Pablo Honey
Template:Short description Template:Good article Template:EngvarB Template:Use dmy dates Template:Redirect
Template:Infobox album Pablo Honey is the debut studio album by the English rock band Radiohead, released on 22 February 1993 in the UK by Parlophone and on 20 April 1993 in the US by Capitol Records. It was produced by Sean Slade, Paul Q. Kolderie and Radiohead's co-manager Chris Hufford.
Radiohead formed in 1985 at Abingdon School in Abingdon, Oxfordshire, and signed a recording contract with EMI in 1991. Their debut EP, Drill (1992), achieved little success. For their debut album, Radiohead's management targeted the American market and chose American producers. Pablo Honey was recorded in three weeks at Chipping Norton Recording Studios in Oxfordshire in 1992. The recording was hampered by Radiohead's lack of studio experience.
The singles "Creep", "Anyone Can Play Guitar" and "Stop Whispering" initially made little impact. However, "Creep" gradually gained international radio play, reaching number seven on the UK singles chart after it was reissued in 1993. Radiohead embarked on an aggressive promotional tour in the US supporting Belly and PJ Harvey, followed by a European tour supporting James. In May 1995, a live video, Live at the Astoria (1995), was released on VHS.
Pablo Honey reached number 22 on the UK Albums Chart. It was certified gold in the UK in 1994 and double platinum in 2013. In the US, it was certified platinum in 1995. Pablo Honey received generally favourable reviews, but some found it underdeveloped or derivative. Though it is less acclaimed than Radiohead's later work, some retrospective reviews have been positive and it has appeared in lists of the greatest albums. The members of Radiohead have criticised it, citing weaker songwriting and their studio inexperience. "Creep" remains Radiohead's most successful single.
Background
[edit]
The members of Radiohead met while attending Abingdon School in Abingdon, Oxfordshire.<ref name="MCLEAN">Template:Cite news</ref> In 1985, they formed Template:Nat, the name referring to their usual rehearsal day in the school's music room.<ref name="RANDALL3">Template:Cite journal</ref> They recorded demo tapes, including a cassette unofficially titled Manic Hedgehog, which featured versions of the future Pablo Honey tracks "You", "I Can't" and "Thinking About You".<ref name="Runtagh-2018" />
One demo attracted the attention of a local producer, Chris Hufford.<ref name="Doyle-2008">Template:Cite journal</ref> He and his business partner, Bryce Edge, became the band's managers after attending a concert at the Jericho Tavern, Oxford.<ref name="Doyle-2008" /> In late 1991, On a Friday signed a six-album recording contract with EMI and changed their name at EMI's request.Template:Sfn<ref>Template:Cite news</ref> Their name was taken from the Talking Heads song "Radio Head" from the 1986 album True Stories.<ref name="ROSS">Template:Cite news</ref>
Radiohead released their debut EP, Drill, in 1992. It was produced by Hufford in his studio, Courtyard Studios, in Oxfordshire.<ref name="Irvin-1997" /> It reached number 101 on the UK singles chart; the Guardian later described it as an "inauspicious start" that drew little attention.<ref>Template:Cite news</ref> Hufford said producing the EP himself was a mistake, as it created a conflict of interest and generated friction in the studio.<ref name="Irvin-1997" />
Hufford and Edge resolved to find different producers for Radiohead's next recording.<ref name="Irvin-1997" /> Independent labels dominated the indie charts in the UK, but EMI was a major label. Hufford and Edge therefore planned to have Radiohead use American producers and tour aggressively in America, then return to build a following in the UK.Template:Sfn They considered hiring Steve Albini, but he had not yet worked with major acts and EMI felt it was too risky.Template:Sfn
