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Johnny Belinda (1948 film)

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Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox film

Johnny Belinda is a 1948 American drama film, directed by Jean Negulesco, based on the 1940 Broadway stage hit of the same name by Elmer Blaney Harris. The play was adapted for the screen by writers Allen Vincent and Irma von Cube.

The story is based on an incident that happened near Harris's summer residence in Fortune Bridge, Bay Fortune, Prince Edward Island. The title character is based on the real-life Lydia Dingwell (1852–1931), of Dingwells Mills, Prince Edward Island. The film dramatizes the consequences of spreading lies and rumors, and the horror of rape. The latter subject had previously been prohibited by the Motion Picture Production Code. Johnny Belinda is widely considered to be the first Hollywood film for which the restriction was relaxed since its implementation in 1934, and as such was controversial at the time of its initial release.Template:Citation needed span

The film stars Jane Wyman, Lew Ayres, Charles Bickford, Agnes Moorehead, Stephen McNally, and Jan Sterling. Wyman's performance earned her the Academy Award for Best Actress; she described it in 1968 as her "most creative" role and reported, "I studied for six months in a school for the deaf, and did the whole movie with my ears sealed in wax to blot out every noise but percussion sounds. I still remember the sign language."<ref>Reed, Rex. "OK, So It's Not 'Johnny Belinda'." New York Times, 6 October 1968, D19.</ref>

It was filmed on location in Fort Bragg, California.<ref>Template:Cite web</ref>

Plot

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Belinda MacDonald is a deaf-mute young woman living on Prince Edward Island on the east coast of Canada. She is befriended by Dr. Robert Richardson, a physician who recently moved to town. The doctor realizes that, although she cannot hear or speak, Belinda is very intelligent. She lives on a farm with her father, Black MacDonald, and her aunt, Aggie MacDonald. The family raises cattle and sheep and makes a living grinding wheat into flour at their small mill. Her father and aunt call Belinda "Dummy" and resent her because her mother died giving birth to her. Dr. Richardson teaches Belinda sign language, and she learns to read. Over time, his affection for her grows.

Dr. Richardson's secretary, Stella, is attracted to him, but the doctor does not reciprocate her feelings. After Stella figures out that he is attracted to Belinda, she starts to resent both of them.

One of the family's customers, Laughlin "Locky" McCormick, meets Belinda when he stops by the MacDonald farm. Locky is dating Stella at the time. He gets drunk, goes to the farm where Belinda is alone, and rapes her. This results in her pregnancy. Belinda gives birth to a boy, whom she names Johnny. The people in town shun the MacDonald family and Dr. Richardson, as they gossip that he must be Johnny's father. Dr. Richardson tells Black that he is willing to marry Belinda in order to quiet town gossip. Black rejects this idea, as he believes that Dr. Richardson does not truly love Belinda. Boycotted by locals, the doctor leaves the community and takes a position in a Toronto hospital. He writes to Belinda suggesting he will return for her and Johnny.

Locky goes to the MacDonald farm under the pretense of purchasing ground barley but really wants to get a look at baby Johnny. He boasts about the infant, saying, "spittin' image of his father," revealing to Black that he is the father of the child. Black follows Locky and threatens to expose him to the town. They have a fight on a seaside cliff, and Locky throws Black off the cliff into the sea, killing him. Town gossip calls it an accident and does not suspect Locky. They celebrate his wedding to Stella.

Belinda and her aunt Aggie try to operate the farm but struggle to pay the bills. Farmers boycott their flour mill. The town, at the urging of Locky, declares Belinda unfit to care for the child and awards him to Locky and Stella. They come to take Johnny. Belinda makes Stella realize that she is a smart and competent mother who will never give up her baby. Stella tells Locky that the mother should keep Johnny, but he demands the baby, telling his wife that it is his son. When he goes to retrieve the boy, Belinda kills him with a shotgun. She is arrested and goes on trial for murder. At the trial, Dr. Richardson testifies that she was protecting her property and family. The court dismisses this as the doctor's love for her and is ready to sentence Belinda to execution, but Stella blurts out that Locky had confessed the truth about the rape to her on the day he was killed. Belinda is set free, and she, Johnny, Dr. Richardson, and Aggie leave together.

