Earthsea

The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan, (1970) and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind (both 2001). In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

Setting

Geography

File:Earthsea.svg

Map of Earthsea

The world of Earthsea is one of sea and islands: a vast archipelago of hundreds of islands surrounded by mostly uncharted ocean. Earthsea contains no large continents. The largest island, Havnor, at approximately Template:Convert across, is about the size of Great Britain. The cultures of Earthsea are literate non-industrial civilizations and not direct analogues of the real world. The overall climate of Earthsea is temperate, comparable to the mid-latitudes (over a distance of about Template:Convert) of the northern hemisphere of the Earth. There is a yearly transition from warm summers to cold and snowy winters, especially on northern islands like Gont and Osskil. In the southern regions of Earthsea, it can be much warmer.

Most of the people of Earthsea have brown skin.<ref>Template:Cite news</ref> In the Archipelago, "red-brown" skin is typical; however, the people of the East Reach have darker "black-brown" complexions.Template:Sfnp The people of Osskil in the north are described as having lighter, sallow complexions,Template:Sfnp while the Kargs of the Kargad Lands are "white-skinned" and often "yellow-haired".Template:Sfnp Le Guin has criticized what she described as the general assumption in fantasy that characters should be white and the society should resemble the European Middle Ages.<ref name=harcourt/> Richard Erlich writes that Earthsea is "Earth in a legendary time", not some other planet. Having power centralized under a king could, Erlich writes, be the "least bad political option". He places the era as something like the Bronze Age for Gont at the start of A Wizard of Earthsea, and the later period of rule by kings, started by Lebannen, as resembling Mycenaean Greece as mentioned by Homer.Template:Sfn

Cosmology

Magic is a central part of life in most of Earthsea; the exception being the Kargish lands, where it is forbidden. There are weather workers on ships, fixers who repair boats and buildings, entertainers, and court sorcerers. Magic is an inborn talent which can be refined with training. The most gifted are sent to the school on Roke, where, if their skill and discipline prove sufficient, they can become staff-carrying wizards.

The Dry Land is where most people go after they die, with the exception of the Kargs. It is a realm of shadow and dust, of eternal night where the stars are fixed in the sky, and nothing changes. The souls who reside there have an empty, dreary existence, and even "lovers pass each other in silence". Le Guin stated that the idea of the Dry Land came from the "Greco-Roman idea of Hades' realm, from certain images in Dante Alighieri's work, and from one of Rainer Maria Rilke's [Duino] Elegies".<ref name=guardian/> In the fifth and last novel of the series, The Other Wind, it is revealed that the Dry Land is a part of the dragons' domain that was stolen from them by the earliest mages in an attempt gone awry to obtain immortality. The Dry Land is restored to the dragons at the end of The Other Wind.

Daoist philosophy

File:Yin and Yang symbol.svg

Yin-Yang symbol of balanced opposites. In Le Guin's words, "Light is the left hand of darkness; darkness is the right hand of light."<ref>Template:Cite book</ref>Template:Sfn

Erlich writes that the Earthsea books embody Taoist philosophy, with Tehanu counterbalancing the initial trilogy.Template:Sfn In Tehanu, Ged returns to Gont, completing the cycle of his quest: Erlich comments that this movement back to his roots is Daoist.Template:Sfn The balancing of "polarities" such as light and dark, male and female, doing and being is central to the philosophy and to the novels. The Yin-Yang symbol reflects this, and Erlich analyses multiple occurrences of Yin-Yang in the series, commenting that "Yin-Yang, indeed, is a unifying symbol in the trilogy".Template:Sfn

Richard Erlich's analysis of Taoist-style balancing of Yin-Yang opposites in EarthseaTemplate:Sfn

Instance	Opposites		Location
"Only in silence the word"	silence	word	Epigraph at start of A Wizard of Earthsea and of Tehanu
"Only in dark the light"	dark	light
"Only in dying life"	death	life
White scars on Ged's dark face	dark skin	white scars	A Wizard of Earthsea
Ged merges with his shadow	shadow	hero	A Wizard of Earthsea
(Initially hostile) Tenar bonds with Ged	dark-skinned Ged	white-skinned Tenar	Tombs of Atuan
scarred Therru is a dragon	burned Therru	dragon-person Tehanu	Tehanu

Erlich writes that the three books of the initial trilogy each embody a Taoist balance that needs restoring, a needed integration, and a doorway that must be closed.Template:Sfn

Richard Erlich's analysis of Taoist processes in the Earthsea trilogyTemplate:Sfn

