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Madonna Louise CicconeTemplate:Efn (Template:IPAc-en Template:Respell; born August 16, 1958) is an American singer, songwriter, record producer, and actress. Referred to as the "Queen of Pop", she has been recognized for her continual reinvention and versatility in music production, songwriting and visual presentation. Madonna's works, which incorporate social, political, sexual, and religious themes, have generated both controversy and critical acclaim. A cultural icon spanning both the 20th and 21st centuries, Madonna has become the subject of various scholarly, literary and artistic works, as well as a mini academic sub-discipline called Madonna studies.

Madonna moved to New York City in 1978 to pursue a career in dance. After performing as a drummer, guitarist, and vocalist in the rock bands Breakfast Club and Emmy & the Emmys, she rose to solo stardom with her 1983 eponymous debut album. Madonna has earned a total of 18 multi-platinum albums, including Like a Virgin (1984), True Blue (1986), and The Immaculate Collection (1990)—which became some of the best-selling albums in history—as well as Confessions on a Dance Floor (2005), her 21st-century bestseller. Her albums Like a Prayer (1989), Ray of Light (1998), and Music (2000) were ranked among Rolling StoneTemplate:'s greatest albums of all time. Madonna's catalog of top-charting songs includes "Like a Virgin", "Material Girl", "La Isla Bonita", "Like a Prayer", "Vogue", "Take a Bow", "Frozen", "Music", "Hung Up" and "4 Minutes".

Her popularity was enhanced by roles in films such as Desperately Seeking Susan (1985), Dick Tracy (1990), A League of Their Own (1992) and Evita (1996). While she won a Golden Globe Award for Best Actress for the lattermost, many of her other films were not well received. As a businesswoman, Madonna founded the company Maverick in 1992, which included Maverick Records, one of the most successful artist-run labels in history. Her other ventures include fashion brands, written works, health clubs and filmmaking. She contributes to various charities, having founded the Ray of Light Foundation in 1998 and Raising Malawi in 2006, and advocates for gender equality and LGBT rights.

Madonna is the world's best-selling female recording artist of all time and the first female performer to accumulate US$1 billion from her concerts. She is the most successful solo artist in the history of the US Billboard Hot 100 chart and has achieved 44 number-one singles in between major global music markets. Her accolades include seven Grammy Awards, two Golden Globe Awards, 20 MTV Video Music Awards, 17 Japan Gold Disc Awards, and an induction into the Rock and Roll Hall of Fame in her first year of eligibility. On Forbes annual rankings, Madonna became the world's highest-paid female musician a record 11 times across four decades (1980s–2010s). Billboard named her the Artist of the Decade (1980s), the Greatest Dance Artist of All Time, and the Greatest Music Video Artist of All Time. She was also listed among Rolling StoneTemplate:'s greatest artists and greatest songwriters ever.

Life and career

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1958–1978: Early life

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Madonna Louise CicconeTemplate:Sfn was born in Bay City, Michigan, on August 16, 1958, to Roman Catholic parents Madonna Louise (née Fortin) and Silvio Anthony "Tony" Ciccone.<ref name="mom">Template:Harvnb</ref><ref name=allmusicbio>Template:Cite web</ref> Her father's parents were Italian emigrants from Pacentro while her mother was of French-Canadian descent.Template:Sfn Tony Ciccone worked as an optics engineer for Chrysler Defense and its successor, General Dynamics Land Systems, on military projects. Since Madonna had the same name as her mother, family members called her "Little Nonnie".<ref>Template:Harvnb</ref> Her mother died of breast cancer on December 1, 1963, when Madonna was five years old. Madonna grew up in the Detroit suburbs of Pontiac and Avon Township (now Rochester Hills), alongside her two older brothers—Anthony (1956–2023) and Martin (born 1957)—and three younger siblings—Paula (born 1959), Christopher (1960–2024), and Melanie (born 1962).<ref name="thechild">Template:Cite newsTemplate:Cbignore</ref> Madonna adopted Veronica as a confirmation name upon receiving the sacrament in the Catholic Church in 1966.<ref name=":4">Template:Cite web</ref>

File:Madonna family in their vineyard cropped.jpg
From left: Madonna's stepmother Joan, and Madonna's father, Tony Ciccone

Tony married the family's housekeeper, Joan Gustafson, that same year. They were married for 58 years until Joan's death in 2024, and had three children: Joey (who died shortly after his 1967 birth from a heart defect), Jennifer (born 1968), and Mario (born 1969).<ref name="thechild" /><ref>Template:Cite magazine</ref>

Madonna attended St. Frederick's and St. Andrew's Catholic Elementary Schools, and West Middle School. She was known for her high grade point average (GPA) and achieved notoriety for her unconventional behavior. Madonna would perform cartwheels and handstands in the hallways between classes, dangle by her knees from the monkey bars during recess, and pull up her skirt during class—all so that the boys could see her underwear.<ref name="tarabio">Template:Harvnb</ref> She later admitted to seeing herself in her youth as a "lonely girl who was searching for something. I wasn't rebellious in a certain way. I cared about being good at something. I didn't shave my underarms or legs, and I didn't wear make-up like normal girls do. But I studied and I got good grades... I wanted to be somebody."<ref name="mom" />

Madonna's father put her in classical piano lessons, but she later convinced him to allow her to take ballet lessons.Template:Sfn Christopher Flynn, her ballet teacher, persuaded her to pursue a career in dance.<ref>Template:Harvnb</ref> Madonna later attended Rochester Adams High School and became a straight-A student as well as a member of its cheerleading squad.<ref>Template:Harvnb</ref><ref>Template:Harvnb</ref> After graduating in January 1976, she received a dance scholarship to the University of Michigan and studied over the summer at the American Dance Festival in Durham, North Carolina.<ref>Template:Cite news</ref><ref name= charlotteobserver />

In 1978, Madonna dropped out of college and relocated to New York City.<ref>Template:Cite episode</ref> She said of her move to New York, "It was the first time I'd ever taken a plane, the first time I'd ever gotten a taxi cab. I came here with $35 in my pocket. It was the bravest thing I'd ever done."<ref>Template:Harvnb</ref> Madonna soon found an apartment in the Alphabet City neighborhood of the East Village<ref>Template:Harvnb</ref> and had little money while working as a hatcheck girl for the Russian Tea Room, an elevator operator at Terrace on the Park, and with modern dance troupes. She took classes at the Alvin Ailey American Dance Theater, eventually performing with Pearl Lang Dance Theater.<ref name=":0">Template:Cite magazine</ref><ref name= charlotteobserver>Template:Cite news</ref><ref>Template:Cite episode</ref> She also studied dance under the tutelage of the noted American dancer and choreographer Martha Graham.<ref>Template:Cite web</ref> Madonna started to work as a backup dancer for other established artists. One night, while returning from a rehearsal, a pair of men held her at knifepoint and forced her to perform fellatio. She later found the incident to be "a taste of my weakness, it showed me that I still could not save myself in spite of all the strong-girl show. I could never forget it."<ref>Template:Harvnb</ref>

1979–1983: Career beginnings, rock bands, and Madonna

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In 1979, Madonna became romantically involved with musician Dan Gilroy.<ref name=":1">Template:Cite magazine</ref> Shortly after meeting him, she successfully auditioned to perform in Paris with French disco artist Patrick Hernandez as his backup singer and dancer.<ref name=":0" /> During her three months with Hernandez's troupe, she also traveled to Tunisia before returning to New York in August 1979.<ref name=":1" /><ref>Template:Harvnb</ref> Madonna moved into an abandoned synagogue where Gilroy lived and rehearsed in Corona, Queens.<ref name=":0" /><ref name="tarabio" /> Together they formed her first band, the Breakfast Club, for which Madonna sang and played drums and guitar.Template:Sfn While with the band, Madonna briefly worked as a hat-check girl at the Russian Tea Room, and she made her acting debut in the low-budget indie film A Certain Sacrifice, which was not released until 1985.<ref>Template:Cite book</ref><ref>Template:Cite magazine</ref> In 1980, Madonna left the Breakfast Club with drummer Stephen Bray, who was her boyfriend in Michigan, and they formed the band Emmy and the Emmys.<ref>Template:Cite news</ref> They rekindled their romance and moved into the Music Building in Manhattan.<ref name=":0" /> The two began writing songs together and they recorded a four-song demo tape in November 1980, but soon after, Madonna decided to promote herself as a solo artiste.<ref>Template:Cite magazine</ref><ref name=":0" />

In March 1981, Camille Barbone, who ran Gotham Records in the Music Building, signed Madonna to a contract with Gotham and worked as her manager until February 1982.Template:SfnTemplate:Sfn<ref>Template:Cite web</ref> Madonna frequented nightclubs to get disc jockeys to play her demo.Template:Sfn DJ Mark Kamins at Danceteria took an interest in her music and they began dating.<ref>Template:Cite web</ref> Kamins arranged a meeting with Madonna and Seymour Stein, the president of Sire Records, a subsidiary of Warner Bros. Records.Template:Sfn Madonna signed a deal for a total of three singles, with an option for an album.<ref>Template:Cite magazine</ref>

Kamins produced her debut single, "Everybody", which was released in October 1982.Template:Sfn In December 1982, Madonna performed the song live for the first time at Danceteria.Template:Sfn<ref>Template:Cite magazine</ref> She made her first television appearance performing "Everybody" on Dancin' On Air in January 1983, although it had actually been filmed a month prior.<ref>Template:Cite magazine</ref> In February 1983, she promoted the single with nightclub performances in the United Kingdom.Template:Sfn Her second single, the double A-side "Burning Up" / "Physical Attraction", was released in March 1983. Both this single and "Everybody" reached number three on Billboard magazine's Hot Dance Club Songs chart.<ref>Template:Cite news</ref> "Burning Up" / "Physical Attraction" also charted at number 13 in Australia.<ref name=kent>Template:Cite book</ref> During this period, Madonna was in a relationship with artist Jean-Michel Basquiat and living at his loft in SoHo.<ref>Template:Cite book</ref><ref>Template:Cite magazine</ref> Basquiat introduced her to art curator Diego Cortez, who had managed some punk bands and co-founded the Mudd Club.<ref name=":2" /> Madonna invited Cortez to be her manager, but he declined.<ref name=":2">Template:Cite news</ref>

Following the success of the singles, Warner hired Reggie Lucas to produce her debut album, Madonna.<ref>Template:Cite magazine</ref> However, Madonna was dissatisfied with the completed tracks and disagreed with Lucas' production techniques, so she decided to seek additional help.<ref name="tara1">Template:Harvnb</ref> She asked John "Jellybean" Benitez, the resident DJ at Fun House, to help finish the album's production and a romance ensued.<ref>Template:Cite web</ref> Benitez remixed most of the tracks and produced "Holiday", which was her first international top-ten song. The album was released in July 1983, and peaked at number eight on the Billboard 200. It yielded two top-ten singles on the Billboard Hot 100, "Borderline" and "Lucky Star".<ref name="ach" /> In late 1983, Madonna's new manager, Freddy DeMann, secured a meeting for her with film producer Jon Peters, who asked her to play the part of a club singer in the romantic drama Vision Quest.Template:Sfn

