Editing Sherlock Jr.

{{Short description|1924 American film}}
{{About||the 2018 Philippine TV drama|Sherlock Jr. (TV series)}}
{{Use American English|date=January 2025}}
{{Use mdy dates|date=March 2025}}
{{Infobox film
| name           = Sherlock Jr.
| image          = Sherlock jr poster.jpg
| caption        = Theatrical release poster
| director       = [[Buster Keaton]]
| producer       = {{ubl|[[Joseph M. Schenck]]|Buster Keaton}}
| writer         = {{ubl|[[Jean Havez]]|Joseph A. Mitchell|[[Clyde Bruckman]]}}
| starring       = Buster Keaton
| music          = [[Club Foot Orchestra]] (1999)<br />[[Craig Marks]] (2014)<br />[[Timothy Brock]] (2015)<br>[[Robert Israel (composer)|Robert Israel]] (2020)
| cinematography = {{ubl|[[Elgin Lessley]]|[[Byron Houck]]}}
| editing        = Buster Keaton
| studio         = [[Metro Pictures Corporation]]
| distributor    = [[Metro-Goldwyn-Mayer|Metro-Goldwyn Pictures]]
| released       = {{Film date|1924|04|21}}
| runtime        = 45 minutes (5 reels)
| country        = United States
| language       = [[Silent film|Silent]] (English [[intertitle]]s)
| budget         =
| gross          = $448,337
}}
'''''Sherlock Jr.''''' is a 1924 American [[silent film|silent]] [[comedy film]] starring and directed by [[Buster Keaton]] and written by [[Clyde Bruckman]], [[Jean Havez]], and Joseph A. Mitchell. It features [[Kathryn McGuire]], [[Joe Keaton]], and [[Ward Crane]].<ref name=":0">{{Cite web |title=Sherlock, Jr. |url=https://www.tcm.com/tcmdb/title/500975/sherlock-jr#overview |access-date=2025-04-06 |website=Turner Classic Movies |language=}}</ref>

In 1991, ''Sherlock Jr.'' was selected for preservation in the United States [[National Film Registry]] by the [[Library of Congress]] as being "culturally, historically, or aesthetically significant".<ref name=":0" /> In 2000, the [[American Film Institute]], as part of its [[AFI 100 Years... series]], ranked the film #62 in its [[AFI's 100 Years... 100 Laughs]]. [[David Thomson (film critic)|David Thomson]] calls it "a breakthrough. It is as if a filmmaker had at last learned the point of the whole thing."<ref>{{cite book |last=Thomson |first=David |title=Have You Seen...? A Personal Introduction to 1000 Films |date=2008 |page=783}}</ref>

The title references the fictional [[Sherlock Holmes]].<ref>{{cite book|last1=Rowe Karlyn |first1=Kathleen|author-link1=|chapter=<small>THE DETECTIVE AND THE FOOL</small>|chapter-url=https://books.google.com/books?id=0wwHqJT-Q2QC|location=|editor-last1=Horton|editor-first1=Andrew  |title=Buster Keaton's Sherlock Jr.|url=https://books.google.com/books?id=0wwHqJT-Q2QC|series=|language=|volume=|edition=|publication-place=|publisher=[[Cambridge University Press]]|publication-date=1997 |page=114 - note 7|isbn=9780521485661|url-status=|access-date=|via=}}</ref>

==Plot==
[[File:Sherlock Jr. (1924).webm|thumb|left|thumbtime=2|''Sherlock, Jr.'']]
Buster Keaton stars as Projectionist, who moonlights as an amateur detective. When the cinema is empty, he reads the book ''How to be a Detective.'' He is in love with The Girl ([[Kathryn McGuire]]) but  has a rival, "The Local Sheik" ([[Ward Crane]]). Neither has much money. He finds a dollar note in the garbage he swept up in the lobby. He takes it and adds it to the $2 he has. A woman comes and says that she lost a dollar. He gives it back. But then a sad old woman also says that she lost a dollar, so he gives that also, leaving himself with $1. A man comes and searches the garbage and finds a wallet full of money. Projectionist buys a $1 box of chocolates, all he can afford, and changes the price to $4 before giving it to the woman he loves at her house. He later gives her a ring.

The Sheik comes into the house and steals the [[pocket watch]] of the Girl's Father ([[Joe Keaton]]) and pawns it for $4. With the money, he buys a $3 box of chocolates for the Girl. When the Father notices that his watch is missing, the Sheik slips the pawn ticket into the Projectionist's pocket unnoticed. The Projectionist offers to solve the crime, but when the pawn ticket is found in his pocket, he is banished from the house. When the Sheik leaves, the Projectionist shadows his every movement. The Sheik loses him by shutting him in a train car. Later, the Girl takes the pawn ticket to the pawnbroker and asks him to describe who pawned it. He points to the Sheik, standing outside.

