Kirk Douglas

Kirk Douglas (born Issur Danielovitch; December 9, 1916 – February 5, 2020) was an American actor and filmmaker. After an impoverished childhood, he made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including westerns and war films. During his career, he appeared in more than 90 films and was known for his explosive acting style. He was named by the American Film Institute the 17th-greatest male star of Classic Hollywood cinema.

Douglas played an unscrupulous boxing hero in Champion (1949), which brought him his first nomination for the Academy Award for Best Actor. His other early films include Out of the Past (1947); Young Man with a Horn (1950), playing opposite Lauren Bacall and Doris Day; Ace in the Hole (1951); and Detective Story (1951), for which he received a Golden Globe nomination. He received his second Oscar nomination for his dramatic role in The Bad and the Beautiful (1952), opposite Lana Turner, and earned his third for portraying Vincent van Gogh in Lust for Life (1956), a role for which he won the Golden Globe for the Best Actor in a Drama. He also starred with James Mason in the adventure 20,000 Leagues Under the Sea (1954), a large box-office hit.

In September 1949 at the age of 32, he established Bryna Productions, which began producing films as varied as Paths of Glory (1957) and Spartacus (1960). In those two films, he collaborated with the then relatively unknown director Stanley Kubrick, taking lead roles in both films. Douglas helped to break the Hollywood blacklist by having Dalton Trumbo write Spartacus with an official on-screen credit.<ref>Template:Cite web</ref> He produced and starred in Lonely Are the Brave (1962) and Seven Days in May (1964), the latter opposite Burt Lancaster, with whom he made seven films. In 1963, he starred in the Broadway play One Flew Over the Cuckoo's Nest, a story that he purchased and later gave to his son Michael Douglas, who turned it into an Oscar-winning film. Douglas continued acting into the 1980s, appearing in such films as Saturn 3 (1980), The Man from Snowy River (1980), Tough Guys (1986), a reunion with Lancaster, and in the television version of Inherit the Wind (1988) plus in an episode of Touched by an Angel in 2000, for which he received his third nomination for an Emmy Award.

As an actor and philanthropist, Douglas received an Academy Honorary Award for Lifetime Achievement and the Presidential Medal of Freedom. As an author, he wrote ten novels and memoirs. After barely surviving a helicopter crash in 1991 and then suffering a stroke in 1996, he focused on renewing his spiritual and religious life. He lived with his second wife, producer Anne Buydens, until his death in 2020. A centenarian, Douglas was one of the last surviving stars of the film industry's Golden Age.<ref name=Valenti />

Early life and education

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Douglas' college graduation photo from St. Lawrence University in 1939

Kirk Douglas was born Issur DanielovitchTemplate:Efn on December 9, 1916, in Amsterdam, New York, the fourth of seven children and the only son of Bryna "Bertha" (née Sanglel) (1884-1958) and Herschel "Harry" Danielovitch (1884-1954).<ref>Template:Cite book</ref> His parents were Russian-Jewish immigrants from Chavusy, Mogilev Governorate, in the Russian Empire,<ref>https://archive.fo/20240706061645/https://russianlife.com/the-russia-file/famous-americans-with-russian-roots/</ref><ref>Template:Cite web</ref><ref name="Paskin-2012">Template:Cite web</ref><ref>Template:Cite web</ref><ref name="Darrach-1988">Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> and the family spoke Yiddish at home.<ref>Template:Cite web</ref><ref>Template:Cite newsTemplate:Cbignore</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref> His sisters were: Pesha "Bessie", Kaleh "Katherine", Tamara "Mary", Siffra "Frieda",<ref>Template:Cite news</ref> Haska "Ida", and Rachel "Ruth".<ref>Template:Cite web</ref> Douglas embraced his Jewish heritage after a near-fatal helicopter crash at the age of 74.<ref>Template:Cite web</ref>

His uncle, who had immigrated earlier, used the surname Demsky, which Douglas's family adopted in the United States.<ref name="face">Douglas, Kirk. Let's Face It, John Wiley & Sons (2007); Template:ISBN.</ref>Template:Rp Douglas grew up as Izzy Demsky and legally changed his name to Kirk Douglas before entering the United States Navy during World War II.<ref name=odeh>Template:Cite book</ref>Template:Efn

In his 1988 autobiography, The Ragman's Son, Douglas notes the hardships that he, along with his parents and six sisters, endured during their early years in Amsterdam:

Douglas had an unhappy childhood, living with an alcoholic, physically abusive father.<ref>Template:Cite web</ref> While his father drank up what little money they had, Douglas and his mother and sisters endured "crippling poverty".<ref>Template:Cite web</ref>

Douglas first wanted to be an actor after he recited "The Red Robin of Spring", a poem by the English poet John Clare, while in kindergarten and received applause.<ref name="hugg">Template:Cite news</ref> Growing up, he sold snacks to mill workers to earn enough to buy milk and bread to help his family. He later delivered newspapers, and he had more than forty jobs during his youth before becoming an actor.<ref>Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York (1991), p. 12; Template:ISBN.</ref> He found living in a family with six sisters to be stifling: "I was dying to get out. In a sense, it lit a fire under me." After appearing in plays at Amsterdam High School, from which he graduated in 1934,<ref>Template:Cite news</ref> he knew he wanted to become a professional actor.<ref name="Thomas, p. 13">Thomas, p. 13</ref> Unable to afford the tuition, Douglas talked his way into the dean's office at St. Lawrence University and showed him a list of his high school honors. He graduated with a bachelor's degree in 1939. He received a loan which he paid back by working part-time as a gardener and a janitor. He was a standout on the school's wrestling team and wrestled one summer in a carnival to make money.<ref>Thomas, p. 15</ref> He later became good friends with world-champion wrestler Lou Thesz.

Douglas's acting talents were noticed at the American Academy of Dramatic Arts in New York City, which gave him a special scholarship. One of his classmates was Betty Joan Perske, later known as Lauren Bacall, played an important role in launching his film career.<ref name="Thomas, p. 18">Thomas, p. 18</ref> Bacall wrote that she "had a wild crush on Kirk",<ref name=Bacall>Bacall, Lauren (1978). By Myself and Then Some, London: Coronet, pp. 26–27 Template:ISBN. Template:OCLC</ref> and they dated casually. Another classmate, and a friend of Bacall's, was aspiring actress Diana Dill, who would later become Douglas's first wife.Template:Citation needed

During their time together, Bacall learned Douglas had no money and that he once spent the night in jail since he had no place to sleep. She once gave him her uncle's old coat to keep warm: "I thought he must be frozen in the winter ... He was thrilled and grateful." Sometimes, just to see him, she would drag a friend or her mother to the restaurant where he worked as a busboy and waiter. He told her his dream was to someday bring his family to New York to see him on stage. During that period she fantasized about someday sharing her personal and stage lives with Douglas, but would later be disappointed: "Kirk did not really pursue me. He was friendly and sweet—enjoyed my company—but I was clearly too young for him," the eight-years-younger Bacall later wrote.<ref name=Bacall/>

Career

Rise to stardom

Douglas joined the United States Navy in 1941, shortly after the United States entered World War II, where he served as a communications officer in anti-submarine warfare aboard USS PC-1139.<ref name="MilitaryDouglas">Template:Cite web</ref> He was medically discharged in 1944 for injuries sustained from the premature explosion of a depth charge.<ref name="OsdolLambert1995">Template:Cite book</ref> He rose to the rank of Lieutenant (junior grade).<ref name="MilitaryDouglas" />

After the war, Douglas returned to New York City and found work in radio, theater, and commercials. In his radio work, he acted in network soap operas and saw those experiences as being especially valuable, as skill in using one's voice is important for aspiring actors; he regretted that later the same avenues became no longer available. His stage break occurred when he took over the role played by Richard Widmark in Kiss and Tell (1943), which then led to other offers.<ref name="Thomas, p. 18"/>

