Live Aid
Template:Short description Template:For Template:EngvarB Template:Use dmy dates Template:Infobox music festival Live Aid was a two-venue benefit concert and music-based fundraising initiative held on Saturday, 13 July 1985. The event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984. Billed as the "global jukebox", Live Aid was held simultaneously at Wembley Stadium in London and John F. Kennedy Stadium in Philadelphia.<ref>Template:Usurped</ref><ref>Template:Cite magazine</ref>
On the same day, concerts inspired by the initiative were held in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia, and West Germany. It was one of the largest satellite link-ups and television broadcasts of all time. An estimated audience of 1.9 billion people in 150 nations watched the live broadcast, nearly 40 percent of the world population.<ref name="CNN"/><ref>World Population Prospects: The 2017 Revision Template:Webarchive. United Nations, Department of Economic and Social Affairs. Retrieved 7 June 2018.</ref>
The impact of Live Aid on famine relief has been debated for years. One aid relief worker stated that following the publicity generated by the concert, "humanitarian concern is now at the centre of foreign policy" for Western governments.<ref name="Guardian"/> Geldof has said, "We took an issue that was nowhere on the political agenda and, through the lingua franca of the planet – which is not English but rock 'n' roll – we were able to address the intellectual absurdity and the moral repulsion of people dying of want in a world of surplus."<ref>Template:Cite news</ref> In another interview he stated that Live Aid "created something permanent and self-sustaining" but also asked why Africa is getting poorer.<ref name="Guardian">Template:Cite news</ref>
The organisers of Live Aid tried to run aid efforts directly, channelling millions of pounds to NGOs in Ethiopia. It has been alleged that much of this went to the Ethiopian government of Mengistu Haile Mariam – a regime the UK Prime Minister Margaret Thatcher opposed<ref>Template:Cite news</ref> – and it is also alleged some funds were spent on guns.<ref name="Guardian"/><ref>Template:Cite web</ref> Although the BBC World Service programme Assignment reported in March 2010 that the funds had been diverted, the BBC Editorial Complaints Unit later found "that there was no evidence to support such statements".<ref name="BBC 2010">Template:Cite news</ref> Brian Barder, British Ambassador to Ethiopia from 1982 to 1986, wrote on his website "The programme itself, and in particular the BBC’s advance publicity for it, gave the impression that these allegations concerned not only the aid operation in TPLF [rebel]-controlled areas but also the much larger international relief aid operation in the rest of Ethiopia, including in particular money for famine relief raised by Bob Geldof’s Band Aid and Live Aid. This impression is entirely false. Nothing of the sort occurred.".<ref name="Barder">Template:Cite news</ref>
Background
[edit]
The 1985 Live Aid concert was conceived as a follow-on to the successful charity single "Do They Know It's Christmas?" which was also the idea of Geldof and Ure. In October 1984, images of hundreds of thousands of people starving to death in Ethiopia were shown in the UK in Michael Buerk's BBC News reports on the 1984 famine.<ref name="BBCLiveAid">Template:Cite news</ref> The BBC News crew were the first to document the famine, with Buerk's report on 23 October describing it as "a biblical famine in the 20th century" and "the closest thing to hell on Earth".<ref>Template:Cite news</ref> The reports featured a young nurse, Claire Bertschinger, who, surrounded by 85,000 starving people, told of her sorrow of having to decide which children would be allowed access to the limited food supplies in the feeding station and which were too sick to be saved.<ref name="Bertschinger">Template:Cite news</ref> She would put a little mark on the children who got chosen, with Geldof stating of her at the time, "In her was vested the power of life and death. She had become God-like and that is unbearable for anyone."<ref name="Bertschinger"/> Traumatised by what she experienced she did not speak about it for two decades, recalling in 2005, "I felt like a Nazi sending people to the death camps. Why was I in this situation? Why was it possible in this time of plenty that some have food and some do not? It is not right."<ref name="Bertschinger"/>
Template:Quote box Shocked by the report, the British public inundated relief agencies, such as Save the Children, with donations, with the report also bringing the world's attention to the crisis in Ethiopia.<ref name="BBCLiveAid"/><ref>Template:Cite news</ref> Such was the magnitude of Buerk's report it was also broadcast in its entirety on a major US news channel—almost unheard of at the time.<ref name="Buerk Report">Template:Cite news</ref> From his home in London Geldof also saw the report and called Ure from Ultravox (Geldof and Ure had previously worked together for charity when they appeared at the 1981 benefit show The Secret Policeman's Ball in London) and together they quickly co-wrote the song, "Do They Know It's Christmas?" in the hope of raising money for famine relief.<ref name="BBCLiveAid"/> Geldof then contacted colleagues in the music industry and persuaded them to record the single under the title 'Band Aid' for free.<ref name="BBCLiveAid"/> On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released four days later.<ref name="BBC">Template:Cite news</ref><ref>Billboard 8 Dec 1984 Billboard. Retrieved 15 December 2011</ref> It stayed at number one for five weeks in the UK, was Christmas number one, and became the fastest-selling single ever in Britain and raised £8 million, rather than the £70,000 Geldof and Ure had initially expected.<ref name="BBCLiveAid"/> Geldof then set his sights on staging a huge concert to raise further funds.<ref name="BBCLiveAid"/>
The idea to stage a charity concert to raise more funds for Ethiopia originally came from Boy George, the lead singer of Culture Club. George and Culture Club drummer Jon Moss had taken part in the recording of "Do They Know It's Christmas?" and in the same month, the band were undertaking a tour of the UK, which culminated in six nights at Wembley Arena. On the final night at Wembley, 22 December 1984, an impromptu gathering of some of the other artists from "Band Aid" joined Culture Club on stage at the end of the concert for an encore of "Do They Know It's Christmas?" George was so overcome by the occasion he told Geldof that they should consider organising a benefit concert. Speaking to the UK music magazine Melody Maker at the beginning of January 1985, Geldof revealed his enthusiasm for George's idea, saying, "If George is organising it, you can tell him he can call me at any time, and I'll do it. It's a logical progression from the record, but the point is you don't just talk about it, you go ahead and do it!"<ref name="MM19850112">Template:Cite magazine</ref>
It was clear from the interview that Geldof had already had the idea to hold a dual venue concert and how the concerts should be structured:
Live Aid production manager Andy Zweck said, "Bob (Geldof) had to play some tricks to get artists involved. He had to call Elton and say Queen are in and Bowie's in, and of course they weren't. Then he'd call Bowie and say Elton and Queen are in. It was a game of bluff."<ref name="Geldof artists"/>
Organisation
[edit]
Among those involved in organising Live Aid were Harvey Goldsmith, who was responsible for the Wembley Stadium concert, and Bill Graham, who put together the American leg.<ref>Template:Cite news</ref> On promoting the event, Goldsmith stated, "I didn't really get a chance to say no. Bob [Geldof] arrived in my office and basically said, 'We're doing this.' It started from there."<ref name="Geldof artists">Template:Cite news</ref>
