Béla Fleck
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Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An acclaimed virtuoso, he is an innovative and technically proficient pioneer and ambassador of the banjo, playing music from bluegrass, jazz, classical, rock and various world music genres.<ref name="Rhapsody">Template:Cite web</ref> He is best known for his work with the bands New Grass Revival and Béla Fleck and the Flecktones.<ref>Template:Cite book Biography in Context.</ref> Fleck has won 17 Grammy Awards and been nominated 39 times.<ref>Template:Cite web</ref>
In 2020, he was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival.
Early life and career
[edit]A native of New York City, Fleck was named after the Hungarian composer Béla Bartók, the Austrian composer Anton Webern, and the Czech composer Leoš Janáček.<ref>Template:Cite web</ref> He was drawn to the banjo at a young age when he heard Earl Scruggs play the theme song for The Beverly Hillbillies television show<ref name="Tippett">Template:Cite web</ref> and when he heard "Dueling Banjos" by Eric Weissberg and Steve Mandell on the radio. At the age of 15, he received his first banjo, from his grandfather.<ref name="Brennan">Template:Cite web</ref> During the train ride home, another man volunteered to tune the banjo and suggested he learn from the book How to Play the Five String Banjo by Pete Seeger.<ref name="American">Template:Cite web</ref> He attended High School of Music & Art in New York City, playing French horn until he flunked and was transferred to the choir, though he spent most of his time on the banjo. He studied the book Bluegrass Banjo by Pete Wernick and took lessons from Erik Darling, Marc Horowitz, and Tony Trischka.<ref name="Torkington">Template:Cite web</ref>
After graduating from high school, he moved to New York City and became a member of the bluegrass group Tasty Licks, with whom he recorded two albums. He released his debut solo album, Crossing the Tracks (1979), and it was chosen Best Overall Album by the readers of Frets magazine.<ref name="Brennan" />
Fleck played on the streets of New York City with bassist Mark Schatz. Along with guitarist Glen Lawson and mandolinist Jimmy Gaudreau, they formed Spectrum in 1981. That same year, Sam Bush asked Fleck to join New Grass Revival, with whom Fleck would perform for nine years. In 1984, he played on the album Snakes Alive!, by the Dreadful Snakes (Rounder 0177), along with Jerry Douglas, Roland White and Blaine Sprouse. During this time, in 1987 Fleck recorded another solo album, Drive, which was nominated for a Grammy Award in 1988 for Best Bluegrass Album. During the 1980s Fleck and Bush also performed live with Doc and Merle Watson in bluegrass festivals, most notably the annual Telluride Bluegrass Festival. Bela also played with Jerry Garcia at the Hearst Greek Theatre, on August 5, 1990.
Béla Fleck and the Flecktones
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In 1988, Fleck and Victor Wooten formed Béla Fleck and the Flecktones with keyboardist and harmonica player Howard Levy and Wooten's brother, Roy "Future Man" Wooten, who played synthesizer-based percussion. They recorded numerous albums, most notably Flight of the Cosmic Hippo, their second album, which reached number one on the Billboard Top Contemporary Jazz Albums chart and found increased popularity among fans of jazz fusion.
Levy left the group in 1992, making the band a trio until saxophonist Jeff Coffin joined the group onstage in 1997. His first studio recording with the band was their 1998 album, Left of Cool. Coffin left the group in 2008 to replace the Dave Matthews Band's saxophonist, the late LeRoi Moore. Levy returned to the Flecktones in 2009. Béla Fleck and the original Flecktones recorded Rocket Science and toured in 2011.
Other music and recordings
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Fleck played banjo on Before These Crowded Streets by the Dave Matthews Band, including the album's debut single "Don't Drink the Water".<ref name="DeCurtis">Template:Cite magazine</ref>
In 1989 Fleck was invited to join the supergroup Strength in Numbers, headed by Sam Bush on mandolin, with Jerry Douglas on resonator guitar (dobro), Edgar Meyer on bass, and Mark O'Connor on violin. The group recorded just one album, The Telluride Sessions, before Bush disbanded the group.
In 2001, he collaborated with Edgar Meyer on Perpetual Motion, an album of classical music played on the banjo. They were accompanied by John Williams, Evelyn Glennie, Joshua Bell, and Gary Hoffman. Perpetual Motion won Grammy Awards for Best Arrangement and Best Classical Crossover Album.