Necessary process	Ged in A Wizard of Earthsea	Tenar in Tombs of Atuan	Ged in The Farthest Shore
Balance to restore	"Yangish over-action, over-assertion, over-intellectuality, too much desire for life and power: in Taoist (and traditional patriarchal) symbolism, too much light"	"Too much stasis, darkness, 'cyclical' reincarnation"; Ged brings light to the Undertomb; Tenar accepts her true name from Ged	Magic has been lost in remote parts of Earthsea; joy is draining from the world
Integration to make	Ged and his shadow	Male-controlled life of Atuan's priestesses, without sex; Ged unites his half of the Ring of Erreth-Akbe with the half in the Tombs	Acceptance of mortality
Doorway to close	Doorway to the Dry Land [of death]	The Place of the Tombs of Atuan, "where the powers of darkness have irrupted into the light"	Cob has opened "a door between the realms of life and death"

Series

Books

Book	Year	Publisher
A Wizard of Earthsea	1968	Parnassus
The Tombs of Atuan	1971Template:Efn	Atheneum
The Farthest Shore	1972
Tehanu	1990
Tales from Earthsea	2001	Harcourt
The Other Wind	2001

Le Guin originally intended for A Wizard of Earthsea to be a standalone novel, but she wrote The Tombs of Atuan as a sequel after considering the loose ends in the first book; The Farthest Shore followed after further consideration. These three books were written in quick succession, from 1968 to 1972, and are sometimes seen as the "original trilogy".Template:SfnpTemplate:Sfnp Nearly twenty years later, Le Guin wrote a fourth book, Tehanu (1990), and followed it with Tales from Earthsea and The Other Wind in 2001. The latter three books are sometimes referred to as the "second trilogy".Template:SfnpTemplate:Sfnp The series as a whole is known as the Earthsea Cycle, and was published in a single volume in 2018 as The Books of Earthsea: The Complete Illustrated Edition, with art by Charles Vess.<ref>Template:Isfdb contents.</ref>

Short stories

Le Guin published nine short stories of Earthsea. Seven appear in two collections of her work (and some have been reissued elsewhere). Two early stories were originally published in 1964, and were collected in The Wind's Twelve Quarters (Harper & Row, 1975). These helped to define the setting of Earthsea. Five much later stories were collected in Tales from Earthsea (Harcourt, 2001), where three were original.<ref name=isfdb /> In October 2014, a new novella set in Earthsea was published as a stand-alone, "The Daughter of Odren".<ref name=Odren-hmhco>Template:Cite web</ref><ref>"The Daughter of Odren (Kindle Single)". Amazon.com. Retrieved 2015-08-13. Quote: "Master storyteller Ursula LeGuin takes readers back to Earthsea"; 31 pages; age level 12 and up.</ref> A final 12-page short story, "Firelight", was published in June 2018, covering the last days of Ged.<ref>Template:Cite web</ref>

Tales from Earthsea also includes about 30 pages of fictional reference material titled "A Description of Earthsea" (2001).<ref name=isfdb>Template:Cite web</ref>

• "The Word of Unbinding", Fantastic Stories of Imagination, January 1964 ^+Q
• "The Rule of Names", Fantastic Stories of Imagination, April 1964 ^+Q
• "Dragonfly", Legends: Short Novels by the Masters of Modern Fantasy, Tor Books, 1998 ^+T
• "Darkrose and Diamond", The Magazine of Fantasy & Science Fiction, Oct-Nov 1999 ^+T
• "The Bones of the Earth" (2001) ^T
• "The Finder" (2001) ^T
• "On The High Marsh" (2001) ^T
• "The Daughter of Odren" (2014) <ref name=Odren-hmhco /> ^EB
• "Firelight", Paris Review, Summer 2018, issue 225<ref>Template:Cite web</ref>

Key:

Template:Anchor^+Q Collected in The Wind's Twelve Quarters

Template:Anchor^+T Collected in Tales from Earthsea

Template:Anchor^T   Original to Tales from Earthsea

Template:Anchor^EB   Originally released as a stand-alone eBook<ref>Template:Cite web</ref>

All of the stories are included in The Books of Earthsea.

