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Pearl Harbor (film)

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Pearl Harbor is a 2001 American romantic war drama film directed by Michael Bay, produced by Bay and Jerry Bruckheimer and written by Randall Wallace. Starring Ben Affleck, Josh Hartnett, Kate Beckinsale, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore, and Alec Baldwin, the film features a heavily fictionalized version of the attack on Pearl Harbor, focusing on a love triangle set amidst the lead up to the attack, its aftermath, and the Doolittle Raid.

The film was a box office success, grossing $59 million in its opening weekend and $449.2 million worldwide, becoming the sixth highest-grossing film of 2001.<ref name="mojo" /> It received generally negative reviews from critics, although there was praise for the visual effects, action sequences, and music score. The film was nominated for four Academy Awards, winning in the category of Best Sound Editing. It was also nominated for six Golden Raspberry Awards, including Worst Picture.

Plot

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In 1923, in Tennessee, two best friends, Rafe McCawley and Danny Walker, play together in the back of an old biplane, pretending to be fighting airmen.

In 1941, as World War II rages, Danny and Rafe are both first lieutenants under the command of Major Jimmy Doolittle. Doolittle informs Rafe that he has been accepted into the Eagle Squadron (an RAF outfit for American pilots during the Battle of Britain). A nurse named Evelyn Johnson passes Rafe's medical exam despite his dyslexia, and the two strike up a relationship. Four weeks later, Rafe and Evelyn, now deeply in love, enjoy an evening of dancing at a nightclub and later a jaunt in the New York harbor in a borrowed police boat. Rafe shocks Evelyn by saying that he has joined the Eagle Squadron and is leaving the next day. During a mission to intercept a Luftwaffe bombing raid, Rafe is shot down over the English Channel and is presumed killed in action. Danny and Evelyn mourn Rafe's death together, which spurs a romance between the two.

Meanwhile, Japan prepares to attack the US Pacific Fleet, deciding the best way to do so would be a decisive strike on the Pearl Harbor naval base.

On the night of December 6, Evelyn is shocked to discover Rafe standing outside her door, having survived his downing and the ensuing months trapped in Nazi-occupied France. Rafe, in turn, discovers Danny's romance with Evelyn and leaves for the Hula bar, where he is welcomed back by his overjoyed fellow pilots. Danny finds a drunken Rafe in the bar with the intention of reconciling, but the two get into a fight. They drive away, avoiding being put in the brig when the military police arrive at the bar. The two fall asleep in Danny's car.

Next morning, on December 7, the Imperial Japanese Navy begins its attack on Pearl Harbor. The US Pacific Fleet is severely damaged in the surprise attack, and most of the defending airfields are obliterated before they are able to launch fighters to defend the harbor. Rafe and Danny take off in P-40 fighter planes, and they shoot down several of the attacking planes. They later assist in the rescue of the crew of the capsized Template:USS, but are too late to save the crew of the obliterated Template:USS.

The next day, President Franklin Delano Roosevelt delivers his Day of Infamy Speech to the nation and requests that the US Congress declare a state of war with the Empire of Japan. The survivors attend a memorial service to honor the numerous dead. Danny and Rafe are both assigned to travel stateside under Doolittle, though they are not told why. Before they leave, Evelyn reveals to Rafe that she is pregnant with Danny's child. Evelyn reassures Rafe she loved him in the past and will love him her whole life, but says she is ready to give Danny her "whole heart" and have their family together.

Danny and Rafe are both promoted to captain and awarded the Silver Star for their actions at Pearl Harbor, and Doolittle asks them to volunteer for a secret mission. During the next three months, Rafe, Danny and other pilots train for ultra-short takeoffs with specially modified B-25 Mitchell bombers. In April, the raiders are sent toward Japan on board Template:USS. Their mission is to bomb Tokyo, after which they will land in China. The mission is successful, but Rafe's and Danny's planes run out of fuel and crash in Japanese-occupied territory in China. A gunfight ensues between the raiders and Japanese ground troops, and Danny is mortally wounded shielding Rafe before the group are rescued by Chinese soldiers. Desperately trying to will Danny back to life, Rafe tearfully reveals to Danny, "you're going to be a father." With his last breath, Danny replies, "No, you are."

