My Bloody Valentine (band)

My Bloody Valentine are an Irish rock band formed in Dublin in 1983 and consisting of founding members Kevin Shields (vocals, guitar, sampler) and Colm Ó Cíosóig (drums, sampler), with Bilinda Butcher (vocals, guitar) and Debbie Googe (bass). Their work is characterized by distorted guitar textures, subdued androgynous vocals, and unorthodox production techniques. They are widely cited as a pioneering act in the shoegaze genre.

Following several unsuccessful early releases and membership changes, My Bloody Valentine signed to Creation Records in 1988. The band released several successful EPs and the albums Isn't Anything (1988) and Loveless (1991) on the label; the latter is often described as their magnum opus. However, My Bloody Valentine were dropped by Creation after its release due to the album's extensive production costs. In 1992, the band signed to Island Records and recorded several albums worth of unreleased material, remaining largely inactive.

Googe and Ó Cíosóig left the band in 1995; they were followed by Butcher in 1997. Unable to complete a follow-up to Loveless, Shields isolated himself and, in his own words, "went crazy". In 2007, My Bloody Valentine reunited and subsequently embarked on a world tour. They released the compilation EP's 1988–1991 in 2012. Their long-delayed third studio album, Template:Nowrap, was released in 2013 to critical acclaim and was supported by further touring.

History

1978–1985: Formation

In 1978, Kevin Shields and Colm Ó Cíosóig were introduced to each other at a karate tournament in South Dublin.<ref name="bh">Template:Cite interview</ref> The duo became friends in what has been described as "an almost overnight friendship"Template:Sfn and later formed the Complex, a punk rock band, with Liam Ó Maonlaí, Ó Cíosóig's friend from Coláiste Eoin.<ref>Template:Cite magazine</ref> The band, who performed "a handful of gigs" consisting of Sex Pistols and Ramones songs, disbanded when Ó Maonlaí left to form Hothouse Flowers. Shields and Ó Cíosóig later formed A Life in the Day, a post-punk trio, but failed to secure performances with more than a hundred people present.<ref name="bh" />

Following A Life in the Day's dissolution, Shields and Ó Cíosóig formed My Bloody Valentine in early 1983 with bass player Mark Loughlin (nowadays recording as The Engineer) and lead vocalist David Conway. Conway, who performed under the pseudonym Dave Stelfox, suggested a number of potential band names, including the Burning Peacocks and performed a single gig under that name before the quartet changed the name to My Bloody Valentine.Template:Sfn At the time the band saw the trailer for My Bloody Valentine on a rented VHS movie that they were watching during downtime on a weekend rehearsal at Kevin Shields parents home. Subsequently Shields has claimed he was unaware that My Bloody Valentine was the title of a 1981 Canadian slasher film when the name was suggested. Second guitarist Stephen Ivers also joined the band at this time<ref>Template:Cite web</ref>

Template:Listen My Bloody Valentine experienced a number of line-up changes during their initial months. Lead guitarist Stephen Ivers and bassist Loughlin were recruited in April 1983 and the band would often rehearse near Smithfield and Temple Bar in rehearsal spaces owned by Alan Furlong. Walsh, who booked some of the band's early performances, said the rehearsals were "too noisy" and "crazy" that "next door were giving out hell".<ref>Template:Cite AV media</ref> Loughlin left the band in December 1983 and was replaced by Paul Murtagh, who left the band in early 1984. In March 1984, Shields, Ivers and Conway recorded the band's first demo on a four-track recorder in Shields' parents' home in Killiney. Shields and Ó Cíosóig overdubbed bass and drum tracks at Litton Lane Studios, and the tape was later used to secure a contract with Tycoon Records.<ref name="ss">Template:Cite magazine</ref>

