Revision as of 01:05, 16 May 2025 by imported>Gwern(remove erroneous apostrophes from 'pataphysical' per '{{anchor|apostrophe_matter}}' which specifies that that should never be used)
'Pataphysics was a concept expressed by Jarry in a mock-scientific manner, with undertones of spoofing and quackery, as expounded in his novel Exploits and Opinions of Dr. Faustroll, Pataphysician. Here, Jarry toyed with conventional concepts and interpretations of reality.Template:SfnpTemplate:Sfnp Another attempt at a definition interprets 'pataphysics as an idea that "the virtual or imaginary nature of things as glimpsed by the heightened vision of poetry or science or love can be seized and lived as real".Template:Sfnp Jarry defines 'pataphysics in a number of statements and examples, including that it is "the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments".Template:Sfnp A practitioner of 'pataphysics is a pataphysician or a pataphysicist.
One definition of 'pataphysics is that it is "a branch of philosophy or science that examines imaginary phenomena that exist in a world beyond metaphysics; it is the science of imaginary solutions."<ref>Template:Cite dictionary</ref> Jean Baudrillard defines 'pataphysics as "the imaginary science of our world, the imaginary science of excess, of excessive, parodic, paroxystic effects - particularly the excess of emptiness and insignificance".<ref>Template:Cite book</ref>
There are over one hundred definitions of 'pataphysics.Template:Sfnp Some examples are shown below.
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Jarry mandated the inclusion of the apostrophe in both the words 'pataphysique and 'pataphysics "... to avoid a simple pun".Template:Sfnp The words pataphysician or pataphysicist and the adjective pataphysical should not include the apostrophe. Only when consciously referring to Jarry's science itself should the word 'pataphysics carry the apostrophe.Template:Sfnp
The term pataphysics is a paronym (considered a kind of pun in French) of metaphysics. Since the apostrophe in no way affects the meaning or pronunciation of pataphysics, this spelling of the term is a sly notation, to the reader, suggesting a variety of puns that listeners may hear, or be aware of. These puns include patte à physique ("physics paw"), as interpreted by Jarry scholars Keith Beaumont and Roger Shattuck, pas ta physique ("not your physics"), and pâte à physique ("physics paste").
The term first appeared in print in the text of Alfred Jarry's play Guignol in the 28 April 1893 issue of L'Écho de Paris littéraire illustré, but it has been suggested that the word has its origins in the same school pranks at the lycée in Rennes that led Jarry to write Ubu Roi.Template:Sfnp Jarry considered Ibicrates and Sophrotatos the Armenian as the fathers of this "science".Template:Sfnp
The Collège de 'Pataphysique, founded in 1948 in Paris, France,Template:Sfnp is "a society committed to learned and inutilious research".Template:Sfnp (The word 'inutilious' is synonymous with 'useless'.) The motto of the college is Template:Langx ("I arise again the same though changed").
The permanent head of the college is the Inamovable Curator, Dr. Faustroll, assisted by Bosse-de-Nage (Starosta): both are fictional.Template:Sfnp
Although France had been always the centre of the pataphysical globe, there are followers in different cities around the world. In 1966 Juan Esteban Fassio was commissioned to draw the map of the Collège de 'Pataphysique and its institutes abroad.
The college stopped its public activities between 1975 and 2000, referred to as its occultation.Template:SfnpTemplate:Sfnp However through that time, Germany, Sweden, Switzerland, Canada, The Netherlands, and many other countries showed that the internationalization of 'pataphysics was irreversible.
In the 1950s, Buenos Aires in the Western Hemisphere and Milan in Europe were the first cities to have pataphysical institutes. London, Edinburgh, Budapest, and Liège, as well as many other European cities, caught up in the sixties.
During the communist era, a small group of 'pataphysicists in Czechoslovakia started a journal called PAKO, or Pataphysical Collegium.Template:Sfnp Jarry's plays had a lasting impression on the country's underground philosophical scene.
The London Institute of 'Pataphysics was established in September 2000 to promote 'pataphysics in the English-speaking world. The institute has various publications, including a journal, and has six departments:<ref>Template:Cite web</ref> Bureau for the Investigation of Subliminal Images, Committee for Hirsutism and Pogonotrophy, Department of Dogma and Theory, Department of Potassons, Department of Reconstructive Archaeology, and The Office of Patentry.
Musée Patamécanique is a private museum located in Bristol, Rhode Island.<ref>Template:Cite web</ref> Founded in 2006, it is open by appointment only to friends, colleagues, and occasionally to outside observers. The museum is presented as a hybrid between an automaton theatre and a cabinet of curiosities and contains works representing the field of Patamechanics, an artistic practice and area of study chiefly inspired by 'pataphysics.