Unsubmitted story

After "The Rule of Names" and before "A Wizard of Earthsea", Le Guin wrote a long story about a prince in search of the Ultimate. He travels south-west from Havnor through the archipelago into the open sea. There he finds a raft-colony and sea-people, whom he joins in the sea. The prince wears out, sinks and finds the Ultimate. This story was never submitted for publication because "it never worked out itself well".<ref>"Dreams Must Explain Themselves" by Ursula Le Guin in Algol 21, Tenth Anniversary Issue, (November 1973; p. 8)</ref> However, the theme of a raft-colony and sea-people was later taken up as an important ingredient in the plot of The Farthest Shore.

Awards

Each book in the series has received a literary award:

Book	AwardsTemplate:Sfnp<ref name="SFADB">Template:Cite web</ref>
A Wizard of Earthsea	Boston Globe-Horn Book Award (1969)<ref>Template:Cite web</ref> Lewis Carroll Shelf Award (1979)
The Tombs of Atuan	Newbery Honor (1972)
The Farthest Shore	National Book Award for Children's Books (1973)
Tehanu	Nebula Award for Best Novel (1990) Locus Award for Best Fantasy Novel (1991)
Tales from Earthsea	Locus Award for Best Collection (2002)
The Other Wind	World Fantasy Award for Best Novel (2002)

On November 5, 2019, the BBC News listed The Earthsea Trilogy on its list of the 100 most influential novels.<ref name=Bbc2019-11-05/>

Influences

The Earthsea series, from 1968, was one of the first fantasy series influenced by J. R. R. Tolkien.<ref>"Le Guin's Earthsea series, beginning with The Wizard of Earthsea (1968) is not only amongst the finest examples of post-Tolkien fantasy, it is explicitly and directly influenced by Tolkien himself." Adam Roberts, The Riddles of the Hobbit. Palgrave Macmillan, 2013. Template:ISBN p. 19</ref><ref>"For Le Guin, Tolkien is a major precursor...Le Guin also acknowledges the importance of Tolkien, whose ability to create a world she finds impressive."Susan M. Bernardo, Graham J. Murphy, Ursula K. Le Guin: A Critical Companion. Greenwood Publishing Group, 2006. Template:ISBN (pp. 92-93).</ref> Among the Tolkienian archetypes in the Earthsea books are wizards (including the protagonist, Ged), a disinherited prince (Arren in The Farthest Shore), a magical ring (the ring of Erreth-Akbe in The Tombs of Atuan), a Middle-earth style quest (in The Farthest Shore), and powerful dragons (like the dragon of Pendor, in A Wizard of Earthsea).<ref name="Paxson 1984">Template:Cite journal</ref>

The Tolkien scholar John Garth writes that Tolkien's name appears to be hidden in the small amount of the Hardic language of Earthsea in The Wizard of Earthsea. "Sea" is sukien, from suk, "foam", and inien, "feather". "Rock", the material of earth, is "tolk", so, he suggests, the Hardic for "Earthsea" would be Tolkien, for tolk + inien on the same pattern as sukien. Garth suggests that this is a tribute to Tolkien, tolk being the first word of the "Old Speech" that she names, and the first to be handed down both by the Wizard Ged to Tenar in The Tombs of Atuan, and by Tenar to her daughter in Tehanu.<ref name="Garth 2021">Template:Cite web</ref>

Adaptations

Audiobooks

Audiobook readings have been made by different narrators and publishers.<ref name=bibliog>Template:Cite web "(Major works only, principal U.S. editions only)".</ref> In the early 1990s, Robert Inglis narrated the first three books of the series for Recorded Books.<ref>Template:Cite webTemplate:Dead link "Displaying 1-4 of 4 books in Earthsea Cycle". No dates.</ref>

Radio

A BBC-produced two-hour radio dramatization of A Wizard of Earthsea was originally broadcast on Radio 4 on December 26, 1996. This adaptation was narrated by Dame Judi Dench, with Michael Maloney as Ged, and used a wide range of actors with different regional and social accents to emphasize the origins of the Earthsea characters (for instance, Estarriol and others from the East Reach were played by actors with Southern Welsh accents).<ref>Template:Cite web Broadcast January 5, 2011, on BBC Radio 7.</ref> The adaptation was subsequently released on audio cassette.

