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Black Hawk Down (film)

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Black Hawk Down is a 2001 war film directed and produced by Ridley Scott, and co-produced by Jerry Bruckheimer, from a screenplay by Ken Nolan. It is based on the 1999 eponymous non-fiction book by journalist Mark Bowden, about the crew of a Black Hawk helicopter that was shot down during the Battle of Mogadishu. The film features a large ensemble cast, including Josh Hartnett, Ewan McGregor, Eric Bana, Tom Sizemore, William Fichtner, Jason Isaacs, Sam Shepard, Jeremy Piven, Ioan Gruffudd, Ewen Bremner, Hugh Dancy, and Tom Hardy in his first film role. Orlando Bloom, Ty Burrell, and Nikolaj Coster-Waldau also have minor roles.

Black Hawk Down had a limited release on December 28, 2001, and went into the public on January 18, 2002. The film received positive reviews from film critics, although it was criticized for inaccuracies. The film performed modestly well at the box office, grossing $173 million worldwide against a production budget of $92 million. Black Hawk Down won two Academy Awards for Best Film Editing and Best Sound at the 74th Academy Awards.<ref name="Oscars2002">Template:Cite web</ref> In 2006, an extended cut of the film was released on DVD. The cut contains an additional eight minutes of footage, increasing the running time to 152 minutes. This extended cut was released on Blu-ray and in 4K on May 7, 2019.<ref>Template:Cite web</ref>

Plot

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In 1992 a famine in southern Somalia induced by the civil war leads the United Nations Security Council to authorize a military operation with a peacekeeping mandate. Conflict ensues between UNOSOM II and the Mogadishu-based militia loyal to Mohamed Farrah Aidid. In response, U.S. President Clinton deploys Task Force Ranger—consisting of 3rd Battalion/75th Ranger Regiment, Delta Force operators, and flight crew of the 160th SOAR—to Mogadishu to capture Aidid, who has proclaimed himself president. Aidid's militia attacks a Red Cross food distribution shipment and steals the aid, but the Rangers are unable to respond due to the rules of engagement.

Outside Mogadishu, Rangers and Delta Force capture Osman Ali Atto, a faction leader selling arms to Aidid's militia. The U.S. plans a mission to capture Omar Salad Elmi and Abdi Hassan Awale Qeybdiid, two of Aidid's top advisers.

Prior to the mission, Staff Sergeant Matthew Eversmann receives his first command of Ranger Chalk Four after his lieutenant has a seizure. Members of his chalk include fresh 18-year-old Private First Class Todd Blackburn and Specialist John Grimes, a former desk clerk.

Delta Force operators capture Aidid's advisers inside the target building while the Rangers and helicopters escorting the ground convoy take heavy fire from the rallying militia. Blackburn is severely injured when he falls from one of the Black Hawk helicopters, so three Humvees led by Staff Sergeant Jeff Struecker are detached from the convoy to return Blackburn to the UN-held Mogadishu Airport. Grimes is separated from Eversmann's chalk after surviving an RPG explosion.

Just after Struecker's column departs, Black Hawk Super Six-One, piloted by Chief Warrant Officer Clifton "Elvis" Wolcott, is shot down by a rocket-propelled grenade. Wolcott and his co-pilot are killed, two crew chiefs are wounded, and two Delta Force snipers on board escape in an MH-6 Little Bird helicopter.

The ground forces are rerouted to converge on the crash site. The militia erects roadblocks preventing Lieutenant Colonel Danny McKnight's Humvee column from reaching the area, and inflicts heavy casualties. Meanwhile, two Ranger chalks, including Eversmann's unit, reach the crash site and set up a defensive perimeter, while another helicopter, Super Six-Four piloted by Chief Warrant Officer Michael Durant, is also shot down by a rocket-propelled grenade and crashes several blocks away.

With the primary Ranger forces led by Captain Mike Steele pinned down and sustaining heavy casualties, no ground forces can reach Super Six-Four or reinforce the Rangers defending Super Six-One. Two Delta Force snipers, Sergeant First Class Randy Shughart and Master Sergeant Gary Gordon, volunteer to be inserted by helicopter to secure Super Six-FourTemplate:'s crash site, where they find Durant still alive. Despite their heroic actions the site is overrun, Gordon and Shughart are killed, and Durant is captured.

McKnight's column relinquishes their attempt to reach Six-OneTemplate:'s crash site and returns to base with the prisoners and their casualties. The men prepare to go back to extract the Rangers and fallen pilots, and Major General Garrison asks for reinforcements from the 10th Mountain Division, including Malaysian troops and Pakistani armored units from the U.N. coalition.