Douglas had planned to remain a stage actor until his friend Lauren Bacall helped him get his first film role by recommending him to producer Hal B. Wallis, who was looking for a new male talent.<ref name=Parker>Parker, John (2011). Michael Douglas: Acting on Instinct, London: Headline. e-book, Ch. 2 Template:OCLC</ref> Wallis's film The Strange Love of Martha Ivers (1946) with Barbara Stanwyck became Douglas' debut screen appearance. He played a young, insecure man stung by jealousy, whose life was dominated by his ruthless wife, and who hid his feelings with alcohol. It would be the last time that Douglas portrayed a weakling in a film role.<ref>Smith, Imogen Sara (2011). In Lonely Places: Film Noir Beyond the City, Jefferson, NC: McFarland. p. 103, Template:ISBN. Template:OCLC</ref><ref>Thomas, p. 33</ref> Reviewers of the film noted that Douglas already projected qualities of a "natural film actor", with the similarity of this role with later ones explained by biographer Tony Thomas:

In 1947, Douglas appeared in Out of the Past (UK: Build My Gallows High), playing a large supporting role in this classic noir thriller starring Robert Mitchum and Jane Greer. Douglas made his Broadway debut in 1949 in Three Sisters, produced by Katharine Cornell.<ref>Mosel, Leading Lady: The World and Theatre of Katharine Cornell Template:ISBN</ref> The month after Out of the Past was released, I Walk Alone, the first film teaming Douglas with Burt Lancaster, presented Douglas playing a supporting part quite similar to his role in Out of the Past in another classic fast-paced noir thriller.

Douglas' image as a tough guy was established in his eighth film, Champion (1949), after producer Stanley Kramer chose him to play a selfish boxer. However, in accepting the role, he took a gamble, since he had to turn down an offer to star in a big-budget MGM film, The Great Sinner, which would have earned him three times the income.<ref>Douglas 1988, p. 146.</ref><ref name=Didinger/> Melvyn Douglas played the third-billed (above the title) part Kirk Douglas passed on. The Great Sinner flopped.

Film historian Ray Didinger says Douglas "saw Champion as a greater risk, but also a greater opportunity ... Douglas took the part and absolutely nailed it." Frederick Romano, another sports film historian, described Douglas's acting as "alarmingly authentic":

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Douglas and Lauren Bacall in Young Man with a Horn (1950)

Douglas received his first Academy Award nomination, and the film earned six nominations in all. Variety called it "a stark, realistic study of the boxing rackets."<ref name=Didinger>Didinger, Ray, and Glen Macnow. The Ultimate Book of Sports Movies: Featuring the 100 Greatest Sports Films, Running Press (2009), p. 260 Template:ISBN</ref>

After Champion he decided that, to succeed as a star, he needed to ramp up his intensity, overcome his natural shyness, and choose stronger roles. He later stated, "I don't think I'd be much of an actor without vanity. And I'm not interested in being a 'modest actor'".<ref name="Thomas, p. 28">Thomas, p. 28</ref> Early in his Hollywood career, Douglas demonstrated his independent streak and broke his studio contracts to gain total control over his projects, forming his own movie company, Bryna Productions (named after his mother) in September 1949.<ref name="Thomas, p. 13"/><ref>Template:Cite web</ref>

Peak years of success

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Douglas and Silvana Mangano in a pause during the shootings of Ulysses (1954)

Throughout the 1950s and 1960s, Douglas was a major box-office star, playing opposite some of the leading actresses of that era. He portrayed a frontier peace officer in his first western, Along the Great Divide (1951). He quickly became very comfortable with riding horses and playing gunslingers, and he appeared in many Westerns. He considered Lonely Are the Brave (1962), in which he plays a cowboy trying to live by his own code, his personal favorite.<ref>Thomas, p. 181</ref> The film, written by Dalton Trumbo, was respected by critics but did not do well at the box office due to poor marketing and distribution.<ref name="Thomas, p. 28"/><ref>Template:Cite web</ref>

In 1950, Douglas played Rick Martin in Young Man with a Horn, based on a novel of the same name by Dorothy Baker based on the life of jazz cornetist Bix Beiderbecke. Composer and pianist Hoagy Carmichael, a friend of the real Beiderbecke, played the sidekick, adding realism to the film and giving Douglas insight into the role.<ref>Thomas, p. 64</ref> Doris Day starred as Jo, a young woman who was infatuated with the struggling jazz musician. This was strikingly opposite of the real-life account in Doris Day's autobiography, which described Douglas as "civil but self-centered" and the film as "utterly joyless".<ref>Hotchner, A. E. (1975). Doris Day: Her Own Story. William Morrow and Company, Inc. Template:ISBN,</ref> During filming, bit actress Jean Spangler disappeared, and her case remains unsolved. On October 9, 1949, Spangler's purse was found near the Fern Dell entrance to Griffith Park in Los Angeles. There was an unfinished note in the purse addressed to a "Kirk," which read: "Can't wait any longer, Going to see Dr. Scott. It will work best this way while mother is away". Douglas, married at the time, called the police and told them he was not the Kirk mentioned in the note. When interviewed via telephone by the head of the investigating team, Douglas stated that he had "talked and kidded with her a bit" on set,<ref name="spangler">Template:Cite web</ref><ref name="spangler3">Template:Cite web</ref> but that he had never been out with her.<ref name="auto">Template:Cite web</ref> Spangler's girlfriends told police that she was three months pregnant when she disappeared,<ref>Template:Cite book</ref> and scholars such as Jon Lewis of Oregon State University have speculated that she may have been considering an illegal abortion.<ref>Template:Cite book</ref>

In 1951, Douglas starred as a newspaper reporter anxiously looking for a big story in Ace in the Hole, director Billy Wilder's first effort as both writer and producer. The subject and story was controversial at the time, and U.S. audiences stayed away. Some reviews saw it as "ruthless and cynical ... a distorted study of corruption, mob psychology and the free press."<ref>Sikov, Ed. On Sunset Boulevard: The Life and Times of Billy Wilder, New York: Hyperion, (1998) pp. 325–26; Template:ISBN</ref> Possibly it "hit too close to home", said Douglas.<ref name=EW>McGovern, Joe. "A Life in Film: Kirk Douglas on four of his greatest roles", Entertainment Weekly, February 23, 2015.</ref> It won a Best Foreign Film award at the Venice Film Festival. The film's stature has increased in recent years, with some surveys placing it in their Top 500 Films list.<ref>Empire Magazine's The 500 Greatest Movies of All Time. Template:Webarchive Empire; retrieved March 21, 2013.</ref> Woody Allen considers it one of his favorite films.<ref name=Chandler>Chandler, Charlotte (2002). Nobody's Perfect: Billy Wilder, a Personal Biography, New York: Applause Books, p. 166 Template:ISBN, Template:OCLC</ref> As the film's star and protagonist, Douglas is credited for the intensity of his acting. Film critic Roger Ebert wrote, "his focus and energy ... is almost scary. There is nothing dated about Douglas' performance. It's as right-now as a sharpened knife."<ref>Template:Cite news</ref> Biographer Gene Philips noted that Wilder's story was "galvanized" by Douglas's "astounding performance" and no doubt was a factor when George Stevens, who presented Douglas with the AFI Life Achievement Award in 1991, said of him: "No other leading actor was ever more ready to tap the dark, desperate side of the soul and thus to reveal the complexity of human nature."<ref name=Phillips>Phillips, Gene (2010). Some Like it Wilder: the Life and Controversial films of Billy Wilder, Univ. Press of Kentucky, p. 141 Template:ISBN. Template:OCLC</ref>

