Traveling Wilburys

Template:Short description Template:Use British English Template:Use dmy dates Template:Infobox musical artist

The Traveling Wilburys were a British-American supergroup formed in Los Angeles in 1988, consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty. They were a roots rock band and described as "perhaps the biggest supergroup of all time".<ref>Template:Cite web</ref>

Originating from an idea discussed by Harrison and Lynne during the sessions for Harrison's 1987 album Cloud Nine, the band formed in April 1988 after the five members united to record a bonus track for Harrison's next European single. When this collaboration, "Handle with Care", was deemed too good for such a limited release, the group agreed to record a full album, titled Traveling Wilburys Vol. 1, released in October 1988. Following Orbison's death in December 1988, the Wilburys continued as a quartet and released a second album, incongruously titled Traveling Wilburys Vol. 3, in 1990.

The release of their debut album was much anticipated because of the stature of the participants. The band members adopted tongue-in-cheek pseudonyms as half-brothers from the fictional Wilbury family of travelling musicians. Vol. 1 was a critical and commercial success, helping to revitalise Dylan's and Petty's careers. In 1990, the album won the Grammy for Best Rock Performance by a Duo or Group.

Although Harrison envisioned a series of Wilburys albums and a film about the band, to be produced through his company HandMade, the group became dormant after 1991 and never officially reunited, though the individual members continued to collaborate on each other's solo projects at various times. Harrison died in 2001, followed by Petty in 2017, leaving Dylan and Lynne as the only surviving members. After being unavailable for several years, the two Wilburys albums were reissued by the Harrison estate in the 2007 box set The Traveling Wilburys Collection.

History

Background

Template:Quote box

George Harrison first mentioned the Traveling Wilburys publicly during a radio interview with Bob Coburn on the show Rockline in February 1988.Template:Sfn Template:Sfn When asked how he planned to follow up the success of his Cloud Nine album, Harrison replied: "What I'd really like to do next is ... to do an album with me and some of my mates ... It's this new group I got [in mind]: it's called the Traveling Wilburys, I'd like to do an album with them and then later we can all do our own albums again."<ref>Template:Cite web Template:Cbignore</ref>Template:Refn According to Jeff Lynne, who co-produced Cloud Nine, Harrison introduced the idea of the two of them starting a band together around two months into the sessions for his album,<ref name="Lynne/Mojo" /> which began in early January 1987.Template:Sfn When discussing who the other members might be, Harrison chose Bob Dylan and Lynne opted for Roy Orbison.<ref name="Lynne/Mojo">Template:Cite web</ref>Template:Sfn The term "Wilbury" also originated during the Cloud Nine sessions. Referring to recording errors created by faulty equipment, Harrison jokingly remarked to Lynne, "We'll bury 'em in the mix."Template:Sfn<ref name="ostin">Template:Cite AV media notes</ref> Thereafter, they used the term for any small error in performance. Harrison first suggested "the Trembling Wilburys" as the group's name; at Lynne's suggestion, they amended it to "Traveling Wilburys".Template:Sfn Template:Refn

During his Rockline interview, Harrison voiced his support for Dylan,Template:Sfn at a time when Dylan was experiencing an artistic and commercial low point in his career.Template:Sfn Harrison and Lynne became friends with Tom Petty in October 1987, when Petty and his band, Tom Petty and the Heartbreakers, toured Europe as Dylan's backing group on the Temples in Flames Tour.Template:Sfn Template:Sfn The friendship continued in Los Angeles later that year.Template:Sfn There, Harrison struck up a musical rapport with Petty based on their shared love of 1950s rock 'n' roll,Template:Sfn and Lynne began collaborating with Petty on what became Petty's debut solo album, Full Moon Fever, and writing songs with Orbison, Lynne's longtime musical hero,Template:Sfn for Orbison's comeback album, Mystery Girl.Template:Sfn Template:Sfn According to Petty, Harrison's dream for the Wilburys was to handpick the participants and create "the perfect little band", but the criteria for inclusion were governed most by "who you could hang out with".Template:Sfn The five musicians also bonded over a shared appreciation of the English comedy troupe Monty Python.<ref name="GenesisBook" /> Harrison, who had worked with the members of Monty Python on various productions by his company HandMade Films since the late 1970s, particularly appreciated Orbison's gift for impersonation and his ability to recite entire sketches by the troupe.Template:Sfn Template:Sfn

