Christopher Nolan

Sir Christopher Edward Nolan (born 30 July 1970) is a British and American filmmaker. Known for his Hollywood blockbusters with complex storytelling, he is considered a leading filmmaker of the 21st century. Nolan's films have earned over $6.6 billion worldwide, making him the seventh-highest-grossing film director. His accolades include two Academy Awards, a Golden Globe Award and two British Academy Film Awards. Nolan was appointed a Commander of the Order of the British Empire in 2019, and received a knighthood in 2024 for his contributions to film.

Nolan developed an interest in filmmaking from a young age. After studying English literature at University College London, he made several short films before his feature film debut with Following (1998). Nolan gained international recognition with his second film, Memento (2000), and transitioned into studio filmmaking with Insomnia (2002). He became a high-profile director with The Dark Knight trilogy (2005–2012), and found further success with The Prestige (2006), Inception (2010), Interstellar (2014), and Dunkirk (2017). After the release of Tenet (2020), Nolan parted ways with longtime distributor Warner Bros. Pictures, and signed with Universal Pictures for the biographical thriller Oppenheimer (2023), which won him Academy Awards for Best Director and Best Picture.

Nolan's work regularly features in the listings of best films of their respective decades. Infused with a metaphysical outlook, his films thematise epistemology, existentialism, ethics, the construction of time, and the malleable nature of memory and personal identity. They feature mathematically inspired images and concepts, unconventional narrative structures, practical special effects, experimental soundscapes, large-format film photography, and materialistic perspectives. He has co-written several of his films with his brother, Jonathan, and runs the production company Syncopy Inc. with his wife, Emma Thomas. Template:TOC limit

Early life

Christopher Edward Nolan was born on 30 July 1970, in Westminster, London.<ref>Template:Cite web</ref> His father, Brendan James Nolan, was a British advertising executive of Irish descent<ref>Template:Cite web</ref> who worked as a creative director. His mother, Christina Jensen, was an American flight attendant from Evanston, Illinois; she would later work as a teacher of English. He has an elder brother, Matthew, and a younger brother, Jonathan, also a filmmaker. The three brothers were raised Catholic in Highgate and would spend their summers in Evanston.<ref>Template:Cite web</ref><ref>Template:Cite AV media</ref> Nolan also spent time living in Chicago during his youth, and he holds both UK and US citizenship.<ref>Template:Cite news</ref>Template:Sfn

An image showing the top of the oculus in the Flaxman Gallery, University College London

Nolan attended University College London and used its Flaxman Gallery for a scene in Inception (2010).<ref>Template:Cite news</ref>

Growing up, Nolan was particularly influenced by the work of Sir Ridley Scott and the science fiction films 2001: A Space Odyssey (1968) and Star Wars (1977).Template:SfnTemplate:Sfn He would repeatedly watch the latter film and extensively research its making.Template:Sfn Nolan began making films at the age of seven, borrowing his father's [[Super 8 film|SuperTemplate:Nbsp8 camera]] and shooting short films with his action figures.Template:Sfn These films included a stop motion animation homage to Star Wars called Space Wars. He cast his brother Jonathan and built sets from "clay, flour, egg boxes and toilet rolls".Template:Sfn His uncle, who had worked at NASA building guidance systems for the Apollo rockets, sent him some launch footage: "I re-filmed them off the screen and cut them in, thinking no-one would notice", Nolan later remarked.<ref>Template:Cite news</ref> From the age of 11, he aspired to be a professional filmmaker.<ref name="telegraph">Template:Cite news Template:Subscription required</ref> Between 1981 and 1983, Nolan enrolled at Barrow Hills, a Catholic prep school in Witley, Surrey.Template:Sfn In his teenage years, Nolan started making films with Adrien and Roko Belic. Nolan and Roko co-directed the surreal 8Template:Nbspmm Tarantella (1989), which was shown on Image Union, an independent film and video showcase on the Public Broadcasting Service.Template:EfnTemplate:SfnTemplate:Sfn After a fan posted a copy of Tarantella online, in 2021, Nolan's production company filed a copyright infringement claim, to have the film removed.<ref>Template:Cite web</ref>

Nolan was educated at Haileybury and Imperial Service College, an independent school in Hertford Heath, Hertfordshire, and later studied English literature at University College London (UCL). Opting out of a traditional film education, he pursued "a degree in something unrelated", which his father suggested "gives a different take on things".Template:Sfn He chose UCL specifically for its filmmaking facilities, which comprised a Steenbeck editing suite and [[16 mm film#Cameras|16Template:Nbspmm film cameras]].<ref name="Tempest">Template:Cite news</ref> Nolan was president of the Union's Film Society,<ref name="Tempest" /> and with Emma Thomas (his girlfriend and future wife) he screened feature films in 35mm during the school year and used the money earned to produce 16Template:Nbspmm films over the summers.<ref name="British Cinematographer pt2">Template:Cite web</ref>