Soon after recording the demo, Ivers left My Bloody Valentine and Conway's girlfriend, Tina Durkin, joined as a keyboard player.Template:Sfn Around this time, Conway, on the suggestion of Shields, contacted Gavin Friday, the lead vocalist of the post-punk band Virgin Prunes. According to Shields, Conway approached Friday in Finglas, asked him for advice and was told to "get out of Dublin."<ref name="lastv">Template:Cite AV media</ref> Shields agreed with the advice, commenting in January 1991 that "there was no room for us" in Ireland; Ó Cíosóig explained that the Irish music scene was not receptive to their style.<ref name="mmjan91">Template:Cite magazine</ref> Friday provided the band with contacts that secured them a show in Tilburg, Netherlands. The band relocated to the Netherlands after the show and lived there for a further nine months, opening for R.E.M. on one occasion on 8 April 1984. Due to a lack of opportunities and a lack of correct documentation,Template:Sfn the band relocated to West Berlin, Germany in late 1984 and recorded their debut mini album, This Is Your Bloody Valentine (1985). The album failed to receive much attention and the band returned temporarily to the Netherlands, before settling in London in the middle of 1985.<ref name="booth">Template:Cite magazine</ref>Template:Sfn

1985–1986: Independent releases

Following their relocation to London in 1985, members of My Bloody Valentine lost contact with each other while looking for accommodation and Tina Durkin, not confident in her abilities as a keyboard player, left the band.<ref name="ss" /> When the remaining three members regained contact with one another, the band decided to audition bassists, as they lacked a regular bassist since their formation. Shields acquired Debbie Googe's telephone number from a contact in London, invited her to audition and subsequently recruited her as a bassist. Googe managed to attend rehearsals, which were centered around her day job. Rehearsal sessions were regularly held at Salem Studios, which was connected to the independent record label Fever Records. The label's management were impressed with the band and agreed to release an extended play, provided the band would finance the recording sessions themselves. Released in December 1985, Geek! failed to reach the band's expectations; however, soon after its release, My Bloody Valentine were performing on the London gig circuit, alongside bands such as Eight Living Legs, Kill Ugly Pop and The Sting-rays.<ref name="ss" />

Due to the band's slow progress, Shields contemplated relocating to New York City, where members of his family were living at the time. However, Creation Records co-founder Joe Foster had decided to establish his own record label, Kaleidoscope Sound and persuaded My Bloody Valentine to record and release an EP. The New Record by My Bloody Valentine, produced by Foster, was released in October 1986 and was a minor success, peaking at number 22 on the UK Indie Chart upon its release.Template:Sfn On the strength of the release, the band began performing more frequent shows, later developing a small following and travelling outside London for live performances, supporting and opening for bands such as The Membranes.<ref name="ss" />

1987: Lazy Records and Butcher's recruitment

File:Bilinda Butcher (cropped 2).jpg

Bilinda Butcher performing in 1989

In early 1987, My Bloody Valentine signed to Lazy Records, another independent record label, which was founded by the indie pop band the Primitives and their manager, Wayne Morris. My Bloody Valentine's first release on the label was the single "Sunny Sundae Smile", released in February 1987. It peaked at number 6 on the UK Indie Singles ChartTemplate:Sfn and the band toured following its release. After a number of performances throughout the U.K., the band managed to secure a support slot with the Soup Dragons, but on that tour in March 1987, David Conway announced his decision to leave the band, citing a gastric illness, disillusionment with music and ambitions to become a writer.<ref name="booth" />

Conway's departure left the band without a lead vocalist, and Shields, Ó Cíosóig and Googe advertised in the local music press for a new singer. The audition process, which Shields described as "disastrous and excruciating," was unsuccessful because he had mentioned the Smiths in the advertisements "because [he] liked their melodies," attracting a number of vocalists whom he called "fruitballs."<ref name="ss" /> Although considering forming another group, the band experimented with vocalists Bilinda Butcher and Joe Byfield, both of whom had been recommended to the band by other musicians. Butcher, whose musical experience consisted of playing classical guitar as a child and singing and playing tambourine "with some girlfriends for fun," had learned that My Bloody Valentine needed a backing vocalist from her partner, who had met Ó Cíosóig on a ferry from the Netherlands. At her audition, she sang "The Bargain Store," a song from Dolly Parton's 1975 album of the same name.<ref name="td">Template:Cite web</ref>Template:Failed verification She was invited to join the group, with Byfield deemed unsuitable as a lead vocalist.

