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Puck (folklore)

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File:Puck 1629.JPG
Illustration from the title page of Robin Goodfellow: His Mad Pranks and Merry Jests (1629)

In English folklore, The Puck (Template:IPAc-en), also known as Goodfellows, are demons or fairies which can be domestic sprites or nature sprites.

Origins and comparative folklore

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Etymology

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The etymology of puck was uncertain.<ref>See for example Katharine Mary Briggs, Anatomy of Puck. New York: Arno, 1977c1959. Template:ISBN Template:OCLC</ref> The modern English word is attested already in Old English as Template:Lang (with a diminutive form Template:Lang). Similar words are attested later in Old Norse (Template:Lang, with related forms including Old Swedish Template:Lang, Icelandic Template:Lang, and Frisian Template:Lang) but also in the Celtic languages (Welsh Template:Lang, Cornish Template:Lang and Irish Template:Lang). Most commentators think that the word was borrowed from one of these neighbouring north-west European languages into the others, but it is not certain in what direction the borrowing went, and all vectors have been proposed by scholars. The Oxford English Dictionary favoured a Scandinavian origin, while the scholarly study by Erin Sebo of Flinders University argues for an Irish origin, on the basis that the word is widely distributed in Irish place-names, whereas puck-place-names in English are rare and late in the areas showing Old Norse influence, and seem rather to radiate outwards from South West England, which she argues had Irish influence during the Early Middle Ages.<ref name="Sebo">Template:Cite journal</ref>

Alternative names

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Puck may also be called The Goodfellows or Hobgoblin,<ref name=Keightley>Keightley, Thomas. The Fairy Mythology, London, H. G. Bohn, 1870</ref> in which Hob may substitute for Rob or Robin. This goes back to the character "Robin Goodfellow" and his name. The name Robin is Middle English in origin, deriving from Old French Template:Lang, the pet form for the name Robert. Similar to the use of "the good folk" in describing fairies, it reflected a degree of wishful thinking and an attempt to appease the fairies, recognizing their fondness of flattery despite their mischievous nature.<ref name=Sparkes/>

The earliest reference to "Robin Goodfellow" cited by the Oxford English Dictionary is from 1531. Anthony Munday mentions Robin Goodfellow in his play The Two Italian Gentlemen, 1584, and he appears in Skialtheia, or a Shadowe of Truth in 1598. William Shakespeare may have had access to the manuscript of Lewes Lewkenor's translation of The Spanish Mandevile of Miracles, or, The Garden of Curious Flowers (1600), a translation of Antonio de Torquemada's Template:Lang. The following passage from The Spanish Mandeville discusses the mischievous spirits:

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After Giacomo Meyerbeer's successful opera Robert le Diable (1831), neo-medievalists and occultists began to apply the name Robin Goodfellow to the Devil, with appropriately extravagant imagery.Template:Citation needed

Characteristics

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File:Joseph Noel Paton - Puck and Fairies, from "A Midsummer Night's Dream" - Google Art Project.jpg
Joseph Noel Paton, Puck and Fairies, detail from A Midsummer Night's Dream.

According to Brewer's Dictionary of Phrase and Fable (1898):

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Puck might do minor housework, quick fine needlework or butter-churning, which could be undone in a moment by his knavish tricks if displeased.<ref>Template:Cite journal</ref> A domestic spirit, he would assist housewives with their chores, in expectation of an offering of white bread and milk. If this were neglected he would steal that which he believed was owed.<ref name=Sparkes>Sparkes, Abigail. "Robin Goodfellow", Historic UK</ref>

Pucks are also known to be inherently solitary creatures. Shakespeare's characterization of "shrewd and knavish" Puck in A Midsummer Night's Dream may have revived flagging interest in Puck.<ref>Schleiner, Winifried (1985). "Imaginative Sources for Shakespeare's Puck". Shakespeare Quarterly. 36(1): 65–68. Template:Doi. Template:JSTOR.</ref>