Career

1993–2003: Early career and breakthrough

After earning his bachelor's degree in English literature in 1993, Nolan worked as a script reader, camera operator and director of corporate films and industrial films.<ref name="Tempest" /><ref name="Feinberg">Template:Cite magazine</ref><ref>Template:Cite web</ref> He directed, wrote and edited the short film Larceny (1996),Template:Sfn which was filmed over a weekend in black and white with limited equipment and a small cast and crew.Template:Sfn<ref>Template:Cite news</ref> Funded by Nolan and shot with the UCL Union Film society's equipment, it appeared at the Cambridge Film Festival in 1996 and is considered one of UCL's best shorts.<ref>Template:Cite web</ref> For unknown reasons, the film has since been removed from public view.Template:Sfn Nolan filmed a third short, Doodlebug (1997), about a man seemingly chasing an insect with his shoe, only to discover that it is a miniature of himself.Template:Sfn<ref name="independent">Template:Cite news</ref>

Nolan and Thomas first attempted to make a feature in the mid-1990s titled Larry Mahoney, which they scrapped.<ref>Template:Cite newsTemplate:Subscription required</ref> During this period in his career, Nolan had little to no success getting his projects off the ground, facing several rejections; he added, "[T]here's a very limited pool of finance in the UK. To be honest, it's a very clubby kind of place ... Never had any support whatsoever from the British film industry."<ref name="AndrewPulver05">Template:Cite news</ref>

Shortly after abandoning Larry Mahoney, Nolan conceived the idea for his first feature, Following (1998), which he wrote, directed, photographed and edited. The film depicts an unemployed young writer (Jeremy Theobald) who trails strangers through London, hoping they will provide material for his first novel, but is drawn into a criminal underworld when he fails to keep his distance. It was inspired by Nolan's experience of living in London and having his apartment burgled; he observed that the common attribute between larceny and pursuing someone through a crowd was that they both cross social boundaries.Template:Sfn Co-produced by Nolan with Thomas and Theobald,Template:Sfn it was made on a budget of around £3,000. Most of the cast and crew were friends of Nolan, and shooting took place on weekends over the course of a year.Template:Sfn To conserve film stock, each scene was rehearsed extensively to ensure that the first or second take could be used in the final edit.Template:Sfn<ref name="Tobias">Template:Cite news</ref> Following won several awards during its festival run and was well-received by critics who labelled Nolan a majorly talented debutant.<ref>Template:Cite web</ref>Template:Sfn Scott Timberg of New Times LA wrote that it "echoed Hitchcock classics", but was "leaner and meaner".<ref name="Timberg">Template:Cite news</ref> Janet Maslin of The New York Times was impressed with its "spare look" and "agile hand-held camerawork", saying, "As a result, the actors convincingly carry off the before, during and after modes that the film eventually, and artfully, weaves together."<ref>Template:Cite news</ref>

FollowingTemplate:'s success afforded Nolan the opportunity to make Memento (2000), which became his breakthrough film. His brother Jonathan pitched the idea to him, about a man with anterograde amnesia who uses notes and tattoos to hunt for his wife's murderer. Jonathan worked the idea into a short story, "Memento Mori" (2001), and Nolan developed it into a screenplay that told the story in reverse. Aaron Ryder, an executive for Newmarket Films, said it was "perhaps the most innovative script I had ever seen".Template:Sfn The film was optioned and given a budget of $4.5Template:Nbspmillion, with Guy Pearce and Carrie-Anne Moss in the starring roles.Template:Sfn Newmarket also distributed the film after it was rejected by studios who feared that it would not attract a wide audience. Following a positive word of mouth and screenings in 500 theatres, it earned $40Template:Nbspmillion.Template:Sfn Memento premiered at the Venice Film Festival in September 2000 to critical acclaim.Template:Sfn Joe Morgenstern of The Wall Street Journal wrote in his review, "I can't remember when a movie has seemed so clever, strangely affecting and slyly funny at the very same time."<ref>Template:Cite news Template:Subscription required</ref> In the book The Philosophy of Neo-Noir, Basil Smith drew a comparison with John Locke's An Essay Concerning Human Understanding, which argues that conscious memories constitute our identities – a theme Nolan explores in the film.Template:Sfn Memento earned Nolan many accolades, including nominations for an Academy Award and a Golden Globe Award for Best Screenplay, as well as two Independent Spirit Awards: Best Director and Best Screenplay.<ref name="nytimesawards">Template:Cite news</ref>Template:Sfn Six critics listed it as one of the best films of the 2000s.<ref name="Metadecade">Template:Cite web</ref> In 2001, Nolan and Emma Thomas founded the production company Syncopy Inc.<ref name="syncopy"/>Template:Efn

Impressed by his work on Memento, filmmaker Steven Soderbergh recommended Nolan to Warner Bros. to direct the psychological thriller Insomnia (2002), although the studio initially wanted a more seasoned director.Template:Sfn A remake of the 1997 Norwegian thriller of the same name, the film is viewed as "the outlier of Nolan's filmography" due to its perceived lack of unconventionality he is known for.Template:Sfn Starring Al Pacino, Robin Williams and Hilary Swank,Template:Sfn Insomnia follows two Los Angeles detectives sent to a northern Alaskan town to investigate the murder of a local teenager. It received positive reviews from critics and earned $113Template:Nbspmillion against a budget of $46Template:Nbspmillion.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Film critic Roger Ebert praised the film for introducing new perspectives and ideas on the issues of morality and guilt, adding, "Unlike most remakes, the Nolan Insomnia is not a pale retread, but a re-examination of the material, like a new production of a good play."<ref>Template:Cite news</ref> Richard Schickel of Time deemed Insomnia a "worthy successor" to Memento and "a triumph of atmosphere over a none-too-mysterious mystery".<ref>Template:Cite magazine</ref>