After the war, Rafe and Evelyn, now married, visit Danny's grave with Evelyn's son, named Danny after his biological father. Rafe then asks his stepson if he would like to go flying, and they fly off into the sunset in the old biplane that Rafe's father once owned.

Cast

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Fictional characters

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Historical characters

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Although not intended to be an entirely accurate depiction of events, the film includes portrayals of several historical figures:

Production

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File:Vintage Car Museum & Event Center May 2017 21 (1940 LaSalle taxi from Pearl Harbor).jpg
A 1940 LaSalle taxi featured in Pearl Harbor

The proposed budget of $208 million that Michael Bay and Jerry Bruckheimer wanted was an area of contention with Walt Disney Studios executives, since a great deal of the budget was to be expended on production aspects. The budget was eventually reduced to $140 million.<ref name="mojo"/> Even at the reduced budget, Disney managed to get many of the crew and others to defer some of their pay until the film grossed in the region of $140 million. This included the director of photography, the editor, production designer and lighting director and their departments deferring around $5 to $10 million as well as Panavision, Technicolor and Industrial Light & Magic also agreeing to deferrals. Bay also deferred his salary but he and Bruckheimer were the only ones to receive profit participation.<ref name=defer>Template:Cite magazine</ref>

Also controversial was the effort to change the film's rating from R to PG-13. Bay initially wanted to graphically portray the horrors of war and was not interested in primarily marketing the final product to a teen and young adult audience. However, even though he wanted to make an R-rated movie, Bay admitted that the problem was that young children would not be able to see it, and he felt that they should. As such, when he was ordered by Disney to make a PG-13 film, he did not argue. As a compromise, he was allowed to release an R-rated Director's Cut on DVD later on in 2002. Budget fights continued throughout the planning of the film, with Bay "walking" on several occasions. Dick Cook, chairman of Disney at the time, said "I think Pearl Harbor was one of the most difficult shoots of modern history."<ref>Template:Cite news</ref>

In order to recreate the atmosphere of pre-war Pearl Harbor, the producers staged the film in Hawaii and used current naval facilities. Many active duty military members stationed in Hawaii and members of the local population served as extras during the filming. The set at Rosarito Beach in the Mexican state of Baja California was used for scale model work as required. Formerly the set of Titanic (1997), Rosarito was the ideal location to recreate the death throes of the battleships in the Pearl Harbor attack. A large-scale model of the bow section of Template:USS mounted on the world's largest gimbal produced an authentic rolling and submerging of the doomed battleship. Production Engineer Nigel Phelps stated that the sequence of ship rolling out of the water and slapping down would involve one of the "biggest set elements" to be staged. Matched with computer generated imagery, the action had to reflect precision and accuracy throughout.<ref>Sunshine and Felix 2001, p. 135.</ref> Production was due to commence April 8, 2000 for 85 days.<ref name=defer/>

Michael Fassbender read for the part of Rafe. Fassbender later said that Disney sent him a "really nice note" telling him that he did not get the part.<ref>Template:Cite web</ref> Charlize Theron turned down a role in the film so that she could star in Sweet November.<ref>Template:Cite web</ref>

The vessel most seen in the movie was USS Lexington, representing both USS Hornet and a Japanese carrier. All aircraft take-offs during the movie were filmed on board the Lexington, a museum ship in Corpus Christi, Texas. The aircraft on display were removed for filming and were replaced with film aircraft as well as World War II anti-aircraft turrets. Other ships used in filler scenes included Template:USS,<ref name=Heines>Heines, vienne. "Bringing 'Pearl Harbor' to Corpus Christi." Military.com. Retrieved: January 10, 2014.</ref> and Template:USS during filming for the carrier sequences. Filming was also done on board the museum battleship Template:USS located near Houston, Texas. The Naval Historical Center of the United States army was involved in the production of the film, the Center suggested changing the depiction of Doolittle who they considered to be written as "a boorish, oafish guy", this recommendation was accepted.<ref>Template:Cite magazine</ref>