Otis Wilbury (Lynne)

Otis Wilbury (Lynne)
Lefty Wilbury (Orbison)

Lefty Wilbury (Orbison)
Charlie T. Wilbury Jr. (Petty)

Charlie T. Wilbury Jr. (Petty)
Lucky Wilbury (Dylan)

Lucky Wilbury (Dylan)

1988–1991

"Handle with Care" and band formation

The band came together in April 1988,Template:Sfn when Harrison was in Los Angeles to oversee the filming of his HandMade production Checking Out.Template:Sfn At that time, Warner Bros. Records asked Harrison for a new song to serve as the B-side for the European release of his third single from Cloud Nine, "This Is Love".Template:Sfn During a meal with Lynne and Orbison, Harrison asked Lynne to help him record the track and invited Orbison to attend the session,Template:Sfn which he then arranged to take place at Dylan's garage studio in Malibu Template:Sfn since no professional studios were available at such short notice.Template:Sfn Petty's involvement came about when Harrison went to retrieve his guitar from Petty's house and invited him to attend also.Template:Sfn

Working on a song that Harrison had recently started writing, the ensemble completed the track, which they titled "Handle with Care" after a label on a box in Dylan's garage.Template:Sfn When Harrison presented the recording to Mo Ostin and Lenny Waronker of Warner Bros., the executives insisted that the song was too good to be used as a B-side.Template:Sfn<ref>Template:Cite news</ref> In Petty's recollection, Harrison and Lynne then decided to realise their idea of forming a Wilburys band, and first invited him to join before phoning Dylan, who also agreed to join.<ref name="Zimmer/BAM" /> That night, Harrison, Lynne and Petty drove to Anaheim to see Orbison perform at the Celebrity Theatre and recruited him for the group shortly before he went on stage. In Petty's description, Orbison performed an "unbelievable show", during which "we'd punch each other and go, 'He's in our band, too.' ... We were all so excited."<ref name="Zimmer/BAM">Template:Cite magazine Available at Rock's Backpages (subscription required).</ref>

Debut album

Template:Quote box The band members decided to create a full album together, Traveling Wilburys Vol. 1. Video footage of the creative process was later edited by Harrison into a promotional film for Warner Bros. staff, titled Whatever Wilbury Wilbury.Template:Sfn Template:Sfn The album was recorded primarily over a ten-day period in May 1988,Template:Sfn to allow for Dylan's limited availability as he prepared for the start of what became known as his Never Ending Tour Template:Sfn<ref>Template:Harvnb, event occurs between 2:40 and 3:00.</ref> and for Orbison's tour schedule.Template:Sfn These sessions were held in the house of Eurythmics member Dave Stewart, in Los Angeles.Template:Sfn

The five band members sat in a circle playing acoustic guitars in Stewart's kitchen;<ref>Template:Harvnb, event occurs between 3:40 and 4:08.</ref> once each song's basic track had been written and recorded there (with accompaniment from a drum machine),<ref name="Hurwitz/Mix">Template:Cite web</ref> the group recorded their vocals in another room, usually after dinner each night.Template:Sfn Template:Sfn Petty recalled that, as a friend but also an avowed fan of Dylan's, Harrison felt the need to clear the air on the first day by saying to him: "We know that you're Bob Dylan and everything, but we're going to just treat you and talk to you like we would anybody else." Dylan replied: "Well, great. Believe it or not, I'm in awe of you guys, and it's the same for me."Template:Sfn While most of the songs had a primary composer,Template:Sfn all of the band members were creative equals.Template:Sfn Template:Sfn Petty later described Harrison as the Wilburys' "leader and manager",Template:Sfn and credited him with being a bandleader and producer that had a natural instinct for bringing out the best in people and keeping a recording session productive.Template:Sfn Template:Refn As the group's producers, Harrison and Lynne directed the sessions, with Harrison often auditioning each member to decide who should sing a particular lead vocal part.Template:Sfn<ref>Template:Cite magazine</ref> The two producers then flew back to England; Lynne recalls that, throughout the flight, he and Harrison enthused about how to turn the sparse, acoustic-based tracks into completed recordings.<ref>Template:Harvnb, event occurs between 18:24 and 19:05.</ref> Overdubs and further recording took place at Harrison's studio, FPSHOT,<ref name="Zimmer/BAM" /> with "Sideburys" Jim Keltner (drums), Jim Horn (saxophones) and Ray Cooper (percussion).Template:Sfn Harrison described the band's sound as "skiffle for the 1990s".Template:Sfn