The concert grew in scope as more acts were added on both sides of the Atlantic. Tony Verna, one of the inventors of instant replay, was able to secure John F. Kennedy Stadium through his friendship with Philadelphia mayor Wilson Goode and was able to procure, through his connections with ABC's prime time chief, John Hamlin, a three-hour prime time slot on the ABC Network and, in addition, was able to supplement the lengthy programme through meetings that resulted in the addition of an ad-hoc network within the US, which covered 85 per cent of TVs there. Verna designed the needed satellite schematic and became the executive director as well as the co-executive producer along with Hal Uplinger. Uplinger, the co-inventor of instant replay, came up with the idea to produce a four-hour video edit of Live Aid to distribute to those countries without the necessary satellite equipment to rebroadcast the live feed.Template:Citation needed
Collaborative effort
[edit]The concert began at noon British Summer Time (BST) (7:00 Eastern Daylight Time (EDT)) at Wembley Stadium in the United Kingdom.<ref name="Skinner"/> It continued at John F. Kennedy Stadium (JFK, now the Lincoln Financial Field) in the United States, starting at 13:51 BST (8:51 EDT). The UK's Wembley performances ended at 22:00 BST (17:00 EDT). The JFK performances and the whole concert in the US ended at 04:05 BST on 14 July (23:05 EDT). Thus, the concert continued for just over 16 hours, but since many artists' performances were conducted simultaneously in Wembley and JFK, the total concert length was much longer.<ref name="Skinner"/>
Mick Jagger and David Bowie intended to perform a transatlantic duet, with Bowie in London and Jagger in Philadelphia.<ref name="Duet">Template:Cite news</ref> Problems of synchronisation meant the only practical solution was to have one artist, likely Bowie at Wembley, mime along to prerecorded vocals broadcast as part of the live sound mix for Jagger's performance from Philadelphia.<ref name="Duet"/> Veteran music engineer David Richards (Pink Floyd and Queen) was brought in to create footage and sound mixes Jagger and Bowie could perform to in their respective venues. The BBC would then have had to ensure those footage and sound mixes were in sync while also performing a live vision mix of the footage from both venues. The combined footage would then have had to be bounced back by satellite to the various broadcasters worldwide. Due to the time lag (the signal would take several seconds to be broadcast twice across the Atlantic Ocean), Richards concluded there was no way for Jagger to hear or see Bowie's performance, meaning there could be no interaction between the artists, essentially defeating the whole point of the exercise. On top of this, both artists objected to miming during what was perceived as a historic event. Instead, Jagger and Bowie worked with Richards to create a video of the song they would have performed, a cover of "Dancing in the Street", which was shown on the screens of both stadiums and broadcast as part of many TV networks' coverage.<ref name="Duet"/>
Each of the two main parts of the concert ended with their particular continental all-star anti-hunger anthems, with Band Aid's "Do They Know It's Christmas?" closing the UK concert, and USA for Africa's "We Are the World" closing the US concert (and thus the entire event itself).<ref>Template:Cite web</ref>
Concert organisers have subsequently said they were particularly keen to ensure at least one surviving member of the Beatles, ideally Paul McCartney, took part in the concert as they felt that having an 'elder statesman' from British music would give it greater legitimacy in the eyes of the political leaders whose opinions the performers were trying to shape. McCartney agreed to perform and has said it was "the management" – his children – who persuaded him to take part. In the event, he was the last performer (aside from the Band Aid finale) to take to the stage and one of the few to be beset by technical difficulties; his microphone failed for the first two minutes of his piano performance of "Let It Be", making it difficult for television viewers and impossible for those in the stadium to hear him.<ref name="CNN"/> He later joked by saying he had thought about changing the lyrics to "There will be some feedback, let it be".<ref>Template:Cite news</ref>
Phil Collins performed at both Wembley Stadium and JFK, travelling from Wembley by helicopter (piloted by UK TV personality Noel Edmonds) to London Heathrow Airport, then took a British Airways Concorde flight to New York City, before taking another helicopter to Philadelphia.<ref name="Collins MVP"/> As well as his own set at both venues, he also played the drums for Sting in London, then for Eric Clapton, and played with the reuniting surviving members of Led Zeppelin at JFK. On the Concorde flight, Collins encountered actress and singer Cher, who was unaware of the concerts. Upon reaching the US, she attended the Philadelphia concert and can be seen performing as part of the concert's "We Are the World" finale.<ref name="Geldof artists"/> In a 1985 interview, singer-songwriter Billy Joel stated that he had considered performing at the event, but ultimately chose not to because he had difficulties getting his band together and did not want to perform by himself.<ref>Template:Citation</ref>
Broadcasts
[edit]Broadcaster Richard Skinner opened the Live Aid concert with the words:
The concert was the most ambitious international satellite television venture that had ever been attempted at the time. In Europe, the TV feed was supplied by the BBC via the EBU, whose broadcast was presented by Richard Skinner, Andy Kershaw, Mark Ellen, David Hepworth, Andy Batten-Foster, Steve Blacknell, Paul Gambaccini, Janice Long and Mike Smith and included numerous interviews and chats in between the various acts.<ref>Template:Cite book</ref> The BBC's television sound feed was mono, as was all UK TV audio before NICAM was introduced, but the BBC Radio 1 feed was stereo and was simulcast in sync with the TV pictures. Unfortunately, in the rush to set up the transatlantic feeds, the sound feed from Philadelphia was sent to London via transatlantic cable, while the video feed was via satellite, which meant a lack of synchronisation on British television receivers. Due to the constant activities in both London and Philadelphia, the BBC producers only broadcast two songs from the reunion of Crosby, Stills, Nash & Young after 10 pm; the same applied to Rick Springfield and REO Speedwagon. BBC only broadcast one song from the BLACK SABBATH set around 3 am. Ashford & Simpson - Solid was not broadcast on the BBC.
The BBC, however, did supply a 'clean feed' to various television channels in Europe.
ABC was largely responsible for the US broadcast (although ABC themselves only telecast the final three hours of the concert from Philadelphia, hosted by Dick Clark, with the rest shown in syndication through Orbis Communications, acting on behalf of ABC). An entirely separate and simultaneous US feed was provided for cable viewers by MTV, whose broadcast was presented in stereo and accessible as such for those with stereo televisions. At the time, before multichannel television sound was enacted nationwide, very few televisions reproduced stereo signals, and few television stations were able to broadcast in stereo. While the telecast was run advertisement-free by the BBC, both the MTV and syndicated/ABC broadcasts included advertisements and interviews. As a result, many songs were omitted due to the commercial breaks, as these songs were played during these slots.
The biggest issue of the syndicated/ABC coverage is that the network had wanted to reserve some of the biggest acts that had played earlier in the day for certain points in the entire broadcast, particularly in the final three hours in prime time; thus, Orbis Communications had some sequences replaced by others, especially those portions of the concert that had acts from London and Philadelphia playing simultaneously. For example, while the London/Wembley finale was taking place at 22:00 (10:00 pm) London time, syndicated viewers saw segments that had been recorded earlier so that ABC could show the UK finale during its prime-time portion. In 1995, VH1 and MuchMusic aired a re-edited ten-hour re-broadcast of the concert for its 10th anniversary.
