Martha Argerich
Template:Short description Template:Use dmy dates Template:Infobox musical artist Martha Argerich (Template:IPA; Template:IPA; born 5 June 1941) is an Argentine and Swiss classical concert pianist. Born and raised in Buenos Aires, Argerich gave her debut concert at the age of eight before receiving further piano training in Europe. At an early age, she won several competitions, including the VII International Chopin Piano Competition and the Ferruccio Busoni Competition and has since recorded numerous albums and performed with leading orchestras worldwide. She is widely considered to be one of the greatest pianists of all time.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
Early life and education
[edit]Argerich was born in Buenos Aires.<ref>Template:Cite news</ref> Her paternal ancestors were Spaniards from Catalonia who had been based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in Argentina's Entre Ríos Province, one of the colonies established by Baron de Hirsch and the Jewish Colonization Association.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> The provenance of the name Argerich is Catalonia.
A precocious child, Argerich began kindergarten at the age of two years and eight months, where she was the youngest child. A five-year-old boy, who was a friend, teased her that she would not be able to play the piano, and Argerich responded by playing perfectly, by ear, a piece their teacher played them. The teacher immediately called the mother and they "started making a fuss." Argerich started learning the piano at the age of three.<ref name="Dean Interview">Template:Cite web</ref> At the age of five, she moved to teacher Vincenzo Scaramuzza, who stressed to her the importance of lyricism and feeling. Argerich gave her debut concert in 1949 at the age of eight. The family moved to Europe in 1955, where Argerich studied with Friedrich Gulda in Austria, whom Argerich describes as one of her major influences. She later studied with Stefan Askenase and Maria Curcio.<ref>Template:Cite news</ref> Argerich also seized opportunities for brief periods of coaching with Madeleine Lipatti (widow of Dinu Lipatti), Abbey Simon, and Nikita Magaloff.<ref>Manildi, Donald Musician of the Year 2001 Martha Argerich, "Musical America", 2001</ref> In 1957, at sixteen, she won both the Geneva International Music Competition and the Ferruccio Busoni International Competition within three weeks of each other.<ref group="n">At the latter she met Arturo Benedetti Michelangeli, whom she would later seek out for lessons – although she studied with him for over a year, she only had four lessons with him. Michelangeli, when asked what he had done for Argerich, replied: "I taught her the gift of silence".<ref name="Sweeting">Template:Cite news</ref></ref>
Following this success, Argerich had a personal and artistic crisis. After an abortive attempt to study with the Italian pianist Arturo Benedetti Michelangeli, who gave her only four lessons in the space of 18 months, she went to New York City, hoping but failing to meet and study with her idol, Vladimir Horowitz.<ref name="washingtonpost.com">Template:Cite news</ref> She did not play the piano for three years and considered giving it up to train as a secretary or doctor.<ref>Template:Cite web</ref> She credited Anny Askenase, the wife of Stefan Askenase, with encouraging her to return to the piano.<ref name="Dean Interview" />
Professional career
[edit]Argerich performed her debut concert at the age of eight, playing Mozart's Piano Concerto No. 20 in D minor and Beethoven's Piano Concerto No. 1 in C major.<ref>Template:Cite web</ref> She gained international prominence when she won the VII International Chopin Piano Competition in Warsaw in 1965, at age 24.<ref>Template:Cite web</ref> In that same year, she debuted in the United States in Lincoln Center's Great Performers Series. In 1960, she had made her first commercial recording, which included works by Chopin, Brahms, Ravel, Prokofiev, and Liszt; it received critical acclaim upon its release in 1961. She has since recorded works by composers including Ginastera, Rachmaninoff and Schumann, to whom she describes feeling a particular connection.<ref name="Bloody Daughter">"Bloody Daughter"</ref>
Argerich has often remarked in interviews of feeling "lonely" on stage during solo performances.<ref>Template:Cite web</ref> Since the 1980s, she has staged few solo performances, concentrating instead on concertos and, in particular, chamber music, and collaborating with instrumentalists in sonatas.
Argerich has also promoted younger pianists, both through her annual festival and through her appearances as a member of the jury at international competitions.<ref name="About ICC">Template:Cite web</ref><ref name="ASU Jury">Template:Cite web</ref><ref name="AR Competition">Template:Cite web</ref> The pianist Ivo Pogorelić was thrust into the musical spotlight partly as a result of Argerich's actions: after he was eliminated in the third round of the 1980 International Chopin Piano Competition in Warsaw, Argerich proclaimed him a genius and left the jury in protest.<ref>Template:Cite journal</ref> According to Đặng Thái Sơn, the eventual winner, Argerich made the "beautiful gesture" of sending a public telegram to the judging committee to congratulate him, after learning the final results.<ref>Template:Cite news</ref> She has supported several artists, including Gabriela Montero, Mauricio Vallina, Sergio Tiempo, Roberto Carnevale, Gabriele Baldocci, and Christopher Falzone.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref>
Argerich is the president of the International Piano Academy Lake Como and performs annually at the Lugano Festival.<ref>Template:Cite web</ref> She has also created and been a General Director of the Argerich Music Festival and Encounter in Beppu, Japan, since 1996.