The album was released on 18 October 1988.Template:Sfn Distributed by Warner Bros., it appeared on the new Wilbury record label rather than on Harrison's Dark Horse label, in the interests of maintaining the group identity.Template:Sfn Over the months following the end of recording in the summer, contractual issues had been successfully negotiated between Warner and the record companies representing Dylan, Petty, Lynne and Orbison. As was the case in 1971 when EMI prepared Harrison's multi-artist live album from the Concert for Bangladesh for release, Dylan's label, Columbia, presented the main stumbling block.Template:Sfn Template:Refn In the album credits, the "Wilburys" joke was extended further, with the band members listed under various pseudonyms and pretending to be half-brothers – sons of a fictional Charles Truscott Wilbury Sr.<ref>Template:Cite web</ref>Template:Sfn During promotion for the album, Orbison played along with the mock history, saying: "Some people say Daddy was a cad and a bounder, but I remember him as a Baptist minister."Template:Sfn Template:Sfn

Vol. 1 was a critical and commercial success, and revitalised the careers of Dylan, Orbison and Petty.<ref name="Erlewine/AM" /> As Harrison had intended, the album defied contemporary musical trends such as hip hop, acid house and synthesised pop; author Alan Clayson likens its release to "a Viking longship docking in a hovercraft terminal".Template:Sfn Template:Refn The album produced two successful singles and went on to achieve triple-platinum certification for sales in the United States. It was nominated for several awards and won the 1990 Grammy Award for Best Rock Performance by a Duo or Group. Liner notes on the album cover were written by Monty Python's Michael Palin under a pseudonym.Template:Sfn Palin's essay was based on an idea by Derek Taylor,Template:Sfn who wrote an extensive fictional history of the Wilburys family that otherwise went unused.Template:Sfn Harrison planned a feature film about the band, to be produced by HandMade and directed by David Leland, but contractual problems ended the project.Template:Sfn

Orbison's death, "Nobody's Child" and Vol. 3

Roy Orbison died of a heart attack on 6 December 1988.Template:Sfn In tribute to him, the music video for the band's second single, "End of the Line", shows a black-and-white framed photo of Orbison, and his guitar is shown, rocking in a chair, whenever his vocals are heard.Template:Sfn Lynne recalled that Orbison's death in the wake of Vol. 1Template:'s success was "the most sickening thing to me". He added: "I was devastated for ages ... Me and Roy had had plans to do much more together, and his voice was in really good shape. It was just so sad for that to happen."<ref>Template:Cite web</ref> Although there was speculation in the press that Del Shannon or Roger McGuinn might join the Wilburys, the remaining members never considered replacing Orbison.Template:Sfn Template:Sfn Template:Refn Lynne later said: "We'd become this unit, we were all good pals … We always knew we were going to do another one, and now it's just the four of us."Template:Sfn

Harrison was the most active in promoting the Wilburys, carrying out interviews well into 1989.Template:Sfn He said he was "wait[ing] for all the other Wilburys to finish being solo artists" so that they could renew the collaboration.Template:Sfn By contrast, according to author Clinton Heylin, Dylan appeared to give the band little attention as he focused on re-establishing himself as a live performer before recording his 1989 album Oh Mercy.Template:Sfn Template:Refn

In March 1990, Harrison, Lynne, Petty and Dylan reunited to work on a second Wilburys album, which they intentionally misnumbered Traveling Wilburys Vol. 3.Template:Sfn It was preceded by a non-album single, a cover of "Nobody's Child",Template:Sfn which the band recorded for Olivia Harrison's Romanian Angel Appeal charity project.Template:Sfn Template:Sfn The duration of the main album sessions was again dictated by Dylan's touring schedule and limited availability. Having asked Dylan to record a lead vocal for all the songs before his departure, Harrison was then loath to replace many of the parts, resulting in a greater prominence for Dylan as a lead singer.Template:Sfn Although he ceded his own role as a lead vocalist to Dylan and to Petty,Template:Sfn Harrison took over more of the production and contributed more prominently as a lead guitarist than before.Template:Sfn Petty described the album as "a little more rough and ready, a bit more raucous" than Vol. 1,Template:Sfn while Dylan said the new songs were more developed as compositions relative to the "scraped up from jam tapes" approach to the band's debut.Template:Sfn