1984–1987: Like a Virgin, first marriage, True Blue, and Who's That Girl

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File:Madonna - Tampa Bay Times (1985).jpg
Madonna performing in 1985 during the Virgin Tour

In January 1984, Madonna gained more exposure by performing on American Bandstand and Top of the Pops.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref name="TOTP_26Jan1984">Template:Cite web</ref> Her image, performances and music videos influenced many young girls and women.<ref>Template:Cite magazine</ref> Madonna's style became one of the female fashion trends of the 1980s.<ref>Template:Cite news</ref> Created by stylist and jewelry designer Maripol, the look consisted of lace tops, skirts over capri pants, fishnet stockings, jewelry bearing the crucifix, bracelets and bleached hair.<ref>Template:Cite web</ref><ref>Template:Harvnb</ref><ref>Template:Harvnb</ref> Madonna's popularity continued to rise globally with the release of her second studio album, Like a Virgin, in November 1984. It became her first number-one album in Germany, Italy, the Netherlands, New Zealand, Spain, the UK and the US.<ref name="bbalbums">Template:Cite web</ref><ref>Template:Harvnb</ref> Like a Virgin became the first album by a female to sell over five million copies in the US.<ref>Template:Cite magazine</ref> It was later certified diamond by the Recording Industry Association of America (RIAA), and has sold over 21 million copies worldwide.<ref>Template:Cite news</ref>

The album's title track served as its first single, and topped the Hot 100 chart for six consecutive weeks.<ref>Template:Cite magazine</ref> It attracted the attention of conservative organizations who complained that the song and its accompanying video promoted premarital sex and undermined family values,<ref>Template:Harvnb</ref> and moralists sought to have the song and video banned.<ref>Template:Harvnb</ref> Madonna received huge media coverage for her performance of "Like a Virgin" at the first 1984 MTV Video Music Awards. Wearing a wedding dress and white gloves, Madonna appeared on stage atop a giant wedding cake and then rolled around suggestively on the floor. MTV retrospectively considered it one of the "most iconic" pop performances of all time.<ref>Template:Cite news</ref> The second single, "Material Girl", reached number two on the Hot 100.<ref name="ach" /> While filming the single's music video, Madonna started dating actor Sean Penn. They married on her birthday in 1985.<ref name=secretlife>Template:Cite news</ref>

Madonna entered mainstream films in February 1985, beginning with her cameo in Vision Quest. The soundtrack contained two new singles, her US number-one single, "Crazy for You", and another track "Gambler".<ref name="ach">Template:Cite magazine</ref> She also played the title role in the 1985 comedy Desperately Seeking Susan, a film which introduced the song "Into the Groove", her first number-one single in the UK.<ref name=BBC>Template:Cite news</ref> Her popularity caused the film to be perceived as a Madonna vehicle, despite how she was not billed as a lead actress.<ref name="AmericanF">Template:Cite magazine</ref> The New York Times film critic Vincent Canby named it one of the ten best films of 1985.<ref>Template:Cite news</ref>

A blond woman onstage with curly hair holding a microphone, wearing a black dress
Madonna performing during the 1987 Who's That Girl World Tour

Beginning in April 1985, Madonna embarked on her first concert tour in North America, the Virgin Tour, with the Beastie Boys as her opening act. The tour saw the peak of Madonna wannabe phenomenon, with many female attendees dressing like her.<ref>Template:Harvnb</ref> At that time, she released two more songs, "Angel" and "Dress You Up", making all four singles from the album peak inside the top five on the Hot 100 chart.<ref>Template:Harvnb</ref> "Angel" also topped the Australian charts.<ref name=kent/> In July, Penthouse and Playboy magazines published a number of nude photos of Madonna, taken when she moonlighted as an art model in 1978.<ref>Template:Cite news</ref> She had posed for the photographs because she needed money at the time, and was paid as little as $25 a session.Template:Sfn The publication of the photos caused a media uproar, but Madonna remained "unapologetic and defiant".<ref name=musicobio>Template:Cite web</ref> The photographs were ultimately sold for up to $100,000.Template:Sfn She referred to these events at the 1985 outdoor Live Aid charity concert, saying that she would not take her jacket off because "[the media] might hold it against me ten years from now."<ref name=musicobio /><ref>Template:Harvnb</ref>

In June 1986, Madonna released her third studio album, True Blue, which was inspired by and dedicated to her husband Penn.<ref>Template:Harvnb</ref> Rolling Stone was impressed with the effort, writing that the album "sound[s] as if it comes from the heart".<ref>Template:Cite magazine</ref> Five singles were released—"Live to Tell", "Papa Don't Preach", "True Blue", "Open Your Heart", and "La Isla Bonita"—all of which reached number one in the US or the UK.<ref name="ach" /><ref name="UKchart">Template:Cite web</ref> The album topped the charts in 28 countries worldwide, an unprecedented achievement at the time, and remains Madonna's bestselling studio album, with sales of 25 million copies.<ref>Template:Harvnb</ref><ref>Template:Cite news</ref> True Blue was featured in the 1992 edition of Guinness World Records as the bestselling album by a woman of all time.<ref>Template:Harvnb</ref>

Madonna starred in the critically panned film Shanghai Surprise in 1986, for which she received her first Golden Raspberry Award for Worst Actress.<ref>Template:Cite magazine</ref> She made her theatrical debut in a production of David Rabe's Goose and Tom-Tom; the film and play both co-starred Penn.<ref>Template:Cite web</ref> The next year, Madonna was featured in the film Who's That Girl. She contributed four songs to its soundtrack, including the title track and "Causing a Commotion".<ref name="bbsingles">Template:Cite web</ref> Madonna embarked on the Who's That Girl World Tour in June 1987, which continued until September.<ref name="showstealer" /><ref name="Voller 1999 29">Template:Harvnb</ref> It broke several attendance records, including over 130,000 people in a show near Paris, which was then a record for the highest-attended female concert of all time.<ref name="paris1987">Template:Cite news</ref> Later that year, she released a remix album of past hits, You Can Dance, which reached number 14 on the Billboard 200.<ref name="bbalbums" /><ref>Template:Cite web</ref> After a tumultuous two years' marriage, Madonna filed for divorce from Penn on December 4, 1987, but withdrew the petition a few weeks later.<ref>Template:Cite news</ref><ref>Template:Cite magazine</ref>

1988–1991: Like a Prayer, Dick Tracy, and Truth or Dare

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A blond woman onstage with curly hair, and wearing a white corset and black pants. The background is black and smoky.
Madonna performing at the 1990 Blond Ambition World Tour

She made her Broadway debut in the production of Speed-the-Plow at the Royale Theatre from May to August 1988.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> According to the Associated Press, Madonna filed an assault report against Penn after an alleged incident at their Malibu home during the New Year's weekend.<ref name=":3">Template:Cite news</ref><ref>Template:Cite web</ref> Madonna filed for divorce on January 5, 1989, and the following week she reportedly asked that no criminal charges be pressed.<ref>Template:Cite news</ref><ref name=":3" />

In January 1989, Madonna signed an endorsement deal with soft-drink manufacturer Pepsi.<ref>Template:Cite news</ref> In one Pepsi commercial, she debuted "Like a Prayer", the lead single and title track from her fourth studio album. The music video featured Catholic symbols such as stigmata and cross burning, and a dream of making love to a saint, leading the Vatican to condemn the video. Religious groups sought to ban the commercial and boycott Pepsi products. Pepsi revoked the commercial and canceled her sponsorship contract.<ref name="foxbio">Template:Cite news</ref><ref>Template:Cite news</ref> "Like a Prayer" topped the charts in many countries, becoming her seventh number-one on the Hot 100.<ref name="bbsingles" /><ref name="ach" />

Madonna co-wrote and co-produced the album Like a Prayer with Patrick Leonard, Stephen Bray, and Prince.<ref>Template:Cite AV media</ref> Music critic J. D. Considine from Rolling Stone praised it "as close to art as pop music gets ... proof not only that Madonna should be taken seriously as an artist but that hers is one of the most compelling voices of the Eighties."<ref name="laprsreview">Template:Cite magazine</ref> Like a Prayer peaked at number one on the Billboard 200 and sold 15 million copies worldwide.<ref name="bbalbums" /><ref name="Time">Template:Cite magazine</ref> Other successful singles from the album were "Express Yourself" and "Cherish", which both peaked at number two in the US, as well as the UK top-five "Dear Jessie" and the US top-ten "Keep It Together".<ref name="bbsingles" /><ref name="ach" /> By the end of the 1980s, Madonna was named as the "Artist of the Decade" by MTV, Billboard and Musician magazine.<ref>Template:Harvnb</ref><ref>Template:Cite news</ref><ref>Template:Harvnb</ref>

Madonna starred as Breathless Mahoney in the film Dick Tracy (1990), with Warren Beatty playing the title role.Template:Sfn The film went to number one on the US box office for two weeks and Madonna received a Saturn Award nomination for Best Actress.<ref>Template:Cite web</ref> To accompany the film, she released the soundtrack album, I'm Breathless, which included songs inspired by the film's 1930s setting. It also featured the US number-one song "Vogue" and "Sooner or Later".<ref>Template:Cite magazine</ref><ref>Template:Harvnb</ref> While shooting the film, Madonna began a relationship with Beatty, which dissolved shortly after the premiere.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref>

In April 1990, Madonna began her Blond Ambition World Tour, which ended in August.<ref>Template:Cite web</ref> Rolling Stone called it an "elaborately choreographed, sexually provocative extravaganza" and proclaimed it "the best tour of 1990".<ref>Template:Cite magazine</ref> The tour generated strong negative reaction from religious groups for her performance of "Like a Virgin", during which two male dancers caressed her body before she simulated masturbation.<ref name="showstealer">Template:Cite news</ref> In response, Madonna said, "The tour in no way hurts anybody's sentiments. It's for open minds and gets them to see sexuality in a different way. Their own and others".<ref name="carrie">Template:Cite magazine</ref> The live recording of the tour won Madonna her first Grammy Award, in the category of Best Long Form Music Video.<ref name="grammy" /> In October 1990, Madonna lent her voice to a Public Service Announcement (PSA) supporting Rock the Vote's efforts in voter registration.<ref>Template:Cite web</ref>