Following Butcher's recruitment, Shields shared lead vocals with her. Commenting on the transition, Shields noted that Butcher "sounded all right and she could sing one of our songs, we just had to show her how to play guitar."<ref name="ss" /> Shields was initially reluctant to take on a vocal role within the band, but said that he had "always sung in the rehearsal room [...] and made up the melodies." With the new lineup in place, the band intended to drop the My Bloody Valentine moniker, but according to Ó Cíosóig and Shields, the band was unable to decide on a name and kept the moniker "for better or for worse."<ref>Template:Cite interview</ref>

Under pressure from Lazy Records to release a full-length album, the band compromised and agreed to release a single and subsequent mini-album, citing the need for time to stabilize their new lineup. "Strawberry Wine", a three-track single, was released in November 1987 and Ecstasy was released a month later. Both received moderate critical acclaim, and peaked at number 13 and 12 on the independent singles and albums chart, respectively.Template:Sfn However, "Strawberry Wine" was described as "certainly the better of the two releases", as Ecstasy was plagued by production difficulties, including errors in the mastering process. Ecstasy was criticised as the product of "a group who appeared to have run out of money halfway through recording,"<ref name="ss" /> which was later confirmed, as the band were funding the studio sessions themselves. My Bloody Valentine's contract with Lazy stated that the label would handle promotion of releases, whereas the band would finance the recording sessions. Following their departure from Lazy, which later rereleased "Strawberry Wine" and Ecstasy on the compilation album Ecstasy and Wine (1989) without the band's consent,<ref>Template:Cite magazine</ref> Rough Trade Records offered a deal to finance the recording and release of a full-length album, but the band turned it down.<ref name="ss" />

1988–1991: Creation Records and Loveless

File:Kevin Shields.jpg

Kevin Shields performing in 1989

In January 1988, My Bloody Valentine performed in Canterbury, opening for Biff Bang Pow!, a band that featured Creation Records founder Alan McGee. After "blowing [Biff Bang Pow!] off the stage," My Bloody Valentine were described as "the Irish equivalent to Hüsker Dü" by McGee,Template:Sfn who approached the band after the show and invited them to record and release a single on Creation. The band recorded five songs at a studio in Walthamstow, East London in less than a week. In August 1988, they released the You Made Me Realise EP, which was received well by the independent music press and, according to AllMusic's Nitsuh Abebe, "made critics stand up and take notice of the brilliant things My Bloody Valentine were up to ... it developed some of the stunning guitar sounds that would become the band's trademark."<ref>Template:Cite web</ref> It debuted at number 2 on the UK Indie Chart.Template:Sfn Following the success of You Made Me Realise, the band released their debut full-length studio album, Isn't Anything, in November 1988. Recorded in rural Wales,<ref>Template:Cite magazine</ref> the album was a major success, receiving widespread critical acclaim, peaking at number 1 on the UK Indie ChartTemplate:Sfn and influencing a number of "shoegazing" bands, who according to AllMusic, "worked off the template My Bloody Valentine established with [the album]."<ref name="sgz">Template:Cite web</ref>

In February 1989, My Bloody Valentine began recording their second studio album at Blackwing Studios in Southwark, London. Creation Records believed that the album could be recorded "in five days," but it soon "became clear that wasn't going to happen."Template:Sfn Following several unproductive months,Template:Sfn during which Shields assumed main duties for the musical and technical aspects of the sessions, the band relocated to a total of 19 other studios and hired a number of engineers, including Alan Moulder, Anjali Dutt and Guy Fixsen. Because of the extensive recording time, Shields and Alan McGee agreed to release another EP,Template:Sfn and the band released Glider in April 1990. Containing the lead single "Soon", the EP peaked at number 2 on the UK Indie Chart<ref>Template:Cite episode</ref> and the band toured in the summer of 1990 to support its release.Template:Sfn In February 1991, while still recording their second album, My Bloody Valentine released Tremolo, which was another critical success and topped the UK Indie Chart.<ref>Template:Cite episode</ref>

Template:Listen Released in November 1991, Loveless was rumoured to have cost more than £250,000 and bankrupted Creation Records, claims that Shields has denied.Template:Sfn Critical reception to Loveless was nearly unanimous with praise,Template:Sfn although the album was not a commercial success; it peaked at number 24 on the UK Albums Chart<ref>Template:Cite web</ref> but failed to chart internationally. McGee dropped My Bloody Valentine from Creation Records soon after the release of Loveless because of the album's extensive recording period and his interpersonal problems with Shields.<ref name="gdn">Template:Cite web</ref> However, Loveless proved to have a lasting influence, inspiring bands such as Radiohead, Smashing Pumpkins, Mogwai, Nine Inch Nails and more.<ref name=NME2013>Template:Cite web</ref>

