Around the Fur
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Around the Fur is the second studio album by the American alternative metal band Deftones, released on October 28, 1997, by Maverick Records. The songs "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)" were released as singles with accompanying music videos. The album was certified gold by the RIAA in 1999, and was later certified platinum in 2011.<ref name="RIAA"/>
Background
[edit]Around the Fur has been described as alternative metal,<ref name="allmusic-review1" /><ref name="mxdwn">Template:Cite web</ref><ref name="diffuse">Template:Cite web</ref> nu metal,<ref>Template:Cite news</ref><ref>Template:Cite magazine</ref> and post-hardcore.<ref name="Metalsucks">Template:Cite web</ref> Guitarist Stephen Carpenter has since reflected, "We didn't really pay much attention to that. I remember when these subgenre names didn't exist. It was just metal. So I don't think we made a decision to step away [from nu metal] – we've never paid attention to what anyone else was doing. We just did what we thought was right, and tried to make a killer album."<ref name="makingof">Template:Cite magazine</ref> The producer Terry Date stated that the band wanted to become "more sophisticated" with Around the Fur.<ref name="makingof"/> Lyrically, much of the album addresses topics such as juvenile perception, existential angst, sex, romance, violence, the death of loved ones, and break-ups.<ref>Template:Cite magazine</ref>
Recording took place between April 1997 and June 1997 at Studio Litho in Seattle, which was owned by Stone Gossard of Pearl Jam. At that time, Pearl Jam were working on their fifth studio album Yield, and had to use a different studio.<ref name="jul12">Kerrang! (656). July 12, 1997.</ref> The band had gathered inspiration off of their own internal issues and personal incidents, as the four of them rented an apartment in Southern Seattle whilst they were writing and recording the album.<ref>Template:Cite magazine</ref> The singer Chino Moreno and Carpenter recall the band often drank and partied frequently, even recalling random moments of writing where the bassist Chi Cheng and Carpenter would smoke marijuana frequently and write riffs together; the two later included their voicemail of them smoking out of a bong as a hidden track between "MX" and "Damone".<ref>Template:Cite magazine</ref>
It was the second album to feature Frank Delgado under additional personnel; he eventually joined the band officially in 1999. The song "Headup" featured additional vocals by Max Cavalera of Soulfly.
The album cover was shot by the photographer Rick Kosick during a late-night party in Seattle where the band was recording. Upon seeing the candid photo of a woman, the band decided that they wanted to use it as the album cover. Kosick was unsure who the woman was, so the band had to find and track her down to obtain permission to use the photo, which she eventually granted.<ref name=revolver>Bennet, J. Revolver. September 2007. Pg. 122</ref> The woman appearing on the cover is Lisa M. Hughes, a friend of Stephen Carpenter.<ref>Template:Cite magazine</ref> Hughes spoke publicly about the cover for the first time during the album's 20th anniversary in 2017.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Moreno has since expressed his dislike of the cover, calling it "horrible".<ref>Template:Cite web</ref>
Composition and lyrics
[edit]In a 1998 interview with Chart magazine, Moreno commented, "When we went in to make this record, we really didn't have a set idea of what we wanted to come out with." However, he felt that the album "fell into place" once the band had settled into the studio.<ref name="chart">Bromley, Adrian. Keeping It Simple, Chart, July 1998.</ref> The band expanded its sound, spending more time with the producer Terry Date, and giving more thought to the album's production. Abe Cunningham varied his drum sound and experimented by using different types of snare drums on almost every track.<ref name="abeinterview">Peiken, Matt. Interview with Abe Cunningham, Modern Drummer, 1997.</ref> The album was praised for its loud-soft dynamics, the flow of the tracks, Moreno's unusual vocals, and the strong rhythm section grooves created by Cunningham and Cheng.<ref name="chart"/><ref>Smith, Matt. Deftones New Album Stays Heavy, The Gaston Gazette, 1997.</ref><ref name="circuschino">Glover, Adrian Gregory. Deftones: Running on Pure Passion, Circus, May 1998.</ref>
Release
[edit]The album was highly anticipated, and propelled the band to fame in the alternative metal scene on the strength of radio and MTV airplay for the singles "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)".<ref name="prato132">Template:Cite web</ref> The album's title track was also released as a promotional single. Around the Fur sold 43,000 copies in its first week of release, and entered the Billboard 200 at No. 29 (its peak position), remaining on the chart for 17 weeks.<ref name="circuschino"/><ref>Template:Cite magazine</ref> Around the Fur went on to reach RIAA gold status on June 24, 1999, and platinum status on June 7, 2011.<ref>Template:Cite web</ref>
When the album was released on Spotify, it contained an alternate version of "Headup" running a full minute longer than the original release.<ref>Template:Cite web</ref>
Touring