Also in 1951, Douglas starred in Detective Story, nominated for four Academy Awards, including one for Lee Grant in her debut film. Grant said Douglas was "dazzling, both personally and in the part. ... He was a big, big star. Gorgeous. Intense. Amazing."<ref name=Grant>Grant, Lee. I Said Yes to Everything: a Memoir, Blue Rider Press (2014) pp. 75, 428–29; Template:ISBN</ref> To prepare for the role, Douglas spent days with the New York Police Department and sat in on interrogations.<ref>Template:Cite web</ref> Reviewers recognized Douglas's acting qualities, with Bosley Crowther describing Douglas as "forceful and aggressive as the detective".<ref>Crowther, Bosley. Detective Story review, The New York Times, November 7, 1951; accessed December 26, 2007.</ref>

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With Eve Miller in The Big Trees (1952)

In The Bad and the Beautiful (1952), another of his three Oscar-nominated roles, Douglas played a hard-nosed film producer who manipulates and uses his actors, writers, and directors. In 1954 Douglas starred as the titular character in Ulysses, a film based on Homer's epic poem Odyssey, with Silvana Mangano as Penelope and Circe, and Anthony Quinn as Antinous.<ref>Template:Cite news</ref>

In 20,000 Leagues Under the Sea (1954), Douglas showed that in addition to serious, driven characters, he was adept at roles requiring a lighter, comic touch. In this adaptation of the Jules Verne novel, he played a happy-go-lucky sailor who was the opposite in every way to the brooding Captain Nemo (James Mason). The film was one of Walt Disney's most successful live-action movies and a major box-office hit.<ref name="Thomas, p. 7"/> Douglas managed a similar comic turn in the western Man Without a Star (1955) and in For Love or Money (1963). He showed further diversity in one of his earliest television appearances. He was a musical guest (as himself) on The Jack Benny Program (1954).<ref>"Jam Session at Jacks'", originally telecast on CBS on October 17, 1954.</ref>

In 1955, Douglas was finally able to get his film production company, Bryna Productions, off the ground.<ref name="Thomas, p. 13"/> To do so, he had to break contracts with Hal B. Wallis and Warner Bros., but he began to produce and star in his own films, starting with The Indian Fighter in 1955.<ref>Template:Cite web</ref> Through Bryna, he produced and starred in the films Paths of Glory (1957), The Vikings (1958), Spartacus (1960), Lonely are the Brave (1962), and Seven Days in May (1964).<ref>Template:Cite book</ref> In 1958, Douglas formed the music publishing company Peter Vincent Music Corporation, a Bryna Productions subsidiary.<ref name="Billboard-1958">Template:Cite magazine</ref> Peter Vincent Music was responsible for publishing the soundtracks of The Vikings and Spartacus.<ref name="Billboard-1958" /><ref name="LoC-1958">Template:Cite book</ref>

While Paths of Glory did not do well at the box office, it has since become one of the great anti-war films, and it is one of director Stanley Kubrick's early films. Douglas, a fluent French speaker,<ref name="Hughes2013">Template:Cite book</ref> portrayed a sympathetic French officer during World War I who tries to save three soldiers from facing a firing squad.<ref name=Monush>Monush, Barry (2003). The Encyclopedia of Hollywood Film Actors, Applause Books, p. 200 Template:ISBN, Template:OCLC</ref> Biographer Vincent LoBrutto describes Douglas's "seething but controlled portrayal exploding with the passion of his convictions at the injustice leveled at his men."<ref name=LoBrutto>LoBrutto, Vincent (1997). Stanley Kubrick: A Biography, New York: Carroll & Graf Publishers, pp. 105, 135 Template:ISBN, Template:OCLC</ref> The film was banned in France until 1976. Before production of the film began, however, Douglas and Kubrick had to work out some large problems, one of which was Kubrick's rewriting the screenplay without informing Douglas first. It led to their first major argument: "I called Stanley to my room ... I hit the ceiling. I called him every four-letter word I could think of ... 'I got the money, based on that [original] script. Not this shit!' I threw the script across the room. 'We're going back to the original script, or we're not making the picture.' Stanley never blinked an eye. We shot the original script. I think the movie is a classic, one of the most important pictures—possibly the most important picture—Stanley Kubrick has ever made."<ref name=LoBrutto/>

Douglas played military men in numerous films, with varying nuance, including Top Secret Affair (1957), Town Without Pity (1961), The Hook (1963), Seven Days in May (1964), Heroes of Telemark (1965), In Harm's Way (1965), Cast a Giant Shadow (1966), Is Paris Burning (1966), The Final Countdown (1980), and Saturn 3 (1980). His acting style and delivery made him a favorite with television impersonators such as Frank Gorshin, Rich Little, and David Frye.<ref name="Thomas, p. 24">Thomas, p. 24</ref><ref>Template:Cite webTemplate:Cbignore</ref><ref>Template:Cite web</ref>

His role as Vincent van Gogh in Lust for Life (1956), directed by Vincente Minnelli and based on Irving Stone's bestseller, was filmed mostly on location in France. Douglas was noted not only for the veracity of van Gogh's appearance but for how he conveyed the painter's internal turmoil. Some reviewers consider it the most famous example of the "tortured artist" who seeks solace from life's pain through his work.<ref>Fairbanks, Brian. Brian W. Fairbanks – Writings, Lulu (2005) e-book</ref> Others see it as a portrayal not only of the "painter-as-hero", but a unique presentation of the "action painter", with Douglas expressing the physicality and emotion of painting, as he uses the canvas to capture a moment in time.<ref>McElhaney, Joe (2009). Vincente Minnelli: The Art of Entertainment, Detroit: Wayne State Univ. Press. p. 300 Template:ISBN. Template:OCLC</ref><ref>Niemi, Robert (2006). History in the Media: Film and Television, Santa Barbara, CA: ABC-CLIO. p. 296 Template:ISBN. Template:OCLC</ref>

Douglas was nominated for an Academy Award for the role, with his co-star Anthony Quinn winning the Oscar for Best Supporting Actor as Paul Gauguin, van Gogh's friend. Douglas won a Golden Globe award, although Minnelli said Douglas should have won an Oscar: "He achieved a moving and memorable portrait of the artist—a man of massive creative power, triggered by severe emotional stress, the fear and horror of madness."<ref name="Thomas, p. 7">Thomas, p. 7</ref> Douglas himself called his acting role as Van Gogh a painful experience: "Not only did I look like Van Gogh, I was the same age he was when he committed suicide."<ref>Douglas 1988, p. 266.</ref> His wife said he often remained in character in his personal life: "When he was doing Lust for Life, he came home in that red beard of Van Gogh's, wearing those big boots, stomping around the house—it was frightening."<ref name="Thomas, p. 44">Thomas, p. 44</ref>

In general, however, Douglas's acting style fit well with Minnelli's preference for "melodrama and neurotic-artist roles", writes film historian James Naremore. He adds that Minnelli had his "richest, most impressive collaborations" with Douglas, and for Minnelli, no other actor portrayed his level of "cool": "A robust, athletic, sometimes explosive player, Douglas loved stagy rhetoric, and he did everything passionately."<ref>Naremore, James (1993). The Films of Vincente Minnelli, Cambridge Univ. Press, p. 41, Template:ISBN, Template:OCLC</ref> Douglas had also starred in Minnelli's film The Bad and the Beautiful four years earlier, for which he received a Best Actor Oscar nomination.<ref>Template:Cite encyclopedia</ref>

