Template:Lang 45 Wu Shen Template:Lang Stage station earth Template:Lang Earth
16 Ji Mao Template:Lang 46 Ji You Template:Lang
17 Geng Chen Template:Lang Pewter metal Template:Lang 47 Geng Xu Template:Lang Jewellery metal Template:Lang Metal
18 Xin Si Template:Lang 48 Xin Hai Template:Lang
19 Ren Wu Template:Lang Willow wood Template:Lang 49 Ren Zi Template:Lang Mulberry wood Template:Lang Wood
20 Gui Wei Template:Lang 50 Gui Chou Template:Lang
21 Jia Shen Template:Lang Stream water Template:Lang 51 Jia Yin Template:Lang Rapids water Template:Lang Water
22 Yi You Template:Lang 52 Yi Mao Template:Lang
23 Bing Xu Template:Lang Roof tiles earth Template:Lang 53 Bing Chen Template:Lang Desert earth Template:Lang Earth
24 Ding Hai Template:Lang 54 Ding Si Template:Lang
25 Wu Zi Template:Lang Lightning fire Template:Lang 55 Wu Wu Template:Lang Sun fire Template:Lang Fire
26 Ji Chou Template:Lang 56 Ji Wei Template:Lang
27 Geng Yin Template:Lang Conifer wood Template:Lang 57 Geng Shen Template:Lang Pomegranate wood Template:Lang Wood
28 Xin Mao Template:Lang 58 Xin You Template:Lang
29 Ren Chen Template:Lang River water Template:Lang 59 Ren Xu Template:Lang Ocean water Template:Lang Water
30 Gui Si Template:Lang 60 Gui Hai Template:Lang

Applications

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The wuxing schema is applied to explain phenomena in various fields.

Phases of the year

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The five phases are around 73 days each and are usually used to describe the transformations of nature rather than their formative states.

  • Wood/Spring: a period of growth, expanding which generates abundant vitality, movement and as a consequence is associated with wind.
  • Fire/Summer: a period of fruition, ripening flowering, and associated with heat.
  • Earth can be seen as a period of stability and stillness transitioning between the other phases or seasons or when relating to transformative seasonal periods it can be seen as late Summer. This period is associated with centralisation, leveling and dampness.
  • Metal/Autumn: a period of moving inward it is associated with collection, harvesting, transmuting, contracting, loss and dryness.
  • Water/Winter: a period of reclusivness, stillness, consolidation and coolness.

Cosmology and feng shui

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Template:Main

Detailed illustration of the Wuxing cycle
Detailed illustration of the cycle

The art of feng shui (Chinese geomancy) is based on wuxing, with the structure of the cosmos mirroring the five phases, as well as the eight trigrams. Each phase has a complex network of associations with different aspects of nature (see table): colors, seasons and shapes all interact according to the cycles.<ref name="Chinese Five Elements Chart">Chinese Five Elements Chart Template:Webarchive Information on the Chinese Five Elements from Northern Shaolin Academy in Microsoft Excel 2003 Format</ref>

An interaction or energy flow can be expansive, destructive, or exhaustive, depending on the cycle to which it belongs. By understanding these energy flows, a feng shui practitioner attempts to rearrange energy to benefit the client.Template:Efn

Movement Metal Wood Water Fire Earth
Trigram hanzi Template:Lang Template:Lang Template:Lang Template:Lang Template:Lang Template:Lang Template:Lang Template:Lang
Trigram pinyin qián duì zhèn xùn kǎn gèn kūn
Trigrams
I Ching Heaven Lake Thunder Wind Water Fire Mountain Field
Planet (Celestial Body) Venus Jupiter Mercury Mars Saturn
Color White Green Black Red Yellow
Day Friday Thursday Wednesday Tuesday Saturday
Season Autumn Spring Winter Summer Intermediate
Cardinal direction West East North South Center

Dynastic transitions

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According to the Warring States period political philosopher Zou Yan (Template:Circa BCE), each of the five elements possesses a personified virtue (Template:Lang-zh), which indicates the foreordained destiny (Template:Lang-zh) of a dynasty; hence the cyclic succession of the elements also indicates dynastic transitions. Zou Yan claims that the Mandate of Heaven sanctions the legitimacy of a dynasty by sending self-manifesting auspicious signs in the ritual color (white, green, black, red, and yellow) that matches the element of the new dynasty (Metal, Wood, Water, Fire, and Earth). From the Qin dynasty onward, most Chinese dynasties invoked the theory of the Five Elements to legitimize their reign.<ref name="Wu 2006" />

Chinese medicine

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Template:Main

Chinese Five Elements Diurnal Cycle
Chinese Five Elements Diurnal Cycle - 24 hour cycle of energy in the human body. waxing and waning of energy in each organ. during the time of the living breath, and the time of the dead breath. Template:Citation needed

The interdependence of zangfu networks in the body was said to be a circle of five things, and so mapped by the ancient Chinese doctors onto categories of syndromes and patterns called the five phases.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

In order to explain the integrity and complexity of the human body, Chinese medical scientists and physicians use the Five Elements theory to classify the human body's endogenous influences on organs, physiological activities, pathological reactions, and environmental or exogenous (external, environmental) influences. This diagnostic capacity is extensively used in traditional five phase acupuncture today, as opposed to the modern Confucian styled eight principles based Traditional Chinese medicine. In combination the two systems are a formative and functional study of postnatal and prenatal influencing on genetics in the form of epigenetics, biology, physiology psychology, sociology and ecology.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite book</ref>