In April and May 2015, BBC Radio 4 aired a new, six-part dramatization of the Earthsea works, encompassing the storylines and motifs of the novels A Wizard of Earthsea, The Tombs of Atuan and The Farthest Shore.<ref>Template:Cite web</ref> The first of the six 30 minute-long episodes premiered on April 27 and the last on May 5. The characters of Ged and Tenar were portrayed by three actors at different stages in their lives (Kasper Hilton-Hille, James McArdle and Shaun Dooley as Ged; Nishi Malde, Aysha Kala and Vineeta Rishi as Tenar). The radio drama was adapted by Judith Adams, directed by Sasha Yevtushenko and featured original music composed by Jon Nicholls. Following the premiere radio broadcast, each of the episodes were made available for online streaming on BBC Radio 4 Extra for a month, via the BBC iPlayer service.<ref>Template:Cite web</ref> The adaptation was created and aired as part of a thematic month centered on the life and works of Ursula Le Guin, in commemoration of her then-recent 85th birthday.<ref>Template:Cite web "A preview of our Le Guin celebration."</ref> In addition to the Earthsea radio drama, the thematic month included the airing of a two-part radio adaptation of The Left Hand of Darkness earlier in April, as well as exclusive interviews with Le Guin and some of the writers she inspired.<ref>Template:Cite web Broadcast April 18, 2015; episode 2 broadcast April 25.</ref><ref>Template:Cite web Audio interview broadcast April 9, 2015.</ref><ref>Template:Cite web</ref>

Television

Miniseries, 2004

Template:Main In December 2004, the U.S.-based Sci Fi Channel broadcast a three-hour loose adaptation of A Wizard of Earthsea and The Tombs of Atuan for television, entitled Legend of Earthsea (later, simply Earthsea). It was broadcast in two parts on Channel 4 in the UK at Easter 2005. Sci Fi Channel had angered Le Guin<ref>Le Guin (December 16, 2004). "A Whitewashed Earthsea: How the Sci Fi Channel wrecked my books". Slate. Retrieved 2007-05-06.</ref> and fans of the Earthsea novels with its announcement that Ged and the vast majority of the other characters would be played by Caucasians and with the dramatis personæ posted on an official website. The latter revealed several original characters – such as "The Archmagus" and "King Tygath", "Diana", "Penelope", and "Marion" – and it referred to "Kargide" characters rather than Kargad, Karg, or Kargish. The religious practices of Atuan were portrayed differently in the adaptation, and the celibacy of Earthsea wizards overlooked as Ged and Tenar become sexually involved.Template:Citation needed Referring to the writers of the show, Le Guin said "I have blasted them for whitewashing Earthsea, and do not forgive them for it."<ref>Template:Cite web</ref>

One month before the U.S. broadcast, Le Guin posted on her website "A Reply to Some Statements Made by the Film-Makers" published in the December 2004 issue of Sci Fi Magazine. She opened with the observation, "I've tried very hard to keep from saying anything at all about this production, being well aware that movies must differ in many ways from the books they're based on, and feeling that I really had no business talking about it, since I was not included in planning it and was given no part in discussions or decisions." (Director Robert Lieberman, too, had stated that she was not involved.)<ref name=reply/>

"That makes it particularly galling of the director to put words in my mouth."<ref name=reply/> Le Guin disavowed some specific interpretations both by Lieberman and by executive director Robert Halmi Sr., and concluded (quoting Lieberman): Template:Blockquote

Planned TV series

In May 2018, it was announced that the series had been opted for a film adaptation by producer Jennifer Fox.<ref>Template:Cite web</ref> In 2019, it was decided to produce a TV series instead.<ref>Template:Cite web</ref>

Nothing has been heard of this proposed series since.

Animated film, 2006

Studio Ghibli's 2006 film Tales from Earthsea is loosely based in the Earthsea mythology. It was directed by Gorō Miyazaki, the son of Hayao Miyazaki. Le Guin granted Studio Ghibli the rights due to her love of Hayao Miyazaki's films.<ref name=reply2/> Le Guin called the adaptation "disappointing" and "entirely different" from her creation.<ref name=reply2>Template:Cite web With linked "Response from a correspondent in Japan".
  Complete subtitles: A First Response to "Gedo Senki", the Earthsea film made by Goro Miyazaki for Studio Ghibli. Written for my fans in Japan who are writing me about the movie, and for fans elsewhere who may be curious about it.</ref>

References

Sources

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Further reading

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External links

• Le Guin's homepage – her own map of Earthsea, truncated
• Template:Isfdb series
• The World of Earthsea – with Le Guin's own map and published illustrations including maps
• "Ursula Le Guin's Magical World of Earthsea" by Jan M. Griffin, The ALAN Review 23.2 (Spring 1996)
• The Isolate Tower: An Earthsea Compendium – fan encyclopedia or companion book
• "To Light A Candle: An Unofficial Earthsea Companion" – fan encyclopedia or companion book