Financial troubles

For approximately 15 years and 27 films, Douglas's agent had been Sam Norton, who was compensated with 10% of Douglas's gross earnings. In addition, Norton was partners with Jerome "Jerry" B. Rosenthal in the law firm of Rosenthal & Norton which received an additional 10%.<ref name=Kirk&Anne1>Template:Cite book</ref> On the day of his wedding in 1958 his bride Anne had been quietly pulled aside by Norton and been presented by Norton (without Kirk Douglas's knowledge) with a pre-nuptial agreement. She signed the document, but Douglas, because he held Norton as both his best friend and a father figure, was unwilling to get involved in his wife's subsequent attempts to obtain a copy.<ref name= Kirk&Anne1/> Anne Douglas went behind her husband's back, engaging lawyer Greg Bautzer and suing to obtain a copy from Norton successfully. Her distrust of Norton grew, especially as he had been granted power of attorney, and she found that the pre-nuptial agreement meant that she and their children had no claim on Douglas's estate until they had been married for five years. She could also find no documentation to prove Norton's assertion that Douglas was a millionaire. Her suspicions were further aroused when the Broadway play A Very Special Baby for which Norton had convinced Douglas to guarantee financing, closed after only a week. She shared her concerns first with Greg Bautzer and then Edward Lewis who advised her to hire Price Waterhouse to investigate her husband's finances.<ref name= Kirk&Anne1/>

Douglas returned from filming The Devils Disciple in England in late 1958, and was presented with the results of Price Waterhouse's audit which detailed that the 18 months he had recently spent overseas on the advice of Norton did not qualify for a tax-free income break, that the investments he had been advised to make in fact had been channeled through dummy companies owned by his agent. As a result, Douglas had no money and owed the IRS $750,000. Douglas engaged a new lawyer and was able to get Rosenthal & Norton to give up their rights to any interest in his latest film The Vikings and any of his future income. Norton was dismissed as his agent, but as he had put nearly all of his assets in his wife's name, Douglas was only able to recover $200,000 from him.<ref name= Kirk&Anne1/>

The profits from The Vikings allowed Douglas to pay off his IRS debt, with his financial future now dependent on the success of Spartacus.<ref name= Kirk&Anne1/>

Spartacus and mid-career

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Spartacus (1960)

In 1960, Douglas played the title role in what many consider his career-defining appearance<ref>Template:Cite news</ref> as the Thracian gladiator slave rebel Spartacus with an all-star cast in Spartacus (1960). He was the executive producer as well, which increased the $12 million production cost and made Spartacus one of the most expensive films up to that time.<ref>Thomas, p. 168</ref> Douglas initially selected Anthony Mann to direct, but replaced him early on with Stanley Kubrick, with whom he had previously collaborated in Paths of Glory.<ref>Thomas, p. 149</ref>

When the film was released, Douglas gave full credit to its screenwriter, Dalton Trumbo, who was on the Hollywood blacklist, and thereby effectively ended it.<ref name="face"/>Template:Rp During a 2012 interview Douglas said, "I've made over 85 pictures, but the thing I'm most proud of is breaking the blacklist."<ref name="Paskin-2012" /> The film's producer, Edward Lewis, and the family of Dalton Trumbo publicly disputed Douglas's claim.<ref>Template:Cite web</ref> In the film Trumbo (2015), Douglas is portrayed by Dean O'Gorman.<ref>"'Trumbo's' Dean O'Gorman plays Kirk Douglas and earns praise from the legend", Los Angeles Times, October 30, 2015.</ref>

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With Joan Tetzel in the 1963 Broadway play One Flew Over the Cuckoo's Nest

Douglas bought the rights to stage a play of the novel One Flew Over the Cuckoo's Nest from its author, Ken Kesey. He mounted a play from the material in 1963 in which he starred and that ran on Broadway for five months. Reviews were mixed. Douglas retained the movie rights due to an innovative loophole of basing the rights on the play rather than the novel, despite Kesey's objections, but after a decade of being unable to find a producer he gave the rights to his son, Michael. In 1975, the film version was produced by Michael Douglas and Saul Zaentz, and starred Jack Nicholson, as Douglas was then considered too old to play the character as written.<ref name=Valenti/> The film won all five major Academy Awards, only the second film to do so (after It Happened One Night in 1934).<ref>Douglas, Edward (2009). Jack: A Biography of Jack Nicholson, HarperCollins, p. 136 Template:ISBN. Template:OCLC</ref>

Douglas made seven films over four decades with actor Burt Lancaster: I Walk Alone (1947), Gunfight at the O.K. Corral (1957), The Devil's Disciple (1959), The List of Adrian Messenger (1963), Seven Days in May (1964), Victory at Entebbe (1976), and Tough Guys (1986), which fixed the notion of the pair as something of a team in the public imagination. Douglas was always billed under Lancaster in these movies, but, with the exception of I Walk Alone and, even more so, The List of Adrian Messenger (where Lancaster's part is just a cameo appearance, while Douglas plays the film's villain), their roles were usually of a similar size. Both actors arrived in Hollywood at about the same time and first appeared together in the fourth film for each, albeit with Douglas in a supporting role. They both became actor-producers who sought out independent Hollywood careers.<ref name="Thomas, p. 44"/>

John Frankenheimer, who directed the political thriller Seven Days in May in 1964, had not worked well with Lancaster in the past and originally did not want him in this film. However, Douglas thought Lancaster would fit the part and "begged me to reconsider," said Frankenheimer, and he then gave Lancaster the most colorful role. "It turns out that Burt Lancaster and I got along magnificently well on the picture," he later said.<ref>Armstrong, Stephen B. ed. (2013), John Frankenheimer: Interviews, Essays, and Profiles, Lanham: The Scarecrow Press, p. 166, Template:ISBN. Template:OCLC</ref>

In 1967 Douglas starred with John Wayne in the western film directed by Burt Kennedy titled The War Wagon.<ref>Template:Cite news</ref>

In The Arrangement (1969), a drama directed by Elia Kazan and based upon his novel of the same title, Douglas starred as a tormented advertising executive, with Faye Dunaway as costar. The film did poorly at the box office, receiving mostly negative reviews. Dunaway believed many of the reviews were unfair, writing in her biography, "I can't understand it when people knock Kirk's performance, because I think he's terrific in the picture," adding that "he's as bright a person as I've met in the acting profession."<ref>Hunter, Allan. Faye Dunaway, St. Martin's Press, NY (1986) p. 81</ref> She says that his "pragmatic approach to acting" would later be a "philosophy that ended up rubbing off on me."<ref name=Dunaway>Dunaway, Faye; Sharkey, Betsy (1995). Looking for Gatsby: My Life , Simon & Schuster, p. 193 Template:ISBN, Template:OCLC</ref>

Later work

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Douglas in 1975

In the 1970s, he starred in films such as There Was a Crooked Man... (1970),<ref>Template:Cite web</ref> A Gunfight (1971),<ref>Template:Cite web</ref> The Light at the Edge of the World (1971).<ref>Template:Cite web</ref> and The Fury (1978).<ref>Template:Cite web</ref> He made his directorial debut in Scalawag. (1973),<ref>Template:Cite web</ref> and subsequently also directed Posse (1975), in which he starred alongside Bruce Dern.<ref>Template:Cite web</ref>

In 1980, he starred in The Final Countdown,<ref>Template:Cite web</ref> playing the commanding officer of the aircraft carrier USS Nimitz, which travels through time to the day before the 1941 attack on Pearl Harbor. It was produced by his son Peter Douglas. He also played in a dual role in The Man from Snowy River (1982), an Australian film which received critical acclaim and numerous awards.