Release

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Marketing

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The teaser trailer premiered in June 2000 in front of The PatriotTemplate:'s theatrical screenings.<ref>Template:Cite web</ref> Disney premiered the film at Pearl Harbor itself, aboard the active nuclear aircraft carrier Template:USS, which made a six-day trip from San Diego to serve as "the world's largest and most expensive outdoor theater". More than 2,000 people attended the premiere on the Stennis, which had special grandstand seating and one of the world's largest movie screens assembled on the flight deck.<ref>Template:Cite news</ref> The guests included various Hawaii political leaders, most of the lead actors from the film, and over 500 news media from around the world that Disney flew in to cover the event. The party was estimated to have cost Disney $5 million.<ref>Template:Cite news</ref>

Box office

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During its opening weekend, Pearl Harbor generated a total of $59 million, then made $75.1 million during its first four days.<ref name="MakingMarks">Template:Cite web</ref> At the time, it achieved the second-highest Memorial Day weekend gross, behind The Lost World: Jurassic Park.<ref>Template:Cite news Template:Open access</ref> The film also had the fourth-highest opening weekend, after the latter film, The Mummy Returns and Star Wars: Episode I – The Phantom Menace.<ref>Template:Cite web</ref> For 15 years, it would have the highest opening weekend for a Ben Affleck film until 2016 when Batman v Superman: Dawn of Justice surpassed it.<ref>Template:Cite web</ref> When the film was released, it topped the box office, knocking out Shrek.<ref name="MakingMarks" /> It earned $30 million during its second weekend while staying at the number one spot ahead of the latter film, Moulin Rouge! and The Animal.<ref>Template:Cite web</ref> This was the most recent film to top the box office for multiple weeks until that August when American Pie 2 became the next one to do so.<ref>Template:Cite web</ref> The film would then drop into third place behind Swordfish and Shrek, making $14.9 million and beating out fourth place newcomer Evolution.<ref>Template:Cite web</ref>

In Japan, the film opened on 424 screens and grossed $7.2 million in its opening weekend (including $1.6 million in previews), a record for Buena Vista International in Japan, and the sixth highest opening of all-time.<ref name=japan>Template:Cite magazine</ref> Meanwhile, Pearl Harbor generated a three-day gross of $4.5 million in the United Kingdom, becoming the country's fourth-highest June opening weekend, behind Batman & Robin, The Matrix and The Mummy.<ref name="SetsO'seas">Template:Cite news</ref> It had a record opening in China, grossing $3.9 million in 6 days.<ref>Template:Cite magazine</ref> The film also made $2.5 million in Mexico, making it the fifth-highest opening for a live-action film in the country, trailing The Phantom Menace, The Mummy Returns, Mission: Impossible 2 and Godzilla.<ref name="EuropeBattle">Template:Cite news</ref> Making $870,000, it was Argentina's second-highest opening of 2001, after Hannibal.<ref name="EuropeBattle" />

Pearl Harbor grossed $198,542,554 at the US and Canadian box office and $250,678,391 overseas for a worldwide total of $449,220,945, making this the sixth-highest-grossing film of 2001.<ref name="mojo" /> It is also the third-highest-grossing romantic drama film of all time, as of January 2013, behind Titanic and Ghost.<ref>Template:Cite web</ref>

Home media

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Pearl Harbor was released on VHS and DVD on December 4, 2001 by Buena Vista Home Entertainment (under the Touchstone Home Video label).<ref name="Harbor">Template:Cite web</ref><ref>Template:Cite web</ref> Both home video versions are THX certified, featuring a historical documentary and a music video, while also having the film split into two parts.<ref name="RememberingVideo">Template:Cite news Template:Open access</ref> The VHS release has two separate cassettes and comes with widescreen and fullscreen versions.<ref name="RememberingVideo" /> As for the DVD release, it includes two separate discs that feature the first and second halves of the film, along with Dolby Headphone and DTS audio tracks.<ref name="RememberingVideo" /><ref>Template:Cite web</ref> In its first week, the film sold more than 7 million units and made more than $130 million in retail sales.<ref name="Harbor" />