Examples of exhibits include a troupe of singing animatronic chipmunks, a time machine the museum says is the world's largest automated phenakistoscope, an olfactory clock, a chandelier of singing animatronic nightingales, an Undigestulator (a device that purportedly reconstitutes digested foods), a peanuts enlarger, a syzygistic oracle, the earolin (a 24-inch tall holographic ear that plays the violin), and a machine for capturing the dreams of bumble bees.<ref>Template:Cite web</ref>
An antinomy is the mutually incompatible. It represents the duality of things, the echo or symmetry, the good and the evil at the same time. Hugill mentions various examples including the plus-minus, the faust-troll, the haldern-ablou, the yes-but, the ha-ha and the paradox.Template:Sfnp
The syzygy originally comes from astronomy and denotes the alignment of three celestial bodies in a straight line. In a pataphysical context it is the pun. It usually describes a conjunction of things, something unexpected and surprising. Serendipity is a simple chance encounter but the syzygy has a more scientific purpose. Bök mentions Jarry suggesting that the fall of a body towards a centre might not be preferable to the ascension of a vacuum towards a periphery.Template:SfnpTemplate:Sfnp
An anomaly represents the exception. Jarry said that, "Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one."Template:Sfnp Bök calls it "... the repressed part of a rule which ensures that the rule does not work".Template:SfnpTemplate:Sfnp
A pataphor is an unusually extended metaphor based on 'pataphysics. As Jarry claimed that 'pataphysics exists "... as far from metaphysics as metaphysics extends from regular reality", a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language.<ref>Template:Cite web</ref>
The pataphysical calendar<ref>Template:Cite web.</ref> is a variation of the Gregorian calendar. The Collège de 'Pataphysique created the calendar<ref>Template:Cite report</ref> in 1949. The pataphysical era (E.P.) started on Jarry's birthday, 8 September 1873 vulg. When converting pataphysical dates to Gregorian dates, the appendage (vulg.) for vulgate ("common") is added.Template:Sfnp
The week starts on a Sunday. Every 1st, 8th, 15th, and 22nd is a Sunday and every 13th day of a month falls on a Friday (see Friday the 13th). Each day is assigned a specific name or saint. For example, the 27 Haha (1 November vulg.) is called Template:Langx or the 14 Sable (14 December vulg.) is the day of Template:Langx.Template:Sfnp
The year has a total of 13 months each with 29 days. The 29th day of each month is imaginary with two exceptions:Template:Sfnp
the 29 Gidouille (13 July vulg.) is always non-imaginary
the 29 Gueules (23 February vulg.) is non-imaginary during leap years
The table below shows the names and order of months in a pataphysical year with their corresponding Gregorian dates and approximate translations or meanings by Hugill.Template:Sfnp
Pataphysical year
Month
Starts
Ends
Translation
Absolu
8 September
5 October
Absolute
Haha
6 October
2 November
Ha Ha
As
3 November
30 November
Skiff
Sable
1 December
28 December
Sand or heraldic black
Décervelage
29 December
25 January
Debraining
Gueules
26 January
22 February
Heraldic red or gob
Pédale
23/24 February
22 March
Bicycle pedal
Clinamen
23 March
19 April
Swerve
Palotin
20 April
17 May
Ubu's henchmen
Merdre
18 May
14 June
Pshit
Gidouille
15 June
13 July
Spiral
Tatane
14 July
10 August
Shoe or being worn out
Phalle
11 August
7 September
Phallus
For example:
8 September 1873 (vulg.) = 1 Absolu 1
1 January 2000 (vulg.) = 4 Décervelage 127
10 November 2012 (vulg.)(Saturday) = 8 As 140 (Sunday)
In the 1960s 'pataphysics was used as a conceptual principle within various fine art forms, especially pop art and popular culture. Works within the pataphysical tradition tend to focus on the processes of their creation, and elements of chance or arbitrary choices are frequently key in those processes. Select pieces from the artist Marcel DuchampTemplate:Sfnp and the composer John CageTemplate:Sfnp characterize this. At around this time, Asger Jorn, a pataphysician and member of the Situationist International, referred to 'pataphysics as a new religion.<ref>Template:Cite web</ref>
American artist Joey Skaggs has described his satirical hoaxes as pataphysical, aligning with Alfred Jarry's concept of "the science of imaginary solutions." His performances often incorporate absurdist logic and fictional science to critique societal norms. Notable examples include the Metamorphosis Cockroach Miracle Cure (1981), where Skaggs, under the alias Dr. Josef Gregor, claimed to have developed a cure-all derived from cockroach hormones,<ref>Template:Cite book</ref> and the Tiny Top Circus (2014), billed as "the world's only pataphysical circus," featuring the exhibition and escape of a purported Bigfoot. <ref>Template:Cite web</ref>
The debut album by Ron 'Pate's Debonairs, featuring Reverend Fred Lane (his first appearance on vinyl), is titled Raudelunas Pataphysical Revue (1977), a live theatrical performance. A review in The Wire magazine said, "No other record has ever come as close to realising Alfred Jarry's desire 'to make the soul monstrous' – or even had the vision or invention to try."<ref>Template:Cite magazine</ref> 'Pate (note the pataphysical apostrophe) and Lane were central members in the Raudelunas art collective in Tuscaloosa, Alabama.