Madonna's first greatest-hits compilation album, The Immaculate Collection (1990), was released in November including two new songs, "Justify My Love" and "Rescue Me".<ref name="cross28">Template:Harvnb</ref> The album was certified diamond by RIAA and sold over 30 million copies worldwide, becoming the best-selling compilation album by a solo artist in history.<ref name="diamond">Template:Cite web</ref><ref name="TICsales">Template:Cite news</ref> "Justify My Love" reached number one in the US becoming her ninth number-one on the Hot 100.<ref name="ach" /> Her then-boyfriend model Tony Ward co-starred in the music video, which featured scenes of sadomasochism, bondage, same-sex kissing, and brief nudity.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> The video was deemed too sexually explicit for MTV and was banned from the network.<ref name="rebel">Template:Cite magazine</ref> Her first documentary film, Truth or Dare (known as In Bed with Madonna outside North America), was released in May 1991.<ref>Template:Cite web</ref> Chronicling her Blond Ambition World Tour, it became the highest-grossing documentary of all time (surpassed eleven years later by Michael Moore's Bowling for Columbine).<ref>Template:Cite news</ref>

1992–1997: Maverick, Erotica, Sex, Bedtime Stories, Evita, and motherhood

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In 1992, Madonna starred in A League of Their Own as Mae Mordabito, a baseball player on an all-women's team.<ref>Template:Cite news</ref> It reached number one on the box-office and became the tenth-highest-grossing film of the year in the US.<ref>Template:Cite web</ref> She recorded the film's theme song, "This Used to Be My Playground", which became her tenth number-one on the Billboard Hot 100, the most by any female artist at the time.<ref name="ach" /> In April, Madonna founded her own entertainment company, Maverick, consisting of a record company (Maverick Records), a film production company (Maverick Films), and associated music publishing, television broadcasting, book publishing, and merchandising divisions.<ref name="NYT - $60 million" /> The deal was a joint venture with Time Warner and paid Madonna an advance of $60 million. It gave her 20% royalties from the music proceedings, the highest rate in the industry at the time, equaled only by Michael Jackson's royalty rate established a year earlier with Sony.<ref name="NYT - $60 million">Template:Cite news</ref> Her company later went on to become one of the most successful artist-run labels in history, producing multi-platinum artists such as Alanis Morissette and Michelle Branch.<ref name="labelsuit" /><ref>Template:Cite magazine</ref> Later that year, Madonna co-sponsored the first museum retrospective for her former boyfriend artist Jean-Michel Basquiat at the Whitney Museum of American Art in New York.<ref>Template:Cite news</ref><ref>Template:Cite magazine</ref>

A woman with short blonde hair, wearing a green bra and purple pants, singing to a microphone, held in her left hand.
Madonna performing at the Girlie Show in 1993

In October 1992, Madonna simultaneously released her fifth studio album, Erotica, and her coffee table book, Sex.<ref>Template:Cite news</ref> Consisting of sexually provocative and explicit images, photographed by Steven Meisel, the book received strong negative reaction from the media and the general public, but sold 1.5 million copies at $50 each in a matter of days.Template:Sfn<ref name="SEX and Erotica">Template:Cite web</ref> The widespread backlash overshadowed Erotica, which ended up as her lowest selling album at the time.<ref name="SEX and Erotica" /> Despite positive reviews, it became her first studio album since her debut album not to score any chart-topper in the US. The album entered the Billboard 200 at number two. It yielded the Hot 100 top-ten hits "Erotica" and "Deeper and Deeper".<ref name="bbalbums" /><ref name="ach" /> At the time Madonna had been dating rapper Vanilla Ice and she at one point proposed to him. They broke up following the release of Sex, with Ice claiming that he was included in the book without his consent.<ref>Template:Cite web</ref><ref>Template:Cite magazine</ref> Madonna continued her provocative imagery in the 1993 erotic thriller, Body of Evidence, a film which contained scenes of sadomasochism and bondage. Critics poorly received the film.<ref>Template:Harvnb</ref><ref>Template:Cite web</ref> She also starred in the film Dangerous Game, which was released straight to video in North America. The New York Times described the film as "angry and painful, and the pain feels real."<ref>Template:Cite news</ref>

In September 1993, Madonna embarked on the Girlie Show, in which she dressed as a whip-cracking dominatrix surrounded by topless dancers. In Puerto Rico she rubbed the island's flag between her legs on stage, resulting in outrage among the audience.<ref name="showstealer" /> In March 1994, she appeared as a guest on the Late Show with David Letterman, using profanity that required censorship on television, and handing Letterman a pair of her panties and asking him to smell it.<ref>Template:Cite magazine</ref> The releases of her sexually explicit book, album, and film, and the aggressive appearance on Letterman all made critics question Madonna as a sexual renegade. Critics and fans reacted negatively, commenting that "she had gone too far" and her career was over.<ref>Template:Harvnb</ref> Around this time, Madonna briefly dated rapper Tupac Shakur and basketball player Dennis Rodman.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref>

Biographer J. Randy Taraborrelli described her ballad "I'll Remember" (1994) as an attempt to tone down her provocative image. The song was recorded for Alek Keshishian's 1994 film With Honors.<ref>Template:Harvnb</ref> She made a subdued appearance with Letterman at an awards show and appeared on The Tonight Show with Jay Leno after realizing that she needed to change her musical direction to sustain her popularity.<ref name="tara235" /> With her sixth studio album, Bedtime Stories (1994), Madonna employed a softer image to try to improve the public perception.<ref name="tara235">Template:Harvnb</ref> The album debuted at number three on the Billboard 200 and generated two US top-five hits, "Secret" and "Take a Bow", the latter topping the Hot 100 for seven weeks, the longest period of any Madonna single.<ref>Template:Cite magazine</ref> Something to Remember, a collection of ballads, was released in November 1995. The album featured three new songs: "You'll See", "One More Chance", and a cover of Marvin Gaye's "I Want You".<ref name="ach" /><ref name="str">Template:Cite web</ref> An enthusiastic collector of modern art, Madonna sponsored the first major retrospective of Tina Modotti's work at the Philadelphia Museum of Art in 1995.<ref>Template:Cite news</ref> The following year, she sponsored an exhibition of Basquiat's paintings at the Serpentine Gallery in London.<ref>Template:Cite news</ref> The following year, she sponsored artist Cindy Sherman's retrospective at the MoMA in New York.<ref>Template:Cite news</ref> Template:Quote box

In February 1996, Madonna began filming the musical Evita in Argentina.<ref>Template:Cite news</ref> For a long time, Madonna had desired to play Argentine political leader Eva Perón and wrote to director Alan Parker to explain why she would be perfect for the part. After securing the title role, she received vocal coaching and learned about the history of Argentina and Perón. During filming Madonna became ill several times, after finding out that she was pregnant, and from the intense emotional effort required with the scenes.<ref>Template:Harvnb</ref> Upon EvitaTemplate:'s release in December 1996, Madonna's performance received praise from film critics.<ref name="evitany">Template:Cite news</ref><ref name="msn">Template:Cite magazine</ref><ref>Template:Harvnb</ref> Zach Conner of Time magazine remarked, "It's a relief to say that Evita is pretty damn fine, well cast and handsomely visualized. Madonna once again confounds our expectations."<ref>Template:Cite magazine</ref> For the role, she won the Golden Globe Award for Best Actress in Motion Picture Musical or Comedy.<ref name="cnn2008">Template:Cite news</ref>

The Evita soundtrack, containing songs mostly performed by Madonna, was released as a double album.<ref>Template:Cite web</ref> It included "You Must Love Me" and "Don't Cry for Me Argentina"; the latter reached number one in countries across Europe.<ref name="euro">Template:Cite magazine</ref> Madonna was presented with the Artist Achievement Award by Tony Bennett at the 1996 Billboard Music Awards.<ref>Template:Cite magazine</ref> On October 14, 1996, she gave birth to Lourdes "Lola" Maria Ciccone Leon, her daughter with fitness trainer Carlos Leon.<ref>Template:Harvnb</ref><ref>Template:Cite news</ref> Biographer Mary Cross writes that although Madonna often worried that her pregnancy would harm Evita, she reached some important personal goals: "Now 38 years old, Madonna had at last triumphed on screen and achieved her dream of having a child, both in the same year. She had reached another turning point in her career, reinventing herself and her image with the public."<ref>Template:Harvnb</ref> Her relationship with Carlos Leon ended in May 1997 and she declared that they were "better off as best friends".<ref>Template:Harvnb</ref><ref>Template:Harvnb</ref>

1998–2002: Ray of Light, Music, second marriage, and touring comeback

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After Lourdes's birth, Madonna became involved in Eastern mysticism and Kabbalah, introduced to her by actress Sandra Bernhard.<ref>Template:Cite news</ref> Her seventh studio album, Ray of Light, (1998) reflected this change in her perception and image.<ref>Template:Harvnb</ref><ref>Template:Harvnb</ref> She collaborated with electronica producer William Orbit and wanted to create a sound that could blend dance music with pop and British rock.<ref name="wync" /> American music critic Ann Powers explained that what Madonna searched for with Orbit "was a kind of a lushness that she wanted for this record. Techno and rave were happening in the 90s and had a lot of different forms. There was very experimental, more hard stuff like Aphex Twin. There was party stuff like Fatboy Slim. That's not what Madonna wanted for this. She wanted something more like a singer-songwriter, really. And William Orbit provided her with that."<ref name="wync">Template:Cite web</ref>

The album garnered critical acclaim, with Slant Magazine calling it "one of the great pop masterpieces of the '90s"<ref>Template:Cite web</ref> Ray of Light was honored with four Grammy Awards—including Best Pop Album and Best Dance Recording—and was nominated for both Album of the Year and Record of the Year.<ref name="madonnasecret">Template:Cite news</ref> Rolling Stone listed it among "The 500 Greatest Albums of All Time".<ref>Template:Cite magazine</ref> Commercially, the album peaked at number-one in numerous countries and sold more than 16 million copies worldwide.<ref>Template:Harvnb</ref> The album's lead single, "Frozen", became Madonna's first single to debut at number one in the UK, while in the US, it became her sixth number-two single, setting another record for Madonna as the artist with the most number-two hits.<ref name="ach" /><ref>Template:Harvnb</ref> The second single, "Ray of Light", debuted at number five on the Billboard Hot 100.<ref>Template:Cite web</ref> The 1998 edition of Guinness Book of World Records documented that "no female artist has sold more records than Madonna around the world".<ref>Template:Harvnb</ref>

Madonna founded Ray of Light Foundation which focused on women, education, global development and humanitarian.<ref>Template:Cite web</ref> She recorded the single "Beautiful Stranger" for the 1999 film Austin Powers: The Spy Who Shagged Me, which earned her a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.<ref name="grammy">Template:Cite web</ref> Madonna starred in the 2000 comedy-drama film The Next Best Thing, directed by John Schlesinger. The film opened at number two on the US box office with $5.9 million grossed in its first week, but this quickly diminished.<ref>Template:Cite web</ref> She also contributed two songs to the film's soundtrack—a cover of Don McLean's 1971 song "American Pie" and an original song "Time Stood Still"—the former became her ninth UK number-one single.<ref>Template:Cite web</ref>