On July 2, 2002, Buena Vista Home Entertainment released the film on an R-rated four-disc Director's Cut DVD, which included about a minute of additional footage.<ref name="EnoughAlready">Template:Cite news Template:Open access</ref><ref>Template:Cite web</ref> This release also features three audio commentaries.<ref name="EnoughAlready" /> The first one has Michael Bay and Jeanine Basinger, which was recorded 250 hours after the September 11 attacks.<ref name="IGNVista">Template:Cite web</ref>

At the 5th Annual DVD awards, Pearl Harbor won the Best Audio Presentation category, tying with Star Wars: Episode I – The Phantom Menace.<ref>Template:Cite web</ref>

Reception

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Critical response

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On Rotten Tomatoes, Pearl Harbor holds an approval rating of 24% based on 194 reviews, with an average rating of 4.5/10. The site's critical consensus reads: "Pearl Harbor tries to be the Titanic of war movies, but it's just a tedious romance filled with laughably bad dialogue. The 40-minute action sequence is spectacular though."<ref>Template:Cite web</ref> On Metacritic, the film has a score of 44 out of 100 based on 35 reviews, indicating "mixed or average reviews".<ref>"Pearl Harbor Reviews, Ratings, Credits, and More at Metacritic" Metacritic. Retrieved: March 23, 2012.</ref> Audiences surveyed by CinemaScore gave the film a grade "A−" on scale of A to F.<ref>Template:Cite web</ref>

Chicago Sun-Times critic Roger Ebert gave the film one and a half stars, writing: "Pearl Harbor is a two-hour movie squeezed into three hours, about how, on Dec. 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialogue, it will not be because you admire them." Ebert also criticized the liberties the film took with historical facts: "There is no sense of history, strategy or context; according to this movie, Japan attacked Pearl Harbor because America cut off its oil supply, and they were down to an 18-month reserve. Would going to war restore the fuel sources? Did they perhaps also have imperialist designs? Movie doesn't say."<ref name="Ebert">Ebert, Roger. "'Pearl Harbor'." Chicago Sun-Times, May 25, 2001. Retrieved: June 25, 2009.</ref> In his later "Great Movies" essay on Lawrence of Arabia, Ebert likewise wrote, "What you realize watching Lawrence of Arabia is that the word 'epic' refers not to the cost or the elaborate production, but to the size of the ideas and vision. Werner Herzog's Aguirre, the Wrath of God didn't cost as much as the catering in Pearl Harbor, but it is an epic, and Pearl Harbor is not."<ref>Ebert, Roger. "'Lawrence of Arabia'." Chicago Sun-Times, September 2, 2001. Retrieved: November 10, 2020.</ref> Ed Gonzalez of Slant Magazine gave the film one out of four stars and wrote, "Middlingly racist, humorless, and downright inept, Pearl Harbor is solely for fans of fireworks factories."<ref name="slantmagazinerev">Template:Cite web</ref>

A. O. Scott of The New York Times wrote, "Nearly every line of the script drops from the actors' mouths with the leaden clank of exposition, timed with bad sitcom beats."<ref name="Scott">Scott, A.O. "Pearl Harbor: War Is Hell, but Very Pretty." The New York Times, May 25, 2001. Retrieved: June 25, 2009.</ref> Mike Clark of USA Today gave the film two out of four stars and wrote, "Ships, planes and water combust and collide in Pearl Harbor, but nothing else does in one of the wimpiest wartime romances ever filmed."<ref name="Clark">Template:Cite news</ref>

In his review for The Washington Post, Desson Howe wrote, "although this Walt Disney movie is based, inspired and even partially informed by a real event referred to as Pearl Harbor, the movie is actually based on the movies Top Gun, Titanic and Saving Private Ryan. Don't get confused."<ref name="Howe">Howe, Desson. "Pearl Harbor: Bombs Away." Washington Post, May 26, 2001. Retrieved: June 29, 2009.</ref> Peter Travers of Rolling Stone magazine wrote, "Affleck, Hartnett and Beckinsale – a British actress without a single worthy line to wrap her credible American accent around – are attractive actors, but they can't animate this moldy romantic triangle."<ref name="Travers">Template:Cite magazine</ref> Time magazine's Richard Schickel criticized the love triangle: "It requires a lot of patience for an audience to sit through the dithering. They're nice kids and all that, but they don't exactly claw madly at one another. It's as if they know that someday they're going to be part of "the Greatest Generation" and don't want to offend Tom Brokaw. Besides, megahistory and personal history never integrate here."<ref name="Schickel">Schickel, Richard. "Mission: Inconsequential." Time, May 25, 2001. Retrieved: June 25, 2009. Template:Dead link</ref> Robert W. Butler of The Kansas City Star wrote, "The dialogue is so unrelentingly banal as to make one reconsider whether James Cameron's writing on Titanic was really all that bad."<ref>Template:Cite news</ref>