As night falls, Aidid's militia launches a sustained assault on the trapped Americans at Super Six-OneTemplate:'s crash site. The militants are held off throughout the night by strafing runs and rocket attacks from AH-6J Little Bird helicopter gunships until the 10th Mountain Division's relief column is able to reach the American soldiers. The wounded and casualties are evacuated in the vehicles, but a few Rangers and Delta Force soldiers are forced to run on foot from the crash site to reach the Safe Zone at Mogadishu Stadium.

A textual epilogue reveals Durant was released following 11 days of captivity; Gordon and Shugart became the first soldiers to receive the Medal of Honor posthumously since the Vietnam War, and General Garrison took full responsibility for the mission's outcome, retiring the day after Aidid was killed in August 1996.

Cast

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Miscellaneous

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Production

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Development

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Adapting Black Hawk Down: a Story of Modern War (1999) by Mark Bowden was the idea of director Simon West, who suggested to Jerry Bruckheimer that he should buy the film rights and let West direct. West felt too tired after working on Lara Croft: Tomb Raider (2001), so he decided to drop out (West later said that he regretted the decision).<ref>Template:Cite news</ref> Ridley Scott was hired to direct the film after he decided to not work on Terminator 3: Rise of the Machines (2003).<ref>Template:Cite web</ref>

Ken Nolan was credited as screenwriter, and others contributed uncredited: Mark Bowden wrote an adaptation of his own book,Template:Sfn Stephen Gaghan was hired to do a rewrite,Template:Sfn Steven ZaillianTemplate:Sfn and Ezna Sands<ref>Template:Cite book</ref> rewrote the majority of Gaghan and Nolan's work, actor Sam Shepard (MGen. Garrison) rewrote some of his own dialogue, and Eric Roth wrote Josh Hartnett and Eric Bana's concluding speeches.Template:Sfn Ken Nolan was on set for four months rewriting his script and the previous work by Gaghan, Zaillian, and Bowden.Template:Sfn He was given sole screenwriting credit by a WGA committee.Template:Sfn

The book relied on a dramatization of participant accounts, which were the basis of the movie. SPC John Stebbins was renamed as fictional "John Grimes." Stebbins had been convicted by court martial in 1999 for the rape and forcible sodomy of his six-year-old daughter.<ref>Template:Cite web</ref> Mark Bowden said the Pentagon, ever sensitive about public image, decided to alter factual history by requesting the change.<ref>Template:Cite web</ref> Bowden wrote early screenplay drafts, before Bruckheimer gave it to screenwriter Nolan.Template:Sfn The POW-captor conversation, between pilot Mike Durant and militiaman Firimbi, is from a Bowden script draft.

To keep the film at a manageable length, 100 key figures in the book were condensed to 39. The movie also does not feature any Somali actors.<ref name="SFTBBH" /> Additionally, no Somali consultants were hired for accuracy, according to writer Bowden.<ref name="IFSACC">Template:Cite journal</ref><ref name="Black Hawk Rising">Template:Cite web</ref>

For military verisimilitude, the Ranger actors took a one-week Ranger familiarization course at Fort Benning, the Delta Force actors took a two-week commando course from the 1st Special Warfare Training Group at Fort Bragg, and Ron Eldard and the actors playing 160th SOAR helicopter pilots were lectured by captured aviator Michael Durant at Fort Campbell.<ref name=":4" />

The U.S. Army supplied the materiel and the helicopters from the 160th Special Operations Aviation Regiment. Most pilots (e.g., Keith Jones, who speaks some dialogue) had participated in the historic battle on October 3–4, 1993.<ref name="Rubin">Template:Cite book</ref>

On the last day of their week-long Army Ranger orientation at Fort Benning, the actors who portrayed the Rangers received letters slipped under their doors. It thanked them for their hard work, and asked them to "tell our story true", signed with the names of the men who died in the Mogadishu firefight.<ref name="Rubin"/> A platoon of Rangers from B-3/75 did the fast-roping scenes and appeared as extras; John Collette, a Ranger Specialist during the battle, served as a stunt performer.<ref>Template:Cite book</ref>

Many of the actors bonded with the soldiers who trained them for their roles. Actor Tom Sizemore said, "What really got me at training camp was the Ranger Creed. I don't think most of us can understand that kind of mutual devotion. It's like having 200 best friends and every single one of them would die for you".<ref name="Rubin" />

The film was originally set up at the Disney label Touchstone Pictures, but Disney boss Peter Schneider placed the film into turnaround, citing its subject matter, and sold the project to Revolution Studios.<ref>Template:Cite web</ref>

Filming

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Filming began in March 2001 in Kénitra, Morocco, and concluded in late June.<ref name=":4">Template:Cite web</ref>

Although the filmmakers considered filming in Jordan, they found the city of Amman too built up and landlocked. Scott and production designer Arthur Max subsequently turned to Morocco, where they had previously worked on Gladiator. Scott preferred that urban setting for authenticity.<ref name="Rubin" /> Most of the film was photographed in the cities of Rabat and Salé; the Task Force Ranger base sequences were filmed at Kénitra<ref>Template:Cite book</ref> and Mehdya.