Main cast and characters

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Other cast members

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Reception

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Box office

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The film was a huge financial success, earning $4,266,000 domestically and $2,721,000 foreign.<ref name="warners"/>

The film was the second most popular movie at the British box office in 1948.<ref>Template:Cite news</ref>

Critical reaction

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Bosley Crowther of The New York Times wrote that while some of the scenes "were pretty lurid, especially towards the end," that "the best of the film is absorbing, and Miss Wyman, all the way through, plays her role in a manner which commands compassion and respect."<ref>Template:Cite news</ref> William Brogdon of Variety called it "somber, tender, [and] moving," with Wyman's performance "a personal success."<ref>Template:Cite magazine</ref> John McCarten of The New Yorker thought the screenplay was "far superior" to the script of the original play, and that the actors were "all convincing, particularly Jane Wyman, who is cast as the badgered heroine."<ref>Template:Cite magazine</ref> The Monthly Film Bulletin called it "a memorable film in which Jane Wyman's performance as Belinda is outstanding."<ref>Template:Cite journal</ref> "A powerful dramatic entertainment," wrote Harrison's Reports. "The direction, acting, and photography are of a superior quality, but the outstanding thing about the picture is the exceptionally fine performance by Jane Wyman, an acting job that will undoubtedly make her a foremost contender for the Academy Award."<ref>Template:Cite magazine</ref>

Content aggregator Rotten Tomatoes reports a 91% "Fresh" rating based on 10 out of 11 surveyed critics giving the film a positive review.<ref>Template:Cite web</ref>

Accolades

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Award Category Recipient Result
Academy Awards<ref name="Oscars1949">Template:Cite web</ref><ref name="NY Times">Template:Cite web</ref> Best Picture Jerry Wald (for Warner Bros.) Template:Nom
Best Director Jean Negulesco Template:Nom
Best Actor Lew Ayres Template:Nom
Best Actress Jane Wyman Template:Won
Best Supporting Actor Charles Bickford Template:Nom
Best Supporting Actress Agnes Moorehead Template:Nom
Best Screenplay Irma von Cube and Allen Vincent Template:Nom
Best Art Direction-Set Decoration – Black-and-White Robert M. Haas and William O. Wallace Template:Nom
Best Cinematography – Black-and-White Ted D. McCord Template:Nom
Best Film Editing David Weisbart Template:Nom
Best Score of a Dramatic or Comedy Picture Max Steiner Template:Nom
Best Sound Recording Nathan Levinson Template:Nom
Golden Globe Awards<ref>Template:Cite web</ref> Best Picture Template:WonTemplate:Efn
Best Actress in a Leading Role Jane Wyman Template:Won
National Board of Review Awards<ref>Template:Cite web</ref> Top Ten Films Template:Draw
Photoplay Awards Gold Medal Actress Jane Wyman Template:Won
Picturegoer Awards Best Actress Template:Won
Venice International Film Festival Golden Lion Jean Negulesco Template:Nom
Writers Guild of America Awards<ref>Template:Cite web</ref> Best Written American Drama Irma von Cube and Allen Vincent Template:Nom

The film is recognized by American Film Institute in these lists:

Later versions

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The film was remade first as a 1967 television movie starring Mia Farrow as Belinda, Ian Bannen as her doctor, and David Carradine as the rapist, and in 1982 as another TV remake with Rosanna Arquette as Belinda and Richard Thomas as the VISTA worker. Also, live versions aired on the US network NBC on October 13, 1958, as part of the Hallmark Hall of Fame series<ref>Template:Cite news</ref> and on Australian television in 1959 as part of the Shell Presents series.<ref>Template:Cite web</ref>

See also

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References

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Further reading

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  • Leff, Leonard J. "What in the World Interests Women? Hollywood, Postwar America, and 'Johnny Belinda.'" Journal of American Studies 31#32 (1997), pp. 385–405. online
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