Movement Wood Fire Earth Metal Water
Planet Jupiter Mars Saturn Venus Mercury
Mental Quality idealism, spontaneity, curiosity passion, intensity agreeableness, honesty intuition, rationality, mind erudition, resourcefulness, wit
Emotion anger, motivation frenzy, joy anxiety, planning grief, compassion fear, caution
Virtue Benevolence Propriety Fidelity Righteousness Wisdom
Zang (yin organs) liver heart/pericardium spleen/pancreas lung kidney
Fu (yang organs) gall bladder small intestine/San Jiao stomach large intestine urinary bladder
Sensory Organ eyes tongue mouth nose ears
Body Part tendons vessels muscles skin bones
Body Fluid tears sweat saliva mucus urine
Finger ring finger middle finger thumb index finger pinky finger
Sense sight taste touch smell hearing
Taste<ref name="eberhard">Template:Cite journal</ref> sour bitter sweet pungent, umami salty
Smell rancid scorched fragrant rotten putrid
Life early childhood youth adulthood senior age old age, conception
Covering scaly feathered naked human furred shelled
Hour 3–9 9–15 change 15–21 21–3
Year Spring Equinox Summer Solstice Summer Final Fall Equinox Winter Solstice
360° 45–135° 135–225° Change 225–315° 315–45°

Music

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Template:Main The Huainanzi and the Yueling chapter (Template:Lang-zh) of the Book of Rites make the following correlations:

Movement Wood Fire Earth Metal Water
Color Qing (green and blue) Red Yellow White Black
Arctic Direction east south center west north
Basic Pentatonic Scale pitch Template:Lang Template:Lang Template:Lang Template:Lang Template:Lang
Basic Pentatonic Scale pitch pinyin jué zhǐ gōng shāng
solfege mi or E sol or G do or C re or D la or A
  • Qing is a Chinese color word used for both green and blue. Modern Mandarin has separate words for each, but like many other languages, older forms of Chinese did not distinguish between green and blue.<ref>Template:Cite web</ref>
  • In most modern music, various five note or seven note scales (e.g., the major scale) are defined by selecting five or seven frequencies from the set of twelve semi-tones in the Equal tempered tuning. The Chinese shi'er lü system of tuning is closest to the ancient Greek tuning of Pythagoras.<ref>Joseph C.Y. Chen (1996). Early Chinese Work in Natural Science: A Re-examination of the Physics of Motion, Acoustics, Astronomy and Scientific Thoughts, pp.96-97. Template:ISBN.</ref>

Martial arts

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Wuxing being an influential philosophical concept, there are several Chinese martial arts and a few other east Asian styles that incorporate five phases concepts into their systems.

Tai chi trains and focuses on five basic qualities as part of its overarching strategy.<ref name="Wu 2006">Template:Cite journal</ref>

The Five Steps (Template:Zhi) are:

  • Lǎo Jìnbù (老進步) – always step forward
  • Juébù Tuìbù (絕不退步) – never step backward
  • Yòupàn (右盼) – watch right
  • Zuǒgù (左顧) – beware left
  • Zhōngdìng (中定) – center pole, point, pivot neutral posture, maintain balance, maintain equilibrium.

These five steps are not mutable states in tai chi.

Xingyi Quan uses the five elements metaphorically to represent ideally five different energies, but energy work is subtle, so normally one starts out learning five basic techniques with complementary footwork to teach the basic concepts behind the energies. Ideally one can use any technique with any kind of energy, but there are different levels of skill one must go through.

In Xingyi Quan, realization of the five energies has three basic levels: Obvious power, subtle power, mysterious power.

Movement Fist Chinese Pinyin Direction Shape Subtle Action Energy Feeling
Metal Splitting Template:Lang Downward Fist or palm chopping forward, hand pulling down and back, spine rolling downward dragging down condensing power Dropping (jerking down)
Water Drilling Template:Lang Zuān Upward Fist drilling upward like water under pressure, hand down and back spiraling relaxing power Shocking (jerking up and down simultaneously)
Wood Crushing Template:Lang Bēng Forward Fist shooting straight forward wedging linear power Penetrating (expanding through)
Fire Pounding Template:Lang Pào Backward Fist being propelled forward by body flinging open flinging reciprocal power Launching (uprooting and countering)
Earth Crossing Template:Lang Héng Horizontal Fist crossing horizontally and turning over to plough through turning torque power Colliding (turning into a strike, falling onto a strike)

The Five Animals in Shaolin martial arts are an extension of the Wuxing theory as their qualities are the embodiment and representation of the energetic qualities of the five phases in the animal kingdom. They are the,

  • Tiger - Fire (fierce and powerful)
  • Monkey - Metal (hunched over)
  • Snake - Water (flexible)
  • Crane - Wind (evasive)
  • Mantis - Earth (steady and rooted)

Wuxing Heqidao, (Gogyo Aikido 五行合气道) is a life art with roots in Confucian, Taoists and Buddhist theory. It centers around applied peace and health studies rather than defence or physical action. It emphasizes the unification of mind, body and environment using the physiological theory of yin, yang and five-element Traditional Chinese medicine. Its movements, exercises, and teachings cultivate, direct, and harmonise the qi.<ref name="Wu 2006" /><ref>Template:Cite web</ref>

Gogyo

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The Japanese term is gogyo (Japanese: Template:Lang, romanized: gogyō). During the 5th and 6th centuries (Kofun period),<ref>Template:Cite journal</ref> Japan adopted various philosophical disciplines such as Taoism, Chinese Buddhism and Confucianism through monks and physicians from China helping to evolve the Onmyōdō system. As opposed to theory of Godai that is form based philosophy that was introduced to Japan through India and Tibetan Buddhism.<ref>Template:Cite web</ref> These theories have been extensively practiced in Japanese acupuncture and traditional Kampo medicine.<ref>Template:Cite book</ref><ref>Template:Cite webTemplate:Dead link</ref>

See also

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Notes

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References

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Further reading

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