The Live Aid concert in London was also the first time that the BBC outside broadcast sound equipment had been used for an event of such scale. In stark contrast to the mirrored sound systems commonly used by the rock band touring engineers, with two 40–48-channel mixing consoles at the front of house and another pair for monitors, the BBC sound engineers had to use multiple 12-channel desks. Some credit this as the point where the mainstream entertainment industry realised that the rock concert industry had overtaken them in technical expertise.<ref>Template:Cite web</ref>
Stages and locations
[edit]Wembley Stadium
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The Coldstream Guards band opened with the "Royal Salute", a brief version of the national anthem "God Save the Queen". Status Quo were the first act to appear and started their set with "Rockin' All Over the World", also playing "Caroline" and fan favourite "Don't Waste My Time".<ref>Hillmore, Peter (1985). Live Aid: the greatest show on earth. p. 60. Sidgwick & Jackson.</ref> "Bob told me, 'It doesn't matter a fuck what you sound like, just so long as you're there,'" recalled guitarist and singer Francis Rossi. "Thanks for the fucking honesty, Sir Bob."<ref>Template:Cite magazine</ref> This would be the band's last appearance with bassist and founding member Alan Lancaster and drummer Pete Kircher.<ref>Template:Cite news</ref> Princess Diana and Prince Charles were among those in attendance as the concert commenced.<ref name="BBCLiveAid"/>
Bob Geldof performed with the rest of the Boomtown Rats, singing "I Don't Like Mondays". He and the band paused just after the line "The lesson today is how to die" to loud applause.<ref name="CNN">Template:Cite news</ref><ref name="Geldof artists"/> According to Gary Kemp, "Dare I say it, it was evangelical, that moment when Geldof stopped 'I Don't Like Mondays' and raised his fist in the air. He was a sort of statesman. A link between punk and the New Romantics and the Eighties. You would follow him. He just has a huge charisma; he'd make a frightening politician."<ref name="Geldof artists"/> He finished the song and left the crowd to sing the final words. Elvis Costello sang a version of the Beatles' "All You Need Is Love", which he introduced by asking the audience to "help [him] sing this old northern English folk song".<ref>Template:Cite web</ref>
Queen's twenty-one-minute performance, which began at 6:41 pm, was voted the greatest live performance in the history of rock in a 2005 industry poll of more than 60 artists, journalists and music industry executives.<ref>Template:Cite news</ref><ref name="mckee"/> Freddie Mercury at times led the crowd in unison refrains,<ref name="Minchin">Minchin, Ryan, dir. (2005) "The World's Greatest Gigs". Initial Film & Television. Retrieved 21 May 2011</ref> and his sustained note—"Aaaaaay-o"—during the a cappella section came to be known as "The Note Heard Round the World".<ref>Template:Cite news</ref><ref>Template:Cite news</ref> The band's six-song set opened with a shortened version of "Bohemian Rhapsody" and closed with "We Are the Champions".<ref name="CNN"/><ref>Template:Cite web</ref><ref name="songlist">"Queen: Live Aid". Ultimate Queen. Retrieved 21 May 2011</ref> According to the BBC's presenter David Hepworth, their performance produced "the greatest display of community singing the old stadium had seen and cemented Queen's position as the most-loved British group since the Beatles".<ref>Template:Cite web</ref> Later in the evening, Mercury and guitarist Brian May performed the first song of the three-part Wembley event finale, "Is This the World We Created...?"<ref name="songlist"/>
Other well-received performances on the day included those by U2 and David Bowie. Both The Guardian and Rolling Stone have cited Live Aid as the event that made stars of U2.<ref>Template:Cite news</ref><ref name="gavinedwards">Template:Cite magazine</ref> The band played a 12-minute rendition of "Bad". The length of "Bad" limited them to two songs; a third, "Pride (In the Name of Love)", had to be dropped. During "Bad", vocalist Bono jumped off the stage to join the crowd and dance with a teenage girl. In July 2005, the woman said that he had saved her life. She was being crushed by people pushing forward; Bono saw this and gestured frantically at the ushers to help her. They did not understand what he was saying, and so he jumped down to help her himself.<ref name="gavinedwards"/> Rolling Stone described David Bowie's performance as "arguably Bowie's last triumph of the 1980s", observing that "as approximately two billion people sang along to 'Heroes' [...], he still seemed like one of the biggest and most vital rock stars in the world".<ref>Template:Cite magazine</ref> According to Ultimate Classic Rock, Phil Collins also "performed an especially crowd-pleasing selection of songs",<ref name="Collins MVP">Template:Cite news</ref> and John Illsley of Dire Straits recalled, "It was a very special feeling to be part of something so unique. Live Aid was a unique privilege for all of us. It's become a fabulous memory."<ref>Template:Cite news</ref>
Template:Quote box The transatlantic broadcast from Wembley suffered technical problems and failed during the Who's performance of their opening song "My Generation", immediately after Roger Daltrey sang "Why don't you all fade ..." (the last word "away" was cut off when a blown fuse caused the Wembley stage TV feed to temporarily fail).<ref name="CNN"/> The broadcast returned as the last verse of "Pinball Wizard" was played. John Entwistle's bass wouldn't work at the start, causing an awkward delay of over a minute before they could start playing. The band played with Kenney Jones on drums, and it was their first performance since disbanding after a 1982 'farewell' tour. The Who's performance was described as "rough but right" by Rolling Stone, but they would not perform together again for another three years.<ref>Wilkerson, Mark (2006) Amazing Journey: The Life of Pete Townshend p.408. Retrieved 22 May 2011</ref> At 32 minutes Elton John had the longest set on the day;<ref>Template:Cite news</ref> his setlist included the first performance of "Don't Let the Sun Go Down on Me" with George Michael.<ref>Template:Cite news</ref>
While performing "Let It Be" near the end of the Wembley show, the microphone mounted to Paul McCartney's piano failed for the first two minutes of the song, making it difficult for television viewers and the stadium audience to hear him.<ref name="CNN"/> During this performance, the TV audience were better off, audio-wise, than the stadium audience, as the TV sound was picked up from other microphones near McCartney. The stadium audience, who could obviously not hear the electronic sound feed from these mics unless they had portable TV sets and radios, drowned out what little sound from McCartney could be heard during this part of his performance. As a result, organiser and performer Bob Geldof, accompanied by earlier performers David Bowie, Alison Moyet and Pete Townshend, returned to the stage to sing with him and back him up (as did the stadium audience despite not being able to hear much), by which time McCartney's microphone had been repaired.<ref>Template:Cite news</ref>
At the conclusion of the Wembley performances, Geldof was raised onto the shoulders of the Who's guitarist Pete Townshend and Paul McCartney.<ref>Template:Cite news</ref> Geldof stated that he hadn't slept "in weeks" in the lead-up to the concert, and when asked what his plans were post-Live Aid, he told an interviewer, "I'm going to go home and sleep."<ref>Template:Cite news</ref>
The Wembley speaker system was provided by Hill Pro Audio. It consisted primarily of the Hill J-Series Mixing Consoles and Hill M3 Speaker System powered by the Hill 3000 amplifiers.<ref>Template:Cite web</ref> In an interview with Studio Sound in December 1985, Malcolm Hill described the concept for the system in detail.<ref>Template:Cite web</ref>
John F. Kennedy Stadium
[edit]
Actor Jack Nicholson hosted the televised portion of the Philadelphia concert. The opening artist Joan Baez announced to the crowd, "This is your Woodstock, and it's long overdue", before leading the crowd in singing "Amazing Grace" and "We Are the World".<ref>Template:Cite AV mediaTemplate:Cbignore</ref>
Despite the Template:Convert ambient temperature, Madonna proclaimed "I ain't taking shit off today!" during her set, referring to the recent release of early nude photos of her in Playboy and Penthouse magazines.<ref>Template:Cite magazine</ref>
During his opening number, "American Girl", Tom Petty flipped the middle finger to somebody off stage about one minute into the song. Template:Citation needed Petty stated the song was a last-minute addition when the band realised that they would be the first act to play the American side of the concert after the London finale and "since this is, after all, JFK Stadium".<ref>Template:Cite web</ref>
When Bob Dylan broke a guitar string while playing with the Rolling Stones members Keith Richards and Ronnie Wood, Wood took off his guitar and gave it to Dylan. Wood was left standing on stage guitarless. After shrugging to the audience, he played air guitar, even mimicking the Who's Pete Townshend by swinging his arm in wide circles until a stagehand brought him a replacement. The performance was included in the DVD, including the guitar switch and Wood talking to stagehands, but much of the footage used was close-ups of either Dylan or Richards.
During their duet on the reprise of "It's Only Rock 'n' Roll", Mick Jagger ripped away part of Tina Turner's dress, leaving her to finish the song in what was, effectively, a leotard.<ref>Template:Cite news</ref>
The JFK portion included reunions of Crosby, Stills, Nash & Young, the original Black Sabbath with Ozzy Osbourne, the Beach Boys with Brian Wilson, and surviving members of Led Zeppelin, with Phil Collins and the Power Station (and former Chic) member Tony Thompson sharing duties on drums in place of the band's late drummer John Bonham (although they were not officially announced by their group name from the stage but were announced as Led Zeppelin on the VH1 10th Anniversary re-broadcast in 1995).<ref>Template:Cite web</ref>
Teddy Pendergrass made his first public appearance since his near-fatal car accident in 1982, which paralysed him. Pendergrass, along with Ashford & Simpson, performed "Reach Out and Touch".<ref>Template:Cite web</ref> Bryan Adams (who came on after Judas Priest), recalled "it was bedlam backstage", before performing a four-song set, including "Summer of '69".<ref name="Geldof artists"/>
Duran Duran performed a four-song set, which was the final time the five original band members publicly performed together until 2003. Their set saw a weak, off-key falsetto note hit by frontman Simon Le Bon during "A View to a Kill". The error was dubbed "The Bum Note Heard Round the World" by various media outlets,<ref name="mckee">Template:Cite web</ref><ref name="jones">Template:Cite book</ref> in contrast to Freddie Mercury's "Note Heard Round the World" at Wembley.<ref name="mckee"/> Le Bon later recalled it was the most embarrassing moment of his career.<ref name="jones"/>
The UK TV feed from Philadelphia was dogged by intermittent buzzing on the sound during Bryan Adams' turn on stage. This continued less frequently throughout the rest of the UK reception of the American concert, and the audio and video feed failed entirely during that performance and during Simple Minds' performance.