Following, Memento and Insomnia established Nolan's image as an "auteur".Template:Sfn After the lattermost, he wrote a screenplay for a Howard Hughes biopic. Nolan reluctantly tabled his script after learning that Martin Scorsese was already making one such film: The Aviator (2004).Template:Sfn He was then briefly attached to direct a film adaptation of Ruth Rendell's novel The Keys to the Street for Fox Searchlight Pictures but chose to direct Batman Begins instead.<ref name=chapman>Template:Cite web</ref> Nolan turned down an offer to direct the historical epic Troy (2004).<ref>Template:Cite news</ref> In April 2003, filmmaker David O. Russell put Nolan in a headlock at a Hollywood party after learning that Jude Law, whom Russell wanted to cast, had decided to work with Nolan instead. Russell pressured Nolan to display "artistic solidarity" by relinquishing Law from his cast.<ref>Template:Cite news</ref><ref name="vulture">Template:Cite news</ref>

2003–2013: Widespread recognition

In early 2003, Nolan approached Warner Bros. with the idea of making a new Batman film, based on the character's origin story.<ref name="bb-latimes">Template:Cite news</ref> Nolan was fascinated by the notion of grounding it in a more realistic world than a comic-book fantasy.Template:Sfn He relied heavily on traditional stunts and miniature effects during filming, with minimal use of computer-generated imagery (CGI).Template:Sfn Batman Begins (2005), the biggest project Nolan had undertaken to that point,<ref>Template:Cite news</ref> was released to critical acclaim and commercial success.<ref>Template:Cite web</ref><ref name=":0" /> Starring Christian Bale as Bruce Wayne / Batman—along with Michael Caine, Gary Oldman, Morgan Freeman and Liam Neeson—Batman Begins revived the franchise.<ref>Template:Cite news Template:Subscription required</ref><ref>Template:Cite web</ref> Batman Begins was 2005's ninth-highest-grossing film and was praised for its psychological depth and contemporary relevance;<ref name=":0">Template:Cite web</ref><ref>Template:Cite web</ref> it is cited as one of the most influential films of the 2000s.<ref>Template:Cite web</ref> Film author Ian Nathan wrote that within five years of his career, Nolan "[went] from unknown to indie darling to gaining creative control over one of the biggest properties in Hollywood, and (perhaps unwittingly) fomenting the genre that would redefine the entire industry".Template:Sfn

Nolan directed, co-wrote and produced The Prestige (2006), an adaptation of the Christopher Priest novel about two rival 19th-century magicians.Template:Sfn The screenplay was the result of an intermittent, five-year collaboration between him and his brother Jonathan, who had begun writing it already in 2001. Nolan initially intended to make the film as early as 2003, but had postponed the project after agreeing to make Batman Begins.Template:Sfn<ref>Template:Cite news</ref> Starring Hugh Jackman and Christian Bale in the lead roles of rival magicians, The Prestige received critical acclaim and received two Academy Award nominations.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Roger Ebert described it as "quite a movieTemplate:Sndatmospheric, obsessive, almost satanic",<ref>Template:Cite news</ref> and Kenneth Turan of the Los Angeles Times called it an "ambitious, unnerving melodrama".<ref>Template:Cite news</ref> The GuardianTemplate:'s Philip French wrote: "In addition to the intellectual or philosophical excitement it engenders, The Prestige is gripping, suspenseful, mysterious, moving and often darkly funny."<ref>Template:Cite news</ref> Despite a negative box-office prognosis, the film earned over $109Template:Nbspmillion against a budget of $40Template:Nbspmillion.Template:Sfn

Christopher Nolan speaking to the mic while four people are standing behind him

Nolan (left) with the cast and crew of The Dark Knight at the 2008 European premiere in London

The Dark Knight (2008), the follow-up to Batman Begins, was Nolan's next venture. Initially reluctant to make a sequel, he agreed after Warner Bros. repeatedly insisted.Template:Sfn Nolan wanted to expand on the noir quality of the first film by broadening the canvas and taking on "the dynamic of a story of the city, a large crime storyTemplate:Nbsp... where you're looking at the police, the justice system, the vigilante, the poor people, the rich people, the criminals".<ref>Template:Cite magazine</ref> Continuing to minimise the use of CGI, Nolan employed high-resolution IMAX cameras, making it the first major motion picture to use this technology.Template:Sfn<ref>Template:Cite news</ref> The Dark Knight has been ranked as one of the best films of the 2000s and one of the best superhero films ever made.Template:Efn Many critics declare The Dark Knight to be "the most successful comic book film ever made".Template:Sfn Manohla Dargis of The New York Times found the film to be of higher artistic merit than many Hollywood blockbusters: "Pitched at the divide between art and industry, poetry and entertainment, it goes darker and deeper than any Hollywood movie of its comic-book kind."<ref name="Dargis">Template:Cite news</ref> Ebert expressed a similar point of view, describing it as a "haunted film that leaps beyond its origins and becomes an engrossing tragedy".<ref>Template:Cite news</ref> The Dark Knight set many box-office records during its theatrical run,<ref>Template:Cite news</ref> earning over $1Template:Nbspbillion worldwide.<ref>Template:Cite web</ref> At the 81st Academy Awards, the film was nominated in eight categories, winning two: Best Sound Editing for Richard King and a posthumous Best Supporting Actor award for Heath Ledger.<ref>Template:Cite web</ref> The film's failure to garner a Best Picture nomination was criticised by the media. Beginning in 2010, the Academy increased their Best Picture nominees from five to ten, a change known as "The Dark Knight Rule".<ref>Template:Cite web</ref> Nolan received many awards and nominations for his work on the film.<ref name="nytimesawards" /> In the late 2000s, Nolan was reported to direct a film adaptation of the 1960s television series The Prisoner.<ref name=chapman/><ref>Template:Cite web</ref>