Music

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Template:Main

The musical score for Black Hawk Down was composed by Hans Zimmer, who previously collaborated with director Scott on several films including Thelma & Louise (1991) and Gladiator (2000). Zimmer developed the score through a collaboration with a variety of musicians that blended "east African rhythms and sounds with a more conventional synthesizer approach."<ref>Template:Cite book</ref> In doing so, Zimmer avoided a more traditional composition in favor of an experimental approach that would match the tone of the film. "I wanted to do it like the way the movie was," said Zimmer. "So I got myself a band together and we just went into my studio [...] and we'd just be flailing away at the picture, I mean, you know with great energy."<ref>Template:Cite web</ref> A soundtrack album was released on January 15, 2002, by Decca Records.<ref>Template:Cite web</ref>

Reception

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Box office

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Black Hawk Down had a very limited release in four theaters on December 28, 2001, in order to be eligible for the 2001 Oscars,Template:Sfn staying at that number for its first two weeks.<ref name=BOMWeek>Template:Cite web</ref> On January 11, 2002, the release expanded to 16 theaters for its third week; over its first three weeks, running on fewer than 20 screens throughout that period, it grossed a total of $1.8Template:Nbspmillion. On January 18, 2002, the film had its wide release, opening at 3,101 theaters and earning $28.6Template:Nbspmillion in its first wide-release weekend, placing it No. 1 at the box office. The film finished No.Template:Nbsp1 at the box office during its first three weeks of wide release, part of a consecutive five weeks in the TopTemplate:Nbsp10.<ref name=BOMWeek/> The film went on to gross $108.6Template:Nbspmillion domestically and $64.4Template:Nbspmillion overseas, for a worldwide total of $173Template:Nbspmillion, against a $92Template:Nbspmillion budget.<ref name=BOM>Template:Cite Box Office Mojo</ref>

Critical response

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Template:RT data Template:Metacritic film prose

Roger Ebert of the Chicago Sun-Times gave the film four stars out of four, saying that films like this "help audiences understand and sympathize with the actual experiences of combat troops, instead of trivializing them into entertainments."<ref>Template:Cite web</ref> Empire magazine said that, though "ambitious, sumptuously framed, and frenetic, Black Hawk Down is nonetheless a rare find of a war movie which dares to turn genre convention on its head".<ref>Template:Cite web</ref> Mike Clark of USA Today wrote that the film "extols the sheer professionalism of America's elite Delta Force—even in the unforeseen disaster that was 1993's Battle of Mogadishu," and praised Scott's direction: "in relating the conflict, in which 18 Americans died and 70-plus were injured, the standard getting-to-know-you war-film characterizations are downplayed. While some may regard this as a shortcoming, it is, in fact, a virtue".<ref name="Clark">Template:Cite news</ref>

The film has had a small cultural legacy, which has been studied academically by media analysts dissecting how media reflects American perceptions of war. Newsweek writer Evan Thomas considered the movie one of the most culturally significant films of the George W. Bush presidency. He suggested that, although the film was presented as being anti-war, it was at its core pro-war: "though it depicted a shameful defeat, the soldiers were heroes willing to die for their brothers in arms ... The movie showed brutal scenes of killing, but also courage, stoicism and honor ... The overall effect was stirring, if slightly pornographic, and it seemed to enhance the desire of Americans for a thumping war to avenge 9/11."<ref>Template:Cite news</ref>

Stephen A. Klien, writing in Critical Studies in Media Communication, argued that the film's sensational rendering of war encouraged audiences to empathize with the film's pro-soldier leitmotif, to "conflate personal support of American soldiers with support of American military policy," and to discourage "critical public discourse concerning justification for and execution of military interventionist policy."<ref>Template:Cite journal</ref>