Phil Collins, who had performed in London earlier in the day, began his solo set with the quip, "I was in England this afternoon. Funny old world, innit?" to cheers from the Philadelphia crowd.<ref name="Collins MVP"/> Collins played the drums during Eric Clapton's 17-minute set, which included well-received performances of "Layla" and "White Room".<ref>Template:Cite news</ref>
Fundraising
[edit]Throughout the concerts, viewers were urged to donate money to the Live Aid cause. The BBC operated three hundred phone lines so that members of the public could make donations using their credit cards. The phone number and an address to which viewers could send cheques were repeated every twenty minutes.
Nearly seven hours into the concert in London, Bob Geldof enquired how much money had been raised so far; he was told about £1.2 million. He is said to have been sorely disappointed by the amount and marched to the BBC commentary position. Pumped up further by a performance by Queen, which he later called "absolutely amazing", Geldof gave an interview in which BBC presenter David Hepworth had attempted to provide a postal address to which potential donations could be sent; Geldof interrupted him in mid-flow and shouted "fuck the address, let's get the numbers!" Although the phrase "give us your fuckin' money!" has passed into folklore, Geldof has said that it was never uttered.<ref>Geldof, Bob. Live Aid DVD.</ref> Private Eye magazine made great humorous capital out of this outburst, emphasising Geldof's Irish accent, which meant the profanities were heard as "fock" or "focking". After the outburst, donations increased to £300 per second.<ref>Fred Krüger (2015). "Cultures and Disasters: Understanding Cultural Framings in Disaster Risk Reduction". p. 190. Routledge</ref>
Later in the evening, following David Bowie's set, a video shot by the Canadian Broadcasting Corporation was shown to the audiences in London and Philadelphia, as well as on televisions around the world (though neither US feed showed the film), showing starving and diseased Ethiopian children set to "Drive" by the Cars (this would also be shown at the London Live 8 concert in 2005).<ref>Template:Cite web</ref> The rate of donations became faster in the aftermath of the video. Geldof had previously refused to allow the video to be shown due to time constraints and had only relented when Bowie offered to drop the song "Five Years" from his set as a trade-off.<ref>Template:Cite book</ref>
Geldof mentioned during the concert that the Republic of Ireland gave the most donations per capita, despite being in the midst of a serious economic recession. The largest donation came from Mohammed bin Rashid Al Maktoum, then the son of the ruler of Dubai, who donated £1m in a phone conversation with Geldof. The next day, news reports stated that between £40 and £50 million had been raised. It is now estimated that around £150 million in total has been raised for famine relief as a direct result of the concerts.
Criticisms and controversies
[edit]Bob Dylan's performance generated controversy; prior to performing "When the Ship Comes In," he said: "I hope that some of the money that's raised for the people in Africa, maybe they can just take a little bit of it, maybe one or two million, maybe, and use it, say, to pay the mortgages on some of the farms that the farmers here owe to the banks."<ref name="CNN"/> He is often misquoted, as on the Farm Aid website,<ref>Template:Cite web</ref> as saying: "Wouldn't it be great if we did something for our own farmers right here in America?" In his autobiography, Is That It? (published in 1986), Geldof was critical of the remark, saying, "He displayed a complete lack of understanding of the issues raised by Live Aid. ... Live Aid was about people losing their lives. There is a radical difference between losing your livelihood and losing your life. It did instigate Farm Aid, which was a good thing in itself, but it was a crass, stupid, and nationalistic thing to say."<ref>Geldof, Bob (1986) Is That It? p.390. Sidgwick & Jackson.</ref> Although Dylan's comments were criticised, his remark inspired fellow musicians Willie Nelson, Neil Young and John Mellencamp to organise the Farm Aid charity, which held its first concert in September 1985.<ref>Template:Cite book</ref><ref>Template:Cite web</ref> The concert raised over $9 million for America's family farmers and became an annual event.<ref>Template:Cite web</ref>
Geldof was not happy about the Hooters being added as the opening band in Philadelphia. He felt pressured into it by Graham and local promoter Larry Magid. Magid, promoting the concert through Electric Factory Concerts, argued that the band was popular in Philadelphia; their first major label album Nervous Night had been released almost three months earlier and had been a hit. In an interview for Rolling Stone, Geldof asked: "Who the fuck are the Hooters?"<ref name="Eric Bazilian interview">Template:Cite web</ref> However, in a twist of irony in December 2004, Geldof appeared on the bill with the Hooters in Germany as their opening act.<ref name="Eric Bazilian interview"/>
Adam Ant subsequently criticised the event and expressed regrets about playing it, saying, "I was asked by Sir Bob [sic] to promote this concert. They had no idea they could sell it out. Then, in Bob's book, he said, 'Adam was over the hill, so I let him have one number.' ... Doing that show was the biggest fucking mistake in the world. Knighthoods were made, Bono got it made, and it was a waste of fucking time. It was the end of rock 'n' roll."<ref>Template:Cite web</ref> Geldof stated in his autobiography that Miles Copeland, manager of Adam Ant and Sting, asked Geldof if he had thought of asking Ant after Geldof contacted him to get Sting to appear: "I hadn't. I thought he was a bit passé. But then, so were the Boomtown Rats, and each represented a certain piece of pop history, so I agreed. I also thought that might entice him to encourage Sting, or perhaps all three of the Police."<ref>Template:Cite book</ref>
BBC coverage co-host Andy Kershaw was heavily critical of the event in his autobiography No Off Switch, stating, "Musically, Live Aid was to be entirely predictable and boring. As they were wheeled out – or rather bullied by Geldof into playing – it became clear that this was another parade of the same old rock aristocracy in a concert for Africa, organised by someone who, while advertising his concern for and sympathy with, the continent didn't see fit to celebrate or dignify the place by including on the Live Aid bill a single African performer." Kershaw also described the event as "irritating, shallow, sanctimonious and self-satisfied" for failing to confront the fundamental causes of the famine and being "smug in its assumption that a bunch of largely lamentable rock and pop floozies was capable of making a difference, without tackling simultaneously underlying problems".<ref>Template:Cite book</ref>
In 2024, Geldof rejected the charge that organising the concerts meant that he was a white savior, calling the accusation "the greatest load of bollocks ever".<ref>Template:Cite web</ref>
Led Zeppelin reunion
[edit]Led Zeppelin performed for the first time since the death of their drummer John Bonham in 1980. Two drummers filled in for Bonham: Phil Collins, who had played on singer Robert Plant's first two solo albums, and Tony Thompson. The performance was criticised for Plant's hoarse vocals, Jimmy Page's intoxication and out-of-tune Gibson Les Paul guitar (his Gibson EDS-1275 guitar was in tune), a lack of rehearsal, and poorly functioning monitors. Plant described the performance as "a fucking atrocity for us ... It made us look like loonies."<ref>Template:Cite book</ref>
Page later criticised Collins' performance, saying: "Robert told me Phil Collins wanted to play with us. I told him that was all right if he knows the numbers. But at the end of the day, he didn't know anything. We played 'Whole Lotta Love', and he was just there bashing away cluelessly and grinning. I thought that was really a joke."<ref>Template:Cite news</ref> Collins responded: "It wasn't my fault it was crap... If I could have walked off, I would have. But then we'd all be talking about why Phil Collins walked off Live Aid – so I just stuck it out... I turned up and I was a square peg in a round hole. Robert was happy to see me, but Jimmy wasn't."<ref name="deriso"/>