The success of The Dark Knight allowed Warner Bros. to sign Nolan to write, direct and co-produce Inception (2010) – a film for which he had the idea around nine years before its release.Template:Sfn Nolan described the film as "a contemporary sci-fi actioner set within the architecture of the mind".<ref name="Tackles">Template:Cite news</ref> Starring a large ensemble cast led by Leonardo DiCaprio, the film became a critical and commercial success upon its release.<ref>Template:Cite news</ref> Film critic Mark Kermode named it the best film of 2010, stating "Inception is proof that people are not stupid, that cinema is not trash, and that it is possible for blockbusters and art to be the same thing."<ref name="Kermode">Template:Cite AV media</ref> Philosophy professor David Kyle Johnson wrote that "Inception became a classic almost as soon as it was projected on silver screens", praising its exploration of philosophical ideas, including leap of faith and allegory of the cave.Template:Sfn The film grossed over $836Template:Nbspmillion worldwide.<ref>Template:Cite web</ref> Nominated for eight Academy Awards—including Best Picture and Best Original Screenplay—it won Best Cinematography, Best Sound Mixing, Best Sound Editing and Best Visual Effects.<ref name="Academy Awards 2010 (83rd)">Template:Cite web</ref> Nolan was nominated for a BAFTA Award and a Golden Globe Award for Best Director, among other accolades.<ref name="nytimesawards" />

Christopher Nolan is looking directly towards the camera.

Nolan at the 2013 premiere of Man of Steel in London

Around the release of The Dark Knight Rises (2012), Nolan's third and final Batman film, Joseph Bevan of the British Film Institute wrote a profile on him: "In the space of just over a decade, Christopher Nolan has shot from promising British indie director to undisputed master of a new brand of intelligent escapism."<ref name="bevan">Template:Cite web</ref> After initial hesitation, Nolan agreed to return to direct The Dark Knight Rises and worked with his brother and David S. Goyer to develop a story that he felt would end the trilogy on a high note.Template:Sfn The film was released to positive reviews.<ref>Template:Cite news</ref> Kenneth Turan found the film "potent, persuasive and hypnotic" and "more than an exceptional superhero movie, it is masterful filmmaking by any standard".<ref>Template:Cite news</ref> Christy Lemire of HuffPost wrote in her review that Nolan concluded his trilogy in a "typically spectacular, ambitious fashion", but disliked the "overloaded" story and excessive grimness.<ref>Template:Cite news</ref> The Dark Knight Rises was a box office success, becoming the thirteenth film to gross $1Template:Nbspbillion.<ref>Template:Cite news</ref> During a midnight showing of the film in Aurora, Colorado, a gunman opened fire inside the theatre, killing 12 people and injuring 58 others.Template:Sfn Nolan released a statement expressing his condolences for the victims of what he described as a "senseless tragedy".<ref>Template:Cite magazine</ref>

The Dark Knight trilogy inspired a trend in future superhero films seeking to replicate its gritty, realistic tone to little success. The second instalment in particular revitalised the genre at a time when recent superhero films had failed to meet expectations.<ref name="Child2015">Template:Cite news</ref><ref>Template:Cite news Template:Subscription required</ref> Ben Child of The Guardian wrote that the three films "will remain thrilling totems of the genre for decades to come".<ref name="Child2015"/> During story discussions for The Dark Knight Rises, Goyer told Nolan of his idea about Man of Steel (2013), which the latter would produce.<ref>Template:Cite news</ref> Impressed with Zack Snyder's work in 300 (2006) and Watchmen (2009), Nolan hired him to direct the film.<ref>Template:Cite news</ref> Starring Henry Cavill as Clark Kent who learns that he is a powerful alien, Man of Steel received mixed reviews and grossed more than $660Template:Nbspmillion against a budget of $220Template:Nbspmillion.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

2014–2019: Interstellar, Dunkirk and other activities

Jonathan Nolan looking to his left

Nolan and his younger brother, Jonathan (pictured in 2017), wrote several screenplays together, including that of Interstellar.

Nolan next directed, wrote and produced the science-fiction film Interstellar (2014). The first drafts of the script were written by Jonathan Nolan, and it was originally to be directed by Steven Spielberg.Template:Sfn Based on the scientific theories of theoretical physicist Kip Thorne, the film follows a group of astronauts who travel through a wormhole in search of a new home for humanity.<ref>Template:Cite web</ref> In a 2014 discussion of the film's physics, Nolan expressed his admiration for scientific objectivity, wishing it were applied "in every aspect of our civilisation".<ref name="ThorneNolan">Template:Cite magazine</ref> Interstellar – starring Matthew McConaughey, Anne Hathaway and Jessica Chastain – was released to positive reviews and grossed $773Template:Nbspmillion worldwide.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Observing its "visual dazzle, thematic ambition", The New York TimesTemplate:'s A. O. Scott wrote that Interstellar is a "sweeping, futuristic adventure driven by grief, dread and regret".<ref>Template:Cite news</ref> Documentary filmmaker Toni Myers called the film "a real work of art" and praised it for exploring a story spanning multiple generations.<ref>Template:Cite web</ref> Interstellar was particularly praised for its scientific accuracy, which led to the publication of two academic papers.Template:SfnTemplate:Sfn The American Journal of Physics called for it to be shown in school science lessons.<ref>Template:Cite news</ref>Template:Sfn At the 87th Academy Awards, the film won Best Visual Effects and received four other nominations.<ref>Template:Cite magazine</ref> Also in 2014, Nolan and Emma Thomas served as executive producers on Transcendence, the directorial debut of his longtime cinematographer Wally Pfister.<ref>Template:Cite news</ref>