Entertainment Weekly was more positive, giving the film a "B−" rating, and Owen Gleiberman praised the Pearl Harbor attack sequence: "Bay's staging is spectacular but also honorable in its scary, hurtling exactitude. ... There are startling point-of-view shots of torpedoes dropping into the water and speeding toward their targets, and though Bay visualizes it all with a minimum of graphic carnage, he invites us to register the terror of the men standing helplessly on deck, the horrifying split-second deliverance as bodies go flying and explosions reduce entire battleships to liquid walls of collapsing metal."<ref name="Gleiberman">Template:Cite magazine</ref>

In his review for The New York Observer, Andrew Sarris wrote, "here is the ironic twist in my acceptance of Pearl Harbor – the parts I liked most are the parts before and after the digital destruction of Pearl Harbor by the Japanese carrier planes" and felt that "Pearl Harbor is not so much about World War II as it is about movies about World War II. And what's wrong with that?"<ref>Template:Cite news</ref>

Critics in Japan received the film more positively than in most countries with one likening it to Gone with the Wind set during World War II and another describing it as more realistic than Tora! Tora! Tora!<ref name="japan"/>

In 2023, Rolling Stone cited Bay's direction of Pearl Harbor as one of the fifty worst decisions in film history. Andy Greene described it as a less successful attempt to replicate the success of Titanic and Bay's previous film, Armageddon.<ref>Template:Cite magazine</ref>

Accolades

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The film was nominated for four Academy Awards, winning in the category of Best Sound Editing. It was also nominated for six Golden Raspberry Awards, including Worst Picture.<ref>Template:Cite web</ref> This marked the first occurrence of a Worst Picture-nominated film winning an Academy Award; it is also the only film directed by Bay to win an Academy Award.Template:Citation needed