A blond woman sitting on a block of hay. She is playing a guitar and singing in front of a standing microphone. She has short hair and wears gray-colored cowboy clothes.
Madonna performing at the 2001 Drowned World Tour, the highest-grossing tour of the year by a solo artist

Madonna released her eighth studio album, Music, in September 2000.<ref>Template:Cite magazine</ref> It featured elements from the electronica-inspired Ray of Light era, and like its predecessor, received acclaim from critics. Collaborating with French producer Mirwais Ahmadzaï, Madonna commented: "I love to work with the weirdos that no one knows about—the people who have raw talent and who are making music unlike anyone else out there. Music is the future of sound."<ref name="bronmusic">Template:Harvnb</ref> Stephen Thomas Erlewine from AllMusic felt that "Music blows by in a kaleidoscopic rush of color, technique, style and substance. It has so many depth and layers that it's easily as self-aware and earnest as Ray of Light."<ref>Template:Harvnb</ref> The album took the number-one position in more than 20 countries worldwide and sold four million copies in the first ten days.<ref name="madonnasecret" /> In the US, Music debuted at the top, and became her first number-one album in eleven years since Like a Prayer.<ref>Template:Cite magazine</ref> It produced three singles: the Hot 100 number-one "Music", "Don't Tell Me", and "What It Feels Like for a Girl".<ref name="ach" /> The music video of "What It Feels Like for a Girl" depicted Madonna committing acts of crime and vandalism, and was banned by MTV and VH1.<ref>Template:Cite news</ref>

Madonna met director Guy Ritchie in mid-1998, and gave birth to their son Rocco John Ritchie in Los Angeles on August 11, 2000.<ref>Template:Cite news</ref> Rocco and Madonna suffered complications from the birth due to her experiencing placenta praevia.Template:Sfn He was christened at Dornoch Cathedral in Dornoch, Scotland, on December 21, 2000.<ref>Template:Cite news</ref> Madonna married Ritchie the following day at nearby Skibo Castle.<ref>Template:Harvnb</ref><ref>Template:Cite news</ref> After an eight-year absence from touring, Madonna started her Drowned World Tour in June 2001.<ref name="showstealer" /> The tour visited cities in the US and Europe and was the highest-grossing concert tour of the year by a solo artist, earning $75 million from 47 sold-out shows.<ref name=grossdwt>Template:Cite magazine</ref> She also released her second greatest-hits collection, GHV2, which compiled 15 singles during the second decade of her recording career. The album debuted at number seven on the Billboard 200 and sold seven million units worldwide.<ref name="allmusicghv2">Template:Cite web</ref><ref>Template:Cite journal</ref>

Madonna starred in the film Swept Away, directed by Ritchie. Released direct-to-video in the UK, the film was a commercial and critical failure.<ref>Template:Cite news</ref> In May 2002 she appeared in London in the West End play Up for Grabs at the Wyndhams Theatre (billed as 'Madonna Ritchie'), to universally bad reviews and was described as "the evening's biggest disappointment" by one.<ref>Template:Cite news</ref><ref>Template:Cite web</ref> That October, she released "Die Another Day", the title song of the James Bond film Die Another Day, in which she also had a cameo role, described by Peter Bradshaw from The Guardian as "incredibly wooden".<ref>Template:Cite news</ref> The song reached number eight on the Billboard Hot 100 and was nominated for both a Golden Globe Award for Best Original Song and a Golden Raspberry Award for Worst Original Song.<ref name="ach" />

2003–2006: American Life and Confessions on a Dance Floor

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Madonna and her backup dancers in military constumes performing onstage with their right hands held upright into a fist.
Madonna performing at the 2004 Re-Invention World Tour, the highest-grossing tour of the year

In 2003, Madonna collaborated with fashion photographer Steven Klein for an exhibition installation named X-STaTIC Pro=CeSS, which ran from March to May in New York's Deitch Projects gallery, and also traveled the world in an edited form.<ref>Template:Cite magazine</ref> The same year, Madonna released her ninth studio album, American Life, which was based on her observations of American society.<ref>Template:Cite web</ref> She explained that the record was "like a trip down memory lane, looking back at everything I've accomplished and all the things I once valued and all the things that were important to me." Larry Flick from The Advocate felt that "American Life is an album that is among her most adventurous and lyrically intelligent", while also condemning it as "a lazy, half-arsed effort to sound and take her seriously."<ref name="mtvamerican">Template:Cite news</ref><ref>Template:Cite magazine</ref> The original music video of its title track caused controversy due to its violence and anti-war imagery, and was withdrawn after the 2003 invasion of Iraq started. Madonna voluntarily censored herself for the first time in her career due to the political climate of the country, saying that "there was a lynch mob mentality that was going on that wasn't pretty and I have children to protect."<ref>Template:Cite news</ref> The song stalled at number 37 on the Hot 100,<ref name="ach" /> while the album became her lowest-selling album at that point with four million copies worldwide.<ref>Template:Cite newsTemplate:Cbignore</ref>

Madonna gave another provocative performance later that year at the 2003 MTV Video Music Awards, when she kissed singers Britney Spears and Christina Aguilera while singing the track "Hollywood".<ref>Template:Cite news</ref><ref>Template:Cite news</ref> In October 2003, she provided guest vocals on Spears' single "Me Against the Music".<ref>Template:Harvnb</ref> It was followed with the release of Remixed & Revisited. The EP contained remixed versions of songs from American Life and included "Your Honesty", a previously unreleased track from the Bedtime Stories recording sessions.<ref>Template:Harvnb</ref> Madonna also signed a contract with Callaway Arts & Entertainment to be the author of five children's books. The first of these books, titled The English Roses, was published in September 2003. The story was about four English schoolgirls and their envy and jealousy of each other.<ref>Template:Harvnb</ref> The book debuted at the top of The New York Times Best Seller list, and became the fastest-selling children's picture book of all time.<ref name="womenworld">Template:Harvnb</ref> Madonna donated all of its proceeds to a children's charity.<ref>Template:Cite magazine</ref>

The next year Madonna and Maverick sued Warner Music Group and its former parent company Time Warner, claiming that mismanagement of resources and poor bookkeeping had cost the company millions of dollars. In return, Warner filed a countersuit alleging that Maverick had lost tens of millions of dollars on its own.<ref name=labelsuit>Template:Cite news</ref><ref>Template:Cite magazine</ref> The dispute was resolved when the Maverick shares, owned by Madonna and Ronnie Dashev, were purchased by Warner. Madonna and Dashev's company became a wholly-owned subsidiary of Warner Music, but Madonna was still signed to Warner under a separate recording contract.<ref name=labelsuit />

In mid-2004, Madonna embarked on the Re-Invention World Tour in the US, Canada and Europe. It became the highest-grossing tour of 2004, earning around $120 million and became the subject of her documentary I'm Going to Tell You a Secret.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> In November 2004, she was inducted into the UK Music Hall of Fame as one of its five founding members, along with the Beatles, Elvis Presley, Bob Marley and U2.<ref>Template:Cite news</ref> Rolling Stone ranked her at number 36 on its special issue of the 100 Greatest Artists of All Time, featuring an article about her written by Britney Spears.<ref>Template:Cite magazine</ref> In January 2005, Madonna performed a cover version of the John Lennon song "Imagine" at Tsunami Aid.<ref>Template:Cite news</ref> She also performed at the Live 8 benefit concert in London in July 2005.<ref>Template:Cite news</ref>

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Madonna wearing sunglasses and a disco-inspired bodysuit performing
Madonna at the Confessions Tour in 2006

Her tenth studio album, Confessions on a Dance Floor, was released in November 2005. Musically the album was structured like a club set composed by a DJ. It was acclaimed by critics, with Keith Caulfield from Billboard commenting that the album was a "welcome return to form for the Queen of Pop."<ref name="bbalbum">Template:Cite magazine</ref> The album won a Grammy Award for Best Electronic/Dance Album.<ref name="grammy" /> Confessions on a Dance Floor and its lead single, "Hung Up", went on to reach number one in 40 and 41 countries respectively, earning a place in Guinness World Records.<ref name="guinness">Template:Harvnb</ref> The song contained a sample of ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)", only the second time that ABBA has allowed their work to be used. ABBA songwriter Björn Ulvaeus remarked "It is a wonderful track—100 per cent solid pop music."<ref>Template:Cite news</ref> "Sorry", the second single, became Madonna's twelfth number-one single in the UK.<ref name="BBC" />

Madonna embarked on the Confessions Tour in May 2006, which had a global audience of 1.2 million and grossed over $193.7 million, becoming the highest-grossing tour to that date for a female artist.<ref>Template:Cite magazine</ref> Madonna used religious symbols, such as the crucifix and Crown of Thorns, in the performance of "Live to Tell". It caused the Russian Orthodox Church and the Federation of Jewish Communities of Russia to urge all their members to boycott her concert.<ref>Template:Cite news</ref> At the same time, the International Federation of the Phonographic Industry (IFPI) announced officially that Madonna had sold over 200 million copies of her albums alone worldwide.<ref name="ifpi.org">Template:Cite press release</ref>

While on tour, Madonna founded the charitable organization Raising Malawi, and partially funded an orphanage in and traveling to that country.<ref>Template:Cite news</ref> While there, she decided to adopt a boy named David Banda in October 2006.<ref>Template:Cite news</ref> The adoption raised strong public reaction, because Malawian law requires would-be parents to reside in Malawi for one year before adopting, which Madonna did not do.<ref>Template:Cite news</ref> Kate Kainja, Malawi's Minister of Women and Child Development had prevented a civil servant from travelling to see Madonna and Guy Ritchie as prospective adopters.<ref name=katek>Template:Cite news</ref> Madonna addressed this on The Oprah Winfrey Show, saying that there were no written adoption laws in Malawi that regulated foreign adoption. Madonna described how Banda had been suffering from pneumonia after surviving malaria and tuberculosis when they first met.<ref>Template:Cite news</ref> Banda's biological father, Yohane, commented: "These so-called human rights activists are harassing me every day, threatening me that I am not aware of what I am doing ... They want me to support their court case, a thing I cannot do for I know what I agreed with Madonna and her husband." The adoption was finalized in May 2008.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