In a review featured in The New York Times, film critic Elvis Mitchell expressed dissatisfaction with the film's "lack of characterization" and opined that the film "reeks of glumly staged racism".<ref>Template:Cite news</ref> Owen Gleiberman and Sean Burns, the film critics for Entertainment Weekly and the alternative newspaper Philadelphia Weekly, respectively, echoed the sentiment that the depiction was racist.<ref>Template:Cite news</ref><ref name=":1">Template:Cite news</ref> American film critic Wheeler Winston Dixon also found the film's "absence of motivation and characterization" disturbing, and wrote that while American audiences might find the film to be a "paean to patriotism", other audiences might find it to be a "deliberately hostile enterprise"; nevertheless, Dixon lauded the film's "spectacular display of pyrotechnics coupled with equally adroit editing."<ref>Template:Cite book Template:ISBN (hardcover), see page 76, lines 11-15</ref> Jerry Bruckheimer, the film's producer, rejected these criticisms on The O'Reilly Factor, putting them down to political correctness in part due to Hollywood's liberal leanings.<ref name=":1" /><ref>Template:Cite news</ref>

Accolades

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Black Hawk Down received four Academy Award nominations for Best Director (lost to A Beautiful Mind) and Best Cinematography (lost to The Lord of the Rings: The Fellowship of the Ring) and won two Oscars for Best Sound and Best Film Editing. It received three BAFTA Award nominations for Best Cinematography, Best Sound and Best Editing.

Award Category Nominee Result Template:Abbreviation
Academy Awards Best Director Ridley Scott Template:Nom <ref>Template:Cite web</ref>
Best Cinematography Slawomir Idziak Template:Nom
Best Film Editing Pietro Scalia Template:Won
Best Sound Michael Minkler
Myron Nettinga
Chris Munro
Template:Won
BAFTA Award Best Cinematography Slawomir Idziak Template:Nom <ref>Template:Cite web</ref>
Best Editing Pietro Scalia Template:Nom
Best Sound Chris Munro
Per Hallberg
Michael Minkler
Myron Nettinga
Karen Baker Landers
Template:Nom
AFI Award Cinematographer of the Year Slawomir Idziak Template:Nom <ref>Template:Cite web</ref>
Director of the Year Ridley Scott Template:Nom
Editor of the Year Pietro Scalia Template:Nom
Movie of the Year Jerry Bruckheimer
Ridley Scott
Template:Nom
Production Designer of the Year Arthur Max Template:Nom
NBR Award Top Ten Films Template:Won <ref>Template:Cite web</ref>
Saturn Award Best Action/Adventure/Thriller Film Template:Nom <ref>Template:Cite web</ref>
Best DVD Special Edition Release Template:Nom <ref>Template:Cite web</ref>
Eddie Award Best Edited Feature Film – Dramatic Pietro Scalia Template:Won <ref>Template:Cite web</ref>
ADG Excellence in Production
Design Award
Contemporary Film Keith Pain
Marco Trentini
Gianni Giovagnoni
Cliff Robinson
Pier Luigi Basile
Ivo Husnjak
Arthur Max
Template:Nom <ref>Template:Cite web</ref>
Harry Award Template:Won <ref>Template:Cite web</ref>
Golden Reel Award Best Sound Editing – Dialogue and ADR
in a Feature Film
Per Hallberg
Karen Baker Landers
Chris Jargo
Mark L. Mangino
Chris Hogan
Template:Won <ref>Template:Cite web</ref>
Best Sound Editing – Effects & Foley,
Domestic Feature Film
Per Hallberg
Karen Baker Landers
Craig S. Jaeger
Jon Title
Christopher Assells
Dino Dimuro
Dan Hegeman
Michael A. Reagan
Gregory Hainer
Perry Robertson
Peter Staubli
Bruce Tanis
Michael Hertlein
Solange S. Schwalbe
Template:Won
Plus Camerimage Golden Frog Slawomir Idziak Template:Nom <ref>Template:Cite web</ref>
Cinema Audio Society Award Outstanding Sound Mixing
for Motion Pictures
Michael Minkler
Myron Nettinga
Chris Munro
Template:Nom <ref>Template:Cite web</ref>
Directors Guild of America Award Outstanding Directorial Achievement
in Motion Pictures
Ridley Scott Template:Nom <ref>Template:Cite web</ref>
Golden Trailer Award Best Drama Trailer Park, Inc. Template:Nom <ref>Template:Cite web</ref>
MTV Movie Award Best Movie Template:Nom <ref>Template:Cite magazine</ref>
Best Action Sequence First helicopter crash Template:Nom
Phoenix Film Critics Society Award Best Acting Ensemble Eric Bana
Ewen Bremner
William Fichtner
Josh Hartnett
Jason Isaacs
Ewan McGregor
Sam Shepard
Tom Sizemore
Template:Nom <ref>Template:Cite web</ref>
Best Cinematography Slawomir Idziak Template:Nom
Best Film Editing Pietro Scalia Template:Nom
Teen Choice Award Choice Movie Actor: Action/Drama Josh Hartnett Template:Nom <ref>Template:Cite web</ref>
Choice Movie: Action/Drama Template:Nom
World Soundtrack Award Best Original Soundtrack of the Year Hans Zimmer Template:Nom <ref>Template:Cite web</ref>
Soundtrack Composer of the Year Template:Nom
Writers Guild of America Award Best Screenplay Based on Material
Previously Produced or Published
Ken Nolan Template:Nom <ref>Template:Cite web</ref>
ASCAP Award Top Box Office Films Hans Zimmer (also for The Ring) Template:Won <ref>Template:Cite news</ref>
DVD Exclusive Award Best Overall DVD, New Movie
(Including All Extra Features)
Charles de Lauzirika (Deluxe Edition) Template:Nom <ref>Template:Cite web</ref>