While showing a film (advertised in the lobby as "Hearts and Pearls") about the theft of a [[pearl]] necklace, the Projectionist falls asleep and dreams that he enters the movie as a detective, Sherlock Jr. The other actors are replaced by the Projectionist's acquaintances, with the Sheik taking the role of the Villain. The dream begins with the theft being committed by the Villain with the aid of the Butler. The Girl's Father calls for the world's greatest detective and Sherlock Jr. arrives.

Fearing that they will be caught, the Villain and the Butler attempt to kill Sherlock Jr. through several traps, poison, and an elaborate pool game with an exploding 13 ball. When these fail, the Villain and Butler try to escape. Sherlock Jr. tracks them down to a warehouse but is outnumbered by the gang to which the villain was selling the necklace. During the confrontation, Sherlock Jr. discovers that they have kidnapped the Girl. With the help of his assistant, Gillette, Sherlock Jr. manages to save the woman, and after a car chase, manages to defeat the gang.

When he awakens, the Girl shows up to tell him that she and her father learned the identity of the real thief after she went to the pawn shop to see who actually pawned the pocket watch. As a reconciliation scene happens to be playing on the screen, the Projectionist mimics the actor's romantic behavior.

==Cast==
* [[Buster Keaton]] as Projectionist / Sherlock Jr. – A poor, young projectionist who wants to marry The Girl. He has an interest in being a detective and when he falls asleep, he dreams of being Sherlock Jr., the world's greatest detective.
* [[Kathryn McGuire]] as The Girl – The daughter of a fairly wealthy man, whom the Projectionist is in love with. In the dream, she must be saved by Sherlock Jr.
* [[Joe Keaton]] as The Girl's Father – A man who is wealthier than most. He does not want his daughter marrying a thief. In the dream, he is a very rich man.
* [[Erwin Connelly]] as The Hired Man / The Butler – A hired man of the girl's father. In the dream, he is a co-conspirator in the theft of the necklace.
* [[Ward Crane]] as The Local Sheik / The Villain – A poor scoundrel that has his eyes for the girl. He steals the pocket watch, and in the dream, he is the villain who steals the necklace.
* [[Ford West]] as Theatre Manager / [[William Gillette|Gillette]], Sherlock's assistant – The projectionist's boss in the real world. In the dream, he is the assistant. (uncredited)
* [[Rosalind Byrne]] as box office cashier (uncredited)
* Jane Connelly as The Mother (uncredited)
* [[George Davis (actor)|George Davis]] as Conspirator (uncredited)
* [[Doris Deane]] as Girl Who Loses Dollar Outside Cinema (uncredited)
* Christine Francis as Candy Store Girl (uncredited)
* [[Betsy Ann Hisle]] as Little Girl (uncredited)
* [[Kewpie Morgan]] as Conspirator (uncredited)
* [[Steve_Murphy_(actor)|Steve Murphy]] as Conspirator (uncredited)
* John Patrick as Conspirator (uncredited)

==Production==
Originally titled ''The Misfit'', production began in January 1924 in Los Angeles. Keaton later said that his character walking onto the screen and into a film was "the reason for making the whole picture&nbsp;... Just that one situation."{{sfn|Meade|p=142}} Having cast her in ''[[Three Ages]]'', Keaton cast [[Marion Harlan]] as the lead actress, but she became sick and was replaced by up-and-coming [[Keystone Studios]] actress [[Kathryn McGuire]], who had previously starred in ''The Silent Call'' and was a [[WAMPAS Baby Stars|WAMPAS Baby Star]] of 1923.{{sfn|Meade|p=143}}

Keaton initially hired [[Roscoe Arbuckle|Roscoe "Fatty" Arbuckle]] as his co-director for the film. Keaton had been discovered by Arbuckle, whose career was at a standstill after being accused of raping [[Virginia Rappe]] in 1921. During the scandal and court case, Arbuckle had lost his mansion and cars and was in debt for $750,000. Keaton wanted to help his old friend and hired Arbuckle under the pseudonym "William Goodrich". It is believed that the idea for the film was a tribute to Oscar Heinrich, the forensic scientist involved in the rape trial against Arbuckle. Filming began well and Arbuckle was happy to be back on set, but after Keaton corrected a mistake that Arbuckle had made, his attitude changed dramatically.{{sfn|Meade|p=143}}

Arbuckle became angry and abusive on set, yelling at actors and according to Keaton becoming "flushed and mad&nbsp;... [the scandal] just changed his disposition."{{sfn|Meade|p=144}} In his autobiography, Keaton claimed that Arbuckle was difficult to work with and he arranged for him to direct ''[[The Red Mill (film)|The Red Mill]]'' instead so that Keaton could complete the film alone. ''The Red Mill'' did not begin production until 1927. Arbuckle's second wife [[Doris Deane]] later claimed that Arbuckle had directed the entire film and had come up with all of the ideas for the film.{{sfn|Meade|p=325–326}}

The production included one of Keaton's most famous on-set accidents. In a scene where Keaton grabs a water spout while walking on a moving boxcar train, the water unexpectedly flooded down on Keaton much harder than anticipated, throwing him to the ground. The back of Keaton's neck slammed against a steel rail on the ground and caused him to black out. The pain was so intense that Keaton had to stop shooting later that day and he had "blinding headaches" for weeks afterwards, but continued working, having a well-known high threshold for physical pain.{{sfn|Meade|p=145}}