1992–1997: Island Records and breakup

My Bloody Valentine signed with Island Records in October 1992 for a reported £250,000 contract.<ref name="uc">Template:Cite magazine</ref> The band's advance went toward the construction of a home studio in Streatham, South London, which was completed in April 1993. Several technical problems with the studio sent the band into "semi-meltdown," according to Shields,Template:Sfn who was rumoured to have been suffering from writer's block.<ref name="td" /> The band remained largely inactive, but they recorded and released two cover songs from 1993 to 1996—a rendering of "We Have All the Time in the World" by Louis Armstrong for Peace Together<ref>Template:Cite web</ref> and a cover of "Map Ref. 41°N 93°W" by Wire for the tribute album Whore: Tribute to Wire.<ref>Template:Cite web</ref>

In 1995, Debbie Googe and Colm Ó Cíosóig left My Bloody Valentine. Googe, who briefly worked as a taxi driver following her departure, formed the indie rock supergroup Snowpony with Katharine Gifford, who also performed with Stereolab and Moonshake.<ref>Template:Cite web</ref> Ó Cíosóig relocated to the United States, forming Hope Sandoval & the Warm Inventions with Hope Sandoval of Mazzy Star.<ref>Template:Cite web</ref> Shields and Butcher attempted to record a third studio album that Shields claimed would be released in 1998.<ref>Template:Cite magazine</ref> However, unable to finalise a third album, Shields isolated himself and, in his own words, "went crazy," drawing comparisons in the music press to the eccentric behavior of Brian Wilson of the Beach Boys and Syd Barrett of Pink Floyd.<ref name="gdn" /> Shields later became a touring member of Primal Scream, collaborated with a number of artists including Yo La Tengo, Dinosaur Jr. and Le Volume Courbe<ref>Template:Cite web</ref> and recorded songs for the soundtrack to the 2003 film Lost in Translation.<ref>Template:Cite web</ref>

Rumours have spread among fans that albums worth of material had been recorded and shelved prior to the band's breakup. In 1999, it was reported that Shields had delivered 60 hours of material to Island Records,<ref name="uc" /> and Butcher confirmed that there existed "probably enough songs to fill two albums."<ref name="td" /> Shields later admitted that at least one full album of "half-finished" material was abandoned, stating "it was dead. It hadn't got that spirit, that life in it."<ref>Template:Cite web</ref>

2007–2013: Reunion and m b v

In August 2007, reports emerged suggesting that My Bloody Valentine would reunite for the 2008 Coachella Valley Music and Arts Festival in Indio, California.<ref>Template:Cite magazine</ref> Similar reports had circulated in 2003 stating that Shields, Butcher and Ó Cíosóig were together in Berlin to rerecord five songs originally recorded for Glider that would be included in an upcoming box set.<ref>Template:Cite web Template:Subscription required</ref> In 2007, reports suggested that the band were to perform at a series of Pod-organised concerts at the Irish Museum of Modern Art in Kilmainham, Dublin.<ref>Template:Cite web</ref> Shields later confirmed the reunion and said that the band's third studio album, which he had begun recording in 1996, was near completion.<ref>Template:Cite magazine</ref> Three live shows in the U.K. were announced in November 2007,<ref>Template:Cite web</ref> and on 13 June 2008, My Bloody Valentine performed in public for the first time in 16 years with two live rehearsals at the Institute of Contemporary Arts in London.<ref>Template:Cite web</ref>

File:Bilinda Butcher (2008).jpg

Bilinda Butcher and Debbie Googe performing in 2008

My Bloody Valentine embarked upon an extensive worldwide tour throughout summer and autumn 2008. The band performed at European music festivals, including the Roskilde Festival in Roskilde, Denmark,<ref>Template:Cite web</ref> Øyafestivalen in Oslo, Norway<ref>Template:Cite web</ref> and Electric Picnic in Stradbally, Ireland,<ref>Template:Cite news</ref> as well as the Fuji Rock Festival in Niigata, Japan.<ref>Template:Cite web</ref> From 19 to 21 September, the band curated and performed at the 2008 All Tomorrow's Parties festival in New York and later performed throughout North America, including dates in Chicago, Toronto, Denver, San Francisco, Los Angeles and Austin.<ref>Template:Cite web</ref> The band spent £200,000 on equipment for their world tour,<ref name="nytimes">Template:Cite web</ref> which was their first since 1992 in support of Loveless.<ref>Template:Cite web</ref>