Notable cultural references

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16th–17th century

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  • The character Robin Goodfellow, also referred to as "The puck, Robin Goodfellow" and Hobgoblin, appears as a vassal of the Fairy King Oberon in William Shakespeare's 1595/96 play A Midsummer Night's Dream, and is responsible for the mischief that occurs.
  • The character also appears in Grim the Collier of Croydon (1660, but perhaps based on an earlier play). It is unknown how Shakespeare's Puck appeared on the stage; but the figure in Grim was costumed "in a suit of leather close to his body; his face and hands coloured russet-coloured, with a flail."Template:Citation needed
  • A Robin Goodfellow play was performed at Hampton Court on 1 January 1604, followed by The Masque of Indian and China Knights.<ref>Leeds Barroll, Anna of Denmark, Queen of England: A Cultural Biography (Philadelphia, 2001), p. 83.</ref>
  • An early 17th century broadside ballad The Mad Merry Pranks of Robin Goodfellow describes the character as the emissary of Oberon, the Fairy King of the Night, inspiring night-terrors in old women but also carding their wool while they sleep, leading travellers astray, taking the shape of animals, blowing out the candles to kiss the girls in the darkness, twitching off their bedclothes, or making them fall out of bed on the cold floor, tattling secrets, and changing babes in cradles with elflings.<ref>"The Mad Merry Pranks of Robin Goodfellow". A Book of Roxburghe Ballads. https://www.boldoutlaw.com/puckrobin/roxburghe-pranks-robin-goodfellow.html</ref>
  • Robin Goodfellow is the main speaker in Jonson's 1612 masque Love Restored.
  • John Milton, in L'Allegro tells "how the drudging Goblin swet / To earn his cream-bowle" by threshing a week's worth of grain in a night, and then, "Basks at the fire his hairy strength." Milton's Puck is not small and sprightly, but nearer to a Green Man or a hairy woodwose. An illustration of Robin Goodfellow from 1639 represents the influence of Pan imagery, giving Puck the hindquarters, cloven hooves and horns of a goat.<ref>Folklore – Robin Goodfellow (Puck) University of Victoria/Social Sciences and Humanities Research Council of Canada</ref>

19th century

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File:Robin Goodfellow, Franklin, printed for Joseph Cundall, 1845.jpg
The Mad Pranks of Robin Goodfellow, by John Franklin, engraving by Edward Dalziel, 1845
  • Robin Goodfellow appears in 'The Mad Pranks of Robin Goodfellow', Gammer Gurton's Pleasant Stories of Patient Grissel, The Princess Rosetta, & Robin Goodfellow, and Ballads of the Beggar's Daughter, The Babes in the Wood, and Fair Rosamond, 1845.<ref>Gammer Gurton's Pleasant Stories of Patient Grissel, The Princess Rosetta, & Robin Goodfellow, and Ballads of the Beggar's Daughter, The Babes in the Wood, and Fair Rosamond. Printed for Joseph Cundall, 1845, State Library of New South Wales DSM/821.04/T</ref>
  • Robin Goodfellow appears in an 1856 speech by Karl Marx: "In the signs that bewilder the middle class, the aristocracy and the poor profits of regression, we recognize our brave friend Robin Goodfellow, the old mole that can work the earth so fast, that worthy pioneer – the Revolution."<ref name="Marx">Template:Cite web</ref>

20th century

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  • The character of Puck frames the tales in Rudyard Kipling's short story cycles Puck of Pook's Hill (1906) and Rewards and Fairies (1910).
  • Dear Brutus is a 1917 fantasy play by J. M. Barrie, the host "Lob" is the aged Puck from A Midsummer Night's Dream.
  • The 1976 play Robin Goodfellow by Aurand Harris retells A Midsummer Night's Dream from Puck's point of view.
  • The Sandman by Neil Gaiman includes Puck as a significant character.
  • The 1989 manga series Berserk written and illustrated by Kentaro Miura. Set in a medieval Europe-inspired dark fantasy world features a character named Puck (パック, Pakku), a pisky elf who resembles a small fairy.
  • In the Disney cartoon Gargoyles, Puck is one of several Shakespearean characters with recurring roles. He is often an antagonist to the main characters, but his mischief can also help them.

21st century

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See also

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References

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