Fleck and Meyer composed a double concerto for banjo and bass and performed its debut with the Nashville Symphony Orchestra. They were commissioned by the Orchestra to compose a trio concerto, for which they invited Indian tabla player Zakir Hussain. The concerto debuted in Nashville in 2006 when it was recorded for the album The Melody of Rhythm. Fleck premiered the Concerto for Banjo in Nashville, Tennessee on September 22, 2011, performing it with the full Nashville Symphony Orchestra.<ref>Template:Cite web</ref>
In 2005, while the Flecktones were on hiatus, Fleck undertook several new projects: recording with traditional African musicians; co-writing the documentary Bring it Home about the Flecktones; co-producing Song of the Traveling Daughter, the debut album by his wife, Abigail Washburn; forming the acoustic fusion supergroup Trio! with Jean-Luc Ponty and Stanley Clarke; and recording an album as a member of the Sparrow Quartet with Washburn, Ben Sollee, and Casey Driessen.
Personal life
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Fleck is married to banjo player Abigail Washburn.<ref name="Tippett" /><ref>Template:Cite news</ref> Washburn first met Fleck in Nashville at a square dance at which she was dancing and he was playing.<ref>Template:Cite web</ref> Fleck produced Washburn's first solo album. Fleck brought Washburn to the wedding of his half-brother – award-winning children's television writer Sascha Paladino – in August 2007, and they played in a scratch band composed of wedding party members.<ref>Template:Cite news</ref> In May 2009, the Bluegrass Intelligencer website satirized the upcoming "strategic marriage" of Washburn and Fleck, joking that the couple promised a "male heir" who will be the "Holy Banjo Emperor."<ref>Template:Cite web</ref>
Fleck and Washburn have two sons, born 2013 and 2018.<ref>Template:Cite web</ref>
Media appearances
[edit]He appeared on the cover of the July/August 2013 issue of Making Music magazine.<ref>Template:Cite web</ref>
Festivals
[edit]Alone and with the Flecktones, Fleck has appeared at the High Sierra Music Festival,<ref>Template:Cite news</ref> Telluride Bluegrass Festival,<ref>Template:Cite web</ref> Merlefest,<ref>Template:Cite web</ref> Montreal International Jazz Festival,<ref>Template:Cite web</ref> Toronto Jazz Festival,<ref>Template:Cite news</ref> Newport Folk Festival,<ref>Template:Cite web</ref> Delfest,<ref>Template:Cite news</ref> Austin City Limits Music Festival,<ref>Template:Cite web</ref> Shakori Hills,<ref>Template:Cite news</ref> Bonnaroo,<ref>Template:Cite news</ref> New Orleans Jazz Fest,<ref>Template:Cite news</ref> Hardly Strictly Bluegrass<ref>Template:Cite web</ref> and Rochester International Jazz Festival.<ref>Template:Cite web</ref>
Music documentary
[edit]In the film Throw Down Your Heart (2008), a film crew follows Béla Fleck on his travels to Africa where he collaborates with some of the best musicians and researches the African origins of the banjo.
In a New York Times article about the film,<ref>Template:Cite news</ref> Stephen Holden writes: "At every stop on a journey that takes him from Uganda to Tanzania to Gambia and finally to Mali, Mr. Fleck plays and records with gifted local musicians. Early in the film, a Ugandan villager insists that the common perception of Africa as a continent ravaged by war and disease is 'just a very small bit of what Africa is,' and Throw Down Your Heart sets out to prove him right."
Discography
[edit]Accolades
[edit]Grammy Awards and nominations
[edit]Fleck has shared Grammy Awards with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician,<ref name="bio">Template:Cite web</ref><ref>Template:Cite web</ref> namely country, pop, jazz, bluegrass, classical, folk, spoken word, composition, and arranging.<ref>Template:Cite web</ref>
References
[edit]Further reading
[edit]- Gray, Michael (1998). "Béla Fleck". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 174–5.
External links
[edit]- BelaFleck.com – Béla Fleck Official website
- Flecktones.com – Flecktones Official Website
- BACH & friends Documentary
Template:Béla Fleck Template:Flecktones Template:New Grass Revival Template:Authority control
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- Béla Fleck
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