Led Zeppelin has blocked broadcasts of the performance and withheld permission for it to be included on the DVD release.<ref>Template:Cite news</ref> Philadelphia named it "one of the worst rock-and-roll reunions of all time", with Victor Fiorillo writing: "I'd like to be able to blame all of the awfulness on anaemic Phil Collins, who sat in on drums, and Page himself later fingered the Genesis drummer for screwing up the set. But Collins was just the beginning of the bad. Go ahead. Watch and remember. It really was that terrible."<ref>Template:Cite web</ref>
Fund use in Ethiopia
[edit]
In 1986, Spin published a so-called exposé on Live Aid's actions in Ethiopia. It claimed that Geldof deliberately ignored warnings from Médecins Sans Frontières, who had complained directly to Geldof even before Live Aid, about the role of the Ethiopian government under Derg leader Mengistu Haile Mariam in causing the famine and that by working with Mengistu directly, much of the relief funds intended for victims were in fact siphoned off to purchase arms from the Soviet Union, thereby exacerbating the situation.<ref name="Spin"/> Geldof responded by deriding both the article and Médecins Sans Frontières, who had been expelled from the country, and reportedly saying, "I'll shake hands with the Devil on my left and on my right to get to the people we are meant to help."<ref name="Spin">Template:Cite web</ref><ref>Template:Cite web</ref>
In 2010 the BBC World Service claimed that some aid funds were siphoned off to buy arms for the Tigrayan People's Liberation Front.<ref>Template:Cite web</ref> This coalition battled at the time against Derg. The BBC did not claim that Band Aid funds were involved but played the Band Aid single to introduce the report. Other BBC programmes then repeated the World Service allegation and added an explicit reference to Band Aid. The Band Aid Trust complained to the BBC Editorial Complaints Unit regarding the specific allegations in the BBC World Service documentary, and the later repetitions, and their complaint was upheld.<ref>Template:Cite news</ref> In 2010 the BBC issued an apology before every tv and radio news bulletin to the Trust and acknowledged there was no evidence money had been diverted,<ref name="BBC 2010"/> while the British Ambassador to Ethiopia at the time, Brian Barder, issued a detailed rebuttal of the BBC claims <ref>Template:Cite web</ref> making clear that "the diversion of aid related only to the tiny proportion that was supplied by some NGOs to rebel-held areas" and was not an allegation about the bulk of emergency aid to Ethiopia during the famine.<ref name="Barder"/>
Although a professed admirer of Geldof's generosity and concern, American television commentator Bill O'Reilly was critical of Live Aid's oversight of the use of the funds raised. O'Reilly believed that charity organisations operating in aid-receiving countries should control donations rather than "chaotic nations".<ref>Template:Cite web</ref> Arguing that Live Aid accomplished good ends while inadvertently causing harm at the same time, David Rieff gave a presentation of similar concerns in The Guardian at the time of Live 8.<ref>Template:Cite news</ref>
Tim Russert, in an interview on Meet the Press shortly after O'Reilly's comments, addressed these concerns to Bono. Bono responded that corruption, not disease or famine, was the greatest threat to Africa, agreeing with the belief that foreign relief organisations should decide how the money is spent. On the other hand, Bono said that it was better to spill some funds into nefarious quarters for the sake of those who needed it than to stifle aid because of possible theft.<ref>Template:Cite news</ref>
Performances
[edit]London, Wembley Stadium
[edit]Presenters:
- Richard Skinner—opened the show and introduced Charles, Prince of Wales and Diana, Princess of Wales
- Tommy Vance—introduced Coldstream Guards, Status Quo, the Style Council, the Boomtown Rats, Nik Kershaw and Dire Straits
- Harvey Goldsmith—introduced Adam Ant
- Andy Peebles—introduced Spandau Ballet, Elvis Costello, Noel Edmonds, Howard Jones, Bryan Ferry, Paul Young, Griff Rhys Jones with Mel Smith and David Bowie
- Noel Edmonds—introduced Sting with Phil Collins
- Griff Rhys Jones and Mel Smith—introduced Queen
- Jack Nicholson and Tommy Vance—introduced U2 and the Who
- Billy Connolly—introduced Elton John
- John Hurt—introduced Freddie Mercury and Brian May
Philadelphia, John F. Kennedy Stadium
[edit]Presenters:
- Bill Graham—introduced Jack Nicholson (before his first and last appearance), Chevy Chase w/ Joe Piscopo, Marilyn McCoo, Dire Straits, Santana, Bette Midler, Don Johnson, Eric Clapton and Dionne Warwick
- Jack Nicholson—introduced Joan Baez, U2, Bryan Adams, the Who and Bob Dylan
- Chevy Chase and Joe Piscopo—introduced the Hooters
- Chevy Chase—introduced Four Tops, Billy Ocean, Black Sabbath, REO Speedwagon, Judas Priest, David Bowie, Kenny Loggins and Duran Duran
- Joe Piscopo—introduced Run-D.M.C., Rick Springfield, Simple Minds and Neil Young
- Marilyn McCoo—introduced the Beach Boys
- George Segal—introduced George Thorogood and the Destroyers
- Grace Slick—introduced the Pretenders
- Bette Midler—introduced Madonna, Thompson Twins, Patti LaBelle, Mick Jagger and the Cars
- Don Johnson—introduced Tom Petty and the Heartbreakers and the Power Station
- Jack Nicholson & Bette Midler—introduced Phil Collins
- Phil Collins—introduced Led Zeppelin
- Dionne Warwick—introduced Hall & Oates
Others
[edit]| Template:Abbr | Location | Performer(s) | Performed song(s) |
|---|---|---|---|
| 13:05 | Template:Flagicon Sydney, Australia | Oz for Africa | various (depends on the broadcaster) |
| 13:34 | studio Template:Flagicon (performers from Japan) |
Loudness | "Gotta Fight" |
| Off Course | "Endless Night" | ||
| Takako Shirai | "Foolish War" | ||
| Eikichi Yazawa | "Take It Time" | ||
| Motoharu Sano | "Shame" | ||
| Meiko Nakahara | "Ro-Ro-Ro-Russian Roulette" | ||
| 14:12 | Template:Flagicon Vienna, Austria | Template:Ill | "Warum?" |
| 14:40 | Template:Flagicon The Hague, Netherlands (from the North Sea Jazz Festival) |
B.B. King | "When It All Comes Down" "Why I Sing the Blues" "Don't Answer the Door" "Rock Me Baby" |
| 15:10 | Template:Flagicon Belgrade, Yugoslavia | YU Rock Misija | "Za milion godina" |
| 15:55 | Template:Flagicon Moscow, Soviet Union | Autograph | "Golovokruzhenie" "Nam nuzhen mir" |
| 16:27 | Template:Flagicon Cologne, West Germany | Template:Ill | "Nackt Im Wind" "Ein Jahr (Es geht voran)" |
| 20:44 | Template:Flagicon Norway | Stavanger for Africa | "All of Us" |
| Forente Artister | "Sammen for Livet" | ||
| 21:19 | studio | Kool & the Gang | "Stand Up and Sing" "Cherish" |
| 22:11 | Template:Flagicon London, United Kingdom | Cliff Richard | "A World of Difference" |
Presenters:
- Molly Meldrum—introduced Oz for Africa
- Mladen Popović—introduced YU Rock Misija
- Vladimir Posner—introduced Autograph and made a speech between their performances
- Evelyn Selbert and Ken Janz—introduced Band für Afrika
- Udo Lindenberg—made a speech between the Band für Afrika performances
- Andy Kershaw—introduced Cliff Richard
Notable absences
[edit]Bruce Springsteen decided not to appear at Live Aid despite his huge global popularity in 1985. Geldof had originally scheduled the event for 6 July but moved the date to the 13th, especially to accommodate Springsteen. Springsteen later expressed regret at turning down Geldof's invitation, stating that he "simply did not realise how big the whole thing was going to be"<ref>Template:Cite book</ref> and regretted not performing an acoustic set.<ref>Template:Cite web</ref> During the MTV broadcast, VJ Martha Quinn repeatedly and erroneously claimed that Springsteen would in fact make an appearance.<ref>Template:Cite book</ref>