Around this time, the American producers Paul Kolderie and Sean Slade, who had worked with bands including the Pixies and Dinosaur Jr,<ref name="RANDALL3" /> were in the UK looking for work.Template:Sfn The EMI A&R director, Nick Gatfield, gave them a selection of acts to consider.Template:Sfn They agreed to produce Radiohead after he played them "Stop Whispering".Template:Sfn Kolderie was particularly impressed by Thom Yorke's vocals.<ref name="MTV-20">Template:Cite web</ref> Upon meeting the band, Kolderie was struck by their youth, but also their unity and closeness.<ref name="MTV-20" /> He described "a seriousness of purpose and a seriousness of trying to create music that was a little different".<ref name="MTV-20" /> He was initially more impressed by Hufford and Edge than by Radiohead, calling them "crafty mothers ... I don't think I've ever met two guys who had more of a plan."Template:Sfn
Recording
[edit]
Radiohead recorded Pablo Honey at Chipping Norton Studios in Chipping Norton, Oxfordshire.<ref name="Runtagh-2018">Template:Cite magazine</ref> They first attempted to record two songs that EMI was considering for Radiohead's debut single, "Inside My Head" and "Lurgee".<ref name="Irvin-1997">Template:Cite journal</ref> They made little progress; Kolderie described Radiohead as "desperately inexperienced", and neither they nor the producers liked the choice of songs. Kolderie said "Inside My Head" was "not very melodic" and lacked the power of Radiohead's other songs.<ref name="Irvin-1997" /> Hufford described the results as "overblown bombastic rock".<ref name="Irvin-1997" />
During rehearsals, Radiohead unexpectedly played another song, "Creep". They considered it a "throwaway" track, but it impressed the producers.Template:Sfn At Kolderie's suggestion, they recorded a take, after which everyone in the studio burst into applause.<ref name="Irvin-1997" /> EMI were persuaded to make "Creep" Radiohead's debut single. According to Kolderie, "everyone [at EMI] who heard Creep just started going insane" and he and Slade were hired to produce the album.<ref name="Irvin-1997" /> Radiohead took elements of "Creep" from the 1972 song "The Air That I Breathe". After Rondor Music took legal action, the songwriters, Albert Hammond and Mike Hazelwood, were given shared royalties and songwriting credits.<ref>Template:Cite newsTemplate:Cbignore</ref><ref>Template:Cite web</ref>
Pablo Honey was recorded in three weeks. Kolderie described it as a struggle, and said: "It was their first record and they wanted to be the Beatles, and the mix had to have no reverb, and they had all the ideas they'd ever come up with in 20 years of listening to records."<ref name="Irvin-1997" /> Kolderie noted the band's studio inexperience and difficulty in finishing tracks, but said he enjoyed the work due to the small group and joking atmosphere.Template:Sfn He said Pablo Honey was "not cheap", and estimated that it had cost more than £100,000 to record.Template:Sfn
For the introduction to "Anyone Can Play Guitar", Kolderie had everyone in the studio, including the cook, create sounds on guitar. "The idea was to live up to the title: anyone can play guitar," he said.<ref name="Runtagh-2018" /> The guitarist Jonny Greenwood used a paintbrush for his part.<ref name="Runtagh-2018" /> Radiohead did not like the version of "Lurgee" they recorded with Kolderie and Slade, and used an earlier version, recorded with Hufford at Courtyard, for the album.Template:Sfn Yorke, Greenwood and O'Brien overdubbed the same guitar parts multiple times to create a distorted "wall of sound".<ref name="Wylie-1997">Template:Cite journal</ref>
The album title comes from a prank call sketch by the American comedy act the Jerky Boys in which the caller poses as the victim's mother and says: "Pablo, honey? Please come to Florida." Yorke said it was appropriate as the band were "mothers' boys".<ref name="Runtagh-2018" /> A sample of the sketch appears during the guitar solo on "How Do You?"<ref name="Runtagh-2018" />
Music and lyrics
[edit]Pablo Honey has been described as alternative rock<ref name="jahasuriya" /><ref>Template:Cite web</ref> and grunge,<ref name="jahasuriya" /><ref>Template:Cite web</ref><ref name="Spicer-2008" /> but also stadium rock,<ref name="Allmusic" /> progressive rock,<ref name="Spicer-2008" /> college rock,<ref name="jahasuriya" /> post-grunge,<ref>Template:Cite web</ref> and jangle pop.<ref name="jahasuriya" /> The album drew comparisons to Nirvana, Dinosaur Jr., Sugar,<ref name="q" /> U2,<ref name="Billboard-1993" /><ref name="EW" /> the Smiths,<ref name="EW" /><ref name="lat" /> the Cure,<ref name="EW" /><ref name="lat" /> the Who<ref name="RSReview" /> and the Jam.<ref name="RSReview" />
