The Mark (1961 film)

The Mark is a 1961 British film directed by Guy Green and starring Stuart Whitman, Maria Schell, Rod Steiger and Brenda De Banzie. It was written by Sidney Buchman and Stanley Mann based on the 1951 novel of the same title by Charles E. Israel.

The story concerns a convicted child molester, now out of prison, who is suspected in the sexual assault of another child.

Plot

Jim Fuller is released from prison after serving time for intent to commit child molestation. He attempts to return to society while dealing with his psychological demons with the help of psychiatrist Dr. McNally.

After finding employment, Jim begins a romantic relationship with Ruth Leighton, the company's secretary, and he appears to be on the way to a better life. However, when a child is reported as a possible abuse victim, Jim is picked up for questioning by the police. He has a genuine alibi, and is eventually cleared, but a tabloid reporter exposes Jim's previous conviction, and he becomes a pariah in his new community.

Cast

• Stuart Whitman as Jim Fuller
• Rod Steiger as Dr. Edmund McNally
• Maria Schell as Ruth Leighton
• Brenda de Banzie as Gertrude Cartwright
• Donald Houston as Austin
• Donald Wolfit as Andrew Clive
• Paul Rogers as Roy Milne
• Maurice Denham as Arnold Cartwright

Production

The Mark was filmed in black and white and Cinemascope. It was shot in Ireland.Template:Citation needed

Each of the three main characters was played by an actor not originally slated for the role. Stuart Whitman was a last-minute replacement for Richard Burton; Maria Schell took over for Jean Simmons, who was supposed to have played Ruth; and the role of the prison psychiatrist was intended for Trevor Howard before Rod Steiger was cast.<ref name="TCMarticle"/><ref name="guy">Template:Cite web</ref>

According to an interview given by Steiger many years later, he had visited an analyst himself in the 1950s and observed how he conducted himself. He played McNally as an Irishman to avoid stereotyping and added touches to impart more humanity to the character. Steiger claimed that the portrayal was so well received by psychiatric professionals that he was invited to speak at a convention by a psychiatric society.<ref name="Henderson"/>

Release

The Mark premiered in London on 26 January 1961 at 20th Century Fox's Carlton Theatre, Haymarket, London and opened in New York in October.

Reception

Its subject matter made it controversial, and it was criticised for making a pedophile too sympathetic.<ref name="TCMarticle" /><ref name="BuhleWagner" />

It also received favourable reviews for its treatment of a difficult subject and praise for the acting, writing and directing.<ref name="NYTrvw" /><ref name="SRrvw" />

Green said the film was highly regarded in Hollywood, as was his previous film, The Angry Silence (1960), and led to Hollywood offers such as Light in the Piazza (1962).<ref name="guy" />

The Monthly Film Bulletin wrote: "This film makes a brave attempt at portraying abnormality sensibly, but gets no further. There is seriousness and care (always excepting such unconvincing episodes as Fuller's psychiatric treatment in prison, and the newspaper-man's extraordinarily irresponsible libel), but neither boldness nor passion. Too many issues are soft-pedalled.  ... Glamorous stars and expensive settings are altogether too obvious an edulcoration. There is, admittedly, much competent acting: Donald Wolfit is sound and solid as Clive, Paul Rogers convincing as the shifty executive assistant, Milne, and Donald Houston's journalist catches the eye. But the most compelling performance comes from Rod Steiger."<ref>Template:Cite journal</ref>

The Radio Times Guide to Films gave the film 3/5 stars, writing: "Pitched as a rather sentimentalised melodrama, this is still an unusually frank and adult treatment of a serious topic, set in Britain but performed by two major Hollywood stars."<ref>Template:Cite book</ref>

Variety wrote: "Producer Raymond Stross in the past has made a number of pix which have tended to rough up sex in equal mixtures of naivete and sleaziness. With The Mark, Stross still clings to an undeniable belief in sex as an ingredient that interests adult filmgoers. But, this time, he's set his sights higher. Result is an overlong, sometimes plodding, but honest, interesting glimpse at a sex dilemma. ... There are one or two obvious flaws in the story line and some of the flashbacks are irritating. But quietly it makes engrossing impact."<ref>Template:Cite journal</ref>

Accolades

In 1961 The Mark was selected to compete for a Palme d'Or at the Cannes Film Festival<ref>Template:Cite web</ref> and in 1961 Whitman was nominated for the Oscar for Best Actor in a Leading Role.<ref>Template:Cite web</ref>

External links

• The Mark (1961) at BFI
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