[edit]In May 1997, while Around the Fur was in the process of being recorded, the band performed two concerts at Bojangles in Sacramento. These were their first shows since December 1996, with the band debuting several Around the Fur songs that were still in the demo stages. Their next performance was on September 11, 1997, at The Press Club in San Francisco. This concert saw the debut of live staples "Be Quiet and Drive (Far Away)" and "My Own Summer (Shove It)".<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Following the album's release in October 1997, Deftones toured North America/Europe with the Sacramento bands Far and Will Haven.<ref name="dates">Template:Cite web</ref> The tour continued into early 1998.<ref name="dates" /> Later in 1998, they made appearances at the Warped Tour (in the United States, New Zealand and Australia), Pinkpop Festival, Roskilde Festival and Ozzfest,<ref name="dates"/> as well as releasing a live EP on April 10, 1998. In September 1998, Deftones toured with Red Hot Chili Peppers, who were playing their first shows in over six years with the guitarist John Frusciante.<ref>Template:Cite web</ref>
Critical reception
[edit]The album generally received positive reviews from music critics. Greg Corrao of CMJ New Music Monthly remarked in November 1997, "This hard-hitting noise-fest finds the band once again furthering the cause of riff-heavy, bludgeoning rock also championed by the likes of Soundgarden, Helmet and Kyuss",<ref name="cmj">Template:Cite web</ref> further adding that, "Those heavy sensibilities are paired with vocalist Chino Moreno's yearning whine, allowing the band to create [their] own kind of sub-metal."<ref name="cmj"/> He concluded his review by asserting that, "With Around the Fur, Deftones have carved out their own place in heavy music's hard beaten path toward the year 2000."<ref name="cmj"/> In a retrospective review, AllMusic critic Stephen Thomas Erlewine wrote: "Deftones tap into the same alternative metal vibe as Korn and L7, and while they don't have catchy riffs or a fully developed sound, Around the Fur suggests they're about to come into their own".<ref name="allmusic-review1"/> James P. Wisdom of Pitchfork described the songs from the album as "intense, harsh tunes",<ref name="p4k-review1"/> while Punknews.org thought that the album "showcased a band aware of their flaws, structure and lyrical approach, and thus achieved an overall great improvement in said areas".<ref name="punknews1"/> Robert Christgau was less receptive, dismissing it as a "dud".<ref name=ChristgauCG>Template:Cite news</ref>
In 2015, the critic Saby Reyes-Kulkarni of Diffuser stated that "[o]n their landmark second album, Deftones infused elements of new wave and shoegaze to define their future direction. Alt-metal would never be the same."<ref name="reyes">Template:Cite web</ref> Reyes-Kulkarni observed that the album "captures the first full blossoming of the duality that has come to define the Sacramento quintet's musical identity" and "set a new standard for '90s alt-metal and opened doors to what's possible when bands find the motivation to get heavy away from the brutish impulses that typically drive aggressive music."<ref name="diffuser">Template:Cite web</ref> He further noted that, while the album "sounds undeniably thicker and heavier" than the band's debut album Adrenaline, Chino Moreno's new wave and post-punk influences became increasingly evident: "On Around the Fur, Moreno's love of new wave groups like Depeche Mode and the Cure began to rear its head in earnest."<ref name=diffuser/>
At the 1998 Kerrang! Awards, Around the Fur won the award for "Best Album".<ref>Template:Cite magazine</ref> Metal Hammer included it as one of the ten best albums released in 1997.<ref>Template:Cite magazine</ref> They also listed it as being one of the best metal albums released between 1996 and 1997.<ref>Template:Cite magazine</ref> In 2017, Loudwire named it as the third best hard rock album of 1997.<ref>Template:Cite magazine</ref> When Kerrang! ranked the eight albums Deftones had released as of May 2020, Around the Fur was placed at number four.<ref>Template:Cite magazine</ref>
In 2021, Moreno said that Around The Fur is his favorite Deftones album.<ref>Template:Cite web</ref>
Track listing
[edit]- Notes
Personnel
[edit]Adapted credits from the liner notes of Around the Fur.<ref>Template:Cite AV media notes</ref>
Deftones
- Chino Moreno – vocals
- Stephen Carpenter – guitar
- Chi Cheng – bass
- Abe Cunningham – drums
Additional personnel
- Frank Delgado – turntables on "My Own Summer (Shove It)", "Around the Fur", "Dai the Flu", "Headup" and "MX"
- Max Cavalera – additional vocals and guitar on "Headup"
- Annalynn Cunningham – additional vocals on "MX"
Production
- Terry Date – production, mixing, recording
- Ulrich Wild – mixing, recording, digital editing
- Matt Bayles – assistant to Terry Date
- Steve Durkee – assistant to Ulrich Wild
- Ted Jensen – mastering
- Rick Kosick – photography
- Kevin Reagan – art direction, design
Charts
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Album
[edit]| Chart (1997) | Peak position |
|---|---|
| US Billboard 200<ref>Template:Cite magazine</ref> | 29 |
Singles
[edit]| Year | Song | Peak position | |
|---|---|---|---|
| US Main. | UK <ref name="UK">Template:Cite web</ref> | ||
| 1997 | "My Own Summer (Shove It)" | — | 29 |
| 1998 | "Be Quiet and Drive (Far Away)" | 29 | 50 |
Certifications
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Other media and cultural references
[edit]- "My Own Summer (Shove It)" appeared on The Matrix: Music from the Motion Picture, released on March 30, 1999.
- A poster of the album art was visible in the 1999 film Universal Soldier: The Return.
- "Headup" was used in its entirety in the 2001 film Manic.
- "Be Quiet and Drive (Far Away)" was featured on the soundtracks of two extreme sports video games: Dave Mirra Freestyle BMX (2000) and Tony Hawk: Shred (2010).
- The English rock band Muse have cited Deftones as a root influence<ref>Template:Cite web</ref> and sometimes use the riff to "Headup" as an outro to their song "New Born" during live performances.