Michael Jackson declined to appear. His press agent, Norman Winter, released a statement at the time saying that Jackson was "working around the clock in the studio on a project that he's made a major commitment to" and consequently could not free up sufficient time to rehearse and perform at Live Aid. Winter added, "Michael is just about living in the studio, rehearsing and recording. I know what could be more major than Live Aid, but Michael couldn't turn his back on his responsibility to the people he's working with. This affected employment for a lot of people."<ref>Template:Cite news</ref>
Prince also declined to appear in person but sent a pre-taped video of an acoustic version of "4 the Tears in Your Eyes", which was played during the concert in Philadelphia. The original version appears on the We Are the World album,<ref>Template:Cite book</ref> while the video version was released in 1993 on Prince's compilation The Hits/The B-Sides.<ref>Template:Cite book</ref>
Culture Club leader Boy George decided not to take part in the concert. He feared that Culture Club would fail to measure up performing for two billion people, and he disliked what he viewed as self-important posturing on the part of other participants. In his memoir Take It Like a Man he said his band members were angry with him because he had "ruined their chance of a part in history".<ref>Template:Cite book</ref>
Huey Lewis and the News were scheduled to play the Philadelphia leg and were in some of the promotional material but decided on 28 June to pull out over concerns that the money raised by relief efforts thus far had not been reaching those it was intended to help. "It was a very tough decision", Lewis told Rolling Stone. "We felt, having done the USA for Africa thing, that we should wait and watch that ... The prudent thing to do is to see how that money translates into food for the people before we do another one." Harry Belafonte, who had organised USA for Africa, responded harshly, calling Lewis's scepticism "disruptive and divisive". He had himself recently returned from a trip to Africa to see how the money had so far been spent and suggested that Lewis do the same. "For him to sit back here and send out information based on hearsay is unfair to his colleagues and very unfair to the victims."<ref name="Rolling Stone story">Template:Cite news</ref>
Annie Lennox, whose hits as the vocalist of Eurythmics included 1983's "Sweet Dreams (Are Made of This)", was forced to pull out of performing at Live Aid due to a serious throat infection; she appeared at Live 8 held in Hyde Park, London in 2005.<ref>Template:Cite news</ref>
Cliff Richard later stated he had been unable to perform as he was already committed to a gospel charity concert in Birmingham the same day.<ref>Template:Cite web</ref>
A reunited Deep Purple were also due to appear from Switzerland via satellite, but pulled out after guitarist Ritchie Blackmore refused to take part.<ref name="autogenerated1">Template:Cite web</ref> Deep Purple (minus Blackmore, who left the band in 1993) appeared at Geldof's Live 8 sequel 20 years later, performing at the Toronto leg of the event. Bill Graham is said to have turned down Foreigner and Yes because there was no free space on the bill for them.<ref name="autogenerated1" />
Marillion, riding high in the UK charts that summer with their Misplaced Childhood album and "Kayleigh" single, missed out on an invitation to perform at Wembley because their manager had deemed it not worthwhile for singer Fish to participate in the "Do They Know It's Christmas?" single. Fish was quoted: "When it came to the bill for the concert, we were passed over."<ref>Template:Cite web</ref>
UB40 lead singer Ali Campbell admitted that his band was also ignored by Geldof while planning the list of musical acts of the British leg of the event: "We weren't asked to do Live Aid because Uncle Bob didn't like our music much. It was a great gig, but I thought it was a bit dodgy not having any black acts on the bill when it was raising money for Africa."<ref>Template:Cite news</ref>
Thin Lizzy keyboard player Darren Wharton expressed regrets about the band not being asked to perform: "That was a tragic, tragic decision. It could've been, and it should've been the turning point for Phil (Lynott). And I think that really did Phil in quite a lot that we were never asked to play. I mean Phil, he had a few problems at the time, but at the end of the day, if he would've been asked to play Live Aid, that would've been a goal for him to clean himself up to do that gig. We were all very upset of the fact that we weren't asked to do it because Phil knew Geldof and Midge Ure very well indeed. I was surprised that we weren't asked to do that. I don't think Phil ever forgave Bob."<ref>Template:Cite web</ref> Lynott died less than five months after the concert, from complications associated with his drug and alcohol addictions.
"I tried to pitch into Live Aid," recalled Roger Waters, "They asked me to put Pink Floyd back together for it, and I said no, but I'd bring my new band to play. They didn't want that. But that's alright. I went along on my own."<ref>Turner, Steve: "Roger Waters: The Wall in Berlin"; Radio Times, 25 May 1990; reprinted in Classic Rock No. 148, August 2010, p. 81</ref> Waters appeared backstage at the Wembley Stadium leg of Live Aid (where he was interviewed), and the classic Pink Floyd lineup reunited for the follow-up to Live Aid, Live 8, in 2005.<ref>Template:Cite newsTemplate:Cbignore</ref>
Neil Peart, drummer of Canadian rock band Rush, said: "Geddy was involved with the Northern Lights charity record here in Canada, although Rush wasn't invited to participate in the Live Aid event—mainly because if you look at the guest list, it was very much an 'in-crowd' situation. We were 'out' by then. We didn't refuse to take part because of any principles. Mind you, I wouldn't have been happy being part of this scenario. Those stars should have shut up and just given over their money if they were genuine. I recall that Tears for Fears, who made a musical and artistic decision to pull out of the concert, were subsequently accused by Geldof of killing children in Africa—what a shockingly irresponsible and stupid attitude to take. But I have nothing bad whatsoever to say about Bob Geldof; he sacrificed his health, his career, [and] everything for something he believed in. But others around him got involved for their own reasons. Some of those involved in Northern Lights were actually quoted as saying that their managers told them to get down to the recording sessions because it would be a good career move!"<ref name="Metal Hammer">Template:Cite interview</ref>
International broadcasting
[edit]| Country | Broadcaster | Channel(s) | Template:Abbr | Template:Abbr |
|---|---|---|---|---|
| Template:Flagu | ABC | ABC-3 | (July 13) 20:55 until end | <ref name="Canberra">Template:Cite news</ref> |
| Template:Flagu | ORF | FS2 | (July 13) 12:45 CET until end | <ref name="Fernsehen"/> |
| Template:Flagu | RTBF | Télé 2 | (July 13) 12:50 CET until end | <ref name="Voorpost">Template:Cite news</ref><ref name="Limburgs"/> |
| BRT | BRT TV2 | (July 13) 12:50 until end | ||
| Template:Flagu | CTV | CTV | (July 13) 20:00 - 23:00 | <ref>Template:Cite news</ref><ref>Template:Cite news</ref> |
| CHUM | MuchMusic | (July 13) 07:00 until end | ||
| Template:Flagu | DR | DR TV | (July 13) 13:00 CET - 17:53, 22:34 until end (July 14) 14:00 - 16:00 |
<ref>Template:Cite web</ref><ref>Template:Cite web</ref> |
| Template:Flagu | Antenne 2 | (July 13) 22:10 until end | <ref name="Fernsehen"/><ref name="Je vois tout"/><ref name="Voorpost"/> | |
| Template:Flagu | TVB | TVB Pearl | (July 13) 19:15 - (July 14) 10:00 | <ref name="HongKong">Template:Cite news</ref><ref>Template:Cite news</ref> |
| Template:Flagu | RÚV | Sjónvarpið | (July 13) 22:45 until end | <ref>Template:Cite news</ref> |
| Template:Flagu | RTÉ | RTÉ 1 | (July 13) 12:45 until end | |
| Template:Flagu | RAI | Rai Tre | (July 13) circa 13:00 CET - 19:25, 23:15 until end (July 14) circa 14:00 - 18:00 |
<ref name="Stampa">Template:Cite news</ref><ref>Template:Cite news</ref> |
| Template:Flagu | FCG | Fuji Television | ||
| Kansai Television | (July 13) 20:00 JST - until end. | |||