Following additional touring in 2009, My Bloody Valentine dedicated their time to completing their third album. Rumours of a box set, which had circulated in April 2008 following a listing on HMV Japan's web site,<ref>Template:Cite web</ref> recirculated. In March 2012, after a number of reported delays, Sony Music Ireland announced the release of the compilation album EP's 1988–1991—a collection of the band's Creation Records extended plays, singles and unreleased tracks.<ref>Template:Cite web</ref> The compilation album was released on 4 May 2012 along with remastered versions of Isn't Anything and Loveless.<ref name="nme">Template:Cite web</ref>

File:MBV 2008.jpg

My Bloody Valentine perform in 2008.

In November 2012, Kevin Shields announced plans to release My Bloody Valentine's third album online before the end of the year.<ref>Template:Cite web</ref> In December, the band announced on Facebook that the album was completed and mastered,<ref>Template:Cite web</ref> and on 27 January 2013, during a warmup show at Electric Brixton in London, Shields told the audience that the album "might be out in two or three days."<ref>Template:Cite web</ref> The album, titled Template:Nowrap, was released through the band's official website on 2 February 2013, and the resulting high traffic crashed the site.<ref>Template:Cite web</ref> Upon its release, Template:Nowrap received "universal acclaim," according to Metacritic,<ref name="mc">Template:Cite web</ref> and the band went on a worldwide tour.<ref>Template:Cite web</ref>

2013–present: Future plans

In 2013, Shields announced plans to release a My Bloody Valentine EP "of all-new material," which would be followed by a fourth studio album.<ref>Template:Cite web</ref> In September 2017, it was reported that Shields was working on material for a new My Bloody Valentine album that was projected for release in 2018.<ref>Geslani, Michellle (18 September 2017). "My Bloody Valentine may release new album in 2018". Consequence of Sound. consequence.net. Retrieved 7 January 2018.</ref> As of 2018, two EPs were expected to be released in 2019, but all previously announced release estimates have not been met.<ref>Schatz, Lake (11 October 2018). "Kevin Shields says My Bloody Valentine will release two new albums, debuts Brian Eno collaboration "The Weight of History": Stream". Consequence of Sound. consequence.net. Retrieved 11 October 2018.</ref>

In April 2020, American clothing brand Supreme announced a collaboration with My Bloody Valentine, licensing the album art of Glider, Feed Me With Your Kiss and Loveless for the company's Spring 2020 clothing collection.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

On 29 March 2021, My Bloody Valentine published a promotional video which features the cover art of previous releases as well as the text "31 03".<ref>Template:Cite web</ref> On 31 March 2021, it was announced that My Bloody Valentine signed with Domino Recording Company. The band's full discography from 1988 to 2013 was made available on streaming services worldwide for the first time, as well as announcing CD and LP re-releases of their music for 21 May.<ref>Template:Cite web</ref> While promoting My Bloody Valentine's re-releases, Shields confirmed that the band is working on new material, and said that they plan on finishing a melodic, song-oriented album and a more experimental album.<ref>Template:Cite web</ref>

In 2022, My Bloody Valentine accused music streaming service Spotify of showing "fake lyrics" which the band called "completely incorrect and insulting".<ref>Template:Cite news</ref>

On November 25, 2024, the band announced a one-off concert (its first in seven years) to take place on November 22, 2025 at the 3Arena in Dublin.<ref>Template:Cite web</ref> This was further backed on March 28, 2025 by an additional three dates in Manchester, London, and Glasgow, all to take place after the Dublin date.<ref>Template:Cite web</ref>Template:Rs