Award Category Recipient Result Template:Ref heading
Academy Awards Best Original Song "There You'll Be"
Music and Lyrics by Diane Warren 		Template:Nom <ref>Template:Cite news</ref>
Best Sound Kevin O'Connell, Greg P. Russell, and Peter J. Devlin Template:Nom
Best Sound Editing George Watters II and Christopher Boyes Template:Won
Best Visual Effects Eric Brevig, John Frazier, Ed Hirsh, and Ben Snow Template:Nom
American Society of Cinematographers Awards Outstanding Achievement in Cinematography in Theatrical Releases John Schwartzman Template:Nom <ref>Template:Cite web</ref>
ASCAP Film and Television Music Awards Top Box Office Films Hans Zimmer Template:Won
Most Performed Songs from Motion Pictures "There You'll Be"
Music and Lyrics by Diane Warren 		Template:Won
Awards Circuit Community Awards Best Original Score Hans Zimmer Template:Nom
Best Visual Effects Template:Nom
Bogey Awards Template:Nom
Critics' Choice Awards Best Song "There You'll Be"
Music and Lyrics by Diane Warren 		Template:Nom <ref>Template:Cite web</ref>
Cinema Audio Society Awards Outstanding Achievement in Sound Mixing for Motion Pictures Kevin O'Connell, Greg P. Russell, and Peter J. Devlin Template:Nom <ref>Template:Cite web</ref>
DVD Exclusive Awards Best Overall New Extra Features, New Release Michael Bay, Mark Palansky, David Prior, and Eric Young Template:Nom <ref>Template:Cite web</ref>
Best New, Enhanced or Reconstructed Movie Scenes Michael Bay Template:Nom
Original Retrospective Documentary, New Release Doug McCallie Template:Nom
Best Menu Design David Prior Template:Nom
Golden Globe Awards Best Original Score – Motion Picture Hans Zimmer Template:Nom <ref>Template:Cite web</ref>
Best Original Song – Motion Picture "There You'll Be"
Music and Lyrics by Diane Warren 		Template:Nom
[[22nd Golden Raspberry Awards|Golden Raspberry Awards Template:Small]] Worst Picture Template:Nom <ref>Green gets fingered for Razzies at BBC News</ref>
Worst Director Michael Bay Template:Nom
Worst Actor Ben Affleck Template:Nom
Worst Screenplay Randall Wallace Template:Nom
Worst Screen Couple Ben Affleck and either Kate Beckinsale or Josh Hartnett Template:Nom
Worst Remake or Sequel Template:Nom
[[30th Golden Raspberry Awards|Golden Raspberry Awards Template:Small]] Worst Actor of the Decade Ben Affleck Template:Small Template:Nom <ref>Template:Cite web</ref>
Golden Reel Awards Best Sound Editing – Dialogue & ADR, Domestic Feature Film George Watters II, Christopher T. Welch, Teri E. Dorman, Julie Feiner,
Cindy Marty, Michelle Pazer, David A. Arnold, Marshall Winn,
Ulrika Akander, and Allen Hartz 		Template:Nom <ref>Template:Cite magazine</ref>
Best Sound Editing – Sound Effects & Foley, Domestic Feature Film Christopher Boyes, George Watters II, Victoria Martin, Ethan Van der Ryn,
Beau Borders, Scott Guitteau, Suhail Kafity, Adam Kopald, F. Hudson Miller,
R.J. Palmer, Christopher Scarabosio, Robert L. Sephton, Matthew Harrison,
James Likowski, and Gary Wright 		Template:Nom
Golden Rooster Awards Best Translated Film Template:Won
Golden Schmoes Awards Worst Movie of the Year Template:Nom <ref>Template:Cite web</ref>
Best Special Effects of the Year Template:Nom
Biggest Disappointment of the Year Template:Nom
Best Trailer of the Year Template:Nom
Best Action Sequence of the Year "Attack on Pearl Harbor" Template:Nom
Most Memorable Scene in a Movie Template:Nom
Golden Screen Awards Template:Won
Golden Trailer Awards Best Action Template:Nom
GoldSpirit Awards Best Soundtrack Hans Zimmer Template:Nom
Best Drama Soundtrack Template:Won
Grammy Awards Best Song Written for a Motion Picture, Television or Other Visual Media "There You'll Be" – Diane Warren Template:Nom <ref>Template:Cite web</ref>
Harry Awards Template:Nom
Huabiao Awards Outstanding Translated Foreign Film Template:Won
MTV Asia Awards Favorite Movie Template:Nom
MTV Movie Awards Best Male Performance Josh Hartnett Template:Nom <ref>Template:Cite web</ref>
Best Female Performance Kate Beckinsale Template:Nom
Best Action Sequence "The Attack Scene" Template:Won
Online Film & Television Association Awards Best Original Song "There You'll Be"
Music and Lyrics by Diane Warren 		Template:Nom <ref>Template:Cite web</ref>
Best Sound Template:Nom
Best Sound Editing Template:Nom
Best Visual Effects Template:Nom
Phoenix Film Critics Society Awards Best Visual Effects Eric Brevig, John Frazier, Ed Hirsh, and Ben Snow Template:Nom <ref>Template:Cite web</ref>
Satellite Awards Best Cinematography John Schwartzman Template:Nom <ref>Template:Cite web</ref>
Best Original Song "There You'll Be"
Music and Lyrics by Diane Warren 		Template:Nom
Best Visual Effects Eric Brevig Template:Nom
Stinkers Bad Movie Awards Worst Picture Template:Nom <ref>Template:Cite web</ref>
Worst Sense of Direction Michael Bay Template:Nom
Worst Screenplay for a Film Grossing More Than $100M Worldwide Using Hollywood Math Randall Wallace Template:Won
Teen Choice Awards Choice Movie – Drama/Action Adventure Template:Won <ref name="TeenChoice2001">Template:Cite web</ref>
Choice Movie Actor Ben Affleck Template:Won
Josh Hartnett Template:Nom
Choice Movie Chemistry Ben Affleck and Kate Beckinsale Template:Nom
World Soundtrack Awards Soundtrack Composer of the Year Hans Zimmer Template:Small Template:Nom <ref>Template:Cite web</ref>
World Stunt Awards Best Aerial Work Gene Armstrong, Will Bonafas, James Gavin, John Hinton, Steve Hinton,
Gary Hudson, Kevin La Rosa, John Maloney, Bill Powers, Alan Preston,
Allan Purwyn, James Ryan, and John Storrie 		Template:Nom <ref>Template:Cite webTemplate:Dead link</ref>
Best Stunt Coordination – Feature Film Kenny Bates Template:Nom
Best Stunt Coordination – Sequence Kenny Bates, Andy Gill, and Steve Picerni Template:Won
Yoga Awards Worst Foreign Actor Ben Affleck Template:Won