In 1986, he reunited with his longtime co-star, Burt Lancaster, in a crime comedy, Tough Guys, with a cast including Charles Durning and Eli Wallach. It marked the final collaboration between Douglas and Lancaster, completing a partnership of more than 40 years.<ref name="NYT-86">Farber, Stephen (November 2, 1986). "Lancaster and Douglas: A Chemistry Lesson". New York Times.</ref> That same year, he co-hosted (with Angela Lansbury) the New York Philharmonic's tribute to the 100th anniversary of the Statue of Liberty. The symphony was conducted by Zubin Mehta.<ref>Template:Cite web</ref>

In 1988, Douglas starred in a television adaptation of Inherit the Wind, opposite Jason Robards and Jean Simmons. The film won two Emmy Awards. In the 1990s, Douglas continued starring in various features. Among them was The Secret in 1992, a television movie about a grandfather and his grandson who both struggle with dyslexia. That same year, he played the uncle of Michael J. Fox in a comedy, Greedy. He appeared as the Devil in the video for the Don Henley song "The Garden of Allah". In 1996, after suffering a severe stroke at age 79 which impaired his ability to speak, Douglas still wanted to make movies. He underwent years of voice therapy and made Diamonds in 1999, in which he played an old professional boxer who was recovering from a stroke. It co-starred his longtime friend from his early acting years, Lauren Bacall.<ref>Template:Cite news</ref>

In 2003, Michael and Joel Douglas produced It Runs in the Family, which along with Kirk starred various family members, including Michael, Michael's son Cameron, and his wife from 50 years earlier, Diana Dill, playing his wife. His final feature-film appearance was in the 2004 Michael Goorjian film Illusion, in which he depicts a dying film director forced to watch episodes from the life of a son he had refused to acknowledge.<ref name="IrishPressAssoc">Template:Cite news</ref><ref>Template:Cite book</ref><ref>Template:Cite web</ref> His last screen role was the TV movie Empire State Building Murders, which was released in 2008.<ref name="IrishPressAssoc"/> In March 2009, at the age of 92, Douglas performed an autobiographical one-man show, Before I Forget, at the Center Theatre Group's Kirk Douglas Theatre in Culver City, California. The four performances were filmed and turned into a documentary that was first screened in January 2010.<ref>Template:Cite news</ref>

On December 9, 2016, he celebrated his 100th birthday at the Beverly Hills Hotel, joined by several of his friends, including Don Rickles, Jeffrey Katzenberg, and Steven Spielberg, along with Douglas's wife Anne, his son Michael and his daughter-in-law Catherine Zeta-Jones. Douglas was described by his guests as still being in good shape, able to walk with confidence into the Sunset Room for the celebration.<ref>Template:Cite newsTemplate:Cbignore</ref>

Douglas appeared at the 2018 Golden Globes with his daughter-in-law Catherine Zeta-Jones, a rare public appearance in the final decade of his life.<ref>Template:Cite web</ref> He received a standing ovation and helped Zeta-Jones present the award for "Best Screenplay – Motion Picture".<ref>Template:Cite web</ref>

Style and philosophy of acting

File:Lana Turner and Kirk Douglas in Bad and the Beautiful.jpg

Douglas with Lana Turner in The Bad and the Beautiful (1952)

Douglas stated that the keys to acting success are determination and application: "You must know how to function and how to maintain yourself, and you must have a love of what you do. But an actor also needs great good luck. I have had that luck."<ref>Thomas, p. 11.</ref> Douglas had great vitality and explained that "it takes a lot out of you to work in this business. Many people fall by the wayside because they don't have the energy to sustain their talent."<ref name="Thomas, p. 21">Thomas, p. 21</ref>

That attitude toward acting became evident with Champion (1949). From that one role, writes biographer John Parker, he went from stardom and entered the "superleague", where his style was in "marked contrast to Hollywood's other leading men at the time".<ref name=Parker/> His sudden rise to prominence is explained by comparing it to that of Jack Nicholson's:

As a producer, Douglas had a reputation of being a compulsively hard worker who expected others to exude the same level of energy. As such, he was typically demanding and direct in his dealing with people who worked on his projects, with his intensity spilling over into all elements of his film-making.<ref name="Thomas, p. 19"/> This was partly due to his high opinion of actors, movies, and moviemaking: "To me it is the most important art form—it is an art, and it includes all the elements of the modern age." He also stressed prioritizing the entertainment goal of films over any messages, "You can make a statement, you can say something, but it must be entertaining."<ref name="Thomas, p. 28"/>

As an actor, he dived into every role, dissecting not only his own lines but all the parts in the script to measure the rightness of the role, and he was willing to fight with a director if he felt justified.<ref name="Thomas, p. 21"/> Melville Shavelson, who produced and directed Cast a Giant Shadow (1966), said that it didn't take him long to discover what his main problem was going to be in directing Douglas:

File:KirkDouglasZubinMehtaMar11.jpg

Douglas with Zubin Mehta, March 2011

For most of his career, Douglas enjoyed good health and what seemed like an inexhaustible supply of energy. He attributed much of that vitality to his childhood and pre-acting years: "The drive that got me out of my hometown and through college is part of the makeup that I utilize in my work. It's a constant fight, and it's tough."<ref name="Thomas, p. 21"/> His demands on others, however, were an expression of the demands he placed on himself, rooted in his youth. "It took me years to concentrate on being a human being—I was too busy scrounging for money and food, and struggling to better myself."<ref>Thomas, p. 25</ref>

Actress Lee Grant, who acted with him and later filmed a documentary about him and his family, notes that even after he achieved worldwide stardom, his father would not acknowledge his success. He said "nothing. Ever."<ref name=Grant/> Douglas's wife, Anne, similarly attributes the energy he devotes to acting to his tough childhood:

Douglas has credited his mother, Bryna, for instilling in him the importance of "gambling on yourself", and he kept her advice in mind when making films.<ref name="Thomas, p. 19"/> Bryna Productions was named in her honor. Douglas realized that his intense style of acting was something of a shield: "Acting is the most direct way of escaping reality, and in my case it was a means of escaping a drab and dismal background."<ref>Thomas, p. 22</ref>

Personal life

Personality

In The Ragman's Son, Douglas described himself as a "son of a bitch," adding, "I'm probably the most disliked actor in Hollywood. And I feel pretty good about it. Because that's me... . I was born aggressive, and I guess I'll die aggressive."<ref name="Darrach-1988" /> Co-workers and associates alike noted similar traits, with Burt Lancaster once remarking, "Kirk would be the first to tell you that he is a very difficult man. And I would be the second."<ref name="People">Template:Cite web</ref> Douglas's brash personality is attributed to his difficult upbringing living in poverty and his aggressive alcoholic father who was neglectful of Kirk as a young child.<ref name="Darrach-1988" /><ref name=Turan>Template:Cite news</ref> According to Douglas, "there was an awful lot of rage churning around inside me, rage that I was afraid to reveal because there was so much more of it, and so much stronger, in my father."<ref name="Turan"/> Douglas' discipline, wit and sense of humor were also often recognized.<ref name="Darrach-1988" />

Marriages and children

File:Kirk & Ann attend Jefferson awards.jpg

Anne Buydens and Douglas at the 2003 Jefferson Awards for Public Service ceremony

Douglas and his first wife, Diana Dill, married on November 2, 1943. They had two sons, actor Michael Douglas and producer Joel Douglas, before divorcing in 1951.

According to his autobiography The Ragman's Son, he and Italian actress Pier Angeli were engaged in the early 1950s after meeting on the set of the film The Story of Three Loves (1953), but they never made it down the aisle.<ref>Template:Cite book</ref> Afterwards, in Paris, he met producer Anne Buydens (born Hannelore Marx; April 23, 1919, Hanover, Germany) while acting on location in Act of Love.<ref>Template:Cite web</ref> She originally fled from Germany to escape Nazism and survived by putting her multilingual skills to work at a film studio, creating translations for subtitles.<ref name=heart/> They married on May 29, 1954. In 2014, they celebrated their 60th wedding anniversary at the Greystone Mansion in Beverly Hills.<ref name=LATimes/> They had two sons, Peter, a producer, and Eric, an actor who died on July 6, 2004, from an overdose of alcohol and drugs at the age of 46.<ref>Template:Cite news</ref> In 2017, the couple released a book, Kirk and Anne: Letters of Love, Laughter and a Lifetime in Hollywood, that revealed intimate letters they shared through the years.<ref>Template:Cite web</ref> Throughout their marriage, Douglas had affairs with other women, including several Hollywood starlets. He never hid his infidelities from his wife, who was accepting of them and explained, "as a European, I understood it was unrealistic to expect total fidelity in a marriage."<ref>Template:Cite web</ref>

Mike Todd

Douglas was good friends with producer Mike Todd who lived across the street from him in Palm Springs.<ref name= Kirk&Anne2>Douglas, Douglas with Newberger. Kirk and Anne: Letters of Love, Laughter and a Lifetime in Hollywood, pp. 104–106</ref> On the morning of March 22, 1958, they were playing tennis when Todd asked him to come with him later that day on his private aircraft to New York, where he was due to receive an award.<ref name= Kirk&Anne2/> He suggested that Douglas could make the presentation to him and afterwards on the way back they could stop and visit former president Harry Truman in Independence, Missouri.