Style

Influences

My Bloody Valentine's musical style progressed throughout their career. The band were originally influenced by post-punk acts such as The Birthday Party, The Cramps and Joy Division; according to author Mike McGonial the band "brought together the least interesting elements" of their influences.Template:Sfn They were also influenced by certain dark post-punk bands who were experimenting: "the best of all was Siouxsie and the Banshees, the Cure and Killing Joke".<ref>Template:Cite news</ref> Their debut mini album, This is Your Bloody Valentine (1985), incorporated a further gothic rock sound which AllMusic referred to as "unfocused and derivative".<ref>Template:Cite web</ref> However, when the band began experimenting with pop melodies on The New Record by My Bloody Valentine (1986), it marked "a vital point in the development of their sound",<ref>Template:Cite web</ref> which was influenced primarily by The Jesus and Mary Chain. The band later took a "rarified, effete and poppy approach to Byrdsian rock" with their two successive releases, "Strawberry Wine" and Ecstasy (1987).Template:Sfn Isn't Anything and its preceding releases were influenced by American bands, most notably the distorted guitar-based noise rock of Dinosaur Jr. and Sonic Youth, as well as the experimental dream pop of British group A.R. Kane,<ref name="The Guardian">Template:Cite web</ref> during which time Shields developed his trademark guitar techniques.Template:Sfn

The band were further influenced by dance music and especially hip hop, of which Shields said "it beats the shit out of most rock music when it comes to being experimental, it's been a constant source of inspiration to us."<ref>Template:Cite web</ref> Shield's experimentation with guitar tone would be influenced by sampled sounds employed by Public Enemy and the Bomb Squad,<ref>Template:Cite book</ref> which Shields described as "half-buried or muted, a real sense of sounds being semi-decayed, or destroyed, but then re-used."<ref name=q/> The band experimented with samplers around the time of the Glider EP, utilizing them to play back and manipulate their own guitar feedback and vocals on keyboards; by the time of the Tremolo EP, they had acquired an Akai sampler.<ref name="q">Template:Cite web</ref> In the mid-1990s, Kevin Shields and Colm Ó Cíosóig recorded music influenced by the rapid rhythms of the UK's underground jungle and drum and bass scenes.Template:Sfn<ref name="p4k">Template:Cite web</ref>

Sound

Template:Listen One of the most recognisable aspects of My Bloody Valentine's music is Shields' electric guitar sound, which "use[s] texture more than technique to create vivid soundscapes."Template:Sfn During the late 1980s, Shields began customising the tremolo systems for his Fender Jaguars and Jazzmasters; extending the tremolo arm and loosening it considerably, to allow him to manipulate the arm while strumming chords,Template:Sfn which resulted in excessive pitch bending. Shields used a number of alternate and open tunings<ref name="lastv" /> that together with his tremolo manipulation achieved "a strange warping effect that makes the music wander in and out of focus", according to Rolling Stone.<ref>Template:Cite magazine</ref> Shields' most notable effect is reverse digital reverb, sourced from an Alesis Midiverb II or Yamaha SPX90 effects unit. Together with the tremolo manipulation and distortion, he created a technique known as "glide guitar".Template:Sfn Shields effects rig, which is composed largely of distortion, graphic equalizers and tone controls,<ref>Template:Cite magazine</ref> consists of at least 30 effects pedals<ref name="nytimes" /> and is connected to a large number of amplifiers, which are often set to maximum volume to increase sustain. During live performances, in the closing song "You Made Me Realise", My Bloody Valentine perform an interlude of noise, which can last for half an hour and often reaches 130 dB.<ref>Template:Cite web</ref> Shields later remarked "it was so loud it was like sensory deprivation. We just liked the fact that we could see a change in the audience at a certain point."<ref name="gdn" />

File:Glide guitar 1989.jpg

Shields performing in 1989 with his "glide guitar" technique, in which he strums while holding the vibrato bar.

Bilinda Butcher's vocals have been referred to as a trademark of My Bloody Valentine's sound, alongside Shields' guitar techniques. On a number of occasions during the recording of Isn't Anything and Loveless, Butcher was awoken and recorded vocals, which she said "influenced [her] sound" by making them "more dreamy and sleepy".<ref name="DeRog">Template:Cite news</ref> The vocals in most My Bloody Valentine's recordings are low in the mixTemplate:Sfn as Shields intended for the vocals to be used as an instrument.Template:Sfn Critics have often described the band's vocals as androgynous.<ref name="spin08">Template:Cite magazine</ref>