Historical accuracy

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Like many historical dramas, Pearl Harbor provoked debate about the artistic license taken by its producers and director. National Geographic Channel produced a documentary called Beyond the Movie: Pearl Harbor detailing some of the ways that "the film's final cut didn't reflect all the attacks' facts, or represent them all accurately".<ref>"Beyond the Movie: Pearl Harbor." Template:Webarchive National Geographic Society, 2001. Retrieved: March 26, 2009.</ref> The film was ranked number three on Careeraftermilitary.com's "10 Most Inaccurate Military Movies Ever Made," which also included The Patriot, The Hurt Locker, U-571, The Green Berets, Windtalkers, Battle of the Bulge, Red Tails, Enemy at the Gates and Flyboys on its list of falsified war movie productions.<ref>Template:Cite web</ref>

Many Pearl Harbor survivors dismissed the film as grossly inaccurate and pure Hollywood. In an interview done by Frank Wetta, producer Jerry Bruckheimer was quoted saying: "We tried to be accurate, but it's certainly not meant to be a history lesson."<ref>Template:Cite journal</ref> Historian Lawrence Suid's review is particularly detailed as to the major factual misrepresentations of the film and the negative impact they have even on an entertainment film, as he notes that "the very name of the film implies that audiences will be witnessing a historic event, accurately rendered."<ref name="usni.org">Template:Cite web Naval History (United States Naval institute), Vol. 15, No. 4, August 2001, p. 20.</ref>

The Battle of Britain had already ended in October 1940 whereas the film has it still happening in early 1941 with dogfights over the English Channel.<ref>Template:Cite journal</ref>

Critics decried the use of fictional replacements for real people, declaring that Pearl Harbor was an "abuse of artistic license."<ref>Template:Cite web</ref> The roles the two male leads have in the attack sequence are analogous to the real historical deeds of United States Army Air Forces Second Lieutenants George Welch and Kenneth M. Taylor, who took to the skies in P-40 Warhawk aircraft during the Japanese attack and, together, claimed six Japanese aircraft and a few probables. Taylor called the film "a piece of trash... over-sensationalized and distorted."<ref>Sullivan, Patricia. "Kenneth Taylor; Flew Against Pearl Harbor Raiders." Washington Post, December 12, 2006. Retrieved: March 26, 2009.</ref><ref name=white>Template:Cite news</ref>

The scene following the attack on Pearl Harbor, where President Roosevelt demands an immediate retaliatory strike on the soil of Japan, did not happen as portrayed in the film. Admiral Chester Nimitz and General George Marshall are seen denying the possibility of an aerial attack on Japan, but in real life they actually advocated such a strike. Another inconsistency in this scene is when President Roosevelt (who was at this time in his life, stricken and confined to a wheelchair due to his disease, Guillain–Barré syndrome or Polio) is able to stand up to challenge his staff's distrust in a strike on Japan, which never really happened.<ref name="sfgate.com">Template:Cite web</ref>