Upon hearing of the plan, Douglas's wife Anne had an uneasy feeling and urged him to take a commercial flight instead. After a heated argument about the matter, Douglas in a temper said that if he could not fly with Todd then he would not go at all.<ref name= Kirk&Anne2/>

The next morning while driving in the car to Los Angeles, Douglas and his family heard on the radio the news that Todd's aircraft had crashed a few hours after takeoff, killing all on board.<ref name= Kirk&Anne2/>

Religion

Douglas was raised Jewish. On February 13, 1991, aged 74, Douglas was in a helicopter and was injured when the aircraft collided with a small plane above Santa Paula Airport. Two other people were also injured, including Noel Blanc, the son of voice actor Mel Blanc who was piloting the helicopter, and two people in the plane were killed.<ref name="la-times-helicrash">Template:Cite news</ref><ref>Template:Cite web</ref> This near-death experience sparked a search for meaning by Douglas, which led him, after much study, to embrace the Judaism in which he had been raised. He documented this spiritual journey in his book, Climbing the Mountain: My Search for Meaning (1997).<ref>Template:Cite news</ref>

He decided to visit Jerusalem again and wanted to see the Western Wall Tunnel during a trip where he would dedicate two playgrounds he donated to the state. His tour guide arranged to end the tour of the tunnel at the bedrock where, according to Jewish tradition, Abraham's binding of Isaac took place.<ref name="Jewish Week">Template:Cite news</ref>

In his earlier autobiography, The Ragman's Son, he recalled, "years back, I tried to forget that I was a Jew," but later in his career he began "coming to grips with what it means to be a Jew," which became a theme in his life.<ref name="Douglas 1988, p. 383">Douglas 1988, p. 383.</ref> In an interview in 2000, he explained this transition:<ref>Template:Cite web</ref>

File:President Ronald Reagan with Kirk Douglas and Mrs. Douglas attending a private dinner.jpg

Douglas, his wife Anne, and President Ronald Reagan, December 1987

Douglas noted that an underlying theme of some of his films, including The Juggler (1953), Cast a Giant Shadow (1966), and Remembrance of Love (1982), was about "a Jew who doesn't think of himself as one, and eventually finds his Jewishness."<ref name="Douglas 1988, p. 383"/> The Juggler was the first Hollywood feature to be filmed in the newly established state of Israel. Douglas recalled that, while there, he saw "extreme poverty and food being rationed." But he found it "wonderful, finally, to be in the majority." The film's producer, Stanley Kramer, tried to portray "Israel as the Jews' heroic response to Hitler's destruction."<ref>Moore, Deborah. To the Golden Cities: Pursuing the American Jewish Dream in Miami and L.A., Harvard Univ. Press (1994) p. 245</ref>

Although his children had non-Jewish mothers, Douglas stated that they were "aware culturally" of his "deep convictions" and he never tried to influence their own religious decisions.<ref name="Douglas 1988, p. 383"/> Douglas's wife, Anne, converted to Judaism before they renewed their wedding vows in 2004.<ref name="Paskin-2012" /> Douglas celebrated a second Bar-Mitzvah ceremony in 1999, aged 83.<ref name="face"/>Template:Rp

Philanthropy

Douglas and his wife donated to various non-profit causes during his career and planned on donating most of their $80 million net worth.<ref>Feinberg, Scott (August 20, 2015). "Why Kirk and Anne Douglas Are Giving Away Their Fortune". Hollywood Reporter.</ref> Among the donations have been those to his former high school and college. In September 2001, he helped fund his high school's musical, Amsterdam Oratorio, composed by Maria Riccio Bryce, who won the school Thespian Society's Kirk Douglas Award in 1968.<ref>Cudmore, Bob. "Oratorio describes life in the city", The Daily Gazette, September 30, 2001</ref> In 2012 he donated $5 million to St. Lawrence University, his alma mater. The college used the donation for the scholarship fund he began in 1999.<ref>"Kirk Douglas donating $5 million to St. Lawrence University", Associated Press, July 30, 2012.</ref><ref name=HR/>

He donated to various schools, medical facilities, and other non-profit organizations in southern California. This included the rebuilding of over 400 Los Angeles Unified School District playgrounds that were aged and in need of restoration. The Douglases established the Anne Douglas Center for Homeless Women at the Los Angeles Mission, which has helped hundreds of women turn their lives around. In Culver City, they opened the Kirk Douglas Theatre in 2004.<ref name=LATimes>Douglas, Kirk. "Kirk Douglas looks back at 60 years of marriage", Los Angeles Times, June 20, 2014.</ref> They supported the Anne Douglas Childhood Center at the Sinai Temple of Westwood.<ref name="HR">Kilday, Gregg (July 27, 2012). "Kirk and Anne Douglas Donate $50 Million to Five Non-Profits". The Hollywood Reporter.</ref> In March 2015, Douglas and his wife donated $2.3 million to the Children's Hospital Los Angeles.<ref>Coleman, Laura. "Kirk, Anne Douglas Donate $2.3M To Children's Hospital Los Angeles" Template:Webarchive, The Beverly Hills Courier, March 26, 2015.</ref>

Since the early 1990s, Kirk and Anne Douglas donated up to $40 million to Harry's Haven, an Alzheimer's treatment facility in Woodland Hills, to care for patients at the Motion Picture Home.<ref name="Paskin-2012" /> To celebrate his 99th birthday on December 9, 2015, they donated another $15 million to help expand the facility with a new two-story Kirk Douglas Care Pavilion.<ref>Shah, Yagana (December 16, 2015). "Kirk Douglas Just Did Something Beautiful For His 99th Birthday". The Huffington Post.</ref>

Douglas donated a number of playgrounds in Jerusalem and donated the Kirk Douglas Theater at the Aish Center across from the Western Wall.<ref>Rabinowitz, Boruch (December 14, 2017). "Kirk Douglas and His Theatre in Jerusalem". Times of Israel.</ref>

Politics

File:Kirk Douglas with book 2002.jpg

Douglas in 2002 with his book My Stroke of Luck

Douglas and his wife traveled to more than 40 countries, at their own expense, to act as goodwill ambassadors for the U.S. Information Agency, speaking to audiences about why democracy works and what freedom means.<ref name=heart/> In 1980, Douglas flew to Cairo to talk with Egyptian President Anwar Sadat. For all his goodwill efforts, he received the Presidential Medal of Freedom from President Jimmy Carter in 1981.<ref name=LATimes/> At the ceremony, Carter said that Douglas had "done this in a sacrificial way, almost invariably without fanfare and without claiming any personal credit or acclaim for himself".<ref>Template:Cite web</ref> In subsequent years, Douglas testified before Congress about elder abuse.<ref name="Paskin">Paskin, Barbra. "Hollywood gladiator Kirk Douglas has his eyes set on a third barmitzvah" Template:Webarchive, The Jewish Chronicle, September 20, 2012.</ref> Douglas was also friends with former Secretary of State Henry Kissinger.<ref>Template:Cite web</ref>

Douglas was a long-time member of the Democratic Party.<ref>Template:Cite book</ref> He wrote letters to politicians who were friends. He noted in his memoir, Let's Face It (2007), that he felt compelled to write to former president Jimmy Carter in 2006 to stress that "Israel is the only successful democracy in the Middle East ... [and] has had to endure many wars against overwhelming odds. If Israel loses one war, they lose Israel."<ref name="face"/>Template:Rp During the 2020 Democratic Party presidential primaries he endorsed Michael Bloomberg's campaign.<ref>Template:Cite web</ref>

Role in breaking Hollywood blacklist

Howard Fast was originally hired to adapt his own 1951 novel Spartacus as a screenplay, but he had difficulty working in the format. He was replaced by Dalton Trumbo, who had been blacklisted as one of the Hollywood 10, and intended to use the pseudonym "Sam Jackson". Trumbo had been jailed for contempt of Congress in 1950, after which he had survived by writing screenplays under assumed names.