Her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. Nevertheless, she is widely recognized as one of the greatest pianists in history.<ref name="Alex Ross New Yorker profile">Template:Cite news</ref><ref name="2005 Tommasini review">Template:Cite news</ref><ref>Template:Cite web</ref><ref>In a 2001 article about Martha Argerich for The New Yorker, critic Alex Ross wrote: "Argerich brings to bear qualities that are seldom contained in one person: she is a pianist of brain-teasing technical agility; she is a charismatic woman with an enigmatic reputation; she is an unaffected interpreter whose native language is music. This last may be the quality that sets her apart. A lot of pianists play huge double octaves; a lot of pianists photograph well. But few have the unerring naturalness of phrasing that allows them to embody the music rather than interpret it."</ref> Her performance of Liszt's First Piano Concerto conducted by Daniel Barenboim at The Proms 2016 prompted this review in The Guardian: "It was an unforgettable performance. Argerich celebrated her 75th birthday in June this year, but that news doesn't seem to have reached her fingers. Her playing is still as dazzling, as frighteningly precise, as it has always been; her ability to spin gossamer threads of melody as matchless as ever. This was unmistakably and unashamedly Liszt in the grand manner, a bit old-fashioned and sometimes even a bit vulgar at times, but in this of all concertos, with Barenboim and the orchestra following each twist and turn, every little quickening and moment of expressive reflection, it seemed entirely appropriate".<ref>Template:Cite news</ref> Argerich returned to the Proms at the age of 78 in 2019 to perform Tchaikovsky's First Piano Concerto under the baton of Barenboim, a performance described as "mesmerizing".<ref>Template:Cite news</ref>
Personal life
[edit]Argerich's first marriage was to composer-conductor Robert Chen, (Template:Zh)<ref>Template:Cite web</ref> with whom she had her first child (violinist Lyda Chen-Argerich).<ref>Template:Cite web</ref> The marriage was dissolved after several months, in 1964.<ref name="People1980" /> From 1969 to 1973, Argerich was married to Swiss conductor Charles Dutoit, with whom she had her second daughter, Annie Dutoit. Although they separated in 1973, Argerich and Dutoit continued to collaborate. In the 1970s, Argerich had a relationship with American pianist Stephen Kovacevich,<ref>Template:Cite news</ref> with whom she had her third daughter, Stéphanie.<ref name="People1980">Template:Cite web</ref> Although they made few recordings together during their relationship, Argerich and Kovacevich still frequently perform together.<ref>Template:Cite AV media</ref> Stéphanie Argerich explains in her film Bloody Daughter that as her parents were not married, they tossed a coin to name their daughter, for which Argerich won the toss. Argerich brought her children up in a manner described by Annie Dutoit as "bohemian";<ref>Template:Cite AV media</ref> Argerich preferred her children to stay at home rather than go to school and regularly hosted young musicians in her home and practiced through the night.<ref name="Bloody Daughter" />
Argerich is a polyglot and can speak Spanish, French, Italian, German, English, and Portuguese.<ref>Template:Cite AV media</ref><ref>Template:Cite AV media</ref><ref>Template:Cite AV media</ref><ref>Template:Cite AV media</ref> Although her mother tongue is Spanish, she brought her children up speaking French.<ref name="Bloody Daughter" /> She has lived in Argentina, Belgium, Switzerland, and France, and holds citizenship in Switzerland and Argentina.<ref>Template:Cite web</ref>
Argerich has never been connected to any political party.<ref>Template:Cite web</ref> However, she stated in a 2019 interview that she is strongly against capital punishment and admires the French politician Robert Badinter, who enacted the abolition of the death penalty in France.<ref>Template:Cite AV media</ref> Her friend pianist Daniel Barenboim stated that when he contacted the Argentine president Mauricio Macri in 2016, asking him to accept Syrian refugees into the country, it was also on behalf of Argerich.<ref>Template:Cite web</ref> Argerich advocated for a Russian pianist who was imprisoned after criticizing Vladimir Putin, and paid "tribute to an Israeli pianist being held hostage in Gaza".<ref name="v160">Template:Cite web</ref>