The Radiohead guitarist Ed O'Brien later described Pablo Honey as a "hedonistic" album that "you might put on in an open-top car on a Saturday night going to a party".<ref name="RANDALL3" /> Stephen Thomas Erlewine of AllMusic described it as a blend of the anthemic rock of U2 with "atmospheric" instrumental passages.<ref name="Allmusic" /> The Salon journalist Annie Zaleski said it featured "distortion-blurred guitar lines that twisted like a kite in the wind".<ref name="salon.com">Template:Cite web</ref> Gary Walker, writing for Guitar.com, described it as "nakedly naive and unguarded" compared to Radiohead's more complex later work.<ref name="guitar.com">Template:Cite web</ref> He wrote that it captured the "embryonic dynamic" between the three guitarists and described Greenwood's guitar work as an "exhilarating melange of tremolo-picked soundscapes, chunky octaves, screaming high-register runs and killswitch antics".<ref name="guitar.com" /> The opening track, "You", moves between major and minor chords and alternating time signatures.<ref name="VICE-25">Template:Cite web</ref> "Blow Out" combines elements of bossa nova and krautrock; it starts with "tense, jazzy" drumming and raked chords and concludes with a shoegaze section.<ref name="salon.com" /><ref name="guitar.com" /><ref name="VICE-25" />
Zaleski said the Pablo Honey lyrics express anger at the status quo, the feeling of being an outsider, and worry for the future.<ref name="salon.com" /> "Creep" features a quiet verse and a loud chorus, with "blasts" of guitar noise from Jonny Greenwood.<ref name="Kempf2">Template:Cite web</ref> Yorke described it as a "self-destruct song".<ref name="Fortnam-1992">Template:Cite journal</ref> The lyrics were inspired by a woman that Yorke followed around who unexpectedly attended a Radiohead performance.<ref name="Kempf2" /> The lyrics of "Stop Whispering" are about oppression, and the frustration from failing to explain it.<ref name="salon.com" /> Yorke wrote the line "Grow my hair, I wanna be Jim Morrison", from "Anyone Can Play Guitar", in response to people in the music business who "think they have to act like fucking prats in order to live up to the legend".<ref name="Fortnam-1992" /> According to Zaleski, "Ripcord" is about the "experience of hurtling into the unknown".<ref name="salon.com" /> "Lurgee" ends with a "meandering" solo.<ref name="salon.com" />
Release
[edit]"Creep" was released as the lead Pablo Honey single on 21 September 1992.<ref name="Irvin-1997" />Template:Sfn It initially received little airplay and sold around 6,000 copies, reaching number 78 on the UK singles chart.<ref name="Irvin-1997" /> The 1993 singles "Anyone Can Play Guitar" and "Stop Whispering", plus the non-album single "Pop Is Dead", were unsuccessful.Template:Sfn While "Anyone Can Play Guitar" and "Pop Is Dead" charted in the UK, "Stop Whispering" gained no traction.Template:Sfn Radiohead rerecorded "Stop Whispering" for the US single as they were not happy with the album version. O'Brien said the new version was "more atmospheric", likening it to Joy Division.<ref name="Runtagh-2018" />
Pablo Honey was released in February 1993 and received little press.<ref name="Irvin-1997" /> It reached number 25 in 1993's UK Albums Chart.Template:Sfn However, "Creep" became a hit in Israel, where it was played frequently by the radio DJ Yoav Kutner. In March, Radiohead were invited to Tel Aviv for their first overseas show.<ref>Template:Cite news</ref> Around the same time, "Creep" rose to number two on the US Modern Rock chart,<ref name="Billboard-1995" /> and Pablo Honey was selling well on import.<ref name="Gilbert-1996">Template:Cite journal</ref> "Creep" reached number 34 on the Billboard Hot 100 chart,<ref name="Irvin-1997" /> and reached number seven on the UK singles chart when EMI rereleased it in September 1993.<ref>Template:Cite web</ref> In the UK, Pablo Honey was certified silver in February 1994, gold in April 1994, platinum in June 1997, and double platinum in July 2013.<ref>Template:Cite web</ref> In the US, it was certified gold in September 1993 and platinum in September 1995.<ref name="RIAA">Template:Cite web</ref>
Tour