Vol. 3 was released on 29 October 1990.Template:Sfn It was dedicated to Orbison, as "Lefty Wilbury", the pseudonym that Orbison had used in 1988 in honour of his hero Lefty Frizzell.Template:Sfn The album met with less success than the previous one. According to Mo Ostin, the choice of album title came about through "George being George";<ref name="ostin" /> apparently Harrison was making a wry reference to the appearance of a bootleg that served as a sort of Volume 2.<ref>Traveling Wilburys Volume 3, 2002</ref> The album's liner notes were written by Eric Idle, another Python member, who again adopted a pseudonym. For the band's final single, "Wilbury Twist", they filmed a video in which Idle, John Candy and other comedic actors attempt to master the song's eponymous dance style. The clip was filmed in Los Angeles and completed on 28 February 1991.Template:Sfn Template:Refn

After the Wilburys

According to Jim Keltner, the decision on the group's future after Vol. 3 lay with Harrison. Keltner said that from his conversations with Lynne, Petty and Dylan, they were all keen to reunite, whereas Harrison wavered in his enthusiasm.Template:Sfn

After his 1991 tour of Japan – his first series of concerts since 1974 – Harrison spoke of a possible Traveling Wilburys tour: Template:Blockquote

The Wilburys tour never came about. Petty said about the Wilburys touring: Template:Blockquote

Legacy and influence

Template:Quote box In the Rolling Stone Press book The New Rolling Stone Encyclopedia of Rock & Roll, the Traveling Wilburys are described as "the ultimate supergroup", with a line-up that represented four eras of rock music history and included "three indisputable gods" in Dylan, Harrison and Orbison. The editors also recognise the band as "the antithesis of a supergroup", due to the musicians' adoption of fraternal alter egos and the humour inherent in the project.Template:Sfn AllMusic managing editor Stephen Thomas Erlewine has similarly written: "It's impossible to picture a supergroup with a stronger pedigree than that (all that's missing is a Rolling Stone), but in another sense it's hard to call the Wilburys a true supergroup, since they arrived nearly two decades after the all-star craze of the '70s peaked, and they never had the self-important air of nearly all the other supergroups. That, of course, was the key to their charm …"<ref name="Erlewine/AM">Template:Cite web</ref> Speaking to music journalist Paul Zollo in 2004, Petty agreed that humour and self-effacement had been key factors in the Wilburys' success, adding: "We wanted to make something good in a world that seemed to get uglier and uglier and meaner and meaner … And I'm really proud that I was part of it. Because I do think that it brought a little sunshine into the world."Template:Sfn

Harrison said the project was an opportunity to "put a finger up to the rules" by challenging the norms associated with the music industry.<ref name="GenesisBook" /> Discussing the Wilburys in Peter Bogdanovich's 2007 documentary Runnin' Down a Dream, Petty said that one of the strengths behind the concept was that it was free of any intervention from record company, management or marketing concerns, and instead developed naturally from a spirit of co-operation and mutual admiration among five established artists.Template:Sfn Author Simon Leng recognises the venture as primarily a channel through which Harrison and Dylan could escape the restrictions of their serious media images, but also, in its guise as a "phantom band", a development by Harrison of the Rutles' satirical approach to the Beatles' legacy, in this case by "de-mythologizing" rock history.Template:Sfn

Inspired by the Traveling Wilburys' success and particularly its benefit to Petty and Orbison as artists, Lenny Waronker encouraged American guitarist Ry Cooder to form the band Little Village and record for Warner Bros.<ref>Template:Cite news</ref> The group – comprising Cooder, Keltner, John Hiatt and Nick Lowe – released a self-titled album in 1992.Template:Sfn Greg Kot of the Chicago Tribune described the Notting Hillbillies' Missing ... Presumed Having a Good Time as a Traveling Wilburys-type side project for Mark Knopfler of Dire Straits.<ref>Template:Cite news</ref> Writing in New York magazine in late 1990, Elizabeth Wurtzel cited the Notting Hillbillies' album and the self-titled debut by Hindu Love Gods – a band consisting of Warren Zevon and members of R.E.M. – as examples of a trend whereby, following the Wilburys' Vol. 1, "more and more albums seem to be the rock-and-roll equivalents of bowling night."<ref>Template:Cite magazine</ref>