Professor Andrew Hugill, of de Montfort University, is a practitioner of pataphysical music. He curated Pataphysics, for the Sonic Arts Network's CD series,<ref>Template:Cite web</ref> and in 2007 some of his own music was issued by UHRecordings under the title Pataphysical Piano; The sounds and silences of Andrew Hugill.<ref>Template:Cite web</ref>
British progressive rock band Soft Machine were self-described as "the Official Orchestra of the College of Pataphysics" and featured the two songs "Pataphysical Introduction" parts I and II on their 1969 album Volume Two.
Autolux, a Los Angeles–based noise pop band, have a song "Science of Imaginary Solutions" on their second album Transit Transit.
The composer Gavin Bryars has been a member of the Collège de 'Pataphysique since 1974; he was appointed Regent in 2001 and a Transcendent Satrap in 2015 at the pataphysical New Year's Eve Vigil E.P. 143 (7 September 2015 vulg.)
In 1962 American artist James E. Brewton developed a style of abstract expressionism he called Graffiti Pataphysic. A survey of Brewton's 'pataphysics-related work was shown in 2014 in Philadelphia.<ref>Template:Cite web</ref>
American artist Thomas Chimes developed an interest in Jarry's 'pataphysics, which became a lifelong passion, inspiring much of the painter's creative work.
In 2010 American artist Kevin Ferreira began a visual exploration into the imaginary solutions for the constructs of reality (pataphysics=pata art). The exhibit SpektrumMEK that resulted from this endeavor has been put into his book SpektrumMEK: A pataphysical gestation to the birth of Lil' t.
Brian Reffin Smith, a Berlin-based British artist and Regent of Catachemistry and Speculative Metallurgy in the Collège de 'Pataphysique, Paris, often shows art based upon or influenced by 'Pataphysics and conducts performances at Pataphysical events. He was part of a group of German and Czech artists who exhibited at Patadata, in Zlín, Czech Republic, 2017.
The SCP Foundation has multiple articles referencing pataphysical concepts, such as SCP-2747 ("As below, so above"), where the pataphysical reality is described as "layers of metafictional narrative" and the anomaly in question ascends the narratives to destroy them.<ref>Template:Cite web</ref> "Pataphysics" articles often deal with the fictional nature of the Foundation. For example, SCP-3309 ("Where We Go When We Fade, Fade Away") features Foundation scientists attempting to manipulate the real-life website's article deletion feature to destroy problematic SCP objects<ref>Template:Cite web</ref> and SCP-5999, which is an attempt at killing the authors of the site itself.<ref>Template:Cite web</ref>
As Jarry claimed that 'pataphysics existed "as far from metaphysics as metaphysics extends from regular reality", a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language. Whereas a metaphor compares a real object or event to a seemingly unrelated subject to emphasize their similarities, the pataphor uses the newly created metaphorical similarity as a reality on which to base itself. In going beyond mere ornamentation of the original idea, the pataphor seeks to describe a new and separate world, in which an idea or aspect has taken on a life of its own.<ref>Template:Cite web</ref><ref>Template:Cite report</ref>
Like 'pataphysics itself, pataphors essentially describe two degrees of separation from reality (rather than merely one degree of separation, which is the world of metaphors and metaphysics). The pataphor may also be said to function as a critical tool, describing the world of "assumptions based on assumptions" – such as belief systems or rhetoric run amok. The following is an example:
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Thus, the pataphor has created a world where the chessboard exists, including the characters who live in that world, entirely abandoning the original context.<ref name=pataphorcom />
There is also a book of pataphorical art called Pataphor by Dutch artist Hidde van Schie.<ref>Template:Cite web</ref>
In The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No,<ref>Template:Cite book</ref> Aaron Hillyer writes:
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