[edit]In late 1992, Radiohead toured the UK with Kingmaker and the Frank and Walters.<ref name="Gilbert-1996" /> That September, they performed at the UK EMI conference. They impressed the EMI promoter Carol Baxter, who said: "This funny little band came on and they obviously had something. This was a hideous record company do but Thom gave it everything."<ref name="Irvin-1997" /> That Christmas, NME published a review of a Radiohead performance that dismissed them as "a pitiful, lily-livered excuse for a rock 'n' roll group".<ref name="Irvin-1997" />
In June 1993, Radiohead began their first North American tour.<ref>Template:Cite magazine</ref> In July, they gave a performance of "Anyone Can Play Guitar" live on MTV Beach House in which Yorke screamed the improvised lyrics "fat, ugly, dead!", before breaking down on camera and jumping into a pool. Yorke was holding a live microphone and narrowly avoided electrocuting himself.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref>
Radiohead cancelled an appearance at the 1993 Reading Festival after Yorke became ill; he told NME, "Physically I'm completely fucked and mentally I've had enough."<ref name="Monroe-2019">Template:Cite web</ref> According to some reports, EMI gave Radiohead six months to "get sorted" or be dropped. EMI's A&R head, Keith Wozencroft, denied this, saying: "Experimental rock music was getting played and had commercial potential. People voice different paranoias, but for the label [Radiohead] were developing brilliantly from Pablo Honey."<ref name="Monroe-2019" />
In September 1993, after "Creep" was reissued, Radiohead performed it on the British music programme Top of the Pops<ref name="Kempf">Template:Cite web</ref><ref>Live Forever: The Rise and Fall of Brit Pop. 2003. Bonus interviews.</ref> and as the first musical guests on the American talk show Late Night with Conan O'Brien.<ref>Template:Cite web</ref> EMI's American arm, Capitol, wanted to continue promoting Pablo Honey and build on the momentum.<ref name="Irvin-1997" /> Radiohead declined an offer to tour the US in support of Duran Duran, as their managers felt they could earn more credibility by supporting Belly.<ref name="Irvin-1997" /> They also opened for PJ Harvey in New York City and Los Angeles.<ref name="frontline">Template:Cite journal</ref> On 13 May 1995, a live video, Live at the Astoria (1995), was released on VHS, with performances of Pablo Honey songs such as "Creep", "You" and "Anyone Can Play Guitar".<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
Radiohead struggled with the tour. Yorke disliked dealing with American music journalists and tired of the songs.<ref name="Irvin-1997" /> The band members appeared in promotional material they later regretted, such as fashion shoots for Iceberg jeans and the magazine Interview.<ref name="Irvin-1997" /> According to Radiohead's agent, the promotional work triggered "a lot of soul-searching about why they were in a group at all".<ref name="Irvin-1997" /> Jonny Greenwood said they "spent a year being jukeboxes ... We felt in a creative stasis because we couldn't release anything new."<ref name="Irvin-1997" /> The American tour was followed by a European tour supporting James and Tears for Fears.<ref name="Irvin-1997" /><ref name="Gilbert-1996" /> Kolderie credited the Pablo Honey tours for turning Radiohead "into a tight band".Template:Sfn
Critical reception
[edit]Pablo Honey failed to make a critical impact upon its initial release.<ref name="FREQUENCY">Template:Cite news</ref> NMETemplate:'s John Harris referred to Radiohead as "one of rock's brightest hopes".<ref name="NME" /> Harris said the track "How Do You?" "breaks the [album's] momentum... horribly", but described Pablo Honey as "satisfying" despite its flaws.<ref name="NME" /> NME later named it the 35th-best album of the year.<ref>Template:Cite magazine</ref> Q wrote that "British teenagerhood has never been grumpier" and described Pablo Honey as a good album with moments that rivalled Nirvana, Dinosaur Jr. and Sugar.<ref name="q" />