Kirk Douglas claimed that it was his insistence that Trumbo be given screen credit for his work that broke the blacklist.<ref name="Trumbo">Template:Cite web</ref> In his autobiography, Douglas states that this decision was motivated by a meeting that Edward Lewis, Stanley Kubrick, and he had regarding whose names to list for the screenplay in the film credits, given Trumbo's shaky position with Hollywood executives. One idea was to credit Lewis as co-writer or sole writer, but Lewis vetoed both suggestions. Kubrick then suggested that his own name be used. Douglas and Lewis found Kubrick's eagerness to take credit for Trumbo's work revolting, and the next day, Douglas called the gate at Universal saying, "I'd like to leave a pass for Dalton Trumbo." Douglas writes, "For the first time in 10 years, Trumbo walked on to a studio lot. He said, 'Thanks, Kirk, for giving me back my name.'Template:-"<ref name="Douglas autobio">Kirk Douglas. The Ragman's Son (Autobiography). Pocket Books, 1990. Chapter 26: The Wars of Spartacus.</ref>Template:Verify source

In fact, Douglas did not announce Trumbo as the credited screenwriter of Spartacus until August 1960, seven months after producer-director Otto Preminger's January 20, 1960, announcement that he had hired Trumbo to adapt Leon Uris' novel Exodus for the screen. Douglas later successfully denied Trumbo a sought credit on the film Town Without Pity as he worried that his continued association with the screen writer would hurt his career.<ref name="Atlantic">Template:Cite web</ref><ref>Template:Cite news</ref> and Kirk Douglas publicly announced that Trumbo was the screenwriter of Spartacus.<ref>Template:Cite news</ref> Further, President John F. Kennedy publicly ignored a demonstration organized by the American Legion and went to see the film.<ref name="fiu">Template:Cite web</ref><ref>Template:Cite web</ref>

Blogging

Douglas blogged from time to time. Originally hosted on Myspace,<ref>Kendall, Nigel. "World's oldest blogger María Amelia López Soliño dies", Times Online, May 22, 2009; accessed May 25, 2009.</ref> his posts were hosted by the Huffington Post beginning in 2012.<ref>Kirk Douglas blog Template:Webarchive, Huffingtonpost.com; retrieved January 11, 2014.</ref> As of 2008, he was believed to be the oldest celebrity blogger in the world.<ref>Template:Cite webTemplate:Cbignore</ref>

Rape allegation

Douglas is alleged to have raped actress Natalie Wood in the summer of 1955, when she was 16 and he 38.<ref name=AP-211104/> Wood's alleged rape was first publicized in Suzanne Finstad's 2001 biography of the actress, though Finstad never named the offender.<ref>Template:Cite book</ref>

The allegation received renewed attention in January 2018, after the 75th Golden Globe Awards ceremony paid tribute to Douglas, with several news outlets citing a 2012 anonymous blog post which accused Douglas.<ref name="Mediaite-180107">Template:Cite web</ref> In July 2018, Wood's sister Lana said during a 12-part podcast about her sister's life that her sister was sexually assaulted as a teen and that the attack had occurred inside the Chateau Marmont during an audition and went on "for hours".<ref name=AOL-180726>Template:Cite web</ref> In the 2021 memoir Little Sister: My Investigation Into the Mysterious Death of Natalie Wood, Lana Wood alleged Douglas was her sister's assailant.<ref name=AP-211104>Template:Cite news</ref> Douglas' son Michael issued a statement, saying "May they both rest in peace."<ref name=AP-211104/>

Health problems and death

On January 28, 1996, at age 79, Douglas suffered a severe stroke, which impaired his ability to speak.<ref>Template:Cite news</ref> Doctors told his wife that unless there was rapid improvement, the loss of his ability to speak would probably be permanent. However, after a regimen of daily speech-language therapy that lasted several months, his ability to speak returned, although it was still limited. He was able to accept an honorary Academy Award two months later (in March) and to thank the audience.<ref name=Awards /><ref name="Ability">Template:Cite news</ref> He wrote about this experience in his 2002 book My Stroke of Luck, which he hoped would be an "operating manual" for others on how to handle a stroke victim in their own family.<ref name=Ability/><ref>Template:Cite web</ref>

Douglas died at his home in Beverly Hills, California, surrounded by his family on February 5, 2020, at age 103. His cause of death was kept private.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Douglas's funeral was held at the Westwood Village Memorial Park Cemetery on February 7, 2020, two days after his death. He was buried in the same plot as his son Eric.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> On April 29, 2021, his wife Anne died at age 102 and was buried next to him and their son.<ref name="Barnes">Template:Cite news</ref>

Filmography

In a 2014 article, Douglas cited The Strange Love of Martha Ivers, Champion, Ace in the Hole, The Bad and the Beautiful, Act of Love, 20,000 Leagues Under the Sea, The Indian Fighter, Lust for Life, Paths of Glory, Spartacus, Lonely Are the Brave, and Seven Days in May as the films he was most proud of throughout his acting career.<ref>Template:Cite news</ref>

Radio appearances

Year	Program	Episode/source
1947	Suspense	"Community Property"<ref>Template:Cite web</ref>
1950	Screen Directors Playhouse	Champion<ref name=nda16>Template:Cite magazine</ref>
1950	Suspense	The Butcher's Wife<ref name=nda16/>
1952	Lux Radio Theatre	Young Man with a Horn<ref>Template:Cite news Template:Open access</ref>
1954	Lux Radio Theatre	Detective Story<ref name=nda16/>

Honors and awards

File:Kirk Douglas Jimmy Carter.jpg

President Jimmy Carter greets Anne and Kirk Douglas, March 1978

• Douglas has been honored by governments and organizations of various countries, including France, Italy, Portugal, Israel, and Germany.<ref name=heart/>
• In 1957, he won the Best Actor award at the San Sebastian International Film Festival for The Vikings.<ref>Template:Cite web</ref>
• In 1958, he was awarded the honorary degree of Doctor of Fine Arts from St. Lawrence University.<ref name="Barnes-2020">Template:Cite web</ref>
• In 1981, Douglas received the Presidential Medal of Freedom from Jimmy Carter.<ref>Template:Cite web</ref>
• In 1984, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.<ref>Template:Cite web</ref>
• In 1990, he received the French Légion d'honneur for distinguished services to France in arts and letters.<ref name="heart">Template:Cite web</ref>
• In 1991, he received the AFI Life Achievement Award.<ref>Template:Cite web</ref>
• In 1994, Douglas's accomplishments in the performing arts were celebrated in Washington, D.C., where he was among the recipients of the annual Kennedy Center Honors.<ref>Template:Cite web</ref>
• In 1998, he received the Screen Actors Guild Lifetime Achievement Award.<ref>Template:Cite web</ref>
• In 2002, he received the National Medal of Arts award from President Bush.<ref name=heart/>

File:Kirk Douglas Walk of Fame Star.png

Star on the Hollywood Walk of Fame

File:20161005 Broadway Hollywood Building from Hollywood and Vine (2).jpg

Douglas's star is located at the famous Hollywood and Vine intersection.