2007–2011: Filmmaking, Hard Candy, and business ventures

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Madonna released and performed the song "Hey You" at the London Live Earth concert in July 2007.<ref>Template:Cite magazine</ref> She announced her departure from Warner Bros. Records, and declared a new $120 million, ten-year 360 deal with Live Nation.<ref>Template:Cite magazine</ref> In 2008, Madonna produced and wrote I Am Because We Are, a documentary on the problems faced by Malawians; it was directed by Nathan Rissman, who worked as Madonna's gardener.<ref name=iabwa>Template:Cite news</ref> She also directed her first film, Filth and Wisdom. The plot of the film revolved around three friends and their aspirations. The Times said she had "done herself proud" while The Daily Telegraph described the film as "not an entirely unpromising first effort [but] Madonna would do well to hang on to her day job."<ref>Template:Cite web</ref><ref>Template:Cite newsTemplate:Cbignore</ref> On March 10, 2008, Madonna was inducted into the Rock and Roll Hall of Fame in her first year of eligibility.<ref name="rsinducted">Template:Cite magazine</ref> She did not sing at the ceremony but asked fellow Hall of Fame inductees and Michigan natives the Stooges to perform her songs "Burning Up" and "Ray of Light".<ref>Template:Cite news</ref>

Madonna playing a guitar onstage singing in front of a microphone. She wears a black leotard and white hat with boots.
Madonna performing on the 2009 leg of the Sticky & Sweet Tour which held the record for the highest-grossing tour for a female artist for 15 years

Madonna released her eleventh studio album, Hard Candy, in April 2008. Containing R&B and urban pop influences, the songs on Hard Candy were autobiographical in nature and saw Madonna collaborating with Justin Timberlake, Timbaland, Pharrell Williams and Nate "Danja" Hills.<ref name="timbalandhot">Template:Cite news</ref> The album debuted at number one in 37 countries and on the Billboard 200.<ref>Template:Cite news</ref><ref>Template:Cite magazine</ref> Caryn Ganz from Rolling Stone complimented it as an "impressive taste of her upcoming tour",<ref>Template:Cite magazine</ref> while BBC correspondent Mark Savage panned it as "an attempt to harness the urban market".<ref>Template:Cite news</ref>

"4 Minutes" was released as the album's lead single and peaked at number three on the Billboard Hot 100. It was Madonna's 37th top-ten hit on the chart and pushed her past Elvis Presley as the artist with the most top-ten hits.<ref name="mariahmadonna">Template:Cite magazine</ref> In the UK she retained her record for the most number-one singles for a female artist; "4 Minutes" becoming her thirteenth.<ref>Template:Cite news</ref> To further promote the album, she embarked on the Sticky & Sweet Tour, her first major venture with Live Nation. With a total gross of $408 million, it ended up as the second highest-grossing tour of all time, behind the Rolling Stones's A Bigger Bang Tour.<ref>Template:Cite magazine</ref> It remained the highest-grossing tour by a solo artist until Roger Waters' the Wall Live surpassed it in 2013.<ref name="The Wall Live">Template:Cite magazine</ref>

In July 2008, Christopher Ciccone released a book titled Life with My Sister Madonna, which caused a rift between Madonna and him, because of unsolicited publication.<ref>Template:Cite newsTemplate:Cbignore</ref> By fall, Madonna filed for divorce from Ritchie, citing irreconcilable differences.<ref>Template:Cite news</ref> In December 2008, Madonna's spokesperson announced that Madonna had agreed to a divorce settlement with Ritchie, the terms of which granted him between £50–60 million ($Template:To USDTemplate:To USD million), a figure that included the couple's London pub and residence and Wiltshire estate in England.<ref>Template:Cite news</ref> The marriage was dissolved by District Judge Reid by decree nisi at the clinical Principal Registry of the Family Division in High Holborn, London. They entered a compromise agreement for Rocco and David, then aged eight and three respectively, and divided the children's time between Ritchie's London home and Madonna's in New York, where the two were joined by Lourdes.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Soon after, Madonna applied to adopt Chifundo "Mercy" James from Malawi in May 2009, but the country's High Court rejected the application because Madonna was not a resident there.<ref name="mercyjames">Template:Cite news</ref> She re-appealed, and on June 12, 2009, the Supreme Court of Malawi granted her the right to adopt Mercy.<ref>Template:Cite news</ref>

Madonna concluded her contract with Warner by releasing her third greatest-hits album, Celebration, in September 2009. It contained the new songs "Celebration" and "Revolver" along with 34 hits spanning her musical career with the label.<ref name="celebraterelease">Template:Cite magazine</ref> Celebration reached number one in several countries, including Canada, Germany, Italy, and the United Kingdom.<ref>Template:Cite magazine</ref> She appeared at the 2009 MTV Video Music Awards to speak in tribute to deceased pop singer Michael Jackson.<ref>Template:Cite news</ref> Madonna ended the 2000s as the bestselling single artist of the decade in the US and the most-played artist of the decade in the UK.<ref>Template:Cite magazine</ref><ref>Template:Cite news</ref> Billboard also announced her as the third top-touring artist of the decade—behind only the Rolling Stones and U2—with a gross of over $801 million, 6.3 million attendance and 244 sell-outs of 248 shows.<ref>Template:Cite magazine</ref>

Madonna in a gown, holding an award statue in her left hand, talking to a standing microphone.
Madonna receiving the Golden Globe Award for Best Original Song in 2012

Madonna performed at the Hope for Haiti Now: A Global Benefit for Earthquake Relief concert in January 2010.<ref>Template:Cite news</ref> Her third live album, Sticky & Sweet Tour, was released in April, debuting at number ten on the Billboard 200.<ref name="bbalbums" /> It also became her 20th top-ten on the Oricon Albums Chart, breaking the Beatles' record for the most top-ten album by an international act in Japan.<ref name="japanrecord">Template:Cite news</ref> Madonna granted American television show, Glee, the rights to her entire catalog of music, and the producers created an episode featuring her songs exclusively.<ref name="EW">Template:Cite magazine</ref> She also collaborated with Lourdes and released the Material Girl clothing line, inspired by her punk-girl style when she rose to fame in the 1980s.<ref name="mgclothing">Template:Cite news</ref> In October, she opened a series of fitness centers around the world named Hard Candy Fitness,<ref>Template:Cite news</ref> and three months later unveiled a second fashion brand called Truth or Dare which included footwear, perfumes, underclothing, and accessories.<ref>Template:Cite news</ref>

Madonna directed her second feature film, W.E., a biographical account about the affair between King Edward VIII and Wallis Simpson. Co-written with Alek Keshishian, the film was premiered at the 68th Venice International Film Festival in September 2011.<ref>Template:Cite magazine</ref> Critical and commercial response to the film was negative.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Madonna contributed the ballad "Masterpiece" for the film's soundtrack, which won her a Golden Globe Award for Best Original Song.<ref>Template:Cite web</ref>

2012–2016: Super Bowl XLVI halftime show, MDNA, and Rebel Heart

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A groupe of performers onstage, with Madonna and Cee Lo Green at the front. They are all wearing black costumes with red and white stripes.
Madonna, joined by Cee Lo Green and a marching band, performing during the Super Bowl XLVI halftime show on February 5, 2012

In February 2012, Madonna headlined the Super Bowl XLVI halftime show at the Lucas Oil Stadium in Indianapolis, Indiana.<ref name="nfl12">Template:Cite web</ref> Her performance was visualized by Cirque Du Soleil and Jamie King, and featured special guests LMFAO, Nicki Minaj, M.I.A. and CeeLo Green. It became the then most-watched Super Bowl halftime show in history with 114 million viewers, higher than the game itself.<ref>Template:Cite web</ref> During the event, she performed "Give Me All Your Luvin'", the lead single from her twelfth studio album, MDNA. It became her record-extending 38th top-ten single on the Billboard Hot 100.<ref>Template:Cite magazine</ref>

MDNA was released in March 2012 and saw collaboration with various producers, including William Orbit and Martin Solveig.<ref>Template:Cite press release</ref> It was her first release under her three-album deal with Interscope Records, which she signed as a part of her 360 deal with Live Nation.<ref name="InterscopeDeal">Template:Cite news</ref> She was signed to the record label since Live Nation was unable to distribute music recordings.<ref>Template:Cite magazine</ref> MDNA became Madonna's fifth consecutive studio record to debut at the top of the Billboard 200.<ref>Template:Cite magazine</ref> The album was mostly promoted by the MDNA Tour, which lasted from May to December 2012.<ref>Template:Cite magazine</ref> The tour featured controversial subjects such as violence, firearms, human rights, nudity and politics. With a gross of $305.2 million from 88 sold-out shows, it became the highest-grossing tour of 2012 and then-tenth highest-grossing tour of all time.<ref name="mdna boxscore">Template:Cite magazine</ref> Madonna was named the top-earning celebrity of the year by Forbes, earning an estimated $125 million.<ref name="earning2013">Template:Cite news</ref>

Madonna collaborated with Steven Klein and directed a 17-minute film, secretprojectrevolution, which was released on BitTorrent in September 2013.<ref name="Hive">Template:Cite web</ref> With the film she launched the Art for Freedom initiative, which helped to promote "art and free speech as a means to address persecution and injustice across the globe". The website for the project included over 3,000 art related submissions since its inception, with Madonna regularly monitoring and enlisting other artists like David Blaine and Katy Perry as guest curators.<ref>Template:Cite magazine</ref>

By 2013, Madonna's Raising Malawi had built ten schools to educate 4,000 children in Malawi at a value of $400,000.<ref>Template:Cite web</ref> When Madonna visited the schools in April 2013, President of Malawi Joyce Banda accused her of exaggerating the charity's contribution.<ref>Template:Cite news</ref> Madonna was saddened by Banda's statement, but clarified that she had "no intention of being distracted by these ridiculous allegations". It was later confirmed that Banda had not approved the statement released by her press team.<ref>Template:Cite news</ref> Madonna also visited her hometown Detroit during May 2014, and donated funds to help with the city's bankruptcy.<ref>Template:Cite magazine</ref> The same year, her business ventures extended to skin care products with the launch of MDNA Skin in Tokyo, Japan.<ref name="skin">Template:Cite magazine</ref>

Madonna's thirteenth studio album, Rebel Heart, was released in March 2015, three months after its thirteen demos leaked onto the internet.<ref name="ggtheft">Template:Cite news</ref> Unlike her previous efforts, which involved only a few people, Madonna worked with a large number of collaborators, including Avicii, Diplo and Kanye West.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Introspection was listed as one of the foundational themes prevalent on the record, along with "genuine statements of personal and careerist reflection".<ref name="slant3">Template:Cite news</ref> Madonna explained to Jon Pareles of The New York Times that, although she has never looked back at her past endeavors, reminiscing about it felt right for Rebel Heart.<ref name="nytint">Template:Cite news</ref> Music critics responded positively towards the album, calling it her best effort in a decade.<ref>Template:Cite web</ref>

Madonna looking to her right while singing onstage, with her right hand on her waist.
Madonna performing at the Rebel Heart Tour in 2016