Lyrical themes

My Bloody Valentine's lyrics are mostly written by Shields. However, Butcher wrote a third of the lyrics on both Isn't Anything and Loveless.<ref name="td" /> Spin writer Simon Reynolds has noted that the band's lyrics often contain sexual themes, which are "a paradoxical blend of force and tenderness".<ref name="spin08" /> Butcher herself has referred to a lot of the lyrics as "plain nonsense." According to Butcher, she "didn't have a plan and never thought about lyrics until it was time to write them. I just used whatever was in my head for the moment."<ref name="td" /> Some of her lyrics were written as a result of attempting to interpret rough versions of songs Shields had recorded. Butcher has said: "He [Shields] never sang any words on the cassettes I got but I tried to make his sounds into words."<ref name="td" /> Butcher and Shields would often spend eight to ten hours a night writing lyrics, even though few changes actually resulted. Of this, Shields spoke:

Words are extremely important in the sense that we've spent way more time on the lyrics than ever on the music. Music is spontaneous and it's either good or bad so you just take it or leave it. Where lyrics, all the stuff comes out and then we usually just finish them right before we have to sing so it's usually these nights of eight or ten hours just trying to desperately make sure it's going to be as good as possible, even though most of it's there anyway and it's always been there. There's nothing worse than bad lyrics. For me a bad lyric is a lyric that jumps out at you, and that's offensive, it takes you completely away from enjoying the music.Template:Sfn

Legacy

My Bloody Valentine are regarded by some as the pioneers of the alternative rock subgenre known as shoegaze,<ref name="sgz" /> a term coined by Sounds journalists in the 1990s to describe certain bands' "motionless performing style, where they stood on stage and stared at the floor".Template:Sfn<ref>Template:Cite book</ref> The band's releases on Creation Records influenced shoegaze acts, including Slowdive, Ride and Lush, and are regarded as providing a platform to allow the bands to become recognised.<ref>Template:Cite book</ref> Following the release of Loveless (1991), My Bloody Valentine were "poised for a popular breakthrough", although never achieved mainstream success. However, the band are noted to have been "profoundly influential in the direction of '90s alternative rock", according to AllMusic.<ref name="am">Template:Cite web</ref> In 2017, a study of AllMusic's database indicated My Bloody Valentine as its 26th most frequently cited influence on other artists.<ref>Template:Cite web</ref>

Several alternative rock bands have cited My Bloody Valentine as an influence. The Smashing Pumpkins frontman Billy Corgan was influenced by Isn't Anything upon its release and attempted to recreate its sound on the band's debut album Gish (1991), particularly the closing track "Daydream" which Corgan described as "a complete rip-off of the My Bloody Valentine sound."<ref name="corgan">Template:Cite AV media</ref> The Smashing Pumpkins two successive studio albums, Siamese Dream (1993) and Mellon Collie and the Infinite Sadness (1995), were also influenced by the band.<ref name="corgan" /> Courtney Love cited the band as an influence on Hole's third album Celebrity Skin (1998).<ref>Template:Cite interview</ref>

Other bands and artists that have cited My Bloody Valentine as an influence include American Football,<ref>Template:Cite web</ref> Veruca Salt,<ref>Template:Cite web</ref> Mogwai,<ref>Template:Cite web</ref> Oneohtrix Point Never,<ref>Template:Cite web</ref> Thursday,<ref>Template:Cite news</ref> Naked Giants,<ref>Template:Cite web</ref> Quicksand,<ref>Template:Cite web</ref> and ...And You Will Know Us by the Trail of Dead.<ref>Template:Cite web</ref>

Actor Michael Imperioli of The Sopranos fame has cited My Bloody Valentine as one of his favorite bands,<ref>Template:Cite web</ref> and described seeing them live as "a very profound experience, very physical and very visceral".<ref>Template:Cite web</ref>

Members

Current members

• Kevin Shields – vocals, guitars, bass, sampler keyboard (1983–1997, 2007–present)
• Colm Ó Cíosóig – drums, sampler keyboard (1983–1995, 2007–present)
• Bilinda Butcher – vocals, guitars (1987–1997, 2007–present)
• Debbie Googe – bass (1985–1995, 2007–present)

Touring musicians

• Anna Quimby – flute (1991–1992)
• Jen Macro – keyboards, guitars (2013–present)

Early members

• David Conway – vocals (1983–1987)
• Mark Loughlin  – bass (1983)
• Stephen Ivers – guitar (1983–1984)
• Mark Ross – bass (1984)
• Paul Murtagh – bass (1984–1985)
• Tina Durkin – keyboards (1984–1985)
• Joe Byfield – vocals (1987)