• In October 2004, Kirk Douglas Way, a thoroughfare in Palm Springs, California, was unveiled by the city's International Film Society and Film Festival.<ref>A portrait of Douglas, titled The Great and the Beautiful, which encapsulated his film career, art collection, philanthropy and rehabilitation from the helicopter crash and the stroke, appeared in Palm Springs Life magazine in 1999.</ref>
• For his contributions to the motion picture industry, Douglas has a star on the Hollywood Walk of Fame at 6263 Hollywood Blvd. He is one of the few personalities (along with James Stewart, Gregory Peck, and Gene Autry) whose star has been stolen and later replaced.<ref>Template:Cite web</ref>

File:Kirk Douglas ceremony Grauman's Chinese Theatre 1962.jpg

Signing his name at Grauman's Chinese Theatre on November 1, 1962

File:Impronte di Kirk Douglas al TCL Chinese Theatre - Los Angeles - USA - agosto 2011.jpg

His handprints and footprints at Grauman's Chinese Theatre

AFI Life Achievement Award

• 1991 Accepted AFI Life Achievement Award<ref name=AFILAA>Template:Cite web</ref>

Kennedy Center Honors

• 1994 Honoree<ref>Template:Cite web</ref>

Academy Awards

• Douglas received three nominations for the Academy Award for Best Actor, for Champion (1949), The Bad and the Beautiful (1952), and Lust for Life (1956), but never won.<ref name="Barnes-2020" />
• In 1996, he received an Honorary Award for "50 years as a creative and moral force in the motion picture community"<ref>Template:Cite news</ref>

Golden Globes

• 1986 Amos nominated for Best Actor in a Mini-Series or Motion Picture Made for TV<ref name=EncyCOMEntries/>
• 1968 Cecil B. DeMille Award for Lifetime Achievement<ref>Template:Cite web</ref>
• 1957 Lust for Life won for Best Actor-Drama<ref name=EncyCOMEntries/>
• 1952 Detective Story nominated for Best Actor-Drama<ref name=EncyCOMEntries/>

Emmy Awards

• 2002 Touched by an Angel nominated for Outstanding Guest Actor in a Drama Series<ref name=EmmyBio>Template:Cite web</ref>
• 1992 Tales from the Crypt nominated for Outstanding Lead Actor in a Drama Series<ref name=EmmyBio/>
• 1986 Amos nominated for Outstanding Lead Actor in a Miniseries or Special<ref name=EmmyBio/>

Screen Actors Guild Awards

• 1999 Lifetime Achievement Award<ref>Template:Cite news</ref>

BAFTA Awards

• 1963 Lonely Are the Brave nominated for Best Foreign Actor<ref>Template:Cite web</ref>

Britannia Awards

• 2009 BAFTA/LA award for Worldwide Contribution To Filmed Entertainment<ref>Template:Cite web</ref>

Berlin International Film Festival

• 2001 Honorary Golden Bear<ref name="Berlin2001">Template:Cite web</ref>
• 1975 Posse nominated for Competing Film<ref name="Berlinale1975">Template:Cite web</ref>

Cesar Awards

• 1980 Honorary Cesar<ref name=EncyCOMEntries>Template:Cite web</ref>

Hollywood Film Festival

• 1997 Lifetime Achievement Award<ref>Template:Cite web</ref>

National Board of Review

• 1988 Career Achievement Award<ref name=EncyCOMEntries/>

New York Film Critics Circle Award

• 1956 Lust for Life won for Best Actor<ref>Template:Cite news</ref>
• 1951 Detective Story nominated for Best Actor<ref name=EncyCOMEntries/>

In 1983, Douglas received the S. Roger Horchow Award for Greatest Public Service by a Private Citizen, an award given out annually by Jefferson Awards.<ref>Template:Cite web</ref>

In 1996, Douglas received an Honorary Academy Award for "50 years as a moral and creative force in the motion picture community." The award was presented by producer/director Steven Spielberg.<ref name="Awards">Template:Cite webTemplate:Cbignore</ref> As a result of Douglas's stroke the previous summer, however, in which he lost most of his speaking ability, his close friends and family were concerned about whether he should try to speak, or what he should say. Both his son Michael, and his long-time friend Jack Valenti, urged him to only say "Thank you", and leave the stage. Douglas agreed, but had second thoughts when standing in front of the audience. He later reflected that: "I intended to just say 'thank you,' but I saw 1,000 people, and felt I had to say something more, and I did."<ref name="cbs">Template:Cite web</ref> Valenti remembers that after Douglas held up the Oscar, addressed his sons, and told his wife how much he loved her, everyone was astonished at his voice's improvement:

Since 2006, the Santa Barbara International Film Festival has awarded the Kirk Douglas Award for Excellence in film to acknowledge lifetime contributions to the film industry. Recipients of the award include Robert De Niro, Ed Harris, Harrison Ford, Michael Douglas, Hugh Jackman, and Judi Dench.<ref>Template:Cite web</ref> The award is typically presented to actors, although directors Quentin Tarantino and Martin Scorsese have been presented with it.<ref>Template:Cite web</ref> In 2015, a star was nicknamed after Douglas in the International Star Registry to commemorate his 99th birthday.<ref>Template:Cite magazine</ref>

Books

• The Ragman's Son. Simon & Schuster, 1988. Template:ISBN.
• Dance with the Devil. Random House, 1990. Template:ISBN.
• The Gift. Grand Central Publishing, 1992. Template:ISBN.
• Last Tango in Brooklyn. Century, 1994. Template:ISBN.
• The Broken Mirror: A Novella. Simon & Schuster Books for Young Readers, 1997. Template:ISBN.
• Young Heroes of the Bible. Simon & Schuster Books for Young Readers, 1999. Template:ISBN.
• Climbing the Mountain: My Search for Meaning. Simon and Schuster, 2001. Template:ISBN.
• My Stroke of Luck. HarperCollins, 2003. Template:ISBN.
• Let's Face It: 90 Years of Living, Loving, and Learning. John Wiley & Sons, 2007. Template:ISBN.
• I Am Spartacus!: Making a Film, Breaking the Blacklist. Open Road Media, 2012. Template:ISBN.
• Life Could Be Verse: Reflections on Love, Loss, and What Really Matters. Health Communications, Inc., 2014. Template:ISBN
• Kirk and Anne: Letters of Love, Laughter and a Lifetime in Hollywood. Running Press, 2017. Template:ISBN. With Anne Douglas and Marcia Newberger.

See also

• List of centenarians (actors, filmmakers and entertainers)

Further reading

• Kress, Michael. Rabbis: Observations of 100 Leading and Influential Rabbis of the 21st Century. Foreword by Kirk Douglas. Universe, 2002. Template:ISBN.
• McBride, Joseph. Kirk Douglas. Pyramid Publications, 1976. Template:ISBN.
• Munn, Michael. Kirk Douglas. St. Martin's Press, 1985. Template:ISBN.
• Press, Skip. Michael and Kirk Douglas. Silver Burdett Press, 1995. Template:ISBN.
• Wise, James. Stars in Blue: Movie Actors in America's Sea Services. Annapolis, MD: Naval Institute Press, 1997. Template:ISBN. Template:OCLC. Entry on Kirk Douglas.

External links

• Official website
• Template:AFI person
• Template:IMDb name
• Template:Tcmdb name
• Template:IBDB name
• "Tribute to Kirk Douglas", Turner Classic Movies
• Kirk Douglas interviewed by Dick Cavett, 1971
• An Interview with Kirk Douglas Template:Webarchive
• Kirk Douglas Template:Webarchive interviewed by Mike Wallace on The Mike Wallace Interview from November 2, 1957