| Template:Flagu | NOS/VARA | Nederland 1 | (July 13) 12:50 CET - until end. They did opt out for local news at 17.30 - 18.00 and news updates at 20.00, and 23.15 |
<ref name="Volkskrant">Template:Cite news</ref><ref name="Leeuwarden">Template:Cite news</ref><ref name="Limburgs">Template:Cite news</ref> |
| Template:Flagu | TeleCuraçao | <ref name="Amigoe">Template:Cite news</ref> | ||
| Template:Flagu | TVNZ | TV2 | (July 13) 23:00 until end | <ref name="The Press">Template:Cite news</ref> |
| Template:Flagu | NRK | NRK Fjernsynet | (July 13) 12:50 CET - 17:05, 24:00 until end (July 14) 12:00 - 18:30 CET |
<ref name="Norsk">Template:Cite news</ref> |
| Template:Flagu | RTP | RTP1 | (July 13) 17:05 - 18:45, 22:30 until end (July 14) 11:50 - 15:25 |
<ref>Template:Cite news</ref> |
| Template:Flagu | TeleOro Canal 13 | (July 13) 07:00 until end | <ref>Template:Cite news</ref> | |
| Template:Flagu | MBC | MBC | (July 13) 20:00 KST - until end. | <ref>Template:Cite news</ref> |
| Template:Flagu | RTVE | TVE 1 | (July 13) 14:15 - 15:00, 21:35 - 22:00 (July 14) 14:00 - 15:00 |
<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref> |
| TVE 2 | (July 13) 19:10 - 20:25 (July 14) 21:35 - 22:35 (July 15) 00:10 - 00:40 | |||
| Template:Flagu | SRG SSR | TV DRS 2 | (July 13) 13:00 CET until end | <ref name="Fernsehen">Template:Cite news</ref><ref name="Je vois tout">Template:Cite magazine</ref><ref>Template:Cite news</ref> |
| TSR | (July 13) 13:00 CET - 18:45 (July 14) 12:05 - 14:45 | |||
| Radio DRS 3 | (July 13) 13:00 CET until end | |||
| Couleur 3 | (July 13) 13:00 CET until end | |||
| Template:Flagu | BBC | BBC2 | (July 13) 11:50 - 22:00 | <ref name="Volkskrant"/><ref name="Limburgs"/> |
| BBC1 | (July 13) 22:00 until end | |||
| Radio One | (July 13) 11:50 until end | |||
| BFBS | BFBS 1 | (July 13) 23:00 - 01:00 | ||
| Template:Flagu | ABC | (July 13) 07:00 until end | ||
| MTV | (July 13) 07:00 until end | |||
| Template:Flagu | ARD | BR | (July 13) 12:30 CET until end | <ref name="Fernsehen"/><ref name="Volkskrant"/><ref name="Leeuwarden"/><ref name="Limburgs"/><ref>Template:Cite news</ref> |
| HR | ||||
| NDR | ||||
| RB | ||||
| SDR | ||||
| SFB | ||||
| SR | ||||
| SWF | ||||
| WDR | ||||
| Template:Flagu | JRT | TV Beograd 2 | (July 13) 12:50 CET until end | <ref>Template:Cite news</ref><ref>Template:Cite news</ref> |
| TV Ljubljana 1 | (July 13) 12:50 CET - 14:25 | |||
| TV Ljubljana 2 | (July 13) 12:50 CET until end | |||
| TV Pristina | (July 13) 12:50 CET until end | |||
| TV Sarajevo 2 | (July 13) 12:50 CET until end | |||
| TV Skopje 2 | (July 13) 12:50 CET until end | |||
| TV Titograd 2 | (July 13) 12:50 CET until end | |||
| TV Zagreb 2 | (July 13) 12:50 CET until end | |||
Live Aid recordings
[edit]When organiser Bob Geldof was persuading artists to take part in the concert, he promised them that it would be a one-off event, never to be seen again. Hence, the concert was never recorded in its complete original form, and only secondary television broadcasts were recorded. Following Geldof's request, ABC erased its own broadcast tapes.<ref>Template:Cite news</ref> However, before the syndicated/ABC footage was erased, copies of it were donated to the Smithsonian Institution and have now been presumed lost. The ABC feed of the USA for Africa/"We Are The World" finale does exist in its entirety, complete with the network end credits, and can be found as a supplemental feature on the We Are The World: The Story Behind The Song DVD.
Meanwhile, MTV decided to keep recordings of its broadcast and eventually located more than 100 tapes of Live Aid in its archives, but many songs in these tapes were cut short by MTV's ad breaks and presenters (according to the BBC).<ref>Template:Cite news</ref> Many performances from the US were not shown on the BBC, and recordings of these performances are missing. There were four separate Audio Trucks in Philadelphia provided by David Hewitt of Remote Recording Services. ABC had taken the decision that no multi track tape recordings would be allowed, so no remixing of the Philadelphia show was possible.
Official Live Aid DVD
[edit]An official four-disc DVD set of the Live Aid concerts was released on 8 November 2004. A premiere to launch the new DVD was held on 7 November and shown in DTS surround sound featuring a short compilation of the four-disc set. The screening was held at the Odeon Cinema in Kensington, London and included guests such as Brian May, Anita Dobson, Roger Taylor, Bob Geldof and partner Jean Marie, Annie Lennox, Midge Ure, Michael Buerk, Gary Kemp and The Darkness.<ref>Template:Cite news</ref> Other theatrical premieres were held in Zürich, Milan, Rome, Vienna, Hamburg and Berlin.<ref>Template:Cite news</ref> A 52-minute compilation was later released as a limited edition DVD in July 2005 titled 20 Years Ago Today: Live Aid.<ref>Template:Cite web</ref> The box set contains 10-hour partial footage of the 16-hour length concert. The DVD was produced by Geldof's company, Woodcharm Ltd., and distributed by Warner Music Vision. The DVD has since been out of print and is no longer available in stores. The decision to finally release it was taken by Bob Geldof nearly 20 years after the original concerts after he found a number of unlicensed copies of the concert on the Internet.<ref>Template:Cite news</ref>
The most complete footage that exists is used from the BBC source, and this was the main source of the DVD. During production of the official DVD, MTV lent Woodcharm Ltd. their B-roll and alternate camera footage where MTV provided extra footage of the Philadelphia concert (where ABC had erased the tapes from the command of Bob Geldof). Songs that were not originally interrupted with advertisements were also used on the official DVD.
Working from the BBC and MTV footage, several degrees of dramatic licence were taken to release the concert on DVD. Many songs had their soundtracks altered for the DVD release, mainly in sequences where there were originally microphone problems. In one of those instances, Paul McCartney had re-recorded his failed vocals for "Let It Be" in a studio the day after the concert (14 July 1985). Beatles biographer Keith Badman explains, "because of what happened, he decided to re-record his vocals for any future film of the concert. That's the version you'll hear when the DVD comes out."<ref>"Perfectionist McCartney Re-records Live Aid". contactmusic.com. 4 August 2004</ref> Also, in the US finale, the original USA for Africa studio track for "We Are the World" was overlaid in places where the microphone was absent (consequently, it includes the vocals of Kenny Rogers and James Ingram, two artists who did not even take part in Live Aid).
Some artists did not want their performances to be featured on the DVD. At their own request, Led Zeppelin and Santana were omitted. The former defended their decision not to be included on the grounds that their performance was "sub-standard", but to lend their support, Jimmy Page and Robert Plant pledged to donate proceeds from the DVD release of Page & Plant: No Quarter to the campaign, and John Paul Jones pledged proceeds from his American tour with Mutual Admiration Society.<ref>Template:Cite web</ref>
Judicious decisions were also made on which acts would be included and which ones would not due to either technical difficulties in the original performances, the absence of original footage, or music rights reasons. Rick Springfield, the Four Tops, the Hooters, the Power Station, Billy Ocean and Kool and the Gang were among those acts that were left off the DVD. Several artists who did feature on the DVD also had songs that were performed omitted. Madonna performed three solo songs in the concert, but only two were included on the DVD ("Love Makes the World Go Round" was omitted). Phil Collins played "Against All Odds" and "In the Air Tonight" at both Wembley and JFK, but only the London performance of the former and the Philadelphia performance of the latter were included on the DVD. The JFK performance of "Against All Odds" was later included in Collins' Finally ... The First Farewell Tour DVD. Tom Petty performed four songs, and only two were included on DVD. Patti LaBelle played six songs, but only two songs were included.