Historicity

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In a radio interview, Brendan Sexton, who portrayed Ranger Richard "Alphabet" Kowalewski, said that the version that made it onto theater screens significantly differed from the one recounted in the original script. According to him, many scenes asking hard questions of the US regarding the violent realities of war and the true purpose of their mission in Somalia were cut.<ref>Template:Cite web</ref>

The film begins with the quote "Only the dead have seen the end of war.", which is misattributed to Plato. This line first appeared in the works of George Santayana.<ref>Template:Cite web</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Depiction of Somalis

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Soon after Black Hawk DownTemplate:'s release, the Somali Justice Advocacy Center (SJAC) in California denounced what they felt was its brutal and dehumanizing depiction of Somalis and called for its boycott.<ref name="Black Hawk Rising" /> The SJAC in Minnesota called for a boycott of the film for its portrayal of Somalis as "savage beasts shooting each other."<ref name=":0">Template:Cite news</ref> No Somali actors were used in the movie.<ref name="SFTBBH">Template:Cite web</ref> Somalis attending a screening of a pirated copy of the film at a theater in Mogadishu said the film ignored the deaths of hundreds, if not thousands, of civilian adults and children caused by the Americans.<ref name=":0" /><ref>Template:Cite web</ref>

In an interview with the BBC, the faction leader Osman Ali Atto said that many aspects of the film are factually incorrect. Taking exception to the ostentatious depiction of his character, Ali Atto claimed he looks nothing like the actor who portrayed him, nor that he smoked cigars or wore earrings.<ref name="WTDFSF">Template:Cite news</ref> These details were later confirmed by SEAL Team Six sniper Howard E. Wasdin in his 2012 memoirs. Wasdin also indicated that while the character in the movie ridiculed his captors, in reality, Atto seemed concerned that Wasdin and his men had been sent to kill rather than apprehend him.<ref name="Wasdin">Template:Cite book</ref> Atto additionally stated that he had not been consulted about the project, nor was he approached for permission to use his likeness, and that the film sequence re-enacting his arrest contained several inaccuracies:<ref name="WTDFSF" />

Template:Blockquote

Wasdin also remarked that while olive green military rigger's tape was used to mark the roof of the car in question in the movie, his team in actuality managed to track down Atto's whereabouts using a much more sophisticated technique involving the implantation of a homing device. This was hidden in a cane presented to Atto as a gift from a contact who routinely met with him, which eventually led the team directly to the faction leader.<ref name="Wasdin"/>

Uncredited UN troops

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Retired Malaysian Army Brigadier-General Abdul Latif Ahmad, who at the time commanded Malaysian forces in Mogadishu, told the AFP news agency that Malaysian moviegoers would be under the erroneous impression that the real battle was fought by the Americans alone, with Malaysian troops (including Cpl Mat Aznan Awang, recipient of the Grand Knight of Valour, Malaysia's highest award, killed when his was one of four Malaysian APCs destroyed during the battle)<ref>Template:Cite news</ref> relegated to serving as "mere bus drivers to ferry them out".<ref>Template:Cite news</ref>

General Pervez Musharraf, who later became President of Pakistan after a coup, similarly accused the filmmakers of not crediting the work done by the Pakistani soldiers. In his autobiography In the Line of Fire: A Memoir, Musharraf wrote:

Template:Blockquote

Mogadishu Mile

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It is often believed that the soldiers involved in the Mogadishu Mile had to run all the way to the Mogadiscio Stadium, as shown in the film. However, in that scene the filmmakers took artistic license and dramatized the event, departing from the book. In the film, the Mogadishu Mile ends with about a dozen soldiers entering the Mogadiscio Stadium having run all the way through the city. In the book, it ends with soldiers reaching a rendezvous point on National Street (in the opposite direction from the stadium):

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See also

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References

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Bibliography

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