From September 2015 to March 2016, Madonna embarked on the Rebel Heart Tour to promote the album. The tour traveled throughout North America, Europe and Asia and was Madonna's first visit to Australia in 23 years, where she also performed a one-off show for her fans.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> The Rebel Heart Tour grossed a total of $169.8 million from the 82 shows, with over 1.045 million ticket sales.<ref name="rebelheartgross">Template:Cite magazine</ref> While on tour, Madonna became engaged in a legal battle with Ritchie, over the custody of their son Rocco. The dispute started when Rocco decided to continue living in England with Ritchie when the tour had visited there, while Madonna wanted him to travel with her. Court hearings took place in both New York and London. After multiple deliberations, Madonna withdrew her application for custody and decided to resolve the matter privately.<ref>Template:Cite news</ref>

In October 2016, Billboard named Madonna its Woman of the Year. Her "blunt and brutally honest" speech about ageism and sexism at the ceremony received widespread coverage in the media.<ref>Template:Cite magazine</ref><ref name="woman2016">Template:Cite magazine</ref> The next month Madonna, who actively supported Hillary Clinton during the 2016 US presidential election, performed an impromptu acoustic concert at Washington Square Park in support of Clinton's campaign.<ref name="impromptu">Template:Cite magazine</ref> Upset that Donald Trump won the election, Madonna spoke out against him at the Women's March on Washington, a day after his inauguration.<ref>Template:Cite magazine</ref> She sparked controversy when she said that she "thought a lot about blowing up the White House".<ref>Template:Cite news</ref> The following day, Madonna asserted she was "not a violent person" and that her words had been "taken wildly out of context".<ref>Template:Cite magazine</ref>

2017–2021: Move to Lisbon and Madame X

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In February 2017, Madonna adopted four-year-old twin sisters from Malawi named Estere and Stella,<ref>Template:Cite news</ref><ref>Template:Cite magazine</ref> and she moved to live in Lisbon, Portugal, in mid-2017 with her adoptive children.<ref>Template:Cite news</ref> In July, she opened the Mercy James Institute for Pediatric Surgery and Intensive Care in Malawi, a children's hospital built by her Raising Malawi charity.<ref>Template:Cite news</ref> The live album chronicling the Rebel Heart Tour was released in September 2017, and won Best Music Video for Western Artists at the 32nd Japan Gold Disc Award.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> That month, Madonna launched MDNA Skin in select stores in the United States.<ref>Template:Cite magazine</ref> A few months earlier, the auction house Gotta Have Rock and Roll had put up Madonna's personal items like love letters from Tupac Shakur, cassettes, underwear and a hairbrush for sale. Darlene Lutz, an art dealer who had initiated the auction, was sued by Madonna's representatives to stop the proceedings. Madonna clarified that her celebrity status "does not obviate my right to maintain my privacy, including with regard to highly personal items". Madonna lost the case and the presiding judge ruled in favor of Lutz who was able to prove that in 2004 Madonna made a legal agreement with her for selling the items.<ref>Template:Cite newsTemplate:Cbignore</ref>

While living in Lisbon, Madonna met Dino D'Santiago, who introduced her to many local musicians playing fado, morna and samba music. They regularly invited her to their "living room sessions", thus she was inspired to make her 14th studio album, Madame X.<ref>Template:Cite magazine</ref> Madonna produced the album with several musicians, primarily her longtime collaborator Mirwais and Mike Dean.<ref>Template:Cite magazine</ref> The album was critically well received, with NME deeming it "bold, bizarre, self-referential and unlike anything Madonna has ever done before."<ref>Template:Cite web</ref> Released in June 2019, Madame X debuted atop the Billboard 200, becoming her ninth number-one album there.<ref>Template:Cite magazine</ref> All four of its singles—"Medellín", "Crave", "I Rise" and "I Don't Search I Find"—topped the Billboard Dance Club Songs chart, extending her record for most number-one entries on the chart.<ref name="DanceRecord" />

Madonna singing onstage in front of a greenish backdrop, while wearing black costumes and an eye-patch.
Madonna performing at the Madame X Tour in 2020

The previous month, Madonna appeared as the interval act at the Eurovision Song Contest 2019 and performed "Like a Prayer", and then "Future" with rapper Quavo.<ref>Template:Cite news</ref> Her Madame X Tour, an all-theatre tour in select cities across North America and Europe, began on September 17, 2019. In addition to much smaller venues compared to her previous tours, she implemented a no-phone policy to maximize the intimacy of the concert.<ref>Template:Cite magazine</ref> According to Pollstar, the tour earned $51.4 million in ticket sales.<ref>Template:Cite magazine</ref> That December, Madonna started dating Ahlamalik Williams, a dancer who began accompanying her on the Rebel Heart Tour in 2015.<ref name="The Times of India 2021">Template:Cite news</ref><ref name="Nast 2021">Template:Cite magazine</ref> However, the Madame X Tour faced several cancellations due to her recurring knee injury, and eventually ended abruptly on March 8, 2020, three days before its planned final date, after the French government banned gatherings of more than 1,000 people due to COVID-19 pandemic.<ref>Template:Cite magazine</ref><ref>Template:Cite news</ref> She later revealed she had tested positive for coronavirus antibodies.<ref>Template:Cite web</ref> In April 2020, Madonna announced her financial support for the COVID-19 Therapeutics Accelerator led by the Bill & Melinda Gates Foundation, Wellcome Trust and Mastercard,<ref>Template:Cite magazine</ref> and donated an additional $1 million to the Bill & Melinda Gates Foundation to help fund research creating a new vaccine.<ref>Template:Cite magazine</ref>

Madonna and Missy Elliott provided guest vocals on Dua Lipa's single "Levitating", from Lipa's 2020 remix album Club Future Nostalgia.<ref>Template:Cite web</ref> She also started work on a film biopic about her life, which she intended to direct.<ref name = Grobar>Template:Cite news</ref> Erin Cressida Wilson and Diablo Cody worked on the script at various points and Julia Garner was cast as Madonna before the project was postponed.<ref name = Grobar/><ref>Template:Cite magazine</ref><ref>Template:Cite news</ref> Madonna released Madame X, a documentary film chronicling the tour of the same name, on Paramount+ in October 2021.<ref>Template:Cite magazine</ref>

2022–2024: Finally Enough Love and the Celebration Tour

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On Madonna's 63rd birthday, she officially announced her return to Warner Bros. Records in a global partnership which granted the label rights to her entire recorded music catalog, including the last three albums released under Interscope. Under the contract, Madonna launched a series of catalog reissues beginning in 2022, to commemorate the 40th anniversary of her recording career. A remix album titled Finally Enough Love: 50 Number Ones was released on August 19, with a 16-track abridged edition being available for streaming since June 24.<ref>Template:Cite magazine</ref> Consisting of her 50 number-one songs on BillboardTemplate:'s Dance Club Songs chart, the remix album highlighted "how meaningful dance music has always been" to Madonna's career, and became her 23rd top-ten album on the Billboard 200.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref>

Throughout 2022 to 2023, Madonna released a number of stand-alone tracks, including "Hung Up on Tokischa" (a remix of "Hung Up", featuring rapper Tokischa)<ref>Template:Cite web</ref><ref>Template:Cite web</ref> and a 2015 demo recorded during the Rebel Heart sessions called "Back That Up to the Beat" to all digital outlets.<ref>Template:Cite web</ref> She also collaborated on three songs on Christine and the Queens album Paranoïa, Angels, True Love (2023)<ref>Template:Cite web</ref> and with The Weeknd and Playboi Carti on the single "Popular", which was taken from the soundtrack to the drama series The Idol.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref>

File:Madonna - The Celebration tour live - London 15 10 2023 (53271210582).jpg
Madonna performing in 2023 during the Celebration Tour

In January 2023, Madonna announced the Celebration Tour, her first greatest hits concert tour, which was set to run from July 2023 to January 2024.<ref>Template:Cite magazine</ref> However, on June 24, 2023, the singer was hospitalized after being found unresponsive in her New York City apartment.<ref name="auto">Template:Cite news</ref><ref name="auto2">Template:Cite news</ref> She was admitted for five days and received treatment in the intensive care unit under intubation.<ref name="auto"/> Madonna later stated that she had been in a medically induced coma for 48 hours during her hospitalization<ref>Template:Cite web</ref> for a "serious bacterial infection" following a low-grade fever. As a result, the initial North American leg of the tour was postponed.<ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref>

The Celebration Tour finally began in October 2023, at the O2 Arena in London and garnered critical acclaim.<ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref> It ended the following May with a free concert at Copacabana in Rio de Janeiro which was attended by 1.6 million people, setting the record for the biggest standalone concert of all time and the most attended concert by a female artist.<ref>Template:Cite web</ref><ref name="record1" /> The Celebration Tour grossed $225.4 million from 80 shows, making Madonna the first female artist to gross over $100 million with six different concert tours.<ref>Template:Cite magazine</ref>

During these years, Madonna lost multiple family members, starting with her eldest brother Anthony dying in February 2023 at age 66.<ref>Template:Cite news</ref> Her younger brother Christopher also died the following year on October 4, 2024, in Petoskey, Michigan at age 63 from pancreatic cancer, according to a statement from his family. He died just two weeks after the death of their stepmother Joan.<ref name=relativesdie>Template:Cite magazine</ref> Madonna dedicated a lengthy Instagram post to him saying, "I admired him [...] We found our way back to each other. I did my best to keep him alive as long as possible. He was in so much pain towards the end [...] There will never be anyone like him".<ref name="GrdnAP2024">Template:Cite news</ref>

2024–present: Upcoming fifteenth studio album

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Following the Celebration Tour, Madonna restarted work on her biographical film<ref name="WTGtitle">Template:Cite magazine</ref> and later complained of producers wanting her to "downsize-down scale-think smaller" with regard to the project. She considered reworking it into a television series as a result.<ref>Template:Cite magazine</ref> Madonna shifted her focus towards conceiving new music with Stuart Price, writing in December 2024 that "these past few months has been medicine for my soul. Songwriting and making music is the one area where I don't need to ask anyone for their permission. I'm so excited to share it with you".<ref>Template:Cite magazine</ref> In February 2025, the singer revealed she was working on a sequel to 2005's Confessions on a Dance Floor, which Price also produced.<ref>Template:Cite magazine</ref> That May, Deadline Hollywood reported Madonna had partnered with video streaming service Netflix to produce a series about her life with Shawn Levy. The show is not related to the film in the works.<ref name="Mnetflix">Template:Cite web</ref>

Artistry

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Influences

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Madonna has called Nancy Sinatra one of her idols. She said Sinatra's "These Boots Are Made for Walkin'" made a major impression on her.<ref name="hot" /> As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Wolfgang Amadeus Mozart and Frédéric Chopin because she liked their "feminine quality".<ref>Template:Harvnb</ref> Madonna's major influences include Debbie Harry, Chrissie Hynde, Patti Smith, Karen Carpenter, the Supremes, Joni Mitchell, Aretha Franklin and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev.Template:Efn She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.<ref>Template:Cite web</ref> Another inspiration is American writer James Baldwin, whose quote "artists are here to disturb the peace" is frequently used by Madonna.<ref>Template:Cite news</ref><ref>Template:Cite web</ref>Template:Quote box