In the United States, "Creep" drew parallels with Nirvana, with some describing Radiohead as the "British Nirvana".<ref name="IGN">Template:Cite web</ref> Billboard said the lyrics had "enough bite to make it on their own" despite the U2 comparisons.<ref name="Billboard-1993">Template:Cite magazine</ref> In a mixed review, Mario Mundoz of the Los Angeles Times wrote that it "doesn't really deliver anything you haven't heard before" but "does offer clever lyrics and good hooks".<ref name="lat" /> Robert Christgau of The Village Voice did not recommend the album, but named "Creep" a "choice cut".Template:Sfn Rolling Stone wrote that the album's charm originates from its guitar work, song structures, melodies, and choruses that invoke a "pop appeal".<ref name="RSReview">Template:Cite magazine</ref>
Legacy
[edit]Template:Album ratings Although Pablo Honey did not receive the acclaim of Radiohead's later albums,Template:Sfn it has received praise in retrospective coverage. In 2018, the musician and journalist Phil Witmer wrote that "Pablo Honey is endearing because we now know the band that made it would become something extraordinary not even five years later".<ref name="VICE-25" /> He chose "You" and "Blow Out" as the most sophisticated tracks, pointing towards Radiohead's later work.<ref name="VICE-25" /> The Premier Guitar writer Shawn Hammond also highlighted "Blow Out" as a "glimpse of future brilliance".<ref>Template:Cite web</ref>
According to Stephen Thomas Erlewine of AllMusic, the songwriting does not always match Radiohead's sound, but when it does, it achieves "a rare power that is both visceral and intelligent".<ref name="Allmusic" /> Kenny EG Perry of NME described the album as "the sound of one of the best bands of this or any other generation playing the music that taught them all their good early lessons".<ref>Template:Cite web</ref> Clash said that it "points towards everything that [Radiohead] would go on to be".<ref>Template:Cite web</ref>
In a 2008 review, Al Spicer of BBC Music described Pablo Honey as Radiohead's "exploration of suburban, adolescent self-awareness" and "one of rock's most impressive debuts".<ref name="Spicer-2008">Template:Cite web</ref> In 2009, PopMattersTemplate:' Mehan Jahasuriya criticised Pablo Honey as "a hodgepodge of half-baked grunge, jangle-pop and stadium-ready alternative rock ... nearly indistinguishable from other early '90s college rock throwaways, save for a few hints of greatness".<ref name="jahasuriya">Template:Cite web</ref> Reviewing the 2009 reissue for Pitchfork, Scott Plagenhoef praised "Creep", "You", "Stop Whispering" and "Prove Yourself", but described "How Do You?", "I Can't", "Ripcord" and "Vegetable" as "run of the mill at best".<ref name="Pitchfork review"/> In 2025, GQ named Pablo Honey the worst Radiohead album, calling it "an uneven, unsteady beast" that might have been forgotten but for the inclusion of "Creep".<ref>Template:Cite web</ref>
After the success of "Creep", Radiohead grew to resent it.<ref name="Runtagh-2018-2">Template:Cite magazine</ref> In 1993, Yorke said: "It's like it's not our song any more ... It feels like we're doing a cover."<ref name="Runtagh-2018-2" /> The success almost led to Radiohead's break-up.<ref name="Runtagh-2018-2" /> Their frustration with "Creep" and Pablo Honey influenced their second album, The Bends (1995).<ref name="Irvin-1997" /> The album title, a term for decompression sickness, references Radiohead's rapid rise to fame; Yorke said "we just came up too fast".<ref name="Billboard-1995">Template:Cite magazine</ref> While touring for their 1997 album OK Computer, Yorke became hostile when "Creep" was mentioned in interviews and refused requests to play it.<ref>Template:Cite news</ref> In the following years, the band stopped performing it entirely, but later started performing it infrequently.<ref name="salon.com" /> Though Radiohead achieved greater commercial and critical success with later albums, "Creep" remains their most successful single.<ref>Template:Cite news</ref> Based on their work on Pablo Honey, the American band Hole hired Slade and Kolderie to produce their 1994 album Live Through This.<ref name="oral">Template:Cite web</ref>
