Luna (goddess)
Template:Short description Template:Use dmy dates Template:Infobox deity In Sabine and ancient Roman religion and myth, Luna is the divine embodiment of the Moon (Latin Lūna Template:IPA). She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.<ref>C.M.C. Green, Roman Religion and the Cult of Diana at Aricia (Cambridge University Press, 2007), p. 73.</ref>
In Roman art, Luna attributes are the crescent moon plus the two-yoke chariot (biga). In the Carmen Saeculare, performed in 17 BC, Horace invokes her as the "two-horned queen of the stars" (siderum regina bicornis), bidding her to listen to the girls singing as Apollo listens to the boys.<ref>Horace, Carmen Saeculare, lines 33–36.</ref>
Varro categorized Luna and Sol among the visible gods, as distinguished from invisible gods such as Neptune, and deified mortals such as Hercules.<ref>Varro, frg. 23 (Cardauns) = Tertullian, Ad nationes 2.2.14–2-; Attilio Mastrocinque, "Creating One's Own Religion: Intellectual Choices," in A Companion to Roman Religion, p. 383.</ref> She was one of the deities Macrobius proposed as the secret tutelary of Rome.<ref>Jörg Rüpke, Religion of the Romans, p. 133.</ref> In Imperial cult, Sol and Luna can represent the extent of Roman rule over the world, with the aim of guaranteeing peace.<ref>William Van Andringa, "Religion and the Integration of Cities in the Empire in the Second Century AD: The Creation of a Common Religious Language," in A Companion to Roman Religion (Blackwell, 2007), p. 94.</ref>
Luna's Greek counterpart was Selene. In Roman art and literature, myths of Selene are adapted under the name of Luna. The myth of Endymion, for instance, was a popular subject for Roman wall painting.<ref>Annemarie Kaufmann-Heinimann, "Religion in the House", in A Companion to Roman Religion, p. 188.</ref>
Cult and temples
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Varro lists Luna among twelve deities who are vital to agriculture,<ref>Varro, De re rustica 1.1.4–6.</ref> as does Vergil in a different list of twelve, in which he refers to Luna and Sol as clarissima mundi lumina, the world's clearest sources of light.<ref>Vergil, Georgics 1.5–25.</ref> Varro also lists Luna among twenty principal gods of Rome (di selecti).<ref>Varro, as preserved by Augustine of Hippo, De Civitate Dei 7.2.</ref> In this list, Luna is distinguished from both Diana and Juno, who also appear on it.
The Romans dated the cultivation of Luna as a goddess at Rome to the semi-legendary days of the kings. Titus Tatius was supposed to have imported the cult of Luna to Rome from the Sabines,<ref>Varro, De lingua latina 5.74; Dionysius of Halicarnassus 2.50.3.</ref> but Servius Tullius was credited with the creation of the Temple of Luna on the Aventine Hill, just below a temple of Diana.<ref>Orosius 5.12.3–10; De Vir. Ill. 65; Lawrence Richardson, A New Topographical Dictionary of Ancient Rome (Johns Hopkins University Press, 1992), p. 238.</ref> The anniversary of the temple founding (dies natalis) was celebrated annually on March 31.<ref>Ovid, Fasti 3.883–84; Richardson, A New Topographical Dictionary, p. 238.</ref> It first appears in Roman literature in the story of how in 182 BC a windstorm of exceptional power blew off its doors, which crashed into the Temple of Ceres below it on the slope.<ref>Livy 40.2.2; Richardson, A New Topographical Dictionary, p. 238.</ref> In 84 BC, it was struck by lightning, the same day the popularis leader Cinna was murdered by his troops.<ref>Appian, Bellum Civile 1.78.</ref> The Aventine temple may have been destroyed by the Great Fire of Rome during the reign of Nero.<ref>Tacitus, Annales 15.41; Richardson, A New Topographical Dictionary, p. 238.</ref>
As Noctiluna ("Night-Shiner") Luna had a temple on the Palatine Hill, which Varro described as shining or glowing by night. Nothing else is known about the temple, and it is unclear what Varro meant.<ref>Varro, De lingua latina 5.68; Richardson, A New Topographical Dictionary, p. 238.</ref>
Juno as Moon goddess
[edit]The Kalends of every month, when according to the lunar calendar the new moon occurred, was sacred to Juno, as all Ides were to Jupiter.<ref>Green, Roman Religion and the Cult of Diana, p. 73.</ref> On the Nones, she was honored as Juno Covella, Juno of the crescent moon.<ref>Varro, De lingua latina 6.27.</ref> Both Juno and Diana were invoked as childbirth goddesses with the epithet Lucina.<ref>Green, Roman Religion and the Cult of Diana, p. 73.</ref>
Chariot of the Moon
[edit]Template:Also Luna is often depicted driving a two-yoke chariot called a biga, drawn by horses or oxen. In Roman art, the charioteer Luna is regularly paired with the Sun driving a four-horse chariot (quadriga).
Isidore of Seville explains that the quadriga represents the sun's course through the four seasons, while the biga represents the Moon, "because it travels on a twin course with the sun, or because it is visible both by day and by night—for they yoke together one black horse and one white."<ref>Isidore, Etymologies 18.26, as translated by Stephen A. Barney et al., The Etymologies of Isidore of Seville (Cambridge University Press, 2006), p. 368 online.</ref>
Luna in her biga was an element of Mithraic iconography, usually in the context of the tauroctony. In the mithraeum of S. Maria Capua Vetere, a wall painting that uniquely focuses on Luna alone shows one of the horses of the team as light in color, with the other a dark brown.<ref>M.J. Vermaseren, Mithraica I: The Mithraeum at S. Maria Capua Vetere (Brill, 1971), pp. 14–15; Plato, Phaedrus 246.</ref>
A biga of oxen was also driven by Hecate, the chthonic aspect of the triple goddess in complement with the "horned" or crescent-crowned Diana and Luna.<ref>Prudentius, Contra Symmachum 733 (Migne); Friedrich Solmsen, "The Powers of Darkness in Prudentius' Contra Symmachum: A Study of His Poetic Imagination," Vigiliae Christianae 19.4 (1965), p. 248.</ref> The three-form Hecate (trimorphos) was identified by Servius with Luna, Diana, and Proserpina.<ref>Servius, note to Aeneid 6.118.</ref> According to the Archaic Greek poet Hesiod, Hecate originally had power over the heavens, land, and sea, not as in the later tradition Heaven, Earth, and underworld.<ref>Hesiod, Theogony 413f.</ref>
Gallery
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Bronze lamp of Luna and her ox-drawn chariot (1st century AD)
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Statuette of Luna from the Mâcon treasure (AD 150–220)
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Polychrome tauroctony relief, with Luna driving her ox-drawn biga (right), and the Sun his four-horse chariot (late 3rd century)
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Ox-drawn biga of Luna on the Parabiago plate (2nd–5th century AD)
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See also
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