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny, and they were silly and sweet and they were girls and they were feminine and sexy. I just saw myself in them, my funniness and my need to boss people around and at the same time be taken care of. My girlishness. My knowingness and my innocence. Both."<ref name="hot">Template:Cite magazine</ref> Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol.<ref name="carrie" /><ref>Template:Harvnb</ref>

Influences also came to her from the art world, such as through the works of Mexican artist Frida Kahlo.<ref>Template:Harvnb</ref> The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo.<ref>Template:Harvnb</ref> Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours.<ref>Template:Harvnb</ref> Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorized use of his father's work.<ref>Template:Cite magazine</ref> Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".<ref>Template:Harvnb</ref>

Madonna's Catholic background has been reflected throughout her career, from her fashion use of rosary to her musical outputs, including on Like a Prayer (1989).<ref>Template:Harvnb</ref><ref name="fouz">Template:Harvnb</ref> Her album MDNA (2012) has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through everyday life.<ref>Template:Cite web</ref> In a 2016 interview, she commented: "I always feel some kind of inexplicable connection with Catholicism. It kind of shows up in all of my work, as you may have noticed."<ref>Template:Cite web</ref> Her study of the Kabbalah was also observed in Madonna's music, especially albums like Ray of Light and Music.<ref name="kab">Template:Harvnb</ref> Speaking of religion in a 2019 interview with Harry Smith of Today Madonna stated, "The God that I believe in, created the world ... He/Her/They [sic] isn't a God to fear, it's a God to give thanks to." In an appearance on Andrew Denton's Interview she added, "The idea that in any church you go, you see a man on a cross and everyone genuflects and prays to him ... in a way it's paganism/idolatry because people are worshipping a thing."<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

Musical style and composition

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Template:Quote box Madonna's music has been the subject of much analysis and scrutiny. Robert M. Grant, author of Contemporary Strategy Analysis (2005), commented that Madonna's musical career has been a continuous experimentation with new musical ideas and new images and a constant quest for new heights of fame and acclaim.<ref>Template:Harvnb</ref> Thomas Harrison in the book Pop Goes the Decade: The Eighties deemed Madonna "an artist who pushed the boundaries" of what a female singer could do, both visually and lyrically.<ref>Template:Harvnb</ref> Professor Santiago Fouz-Hernández asserted, "While not gifted with an especially powerful or wide-ranging voice, Madonna has worked to expand her artistic palette to encompass diverse musical, textual and visual styles and various vocal guises, all with the intention of presenting herself as a mature musician."<ref name="fouz55">Template:Harvnb</ref>

Madonna has remained in charge in every aspect of her career, including as a writer and producer in most of her own music.<ref name="Rolling Biography">Template:Cite magazine</ref><ref name="music credit">Template:Cite web</ref> Her desire for control had already been seen during the making of her debut album, where she fought Reggie Lucas over his production output. However, it was not until her third album that Warner allowed Madonna to produce her own album.<ref>Template:Harvnb</ref> Stan Hawkins, author of Settling the Pop Score explained, "it is as musician and producer that Madonna is one of the few female artists to have broken into the male domain of the recording studio. Undoubtedly, Madonna is fully aware that women have been excluded from the musical workplace on most levels, and has set out to change this."<ref>Template:Harvnb</ref> Producer Stuart Price stated: "You don't produce Madonna, you collaborate with her... She has her vision and knows how to get it."<ref>Template:Cite web</ref> Despite being labeled a "control freak", Madonna has said that she valued input from her collaborators.<ref>Template:Cite web</ref> She further explained: Template:Blockquote

Madonna's early songwriting skill was developed during her time with the Breakfast Club in 1979.<ref name="goldmine">Template:Cite magazine</ref> She subsequently became the sole writer of five songs on her debut album, including "Lucky Star" which she composed on synthesizer.<ref name="zollo616">Template:Harvnb</ref> As a songwriter, Madonna has registered more than 300 tracks to American Society of Composers, Authors and Publishers (ASCAP), including 18 songs written entirely by herself.<ref>Template:Cite web</ref> Rolling Stone has named her "an exemplary songwriter with a gift for hooks and indelible lyrics."<ref>Template:Cite magazine</ref> Despite having worked with producers across many genres, the magazine noted that Madonna's compositions have been "consistently stamped with her own sensibility and inflected with autobiographical detail."<ref name="RSsongwriters" /> Patrick Leonard, who co-wrote many of her hit songs, called Madonna "a helluva songwriter", explaining: "Her sensibility about melodic line—from the beginning of the verse to the end of the verse and how the verse and the chorus influence each other—is very deep. Many times she's singing notes that no one would've thought of but her."<ref>Template:Cite magazine</ref> Barry Walters from Spin credited her songwriting as the reason of her musical consistency.<ref>Template:Cite web</ref> Madonna has been nominated for being inducted into the Songwriters Hall of Fame three times.<ref>Template:Cite web</ref> In 2015, Rolling Stone ranked Madonna at number 56 on the "100 Greatest Songwriters of All Time" list.<ref name="RSsongwriters">Template:Cite magazine</ref>

Template:Listen Madonna's discography is generally categorized as pop, electronica, and dance.<ref name="fouz4" /><ref>Template:Cite web</ref> Nevertheless, Madonna's first foray into the music industry was dabbling in rock music with Breakfast Club and Emmy.<ref name="rock star">Template:Cite news</ref> As the frontwoman of Emmy, Madonna recorded about 12–14 songs that resemble the punk rock of that period.<ref name="goldmine" /> Madonna soon abandoned playing rock songs by the time she signed to Gotham Records, which eventually dropped her since they were unhappy with her new funk direction.<ref>Template:Harvnb</ref> According to Erlewine, Madonna began her career as a disco diva, in an era that did not have any such divas to speak of. In the beginning of the 1980s, disco was an anathema to the mainstream pop, and Madonna had a huge role in popularizing dance music as mainstream music.<ref>Template:Cite web</ref> Arie Kaplan in the book American Pop: Hit Makers, Superstars, and Dance Revolutionaries referred to Madonna as "a pioneer" of dance-pop.<ref>Template:Cite book</ref> According to Fouz-Hernández, "Madonna's frequent use of dance idioms and subsequent association with gay or sexually liberated audiences, is seen as somehow inferior to 'real' rock and roll. But Madonna's music refuses to be defined by narrow boundaries of gender, sexuality or anything else."<ref name="fouz55" />

The "cold and emotional" ballad "Live to Tell", as well as its parent album True Blue (1986), is noted as Madonna's first musical reinvention.<ref name="auto1">Template:Harvnb</ref> PopMatters writer Peter Piatkowski described it as a "very deliberate effort to present Madonna as a mature and serious artist."<ref name="PopMattersTrueBlue35">Template:Cite web</ref> She continued producing ballads in between her upbeat material, although albums such as Madonna (1983) and Confessions on a Dance Floor (2005) consist of entirely dance tracks.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> With Ray of Light (1998), critics acknowledged Madonna for bringing electronica from its underground status into massive popularity in mainstream music scene.<ref name="underground">Template:Harvnb</ref> Her other sonically drastic ventures include the 1930s big-band jazz on I'm Breathless (1990);<ref>Template:Harvnb</ref> lush R&B on Bedtime Stories (1994);<ref>Template:Cite web</ref> operatic show tunes on Evita (1996);<ref>Template:Harvnb</ref> guitar-driven folk music on American Life (2003);<ref>Template:Cite web</ref> as well as multilingual world music on Madame X (2019).<ref>Template:Cite web</ref>

Voice and instruments

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Madonna in a silver dress, playing electric guitar
Madonna playing the guitar riff of "A New Level" by heavy metal band Pantera during the 2008 Sticky & Sweet Tour<ref>Template:Cite web</ref>

Possessing a mezzo-soprano vocal range,<ref>Template:Harvnb</ref><ref>Template:Cite news</ref> Madonna has always been self-conscious about her voice.<ref name="fouzvocal">Template:Harvnb</ref> Mark Bego, author of Madonna: Blonde Ambition, called her "the perfect vocalist for lighter-than-air songs", despite not being a "heavyweight talent".<ref>Template:Harvnb</ref> According to Tony Sclafani from MSNBC, "Madonna's vocals are the key to her rock roots. Pop vocalists usually sing songs 'straight', but Madonna employs subtext, irony, aggression and all sorts of vocal idiosyncrasies in the ways John Lennon and Bob Dylan did."<ref name="rock star" /> Madonna used a bright, girlish vocal timbre in her early albums which became passé in her later works. The change was deliberate since she was constantly reminded of how the critics had once labeled her as "Minnie Mouse on helium".<ref name="fouzvocal" /> During the filming of Evita (1996), Madonna had to take vocal lessons, which increased her range further. Of this experience she commented, "I studied with a vocal coach for Evita and I realized there was a whole piece of my voice I wasn't using. Before, I just believed I had a really limited range and was going to make the most of it."<ref name="vocal">Template:Cite magazine</ref>

Besides singing, Madonna has the ability to play several musical instruments. Piano was the first instrument taught to her as a child.Template:Sfn In the late 1970s, she learned to play drum and guitar from her then-boyfriend Dan Gilroy, before joining the Breakfast Club lineup as the drummer.<ref name="Gnojewski57">Template:Harvnb</ref> She later played guitar with the band Emmy as well as on her own demo recordings.<ref name="Premadonna">Template:Cite AV media notes</ref> After her career breakthrough, Madonna was absent performing with guitar for years, but she is credited for playing cowbell on Madonna (1983) and synthesizer on Like a Prayer (1989).<ref name="music credit" /> In 1999, Madonna had studied for three months to play the violin for the role as a violin teacher in the film Music of the Heart, but she eventually left the project before filming began.<ref>Template:Cite news</ref> Madonna decided to perform with guitar again during the promotion of Music (2000) and recruited guitarist Monte Pittman to help improve her skill.<ref>Template:Cite news</ref> Since then, Madonna has played guitar on every tour, as well as her studio albums.<ref name="music credit" /> She received a nomination for Les Paul Horizon Award at the 2002 Orville H. Gibson Guitar Awards.<ref>Template:Cite news</ref>

Music videos and performances

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Template:See also In The Madonna Companion, biographers Allen Metz and Carol Benson noted that Madonna had used MTV and music videos to establish her popularity and enhance her recorded work more than any other recent pop artist.<ref name="metz2">Template:Harvnb</ref> According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is the video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory."<ref>Template:Harvnb</ref> The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves.<ref name="metz2" /> Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."Template:Sfn In 2003, MTV named her "The Greatest Music Video Star Ever" and said that "Madonna's innovation, creativity, and contribution to the music video art form is what won her the award."<ref>Template:Harvnb</ref><ref>Template:Cite news</ref> In 2020, Billboard ranked her atop the 100 Greatest Music Video Artists of All Time.<ref>Template:Cite magazine</ref>