Writing in The Encyclopedia of Popular Music, Colin Larkin cites the Wilburys' contemporary skiffle as evidence of Lonnie Donegan's continued influence on popular music long after the early 1960s.Template:Sfn In his book Lonnie Donegan and the Birth of British Rock & Roll, Patrick Humphries describes the Wilburys as "a makeshift quintet whose roots were firmly and joyously planted in low-key, low-tech skiffle music". He credits the band with inspiring a brief revival of Donegan's "DIY skiffle", which included Knopfler's Notting Hillbillies.Template:Sfn Each member of the Traveling Wilburys has been inducted into the Rock and Roll Hall of Fame, although the band itself has not been inducted. Orbison and Dylan were inducted as solo artists, Harrison was inducted as a member of the Beatles and, posthumously, as a solo artist, Petty as the leader of Tom Petty and the Heartbreakers, and Lynne as a member of the Electric Light Orchestra.<ref>Template:Cite web</ref>

Catalogue reissue and Genesis Publications book

Template:Quote box In the late 1990s and early 2000s, the two Traveling Wilburys albums had limited availability and were out of print in most areas. Harrison, as primary holder of the rights, did not reissue them before his death. In June 2007, the two albums were reissued as The Traveling Wilburys Collection, a box set including both albums on CD (with bonus tracks) and a DVD featuring a 25-minute documentary entitled The True History of the Traveling Wilburys and a collection of music videos. The box set was released in three editions: the standard edition, with both CDs and DVD in a double Digipak package and a 16-page booklet; a "deluxe" boxed edition with the CDs and DVD and an extensive 40-page booklet, artist postcards, and photographs; or a "deluxe" boxed edition on vinyl. This version omits the DVD, but adds a 12-inch vinyl disc with rare versions of the songs.

The release debuted at number 1 in the UK<ref>Template:Cite news</ref> and topped the albums chart in Australia,<ref>Template:Cite web</ref> Ireland<ref>Template:Cite news</ref> and other countries.<ref>Template:Cite magazine</ref> On the US Billboard 200 it reached number 9. The collection sold 500,000 copies worldwide during the first three weeks and remained in the UK top 5 for seven weeks after its release.

In November 2009, Genesis Publications, a company with which Harrison had been associated since the late 1970s,Template:Sfn announced the release of a limited edition fine-bound book titled The Traveling Wilburys.<ref name="GH.comNews" /> Compiled by Olivia Harrison,<ref name="Heathcote/Express" /> the book includes rare photographs, recording notes, handwritten lyrics, sketches,<ref name="GenesisBook">Template:Cite web</ref><ref>Template:Cite web</ref> and first-hand commentary on the band's history, together with a foreword by Lynne.<ref name="GH.comNews">Template:Cite web</ref> Petty, Lynne, Olivia Harrison, Barbara Orbison, Keltner and Idle were among those who attended the US launch at a Beverly Hills bookshop in March 2010.<ref>Template:Cite magazine</ref> In an interview to publicise the book, Lynne expressed his sadness at the deaths of Harrison and Orbison, and reflected: "The Wilburys was such a wonderful band, such a marvellous thing to be part of. They were the best people I could ever wish to work with. Every day was like, 'Wow!' ... it was fun from day one."<ref name="Heathcote/Express">Template:Cite news</ref> Template:Clear

Line-ups

Musicians

Volume 1

"Nelson Wilbury" – George Harrison
"Otis Wilbury" – Jeff Lynne
"Lefty Wilbury" – Roy Orbison
"Charlie T. Wilbury, Jr." – Tom Petty
"Lucky Wilbury" – Bob Dylan

Volume 3

"Spike Wilbury" – George Harrison
"Clayton Wilbury" – Jeff Lynne
"Muddy Wilbury" – Tom Petty
"Boo Wilbury" – Bob Dylan

Jim Keltner, the session drummer and percussionist, was not officially listed as a Wilbury on either album, but was given the nickname "Buster Sidebury". Overdubs on the 2007 bonus tracks "Maxine" and "Like a Ship" were credited to "Ayrton Wilbury", a pseudonym for Dhani Harrison. The name Ayrton was used in honour of F1 driver Ayrton Senna.<ref>"Ayrton Wilbury nasceu do amor à música e à Fórmula 1" Template:Webarchive. Luiz Augusto Lima. Retrieved 31 March 2014.</ref> Jim Horn and Ray Cooper played saxophones and percussion, respectively, on both albums. The lead guitar part on the Vol. 3 track "She's My Baby" was played by rock guitarist Gary Moore, who received the credit "Ken Wilbury".<ref>Template:Cite web</ref>