In the mid-2010s, Nolan took part in several ventures for film preservation and distribution of the work of lesser-known filmmakers. His production company, Syncopy, formed a joint venture with Zeitgeist Films to release Blu-ray editions of Zeitgeist's films.<ref>Template:Cite magazine</ref> As a part of the Blu-ray release of the animation films of the Brothers Quay, Nolan directed the documentary short Quay (2015). He initiated a theatrical tour, showcasing the Quays' In Absentia, The Comb and Street of Crocodiles. IndieWire wrote that the brothers "will undoubtedly have hundreds, if not thousands more fans because of Nolan, and for that The Quay Brothers in 35mm will always be one of [the] latter's most important contributions to cinema".<ref>Template:Cite news</ref><ref>Template:Cite magazine</ref> An advocate for the survival of the analogue medium, Nolan and visual artist Tacita Dean invited representatives from leading American film archives, laboratories and presenting institutions to participate in an informal summit entitled Reframing the Future of Film at the Getty Museum in March 2015.<ref name="filmvsdigital 2">Template:Cite news</ref><ref>Template:Cite news</ref> Subsequent events were held at Tate Modern in London, Museo Tamayo in Mexico City and Tata Theatre in Mumbai.<ref>Template:Cite newsTemplate:Subscription required</ref> In April 2015, Nolan joined the board of directors of The Film Foundation, a non-profitable organisation dedicated to film preservation,<ref>Template:Cite magazine</ref> and was appointed, along with Martin Scorsese, by the Library of Congress to serve on the National Film Preservation Board as DGA representatives.<ref>Template:Cite web</ref> Nolan serves on the Motion Picture & Television Fund Board of Governors.<ref>Template:Cite web</ref>

After serving as an executive producer on Zack Snyder's Batman v Superman: Dawn of Justice (2016) and Justice League (2017),Template:SfnTemplate:Sfn Nolan returned to directing with Dunkirk (2017). Based on his own original screenplay and co-produced with Thomas, the film is set amid World War II in 1940 and the evacuation of Allied soldiers from the beaches of Dunkirk, France. Describing the film as a survival tale with a triptych structure, Nolan wanted to make a "sensory, almost experimental movie" with minimal dialogue.<ref>Template:Cite news</ref> He said he waited to make Dunkirk until he had earned the trust of a major studio to let him make it as a British film but with an American budget.<ref>Template:Cite news Template:Subscription required</ref> Before filming, Nolan sought advice from Spielberg, who later said in an interview with Variety, "knowing and respecting that Chris [Nolan] is one of the world's most imaginative filmmakers, my advice to him was to leave his imagination, as I did on Ryan, in second position to the research he was doing to authentically acquit this historical drama".<ref name="LangVariety">Template:Cite news</ref> Starring an ensemble cast,<ref>Template:Cite news</ref> Dunkirk was released to widespread critical acclaim and strong box office results.<ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite magazine</ref> It grossed over $526Template:Nbspmillion worldwide, making it the highest-grossing World WarTemplate:NbspII film of all time.<ref>Template:Cite web</ref> In his review, Mick LaSalle of the San Francisco Chronicle wrote: "It's one of the best war films ever made, distinct in its look, in its approach and in the effect it has on viewers. There are movies—they are rare—that lift you out of your present circumstances and immerse you so fully in another experience that you watch in a state of jaw-dropped awe. Dunkirk is that kind of movie."<ref>Template:Cite news</ref> The film received many accolades, including Nolan's first Oscar nomination for Best Director.<ref name="Sharf-2020"/>

A picture showing five people standing on a red carpet

Nolan (right) with Keir Dullea, Katharina Kubrick, Ron Sanders and Jan Harlan at the 2018 Cannes Film Festival

In 2018, Nolan supervised a new [[70 mm film|70Template:Nbspmm]] print of Stanley Kubrick's 2001: A Space Odyssey (1968), made from the original camera negative; he presented it at the 2018 Cannes Film Festival.Template:Sfn USA Today observed that festival-goers greeted Nolan "like a rock star with a standing ovation".<ref>Template:Cite news</ref> A year later, Nolan and Thomas received executive producer credits on The Doll's Breath (2019), an animated short directed by the Quay brothers.<ref name="Quay-Doll">Template:Cite web</ref>