The portrayal of the planning of the Doolittle Raid, the air raid itself, and the raid's aftermath, is considered one of the most historically inaccurate portions of the film. In the film, Jimmy Doolittle and the rest of the Doolittle raiders had to launch from USS Hornet 624 miles off the Japanese coast and after being spotted by a few Japanese patrol boats. In actuality, the Doolittle raiders had to launch 650 miles off the Japanese coast and after being spotted by only one Japanese patrol boat. The film shows all the bombers arriving in formation over Japan, despite the real concerns over fuel when the planes have to take off prematurely. It actually took one hour to launch the 16 planes, each setting out on its own course, and at no time did the planes fly together before, during, or after the attack.<ref name="usni.org">Template:Cite web Naval History (United States Naval institute), Vol. 15, No. 4, August 2001, p. 20.</ref> In the film, the only raiders shown in the raid are depicted as dropping their bombs on Tokyo, with some of the bomb blasts obliterating entire buildings. In actuality, the Doolittle raiders did bomb Tokyo but also targeted three other industrial cities, and the damage inflicted was minimal. Prior to the raid a chalkboard containing plans for the raid does accurately reflect other destination cities, but this is mostly obscured from view and never discussed in the dialogue.<ref>Gutthman, Edward. "'Pearl' - Hyped, yet promising / Movie to honor vets, nation's wartime spirit." MyUSA, December 7, 2000.</ref><ref>Heines, Vivienne. "Bringing 'Pearl Harbor' To Corpus Christi." military.com, August 1, 2000.</ref> The firefight with Japanese soldiers after the raiders crash-land in China is entirely fictionalized, whereas the actual smuggling of the pilots back to the United States was omitted.<ref name="usni.org">Template:Cite web Naval History (United States Naval institute), Vol. 15, No. 4, August 2001, p. 20.</ref>

Soundtrack

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Template:Infobox album The soundtrack to Pearl Harbor on Hollywood Records was nominated for the Golden Globe Award for Best Original Score (Moulin Rouge! won).<ref>Template:Cite web</ref> The original score was composed by Hans Zimmer. The song "There You'll Be" was nominated for the Academy Award and Golden Globe Award for Best Original Song.

Template:Track listing

Certifications

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Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Bottom

See also

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References

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Template:Reflist

Bibliography

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Template:Refbegin

  • Arroyo, Ernest. Pearl Harbor. New York: MetroBooks, 2001. Template:ISBN.
  • Barker, A.J. Pearl Harbor (Ballantine's Illustrated History of World War II, Battle Book, No. 10). New York: Ballantine Books, 1969. No ISBN.
  • Cohen, Stan. East Wind Rain: A Pictorial History of the Pearl Harbor Attack. Missoula, Montana: Pictorial Histories Publishing Company, 1981. Template:ISBN.
  • Template:Cite book
  • Golstein, Donald M., Katherine Dillon and J. Michael Wenger. The Way it Was: Pearl Harbor (The Original Photographs). Dulles, Virginia: Brassey's Inc., 1995. Template:ISBN.
  • Kimmel, Husband E. Kimmel's Story. Washington, D.C.: Henry Regnery Co., 1955.
  • Prange, Gordon W. At Dawn we Slept: The Untold Story of Pearl Harbor. Harmondsworth, Middlesex, UK: Penguin Books, 1981. Template:ISBN.
  • Sheehan, Ed. Days of '41: Pearl Harbor Remembered. Honolulu: Kapa Associates, 1977. Template:ISBN.
  • Sunshine, Linda and Antonia Felix, eds. Pearl Harbor: The Movie and the Moment. New York: Hyperion, 2001. Template:ISBN.
  • Sullivan, Robert. "What Really Happened." Time, June 4, 2001.
  • Thorpe. Briagdier General Elliott R. East Wind Rain: The Intimate Account of an Intelligence Officer in the Pacific, 1939–49. Boston: Gambit Incorporated, 1969. No ISBN.
  • Wilmott, H.P. with Tohmatsu Haruo and W. Spencer Johnson. Pearl Harbor. London: Cassell & Co., 2001. Template:ISBN.
  • Winchester, Jim, ed. Aircraft of World War II (The Aviation Factfile). London: Grange Books, 2004. Template:ISBN.
  • Wisiniewski, Richard A., ed. Pearl Harbor and the USS Arizona Memorial: A Pictorial History. Honolulu: Pacific Basin Enterprises, 1981, first edition 1977. No ISBN.

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