Further Wilbury appellation

Harrison appeared as Nelson Wilbury on Warner Bros. Records' Christmas 1988 promotional album Winter Warnerland (which also included Paul Reubens as "Pee Wee Wilbury"). In 1992, in his capacity as producer, Harrison credited himself as "Spike and Nelson Wilbury" on his live album Live in Japan. During that Japanese tour, in December 1991, Harrison credited himself as Nakihama Wilbury. The Tom Petty and the Heartbreakers 1992 single "Christmas All Over Again" contained a greeting that read "Merry Christmas from Nelson and Pee Wee Wilbury". Additionally, at Tom Petty Celebration in 2019, Roy Orbison Jr. was dubbed "Lefty Wilbury Jr." and Alex Orbison as "Ginger Wilbury". The Harrison-made film promoting the Traveling Wilburys, Whatever Wilbury Wilbury, lists the following credits: "Cecil Bidet Wilbury" (directed by), "Lenny W. Wilbury" (sound), "Chopper Wilbury" (editor), "Edison Wilbury" (lighting), "Evelyn Wilbury" (wardrobe), "Clyde B. Wilbury" (special effects), "Big Mac Wilbury" (catering), "Zsa Zsa Wilbury" (make-up) and "Tell M. Wilbury" (production manager). A squirrel is named "Eddie Wilbury" in that film as well.

Discography

Studio albums

Title	Details	Peak chart positions									Certifications (sales threshold)
Title	Details	AUS <ref name="AUS">Australian (ARIA) chart peaks: Top 50 peaks: Template:Cite web Note: This site displays an incorrect peak for "She's My Baby". "Heading for the Light": Template:Cite web Top 100 peaks from January 1990 to December 2010: Template:Cite book</ref>	AUT <ref name="AUT">Template:Cite web</ref>	CAN <ref name="RPM Albums">Template:Cite web</ref>	NOR <ref name="NOR">Template:Cite web</ref>	NZ <ref name="NZ">Template:Cite web</ref>	SWE <ref name="SWE">Template:Cite web</ref>	SWI <ref name="SWI">Template:Cite web</ref>	UK <ref name="UK">Template:Cite web</ref>	US <ref name="Billboard 200">Template:Cite web</ref>	Certifications (sales threshold)
Traveling Wilburys Vol. 1	Release date: 18 October 1988 (US)<ref>Template:Cite book</ref> 24 October 1988 (UK)<ref>Template:Cite web</ref> Label: Wilbury Records Formats: CD, vinyl, cassette	1	3	1	2	2	2	6	16	3	AUS: 6× Platinum<ref name=ryan>Template:Cite book</ref> CAN: 6× Platinum<ref name="CRIA">Template:Cite web</ref> UK: Platinum<ref name="BPI">Template:Cite certification</ref> US: 3× Platinum<ref>Template:Cite web</ref>
Traveling Wilburys Vol. 3	Release date: 29 October 1990 Label: Wilbury Records Formats: CD, vinyl, cassette	14	22	6	3	19	5	18	14	11	AUS: Platinum<ref name=ryan/> CAN: Platinum<ref name="CRIA"/> UK: Gold<ref name="BPI"/> US: Platinum<ref>Template:Cite web</ref>

Box sets

Title	Details	Peak chart positions								Certifications (sales threshold)
Title	Details	AUS <ref name="AUS" />	AUT <ref name="AUT" />	NOR <ref name="NOR" />	NZ <ref name="NZ" />	SWE <ref name="SWE" />	SWI <ref name="SWI" />	UK <ref name="UK" />	US <ref name="Billboard 200" />	Certifications (sales threshold)
The Traveling Wilburys Collection	Release date: 11 June 2007 Label: Wilbury Records Formats: CD, vinyl, music download	1	24	1	1	2	45	1	9	AUS: 2× Platinum<ref>Template:Cite web</ref> UK: Platinum<ref name="BPI" /> US: Gold<ref>Template:Cite web</ref>