2020–present: Tenet, Oppenheimer and The Odyssey

Nolan's next film was the science fiction film Tenet (2020), described by Tom Shone of The Sunday Times as "a globe-spinning riff on all things Nolanesque".<ref>Template:Cite news Template:Subscription required</ref> Nolan had worked on the screenplay for more than five years after deliberating about its central ideas for over a decade.<ref name="Maytum-Jun2020">Template:Cite magazine</ref> Delayed three times due to the COVID-19 pandemic, Tenet was the first Hollywood tent-pole to open in theatres after the pandemic shutdown.<ref>Template:Cite news</ref> The film tells the story of an unnamed protagonist (played by John David Washington) who travels through time to stop a world-threatening attack.<ref>Template:Cite news</ref> It grossed $363Template:Nbspmillion worldwide on a production budget of $200Template:Nbspmillion, becoming Nolan's first to underperform at the box-office.Template:Sfn Tenet was described as his most polarising film; critics praised the ambition and technical aspects but found its story confusing.<ref>Template:Cite web</ref><ref name="Sharf-2020">Template:Cite web</ref> Peter Bradshaw of The Guardian awarded it five out of five, calling it "a cerebral cadenza, a deadpan flourish of crazy implausibility—but supercharged with steroidal energy and imagination".<ref>Template:Cite news</ref> Leslie Felperin of The Hollywood Reporter described it as "a chilly, cerebral film—easy to admire, especially since it's so rich in audacity and originality, but almost impossible to love, lacking as it is in a certain humanity".<ref name="Felperin-2020">Template:Cite news</ref> At the 93rd Academy Awards, the film won Best Visual Effects and was nominated for Best Production Design.<ref>Template:Cite news</ref> Following the release of Tenet, Nolan joined the Advisory Board of the Society of Motion Picture and Television Engineers.<ref>Template:Cite news</ref> He served as an executive producer on Zack Snyder's Justice League (2021), a director's cut of 2017's Justice League.<ref>Template:Cite web</ref>

File:ChrisNolanBFI150224 (10 of 12) (53532289710) (cropped).jpg

Nolan at BFI Southbank in 2024

Nolan's 12th film was Oppenheimer (2023), a biopic based on J. Robert Oppenheimer (played by Cillian Murphy) and his role in the development of the atom bomb.Template:Sfn It was Nolan's first R-rated film since Insomnia (2002).<ref>Template:Cite web</ref> The film was financed and distributed by Universal Pictures, making it Nolan's first feature film since Memento that was not made for Warner Bros. He disagreed with Warner Bros.' decision to simultaneously release their films in theatres and on HBO Max.<ref>Template:Cite news</ref> Nolan secured the deal with Universal after he was promised a production budget of around $100 million with an equal marketing budget, total creative control, 20 per cent of first-dollar gross, a 100-day theatrical window and a blackout period from the studio wherein the company would not release another film three weeks before or after OppenheimerTemplate:'s release.<ref>Template:Cite news</ref> The film received critical acclaim.<ref>Template:Cite web</ref> Matthew Jackson of The A.V. Club wrote, "Oppenheimer deserves the title of masterpiece. It's Christopher Nolan's best film so far, a step up to a new level for one of our finest filmmakers, and a movie that burns itself into your brain."<ref>Template:Cite news</ref> Terming it "boldly imaginative and [Nolan's] most mature work yet", BBC Culture's Caryn James added that it combined the "explosive, commercially-enticing action of The Dark Knight trilogy" with the "cerebral underpinnings" of Memento, Inception and Tenet.<ref>Template:Cite news</ref> Oppenheimer grossed over $975Template:Nbspmillion worldwide, making it the third-highest-grossing film of 2023.<ref>Template:Cite news</ref> Among the film's numerous accolades,<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Nolan won the Academy Awards for Best Director and Best Picture.<ref>Template:Cite news</ref>

As of February 2025, Nolan will once again work with Universal Studios on The Odyssey, an adaptation of the Ancient Greek epic poem the Odyssey by Homer. It is scheduled to be released in July 2026.<ref>Template:Cite web</ref> It follows Odysseus (portrayed by Matt Damon), the legendary Greek king of Ithaca, on his perilous journey to return home following the Trojan War, his encounters with the cyclops Polyphemus, the Sirens, and the witch goddess Circe, and his reunion with his wife, Penelope.<ref>Template:Cite web</ref> With an estimated production budget of $250 million, it is poised to be the most expensive film of Nolan's career.<ref>Template:Cite news – via Template:Cite web</ref> The film will be the first mainstream blockbuster to be shot entirely on IMAX film.<ref>Template:Cite web</ref>

Personal life and public image

Christopher Nolan, on the right, is looking directly towards the camera as Emma Thomas is looking to her right.

Nolan and his wife Emma Thomas in January 2011. Thomas has worked as a producer on all of Nolan's films since 1997.