Timeline

<timeline> ImageSize = width:900 height:auto barincrement:20 PlotArea = left:90 bottom:80 top:10 right:10 Alignbars = justify DateFormat = mm/dd/yyyy Period = from:01/01/1983 till:{{#time:m/d/Y}} TimeAxis = orientation:horizontal format:yyyy Legend = orientation:vertical position:bottom columns:4 ScaleMajor = increment:2 start:1984 ScaleMinor = increment:1 start:1983

Colors =

id:vocals        value:red         legend:Vocals
id:guitar        value:green       legend:Guitar
id:keyboard      value:purple      legend:Keyboards
id:bass          value:blue        legend:Bass
id:drums         value:orange      legend:Drums
id:Lines1        value:black       legend:Studio_album
id:Lines2        value:gray(0.4)   legend:Mini_LP
id:Lines3        value:gray(0.75)  legend:EP

id:bars    value:gray(0.95)

BackgroundColors = bars:bars

LineData =

layer:back
color:Lines3
at:12/01/1985
at:09/01/1986
at:08/08/1988
at:04/23/1995
at:02/04/1991
color:Lines2
at:01/15/1985
at:11/23/1987
color:Lines1
at:11/21/1988
at:11/04/1991
at:02/02/2013

BarData =

bar:Conway        text:"David Conway"
bar:Byfield       text:"Joe Byfield"
bar:Butcher       text:"Bilinda Butcher"
bar:Shields       text:"Kevin Shields"
bar:Ivers         text:"Stephen Ivers"
bar:Durkin        text:"Tina Durkin"
bar:Loughlin      text:"Mark Loughlin"
bar:Ross          text:"Mark Ross"
bar:Murtagh       text:"Paul Murtagh"
bar:Googe         text:"Debbie Googe"
bar:Cio           text:"Colm Ó Cíosóig"

PlotData=

width:11
bar:Shields     from:01/01/1983 till:10/01/1997 color:guitar
bar:Shields     from:01/01/1983 till:10/01/1997 color:vocals width:3
bar:Shields     from:02/01/1989 till:10/01/1997 color:keyboard width:7
bar:Shields     from:08/01/2007 till:end        color:guitar
bar:Shields     from:08/01/2007 till:end        color:vocals width:3
bar:Conway      from:01/01/1983 till:04/01/1987 color:vocals
bar:Butcher     from:04/01/1987 till:10/01/1995 color:guitar width:3
bar:Butcher     from:04/01/1987 till:10/01/1997 color:vocals
bar:Butcher     from:10/01/1995 till:10/01/1997 color:guitar width:3
bar:Butcher     from:08/01/2007 till:end        color:guitar width:3
bar:Butcher     from:08/01/2007 till:end        color:vocals
bar:Googe       from:04/01/1985 till:10/01/1995 color:bass
bar:Googe       from:08/01/2007 till:end        color:bass
bar:Ross        from:04/01/1984 till:08/01/1984 color:bass
bar:Murtagh     from:08/01/1984 till:04/01/1985 color:bass
bar:Ivers       from:01/01/1983 till:04/01/1984 color:guitar
bar:Durkin      from:04/01/1984 till:04/01/1985 color:keyboard
bar:Loughlin    from:01/01/1983 till:10/01/1983 color:bass
bar:Byfield     from:01/01/1987 till:04/01/1987 color:vocals
bar:Ivers       from:01/01/1983 till:04/01/1984 color:guitar

bar:Cio         from:01/01/1983 till:10/01/1995 color:drums
bar:Cio        from:02/01/1989 till:10/01/1995 color:keyboard width:3
bar:Cio         from:08/01/2007 till:end        color:drums

</timeline>

Discography

• Isn't Anything (1988)
• Loveless (1991)
• m b v (2013)

See also

• The Scene That Celebrates Itself
• List of alternative rock artists
• List of Irish musical groups

References

Bibliography

• Template:Cite book
• Template:Cite book
• Template:Cite book
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• Template:Cite magazine
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External links

• Template:Official website
• Early live footage, c 1991
• Template:AllMusic
• Detailed annotated discography as of 2023
• Detailed annotated timeline as of 2023