In 1990, Argerich was diagnosed with malignant melanoma. After treatment, the cancer went into remission, but it recurred in 1995 and metastasized to her lungs, pancreas, liver, brain, and lymph nodes. Following an experimental treatment at the John Wayne Cancer Institute in Santa Monica pioneered by oncologist Donald Morton, Argerich's cancer went into remission again. In gratitude, Argerich performed a recital at Carnegie Hall benefiting the institute.<ref>Toronto Globe and Mail, concert review, 28 March 2000</ref> Template:As of, Argerich remains cancer-free.<ref name="washingtonpost.com" /> In August 2023 she was forced to cancel several concerts in Germany and Switzerland due to an undisclosed illness.<ref>Template:Cite news</ref>
Media
[edit]In 2002, director Template:Ill released Martha Argerich: Conversation nocturne (Martha Argerich: Evening Talks), a documentary film about Argerich.<ref>Template:Cite web</ref> Stéphanie Argerich Blagojevic, using film she had shot since childhood, directed a 2012 documentary film about her mother, titled Bloody Daughter.<ref>Template:Cite news</ref>
Awards
[edit]- Ferruccio Busoni International Piano Competition: 1st prize (1957)<ref>Template:Cite web</ref>
- Geneva International Music Competition: 1st prize (1957)
- VII International Chopin Piano Competition: 1st prize (1965)
- Claudio Arrau Memorial Medal (1997)
- Diamond Konex Award (1999) as the most important classical musician of the decade in Argentina
- Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra):
- Charles Dutoit (conductor), Martha Argerich, and the Montreal Symphony Orchestra for Prokofiev: Piano Concertos Nos. 1 and 3 / Bartók: Piano Concerto No. 3 (2000)
- Grammy Award for Best Chamber Music Performance:
- Martha Argerich and Mikhail Pletnev for Prokofiev (Arr. Pletnev): Cinderella Suite for Two Pianos / Ravel: Ma mere l'Oye (2005)
- The Order of the Rising Sun, Gold Rays with Rosette (2005) Japan
- Praemium Imperiale (2005) Japan
- Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra):
- Claudio Abbado (conductor), Martha Argerich, and the Mahler Chamber Orchestra for Beethoven: Piano Concertos Nos. 2 and 3 (2006)
- Voted into GramophoneTemplate:'s Hall of Fame (2012)<ref>Template:Cite web</ref>
- Recipient of The Kennedy Center Honors (2016)<ref>Template:Cite web</ref>
- Recipient of Order of Merit of the Italian Republic (2018)<ref>Template:Cite web</ref>
- Recipient of the National Order of the Legion of Honour (2023)<ref>Template:Cite web</ref>
- Recipient of National Order of Faithful Service by the Romanian Presidency (2025)<ref>Template:Cite web</ref>
See also
[edit]- Great Pianists of the 20th Century – Martha Argerich
- Great Pianists of the 20th Century – Martha Argerich II
- List of Argentines
Notes
[edit]References
[edit]External links
[edit]Template:Commons category Template:Wikiquote
- "Argerich—Discography," (August 11, 1999)
- Ross, Alex; 'Madame X', November 12, 2001, a profile of Argerich in The New Yorker
- Martha Argerich, evening talks Template:Webarchive, the award-winning documentary film about Argerich by Georges GachotTemplate:Dead link – (imdb link)
- Orga, Ates, River Plate Queen (1978, 2006), an interview with Argerich first published in the 1979 International Music Guide
- MUSIC FESTIVAL Argerich's Meeting Point in Beppu, a music festival sponsored by the Argerich Arts Foundation of Beppu, Japan
- The Martha Argerich Project
- Argerich Music news, concert schedule, articles, recordings
- Argerich's repertoire through the years
- Martha Argerich biography, CD and concert review by cosmopolis.ch
- Martha Argerich Project Brings Talent to Lugano Template:Webarchive by Euro News, 15 June 2009
Template:Winners of the Chopin Competition Template:Kennedy Center Honorees 2010s Template:Gramophone Hall of Fame Template:Authority control
- Pages with broken file links
- 1941 births
- Living people
- 20th-century Argentine musicians
- 20th-century classical pianists
- 20th-century Argentine classical musicians
- 21st-century Argentine women musicians
- 21st-century Argentine classical pianists
- Argentine classical pianists
- Argentine people of Catalan descent
- Argentine people of Russian-Jewish descent
- Argentine women pianists
- Child classical musicians
- Deutsche Grammophon artists
- EMI Classics and Virgin Classics artists
- Grammy Award winners
- Honorary members of the Royal Academy of Music
- Members of the Royal Swedish Academy of Music
- Illustrious Citizens of Buenos Aires
- International Chopin Piano Competition winners
- Jewish Argentine musicians
- Jewish classical pianists
- Jewish women musicians
- Kennedy Center honorees
- Musicians from Buenos Aires
- Prize-winners of the Ferruccio Busoni International Piano Competition
- Pupils of Maria Curcio
- Recipients of the Order of the Rising Sun, 4th class
- Recipients of the Praemium Imperiale
- Royal Philharmonic Society Gold Medallists
- Women classical pianists
- Winners of the Geneva International Music Competition
- Decca Records artists
- 20th-century women pianists
- 21st-century women pianists