Nolan is married to Emma Thomas, whom he met at University College London when he was 19.<ref name="telegraph" /><ref name="British Cinematographer pt2" /> She has worked as a producer on all of his films since 1997.<ref name="syncopy">Template:Cite magazine</ref><ref>Template:Cite web</ref> The couple have four children and reside in Los Angeles.<ref>Template:Cite news</ref>

Nolan prefers to maintain a certain level of mystery about his work.Template:Sfn Refusing to discuss his personal life,<ref name="Lewis-Kraus">Template:Cite news</ref> he feels that too much biographical information about a filmmaker detracts from the experience of his audiences. He stated, "I actually don't want people to have me in mind at all when they're watching the films."Template:Sfn He does not own a smartphone or have an email address, preferring to hand-deliver his scripts to actors instead and have his wife handle outreach with producers and distributors.<ref>Template:Cite news</ref>

Filmmaking style

Template:Main Nolan's films are largely centred in metaphysical themes, exploring the concepts of time, memory and personal identity.Template:SfnTemplate:Sfn His work is characterised by mathematically inspired ideas and images, unconventional narrative structures, materialistic perspectives, and evocative use of music and sound.Template:Efn Filmmaker Guillermo del Toro called Nolan "an emotional mathematician".<ref>Template:Cite news</ref> BBC's arts editor Will Gompertz described him as "an art house auteur making intellectually ambitious blockbuster movies that can leave your pulse racing and your head spinning".<ref name="Gompertz-20">Template:Cite web</ref> Joseph Bevan wrote, "His films allow arthouse regulars to enjoy superhero flicks and multiplex crowds to engage with labyrinthine plot conceits."<ref name="bevan"/> Nolan views himself as "an indie filmmaker working inside the studio system".Template:Sfn

Template:Quote box In the sixteen-essay book The Philosophy of Christopher Nolan, professional philosophers and writers analysed Nolan's work; they identified themes of self-destruction, the nature and value of the truth, and the political mindset of the hero and villain, among others.Template:Sfn Robbie B. H. Goh, a professor of English literature, described Nolan as a "philosophical filmmaker" who includes philosophical ideas—existentialism, morality, epistemology and the distinction between appearance and reality—in films that frequently portray suspense, action and violence. Goh appreciated his ability to incorporate such themes in films that possess "elements of the Hollywood blockbuster"—which help keep the audiences engaged—but simultaneously remain "more thoughtful and self-reflexive than the typical consumerist action film".Template:Sfn He further wrote that Nolan's body of work reflect "a heterogeneity of conditions of products" extending from low-budget films to lucrative blockbusters, "a wide range of genres and settings" and "a diversity of styles that trumpet his versatility".Template:Sfn

David Bordwell, a film theorist, wrote that Nolan has been able to blend his "experimental impulses" with the demands of mainstream entertainment, describing his oeuvre as "experiments with cinematic time by means of techniques of subjective viewpoint and crosscutting".<ref name="Bordwell2019">Template:Cite web</ref> Nolan's use of practical, in-camera effects, miniatures and models, as well as shooting on celluloid film, has been highly influential in early 21st century cinema.Template:Sfn<ref name="IndieW-19">Template:Cite web</ref> IndieWire wrote in 2019 that Nolan "kept a viable alternate model of big-budget filmmaking alive", in an era where blockbuster filmmaking has become "a largely computer-generated art form".<ref name="IndieW-19" /> Because of Nolan's deep involvement in the technical facet of his films, Stuart Joy described him as a "complete filmmaker", who "oversees all aspects of production while also managing cultural and industrial factors outside of the text".Template:Sfn

Recognition

Nolan has made some of the most influential and popular films of his time.Template:Efn Many of his films have been regarded by critics as among the best of their respective decades,<ref name="Metadecade"/><ref>Template:Cite web</ref><ref>Template:Cite news</ref> and according to The Wall Street Journal, his "ability to combine box-office success with artistic ambition has given him an extraordinary amount of clout in the industry".<ref>Template:Cite news Template:Subscription required</ref> His films have earned more than $6Template:Nbspbillion.<ref>Template:Cite news</ref> Nolan's films Memento and The Dark Knight have been selected by the US Library of Congress to be preserved in the National Film Registry for being "culturally, historically or aesthetically" significant.<ref name="NFR1">Template:Cite news</ref><ref name="NFR2">Template:Cite news</ref> These films and Inception appeared in BBC's 100 Greatest Films of the 21st Century and The Hollywood ReporterTemplate:'s poll of best films ever made.<ref>Template:Cite web</ref><ref>Template:Cite news</ref> In 2017, The Dark Knight, Inception and Interstellar featured in Empire magazine's poll of "The 100 Greatest Movies".<ref>Template:Cite web</ref> In 2018, The Hollywood Reporter listed Nolan as one of the 100 most powerful people in entertainment and described him as a "franchise unto himself".<ref>Template:Cite news</ref> Parade ranked Nolan number eight in its 2022 list of 75 Best Movie Directors of All Time.<ref>Template:Cite news</ref>

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Two of Nolan's films (Memento and The Dark Knight) have been selected by the Library of Congress for preservation in the National Film Registry.<ref name="NFR1"/><ref name="NFR2"/>