In 2007, Queen released a special edition of Queen Rock Montreal on Blu-ray and DVD formats containing their 1981 concert from The Forum in Montreal, Canada, and their complete Live Aid performance, along with Freddie Mercury and Brian May performing "Is This the World We Created...?" from the UK Live Aid finale, all re-mixed in DTS 5.1 sound by Justin Shirley-Smith. Also included is their Live Aid rehearsal and an interview with the band from earlier in the week.
On its release, the then British Chancellor of the Exchequer, Gordon Brown, decided the VAT collected on sales of the Live Aid DVD would be given back to the charity, which would raise an extra £5 for every DVD sold.<ref>Template:Cite web</ref>
On 14 November 2004, the DVD entered the UK Official Music Video Chart at number one and stayed in the top position for twelve consecutive weeks.<ref name="Official Music Video Chart Top 50">Template:Cite web</ref>
Charts
[edit]| Charts (2004) | Peak position |
Template:Abbr |
|---|---|---|
| Dutch Music DVDs Chart | 2 | <ref>Template:Cite web</ref> |
| Spanish Music DVD Chart (Promusicae) | 8 | <ref>Template:Cite web</ref> |
| UK Music Video Chart (OCC) | 1 | <ref name="Official Music Video Chart Top 50"/> |
| US Top Music Video (Billboard) | 2 | <ref>Template:Cite magazine</ref> |
Certifications
[edit]Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Bottom
Official Live Aid audio
[edit]An audio copy of Live Aid was officially released by the Band Aid Trust label on 7 September 2018 on digital download. When first released in 2018, the Queen performance was excluded. The band's set was, however, later included as a part of the digital download in May 2019. It has a total of ninety-three audio tracks.<ref>Template:Cite web</ref>
Live Aid channel
[edit]On 12 September 2018, YouTube launched the Official Live Aid channel with a total of 87 videos from the Live Aid 1985 concert. According to the channel, all earnings from viewings go to the Band Aid Trust.<ref>Template:Cite web</ref> As with the digital download release, a few notable performances are not included for unknown reasons, although Queen's set was uploaded to the channel with its inclusion on the digital download.
Unofficial recordings
[edit]Because the Live Aid broadcast was watched by 1.5 billion people,<ref>Template:Cite news</ref> most of the footage was recorded on home consumer video recorders all around the world, in various qualities. Many of these recordings were in mono because, in the mid-1980s, most home video machines could only record mono sound and also because the European BBC TV broadcast was in mono. The US MTV broadcast, the ABC Radio Network and BBC Radio 1 simulcasts were stereo. These recordings circulated among collectors and, in recent years, have also appeared on the Internet in file sharing networks.
Since the official DVD release of Live Aid includes only partial footage of this event, unofficial distribution sources continue to be the only source of the most complete recordings. The official DVD is the only authorised video release in which proceeds go directly to famine relief, the cause that the concert was originally intended to help.
Legacy
[edit]Live Aid eventually raised $127 million ($370 million in 2024 terms) in famine relief for African nations, and the publicity it generated encouraged Western nations to make available enough surplus grain to end the immediate hunger crisis in Africa.<ref name=":0">Template:Cite news</ref> According to one aid worker, a larger impact than the money raised for the Ethiopian famine is that "humanitarian concern is now at the centre of foreign policy" for the west.<ref name="Guardian"/>
Regarding Buerk's landmark BBC News report as a watershed moment in crisis reporting that influenced modern coverage—one that was broadcast in its entirety with Buerk's narration on a major US channel—Suzanne Franks in The Guardian states, "the nexus of politics, media and aid are influenced by the coverage of a famine 30 years ago."<ref name="Buerk Report"/>
Many artists and performers at Live Aid gained prominence and positive commercial influence. For all the cultural, charitable, and technological significance of 1985's Live Aid, its most immediate impact was on the charts. In the UK, for example, No Jacket Required by Phil Collins and Madonna's Like a Virgin leapt back into the top ten. Queen's three-year-old Greatest Hits rose fifty-five places into the top twenty, followed by Freddie Mercury's Mr. Bad Guy. Every U2 album available at the time also returned to the chart.<ref>Template:Cite book</ref> In 1986, Geldof received an honorary knighthood from Queen Elizabeth II for his efforts.<ref name=":0" /> Claire Bertschinger, the nurse who featured in Buerk's news reports that sparked the aid relief movement, received the Florence Nightingale Medal in 1991 for her work in nursing and was made a Dame by Queen Elizabeth II in 2010 for "services to Nursing and to International Humanitarian Aid".<ref>Template:London Gazette</ref>
Queen's performance at Live Aid was later recreated in the band's biographical film Bohemian Rhapsody in 2018.<ref name=":1">Template:Cite web</ref> Footage from the original performance can be seen to match very accurately with the movie performance.<ref name=":1" /> In 2020, Queen + Adam Lambert reprised the original Queen setlist from Live Aid for the Fire Fight Australia charity concert in Sydney, Australia.<ref>Template:Cite news</ref>
The background to the staging of the concert as a whole was dramatised in the 2010 television drama When Harvey Met Bob.<ref>Template:Cite web</ref>
In November 2023, Geldof stated that a six-part miniseries about Live Aid was being produced by Disney as well as an IMAX-format theatrical documentary from Geldof himself.<ref>Template:Cite web</ref>
A jukebox musical based on the day, Just for One Day (named after a line in Bowie's song "Heroes", which he performed at the event), had its world premiere at The Old Vic in London in February 2024.<ref>Template:Cite web</ref><ref>Template:Cite news</ref>
In August 2024, opening for Taylor Swift's Eras Tour at Wembley Stadium, Hayley Williams, lead vocalist of Paramore, tributed Freddie Mercury's Live Aid performance. Wearing an outfit compared to the one Mercury wore, Williams led the audience in unison refrains, similar to Mercury's during Queen's set, while the other band members took a break.<ref>Template:Cite news</ref>
See also
[edit]Template:Portal Template:Div col
- 1983–1985 famine in Ethiopia
- Band Aid
- Farm Aid, a Live Aid-inspired relief event for American farms, instigated by Bob Dylan
- Live 8, Geldof's 2005 series of concerts aimed at increasing poverty awareness
- Hear 'n Aid, similar joint effort from the heavy metal scene of the 1980s
- List of historic rock festivals
- Self Aid, a 1986 Live Aid-inspired concert highlighting severe unemployment in Ireland, promoted by Jim Aiken
- Sport Aid, another famine relief event organised by Geldof
- Together at Home
- When Harvey Met Bob, a 2010 television film dramatising the events leading up to and including the concert
- YU Rock Misija (YU Rock Mission), Yugoslav contribution to Band Aid campaign
References
[edit]Bibliography
[edit]- Davis, H. Louise. "Feeding the world a line?: Celebrity activism and ethical consumer practices from Live Aid to Product Red." Nordic Journal of English Studies 9.3 (2010): 89–118.
- Westley, Frances. "Bob Geldof and Live Aid: the affective side of global social innovation." Human Relations 44.10 (1991): 1011–1036.
- Live Aid: Rockin' All Over the World is a BBC2 documentary that recalls the build-up to and the day itself; it was viewed on 18 June 2005.
- Live Aid: World Wide Concert Book – Peter Hillmore with Introduction by Bob Geldof, Template:ISBN, Copyright 1985, The Unicorn Publishing House, New Jersey.
External links
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- BBC news stories about the Live Aid DVD
- Twenty-Five Years on...memories from Herald UK
- How Live Aid was saved for history: BBC News
- Geldof thwarts 'Live Aid pirate': BBC News
- Philly.com: Live Aid Philadelphia Photo Gallery
- Indepth-interview between Hal Uplinger, producer of the "Live Aid Concert", the United States event, and the National Museum of American History (part of the Smithsonian Institution)
- Full set list, including Philadelphia – JFK Stadium
Template:Rock festivals Template:TCA Award for Outstanding Achievement in Movies, Miniseries and Specials Template:U2 Template:Authority control
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