Singles

Year	Single	Peak chart positions								Certifications	Album
Year	Single	AUS <ref name="AUS"/><ref>Other peaks in Australia: "Inside Out": Template:Cite web "Wilbury Twist": Template:Cite web</ref>	CAN <ref name="RPM">Template:Cite web</ref>	IRE <ref>Template:Cite web</ref>	NZ <ref name="NZ"/>	UK <ref name="UK" />	US <ref>Template:Cite web</ref>	US Main <ref name="AllMusic singles">Template:Cite web</ref>	US AC <ref>Template:Cite web</ref>	Certifications	Album
1988	"Handle with Care"	3	2	12	4	21	45	2	30		Traveling Wilburys Vol. 1
1989	"End of the Line"	12	8	14	11	52	63	2	28	UK: Silver<ref name="BPI"/>
1989	"Heading for the Light"	88	—	—	—	—	—	7	—
1990	"Nobody's Child"	66	—	—	9	44	—	—	—		Nobody's Child: Romanian Angel Appeal
	"She's My Baby"	58	30	—	—	79	—	2	—		Traveling Wilburys Vol. 3
	"Inside Out"	117	50	—	—	—	—	16	—
1991	"Wilbury Twist"	137	86	—	—	—	—	46	—
"—" denotes releases that did not chart

Other charted songs

Year	Single	Peak chart positions	Album
Year	Single	US Main<ref name="AllMusic singles" />	Album
1988	"Last Night"	5	Traveling Wilburys Vol. 1
1989	"Tweeter and the Monkey Man"	41	Traveling Wilburys Vol. 1

Other collaborations between members

Year	Project	Artist	Collaborators
1970	"I'd Have You Anytime"	George Harrison	Harrison, Dylan (as co-writers)
1971	The Concert for Bangladesh	George Harrison & Friends	Harrison, Dylan
1985	Porky's Revenge! soundtrack	Various (George Harrison)	Harrison debuts Dylan's song "I Don't Want to Do It"
1986	"Band of the Hand"	Bob Dylan with the Heartbreakers	Dylan, Petty
	Knocked Out Loaded	Bob Dylan	Dylan, Petty
	Shanghai Surprise soundtrack	George Harrison	Harrison, Lynne
1987	"Jammin' Me"	Tom Petty and the Heartbreakers	Petty, Dylan (as co-writers)
	Cloud Nine	George Harrison	Harrison, Lynne
	Duane Eddy	Duane Eddy	Lynne, Harrison
1988	Rock and Roll Hall of Fame	Various	Dylan, Harrison
1988	Land of Dreams	Randy Newman	Lynne, Petty
1989	Mystery Girl	Roy Orbison	Orbison, Lynne, Petty, Harrison
	Full Moon Fever	Tom Petty	Petty, Lynne, Harrison, Orbison
	"Cheer Down"	George Harrison	Harrison, Lynne, Petty (as co-writer)
1990	Work It Out	Jim Horn	Harrison, Lynne, Petty
	Hell to Pay	Jeff Healey Band	Harrison, Lynne
	Armchair Theatre	Jeff Lynne	Lynne, Harrison, Petty (as co-writer)
	Under the Red Sky	Bob Dylan	Dylan, Harrison
	A Tribute to John Lennon	Various (Ringo Starr)	Lynne, Petty
1991	Back from Rio	Roger McGuinn	Petty, Lynne (as co-writers)
	Into the Great Wide Open	Tom Petty and the Heartbreakers	Petty, Lynne
	Rock On!	Del Shannon	Lynne, Petty<ref name="Del Shannon Biography">Template:Cite web</ref>
	"Hot Love"	Del Shannon	Petty, Lynne, Harrison<ref>Template:Cite web</ref>
1992	The 30th Anniversary Concert Celebration	Various	Dylan, Harrison, Petty
	"Christmas All Over Again"	Tom Petty and the Heartbreakers	Petty, Lynne
	King of Hearts	Roy Orbison	Orbison, Lynne
1995	"Free as a Bird"	The Beatles	Harrison, Lynne
1996	"Real Love"	The Beatles	Harrison, Lynne
2001	Zoom	Electric Light Orchestra	Lynne, Harrison
2002	Brainwashed	George Harrison	Harrison, Lynne
2002	Concert for George	Various	Lynne, Petty
2006	Highway Companion	Tom Petty	Petty, Lynne
2023	"Now and Then"	The Beatles	Harrison, Lynne