Nolan's work has been as "intensely embraced, analysed and debated by ordinary film fans as by critics and film academics".<ref name="Lewis-Kraus" /><ref name="Descriptions">Template:Cite web</ref> Calling him "a persuasively inventive storyteller", Geoff Andrew of the British Film Institute named Nolan one of the few contemporary filmmakers producing highly personal films within the Hollywood mainstream. Andrew wrote that Nolan's films are "not so much [notable] for their considerable technical virtuosity and visual flair as for their brilliant narrative ingenuity and their unusually adult interest in complex philosophical questions".<ref>Template:Cite news</ref> David Bordwell observed that Nolan is "considered one of the most accomplished living filmmakers", citing his ability to turn genre movies into both art and event films, as well as his box office numbers, critical acclaim and popularity among cinemagoers.<ref name="Bordwell2019" /><ref name="BordwellDunkirk">Template:Cite web</ref> In 2008, Philip French deemed Nolan "the first major talent to emerge this century".<ref name="French-50">Template:Cite news</ref> Mark Kermode complimented Nolan for bringing "the discipline and ethics of art-house independent moviemaking and apply[ing] them to Hollywood blockbusters. He's living proof that you don't have to appeal to the lowest common denominator to be profitable".<ref>Template:Cite news</ref> The ObserverTemplate:'s Ryan Gilbey described Nolan as a "skillful, stylish storyteller, capable of combining the spectacle of Spielberg with the intellectual intricacy of Nicolas Roeg or Alain Resnais".<ref name="Observer17">Template:Cite web</ref> Mark Cousins applauded Nolan for embracing big ideas, "Hollywood filmmakers generally shy away from ideas—but not Christopher Nolan".<ref>Template:Cite news</ref> Scott Foundas of Variety declared Nolan "the premier big-canvas storyteller of his generation",<ref>Template:Cite magazine</ref> and Justin Chang of the Los Angeles Times called him "the great proceduralist of 21st century blockbuster filmmaking, a lover of nuts-and-bolts minutiae".<ref>Template:Cite news</ref>

Nolan has been praised by many of his contemporaries, and his work has influenced them.<ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite magazine</ref> Kenneth Branagh called Nolan's approach to large-scale filmmaking "unique in modern cinema", adding, "regardless of how popular his movies become, he remains an artist and an auteur. I think for that reason he has become a heroic figure for both the audience and the people working behind the camera."<ref>Template:Cite news</ref> Michael Mann complimented Nolan for his "singular vision" and credited with "invent[ing] the post-heroic superhero".Template:Sfn Nicolas Roeg said of Nolan, "People talk about 'commercial art' and the term is usually self-negating; Nolan works in the commercial arena and yet there's something very poetic about his work."Template:Sfn Martin Scorsese identified Nolan as a filmmaker creating "beautifully made films on a big scale".<ref>Template:Cite news</ref>

Damien Chazelle lauded Nolan for his ability "to make the most seemingly impersonal projects—superhero epics, deep-space mind-benders—feel deeply personal".<ref>Template:Cite magazine</ref> Discussing the difference between art films and big studio blockbusters, Steven Spielberg referred to Nolan's Dark Knight series as an example of both;<ref>Template:Cite AV media</ref> he has described Memento and Inception as "masterworks".<ref name="TIE">Template:Cite news</ref> Denis Villeneuve was impressed by Nolan's ability "to keep his identity and create his own universe in that large scopeTemplate:Nbsp... To bring intellectual concepts and to bring them in that scope to the screen right now—it's very rare. Every movie that he comes out with, I have more admiration for his work."<ref>Template:Cite news</ref> James Cameron expressed disappointment that Nolan was not nominated for an Academy Award as Best Director for Inception, calling it "the most astounding piece of film creation and direction of the year, hands down".<ref name="TIE"/>

Filmography

• Following (1998)
• Memento (2000)
• Insomnia (2002)
• Batman Begins (2005)
• The Prestige (2006)
• The Dark Knight (2008)
• Inception (2010)
• The Dark Knight Rises (2012)
• Interstellar (2014)
• Dunkirk (2017)
• Tenet (2020)
• Oppenheimer (2023)
• The Odyssey (2026); filming

Awards and honours

A hand and footprint reading "Christopher Nolan" at the top and "7/7/2012" at the bottom.

Nolan's hand and shoeprints in front of the Grauman's Chinese Theatre in Hollywood

Nolan has been nominated for eight Academy Awards (winning two), eight British Academy Film Awards (winning two) and six Golden Globe Awards (winning one).<ref name="nytimesawards" />Template:Sfn<ref>Template:Cite web</ref><ref>Template:Cite web</ref> From 2011 to 2014, he appeared in Forbes Celebrity 100 list based on his income and popularity.<ref>Template:Cite news
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Template:Cite news</ref> Nolan appeared in TimeTemplate:'s 100 most influential people in the world in 2015.<ref>Template:Cite magazine</ref>

Nolan was named an Honorary Fellow of UCL in 2006,<ref>Template:Cite web</ref> and conferred an honorary doctorate in literature in 2017.<ref>Template:Cite web</ref> In 2012, he became the youngest director to receive a hand-and-footprint ceremony at Grauman's Chinese Theatre in Los Angeles.<ref>Template:Cite magazine</ref> He was appointed Commander of the Order of the British Empire in the 2019 New Year Honours for services to film.<ref>Template:London Gazette</ref> In 2023, he was awarded the Federation of American Scientists' Public Service Award for his depiction of scientists in his film Oppenheimer.<ref>Template:Cite web</ref> In 2024, Nolan received the British Film Institute Fellowship in recognition of his "extraordinary achievements and enormous contribution to cinema,"<ref>Template:Cite web</ref> and the Honorary César award from the Académie des Arts et Techniques du Cinéma for "continually push[ing] the boundaries of storytelling."<ref>Template:Cite web</ref> In March 2024, Nolan was made a knight bachelor for his contributions to film, while his wife Emma Thomas was honoured with a damehood.<ref>Template:London Gazette</ref><ref>Template:Cite news</ref>

See also

• List of Academy Award winners and nominees from Great Britain

References

Cited sources

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Further reading

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External links

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• Christopher Nolan Biography at Tribute.ca
• Christopher Nolan – How to Direct Your First Feature Film