In 2007, Pitchfork wrote that, with Pablo Honey, "Radiohead didn't so much ride the coattails of grunge to mass success as stumble over them, and they've been apologising for it ever since."<ref name="Pitchfork">Template:Cite web</ref> In 1996, the bassist, Colin Greenwood, said, "I'd give [Pablo Honey] a seven out of 10 – not bad for an album recorded in just two and a half weeks."<ref>Kening, Dan. "All Grown Up". Daily Herald. 29 March 1996. Retrieved 25 August 2010. Excerpt Template:Webarchive at nl.newsbank.com (fee required for complete article).</ref> In 1997, O'Brien said the guitar arrangements were "boring", with all three guitarists playing similar parts.<ref name="Wylie-1997" /> He said Pablo Honey was derivative of Dinosaur Jr. and the Pixies,<ref>Template:Cite magazine</ref> and described it as "a collection of our greatest hits as an unsigned band".Template:Sfn Jonny Greenwood said in 1998 that it "lacked freedom", and was hindered by Radiohead's fear and inexperience.<ref name="RANDALL3" /> O'Brien said in 2020 that Pablo Honey was "pretty shit [...] but we worked hard and became good. That's one of the things I've held onto: you don't have to have all the answers straight away."<ref>Template:Cite web</ref>
Accolades
[edit]In 1998, Pablo Honey was voted the 100th best album of all time in a poll held by Virgin<ref>Maung, Carole Aye. "Beatles albums are top 3 of all time" Template:Webarchive. Daily Mirror. 7 September 1998. Retrieved 23 August 2010. Archived at TheFreeLibrary.com.</ref> and 61st in a poll by Q.<ref>Template:Cite magazine</ref> The journalist Colin Larkin placed it 301st in the third edition of All Time Top 1000 Albums (2000).<ref name="Larkin">Template:Cite book</ref> As part of its 2007 list of the "500 Greatest Lost Tracks", Q included "Lurgee" and "Blow Out" in a list of 20 essential lesser-known Radiohead songs.<ref>Template:Cite magazine</ref> In 2006, Classic Rock and Metal Hammer named Pablo Honey one of the 20 greatest albums of 1993.<ref>Classic Rock/Metal Hammer. "The 200 greatest albums of the 70s, 80s & 90s". March 2006. Archived Template:Webarchive at muzieklijstjes.nl.</ref> In 2008, Blender ranked it 82nd in its list of "100 Albums You Must Own".<ref>Template:Cite magazine</ref>
Reissues
[edit]Radiohead left EMI after their contract ended in 2003.<ref name="Guardian">Template:Cite news</ref> In 2007, EMI released Radiohead Box Set, a compilation of albums recorded while Radiohead were signed to EMI, including Pablo Honey.<ref name="Guardian" /> In 2009, EMI reissued Pablo Honey in a "Collector's Edition" with the Drill EP tracks, B-sides and alternative takes.<ref name="Pitchfork review">Template:Cite web</ref> Radiohead had no input into the reissues and the music was not remastered.<ref name="MCCARTHY">Template:Cite magazine</ref>
In February 2013, Parlophone was bought by Warner Music Group (WMG).<ref>Template:Cite magazine</ref> In April 2016, as a result of an agreement with the trade group Impala, WMG transferred Radiohead's back catalogue to XL Recordings. The EMI reissues, released without Radiohead's consent, were removed from streaming services.<ref>Template:Cite magazine</ref> In May 2016, XL reissued Radiohead's back catalogue on vinyl, including Pablo Honey.<ref>Template:Cite web</ref>
Track listing
[edit]Personnel
[edit]Adapted from the liner notes.<ref>Template:Cite AV media notes</ref> Template:Columns-start
Radiohead
[edit]- Thom Yorke – vocals, guitar
- Jonny Greenwood – lead guitar, piano, organ
- Ed O'Brien – guitar, backing vocals
- Colin Greenwood – bass guitar, guitar on "Anyone Can Play Guitar"<ref name="Runtagh-2018" />
- Philip Selway – drums, guitar on "Anyone Can Play Guitar"<ref name="Runtagh-2018" />
Production
[edit]- Chris Blair – mastering
- Chris Hufford – production, engineering Template:Small
- Paul Q. Kolderie – production, engineering Template:Small, mixing, guitar on "Anyone Can Play Guitar"<ref name="Runtagh-2018" />
- Sean Slade – production, engineering Template:Small, mixing, guitar on "Anyone Can Play Guitar"<ref name="Runtagh-2018" />
Design
[edit]- Icon – design
- Lisa Bunny Jones – paintings
- Tom Sheehan – photography
Charts
[edit]Template:Col-start Template:Col-2
Weekly charts
[edit]| Chart (1993–1994) | Peak position |
|---|---|
| Australian Albums (ARIA)<ref>Template:Cite Ryan</ref> | 86 |
| Canada Top Albums/CDs (RPM)<ref>Template:Cite web</ref> | 42 |
| Chart (1996–1997) | Peak position |
| Chart (2003) | Peak position |
| Chart (2010) | Peak position |
Year-end charts
[edit]| Chart (1996) | Position |
|---|---|
| UK Albums (OCC)<ref>Template:Cite web</ref> | 99 |
Certifications and sales
[edit]Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Bottom