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Hidden Treasures (EP)

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Hidden Treasures is a compilation EP by American thrash metal band Megadeth, released on July 18, 1995, via Capitol Records. The album features songs that originally appeared on film soundtracks and tribute albums. Four of the tracks were released as singles, and three have received Grammy Award nominations for Best Metal Performance. Despite having garnered mediocre or negative reviews, the material on the EP has been credited with helping expand the group's MTV audience in the early 1990s.

Background and songs

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Hidden Treasures is a rarities compilation that features songs that Megadeth had recorded for a number of projects, but had not released on one of the band's studio albums.Template:Ref label Most of these were contributions to film soundtracks.<ref name="AM">Template:Cite web</ref> In 1989, Megadeth recorded a version of Alice Cooper's "No More Mr. Nice Guy" for the soundtrack to the Wes Craven-directed horror film Shocker.Template:Sfn It marks drummer Nick Menza's recording debut with the band.Template:Sfn The recording was released as a single and peaked at number 13 on the UK Singles Chart in 1990.Template:Sfn "Go to Hell" appeared on the Bill and Ted's Bogus Journey soundtrack in 1991.<ref name="Noisecreep"/> The song features the same prayer, "Now I Lay Me Down to Sleep", used in "Enter Sandman" by Metallica, and can be heard at the beginning of the track.<ref name="Chicago"/>

The band contributed three songs to soundtracks in 1993. "Angry Again", recorded during the sessions for Countdown to Extinction, appeared on the soundtrack to Last Action Hero and received a nomination for "Best Metal Performance" at the 1993 Grammy Awards.<ref name="Noisecreep"/> The song has appeared on several of the band's compilations.<ref name="allmusic3">Template:Cite web</ref><ref name="allmusic4">Template:Cite web</ref> "Breakpoint" appeared on the soundtrack for the Super Mario Bros. film.Template:Sfn "99 Ways to Die" was recorded for the soundtrack to The Beavis and Butt-head Experience and released as a single and a music video. It was nominated in the "Best Metal Performance" category at the 1995 Grammy Awards.<ref name=LATimes>Template:Cite web</ref>

"Diadems" was released on the Demon Knight soundtrack in 1995.<ref name=DemonKnight>Template:Cite web</ref> In addition to soundtrack contributions, the band submitted a cover of Black Sabbath's "Paranoid" for the tribute album Nativity in Black in 1994. It was nominated for "Best Metal Performance" at the 1996 Grammy Awards.<ref>Template:Cite news</ref> "Problems" is a Sex Pistols cover<ref name="AM"/> and was previously unreleased.<ref name=LinerNotes>Template:Cite AV media notes</ref>

Release and reception

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While initially released in Europe as a bonus disc for a special edition of Youthanasia, Hidden Treasures was released as a stand-alone EP in Japan and the US on July 18, 1995.<ref name="AM"/><ref name=MegadethDiscography>Template:Cite web</ref> It debuted at number 90 on the Billboard 200 chart and sold 13,000 copies in its first week.<ref>Template:Cite magazine</ref> By December 2005, Hidden Treasures sold 286,000 copies in the United States.<ref>Template:Cite news</ref> It also appeared on album chart in the UK, but did not achieve notable success.<ref name=UKChart/> The album has gone out of print in the US, but was reissued in 2007 for the Japanese and European markets.<ref name=MegadethDiscography/>

The EP has received generally mediocre reaction from critics. AllMusic's Stephen Thomas Erlewine wrote that the EP does not have many "first-rate songs" and that only "99 Ways to Die" made an impression.<ref name="AM"/> The Rolling Stone Album Guide was dismissive of the EP; the staff reviewer commented that the album is worth hearing only for "99 Ways to Die".<ref name="New RS"/> Dean Golemis of the Chicago Tribune wrote that the album is "typical Megadeth" featuring "fast-forward riffing" and "snooty snarling" vocals.<ref name="Chicago"/> Carlos Ramirez from Noisecreep felt that the album contains many underrated songs that "also deserve their time in the spotlight" and highlighted the dueling guitar leads by Mustaine and Friedman featured in "Go to Hell".<ref name="Noisecreep">Template:Cite web</ref> Despite the negative reviews, material featured on the EP has been credited with helping expand the group's MTV audience in the early 1990s.Template:Sfn

Track listing

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All credits adapted from the Hidden Treasures liner notes.<ref name=LinerNotes/> Template:Track listing

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Personnel

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Credits are adapted from the liner notes.<ref name=LinerNotes/>

Megadeth

Production

  • Production: Desmond Child and Dave Mustaine (track 1); Max Norman and Mustaine (tracks 2–8)
  • Engineering: Max Norman (tracks 2–8)
  • Mixing: Max Norman (tracks 2–6); Norman and Mustaine (tracks 7–8)
  • Guitar/bass/amplifier technician: Michael Kaye (tracks 4–8)
  • Drum technician: Bruce Jacoby (tracks 4–8)

Chart performance

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Chart (1995) Peak
position
Japanese Albums Chart (Oricon)Template:Citation needed 13
UK Albums Chart (OCC)<ref name=UKChart>Template:Cite web</ref> 28
US Billboard 200 (Billboard)<ref name=USCharts>Template:Cite magazine</ref> 90

Certifications

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Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Bottom

Notes

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  • Template:Note† "Breakpoint" and "Go to Hell" appear as bonus tracks on the original Japanese release of Countdown to Extinction<ref>Template:Cite AV media notes</ref>
  • Template:Note†† The track listing of the Japanese edition features the bonus tracks as tracks 1–4; "No More Mr. Nice Guy" becomes track 5, and all subsequent songs are also displaced four tracks back.<ref>Template:Cite AV media notes</ref>
  • Template:Note††† À tout le monde is listed as a radio edit on the 2007 edition, but it is the regular album version.
  • Template:Note†††† New World Order is listed as a demo on the 2007 edition, but it actually is the final version with the guitar parts in the pre-chorus section that were missing in the demo version on the 2004 remastered re-release bonus track of Youthanasia.

References

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Bibliography

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