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Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamour.<ref name="metz2" /> She was able to transmit her avant-garde Downtown Manhattan fashion sense to the American audience.<ref>Template:Harvnb</ref> The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era.<ref>Template:Harvnb</ref> Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences."<ref>Template:Harvnb</ref> Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".<ref>Template:Harvnb</ref><ref>Template:Harvnb</ref> Academics noted that with her videos, Madonna was subtly reversing the usual role of male as the dominant sex.<ref>Template:Harvnb</ref> This symbolism and imagery was probably the most prevalent in the music video for "Like a Prayer". The video included scenes of an African-American church choir, Madonna being attracted to a black saint statue, and singing in front of burning crosses.<ref>Template:Harvnb</ref>

Madonna's acting performances in films have frequently received poor reviews from film critics. Stephanie Zacharek stated in Time that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt."Template:Sfn After the critically panned box-office bomb Swept Away (2002), Madonna vowed never to act again in a film.<ref>Template:Cite news</ref> While reviewing her career retrospective titled Body of Work (2016) at New York's Metrograph hall, The GuardianTemplate:'s Nigel M. Smith wrote that Madonna's film career suffered mostly due to lack of proper material supplied to her, and she otherwise "could steal a scene for all the right reasons".<ref name="filmcareerretro">Template:Cite news</ref>

Metz noted that Madonna represents a paradox as she is often perceived as living her whole life as a performance. While her big-screen performances are panned, her live performances are critical successes.<ref>Template:Harvnb</ref> Madonna was the first artist to have her concert tours as reenactments of her music videos. Author Elin Diamond explained that reciprocally, the fact that images from Madonna's videos can be recreated in a live setting enhances the original videos' realism. She believed that "her live performances have become the means by which mediatized representations are naturalized".<ref>Template:Harvnb</ref> Taraborrelli said that encompassing multimedia, latest technology and sound systems, Madonna's concerts and live performances are "extravagant show piece[s], [and] walking art show[s]".<ref>Template:Harvnb</ref>

Chris Nelson from The New York Times commented that "artists like Madonna and Janet Jackson set new standards for showmanship, with concerts that included not only elaborate costumes and precision-timed pyrotechnics but also highly athletic dancing. These effects came at the expense of live singing."<ref name="sync">Template:Cite news</ref> Thor Christensen of The Dallas Morning News commented that while Madonna earned a reputation for lip-syncing during her 1990 Blond Ambition World Tour, she has subsequently reorganized her performances by "stay[ing] mostly still during her toughest singing parts and [leaves] the dance routines to her backup troupe ... [r]ather than try to croon and dance up a storm at the same time."<ref name="lip-sync">Template:Cite news</ref> To allow for greater movement while dancing and singing, Madonna was one of the earliest adopters of hands-free radio-frequency headset microphones, with the headset fastened over the ears or the top of the head, and the microphone capsule on a boom arm that extended to the mouth. Because of her prominent usage, the microphone design came to be known as the "Madonna mic".<ref>Template:Cite web</ref><ref>Template:Cite news</ref>

Legacy

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Madonna has built a legacy that transcends music and has been studied by sociologists, historians, and other scholars, contributing to the rise of Madonna studies, a subfield of American cultural studies.<ref>Template:Cite news</ref><ref name="Orlando">Template:Cite web</ref><ref name="hall2006">Template:Harvnb</ref> According to Rodrigo Fresán, "saying that Madonna is just a pop star is as inappropriate as saying that Coca-Cola is just a soda. Madonna is one of the classic symbols of Made in USA."<ref name="Fresan88">Template:Harvnb</ref> Rolling Stone Spain wrote, "She became the first master of viral pop in history, years before the internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookstores. A pop dialectic, never seen since the Beatles's reign, which allowed her to keep on the edge of trend and commerciality."<ref>Template:Cite magazine</ref> William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to."<ref>Template:Cite newsTemplate:Cbignore</ref> Professor Diane Pecknold noted that "nearly any poll of the biggest, greatest, or best in popular culture includes [Madonna's] name".<ref name="hall2006" /> In 2012, VH1 ranked Madonna as the greatest woman in music.<ref>Template:Cite web</ref>

A wax figure with a long ponytail and her large cone bra
Wax figure of Madonna at Madame Tussauds museum in Hong Kong

Spin writer Bianca Gracie stated that "the 'Queen of Pop' isn't enough to describe Madonna—she is Pop. [She] formulated the blueprint of what a pop star should be."<ref>Template:Cite web</ref> Madonna became the first act to be crowned the Greatest Pop Star twice by Billboard (1985 and 1989).<ref>Template:Cite magazine</ref> According to Sclafani, "It's worth noting that before Madonna, most music mega-stars were guy rockers; after her, almost all would be female singers ... When the Beatles hit America, they changed the paradigm of performer from solo act to band. Madonna changed it back—with an emphasis on the female."<ref>Template:Cite news</ref> Howard Kramer, curatorial director of the Rock and Roll Hall of Fame, asserted that "Madonna and the career she carved out for herself made possible virtually every other female pop singer to follow ... She certainly raised the standards of all of them ... She redefined what the parameters were for female performers."<ref>Template:Cite news</ref> Andy Bennett and Steve Waksman, authors of The SAGE Handbook of Popular Music (2014), noted that "almost all female pop stars of recent years—Britney Spears, Beyoncé, Rihanna, Katy Perry, Lady Gaga, and others—acknowledge the important influence of Madonna on their own careers."<ref name="fouz4">Template:Harvnb</ref> Madonna has also influenced male artists, inspiring rock frontmen Liam Gallagher of Oasis and Chester Bennington of Linkin Park to become musicians.<ref>Template:Cite news</ref><ref>Template:Cite web</ref>

Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism.<ref name="fouz3">Template:Harvnb</ref> The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style, and sexuality forced the public to sit up and take notice."<ref>Template:Harvnb</ref> Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations.<ref>Template:Harvnb</ref> In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, can unsettle standing feminist reflections and debates.<ref name="van der Tuin">Template:Harvnb</ref> According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women.<ref>Template:Harvnb</ref> Professor Sut Jhally has referred to her as "an almost sacred feminist icon".<ref name="Sut Jhally">Template:Harvnb</ref>

Writing for The Guardian, Matt Cain stated that Madonna has "broke[n] down social barriers" and brought marginalized groups to the forefront, by frequently featuring LGBT, Latino, and black culture in her works.<ref name="MattCain2">Template:Cite web</ref> An author said that "by making culture generally available, Madonna becomes the culture of all social classes".<ref name="McMillanIndia">Template:Cite book</ref> Canadian professor Karlene Faith gave her point of view saying that Madonna's peculiarity is that "she has cruised so freely through so many cultural terrains" and she "has been a 'cult figure' within self-propelling subcultures just as she became a major."<ref name="Faith">Template:Cite book</ref> GLAAD president Sarah Kate Ellis stated that Madonna "always has and always will be the LGBTQ community's greatest ally",<ref name="Ally">Template:Cite news</ref> while The Advocate dubbed her as "the greatest gay icon".<ref name="Advocate">Template:Cite magazine</ref> Madonna herself stated in 2024, "Aside from my birthday, New York Pride is the most important day of the year."<ref name=NYCPrideMostImportantDay>Template:Cite news</ref>

Madonna has received acclaim as a role model for businesswomen, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career.<ref name="Routledge">Template:Harvnb</ref> According to Gini Gorlinski in the book The 100 Most Influential Musicians of All Time (2010), Madonna's levels of power and control were "unprecedented" for a woman in the entertainment industry.<ref>Template:Harvnb</ref> London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success.<ref name=LBS>Template:Cite news</ref> Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her."<ref>Template:Cite book</ref>

Achievements

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Madonna's handprints in concrete
Madonna was the first person to be inducted into the Wembley Square of Fame in London, England.<ref>Template:Cite news</ref>

Forbes estimated Madonna's net worth at $850 million as of 2024,<ref name="FB">Template:Cite magazine</ref> making her one of the wealthiest musicians in the world. She became ForbesTemplate:'s annual highest-paid female musician 11 times across the 1980s,<ref>Annual earning list:

Madonna had generated over US$1.6 billion from ticket sales of her concert tours throughout her career,<ref>Template:Cite magazine</ref> she was the highest-grossing female touring artist,<ref name="Poll">Template:Cite web</ref> before being overtaken by Taylor Swift in 2023, according to Pollstar. Her biggest solo concerts by paying attendance include her Who's That Girl World Tour's concert in Parc de Sceaux, Paris (130,000 audience) and the Girlie Show's concert in Maracanã Stadium, Rio de Janeiro (120,000 audience).<ref name="paris1987" /><ref>Template:Cite news</ref> The closing performance of the Celebration Tour, in Copacabana, Rio de Janeiro, on May 5, 2024, drew over 1.6 million people, setting a record for the largest audience for a stand-alone concert by any artist at the time.<ref name="record1">Template:Cite magazine</ref> She has also won seven Grammy Awards and twenty MTV Video Music Awards, including the 1986 Video Vanguard Award for which she became the first female recipient.<ref>Template:Cite web</ref><ref>Template:Cite magazine</ref>

From "Like a Virgin" (1984) to "Give Me All Your Luvin'" (2012), a total of 44 Madonna singles have topped the official chart in at least one of the world's top-ten music markets, including the United States (12),<ref name="hot100">Template:Cite news</ref> the United Kingdom (13),<ref>Template:Cite web</ref> Canada (24),Template:Efn Australia (11),<ref>Template:Cite web</ref> Italy (23),<ref>Template:Cite book</ref><ref>Template:Cite web</ref> and Spain (21).Template:Sfn<ref>Template:Cite web</ref> At the 40th anniversary of the GfK Media Control Charts, Madonna was ranked as the most successful singles artist in German chart history.<ref>Template:Cite magazine</ref> According to Billboard, Madonna is the most successful solo artist in the Billboard Hot 100 chart history (second overall behind the Beatles) and the most successful dance club artist of all time.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> She has achieved 38 top-ten singles on the Billboard Hot 100, the most by any artist in pre-streaming era.<ref>Template:Cite news</ref> A dominant physical singles seller, she has the most number ones on the Hot 100 Singles Sales (16) and the Dance Singles Sales (33) of any artist.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> With a total of 50 Dance Club Songs chart-toppers, Madonna became the artist with the most number ones on any singular Billboard chart, pulling ahead of George Strait with 44 number-one songs on the Hot Country Songs chart.<ref name="DanceRecord">Template:Cite magazine</ref>

Discography

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