It was not until 1935 that a doctor spotted a callus over a fracture in Keaton's top vertebra in an X-ray.{{sfn|Meade|p=145}} The doctor informed Keaton that he had broken his neck during the accident nine years earlier and not realized it. Keaton famously always performed his own stunts, and this was not the only accident on set. In another scene, the motorcycle Keaton was riding skidded and smashed into two cameras, knocking over [[Eddie Cline]] and throwing Keaton onto a nearby car.{{sfn|Meade|p=146}}

''Sherlock Jr.'' was also Keaton's most complicated film for special optical effects and in-camera tricks. The film's most famous trick shot involves Keaton jumping into a small suitcase and disappearing. Keaton later said that it was an old vaudeville trick that his father had invented, and he later performed it on the ''[[Ed Sullivan Show]]'' in 1957, but never publicly revealed how he did it.{{sfn|Meade|p=146}} The trick was accomplished with a trap door behind the suitcase and an actor lying horizontally with long clothes hiding his absent bottom torso, which then allowed the actor to smoothly fall forward and walk as though he had always been standing vertically.{{sfn|Meade|p=147}}

Keaton later said that they "spent an awful lot of time getting those scenes". Filming took four months, while typically it took Keaton two months to finish a feature film. The editing was also difficult and took longer than a typical Keaton film.{{sfn|Meade|p=147}} Keaton later told film historian [[Kevin Brownlow]] "every cameraman in the business went to see that picture more than once trying to figure out how the hell we did some of that."<ref>Wakeman, John (1987). ''World Film Directors'', Volume 1. New York, New York: The H. W. Wilson Company. {{ISBN|978-0-8242-0757-1}}. p. 526.</ref>

Keaton depicted an early example of a [[Story within a story#Film within a film|film within a film]] in the dream sequence. Keaton's character leaves the projection room and goes down into the theater, then walks into the film being screened on the stage. Keaton later explained that this stunt was achieved through the use of lighting: "We built a stage with a big black cut-out screen. Then we built the front-row seats and orchestra pit. ... We lit the stage so it looked like a motion picture being projected on to a screen".{{sfn|Knopf|1999|p=104}}

Keaton's character is kicked out of the film a few times but finally manages to stay in, and is depicted in a series of different scenes including a park, a lake and a desert, through a series of cuts.{{sfn|Knopf|1999|p=103}} This was unique at the time because there was a continuity to the scenes and this strategy had rarely been used by filmmakers before. Keaton and his cameraman were able to do this by using surveyor's instruments to position Keaton and the camera at exactly the right distances and positions to support the illusion of continuity.{{sfn|Knopf|1999|p=104}}<ref>{{cite journal |last1=Fay |first1=Jennifer |title=Buster Keaton's Climate Change |journal=Modernism/Modernity |date=January 2014 |volume=21 |issue=1 |pages=25–49 |doi=10.1353/mod.2014.0006 |s2cid=145240584 |url=http://muse.jhu.edu/journals/modernism-modernity/v021/21.1.fay.html}}</ref>

== Music ==
In 1997, Australian ensemble [[Blue Grassy Knoll]] who specialise in scoring for Keaton's films, wrote a score for Sherlock Jr which premiered at the [[Melbourne International Film Festival]]. They have since performed the score around the world, including the [[New Victory Theater|New Victory Theatre]] in New York, the [[Edinburgh Fringe Festival]], and most recently an outdoor screening in [[Federation Square]], Melbourne.

In 2014, the [[Dallas Chamber Symphony]] commissioned [[Craig Marks]] to write an original musical score for Sherlock Jr.<ref>{{Cite web |last=Magazine |first=D. |date=March 4, 2014 |title=Classical Note: How Dallas Chamber Symphony Carved Out Its Niche |url=https://www.dmagazine.com/arts-entertainment/2014/03/classical-note-how-dallas-chamber-symphony-carved-out-its-niche/ |access-date=December 12, 2024 |website=D Magazine |language=en-US}}</ref> It premiered during a concert screening at [[Moody Performance Hall]] on February 25, 2014, with [[Richard McKay]] conducting.<ref>{{Cite web |last=Magazine |first=D. |date=March 4, 2014 |title=Classical Note: How Dallas Chamber Symphony Carved Out Its Niche |url=https://www.dmagazine.com/arts-entertainment/2014/03/classical-note-how-dallas-chamber-symphony-carved-out-its-niche/ |access-date=December 12, 2024 |website=D Magazine |language=en-US}}</ref>

==Reception==

===Release and critical response===
Keaton first previewed the film in Long Beach, California. Although audience members gasped at some of the special effects, there were very few laughs, and Keaton began re-editing the film to make it funnier. However, the second preview screening was more disappointing than the first, and Keaton continued cutting the film down to a very short 5-reel film. Producer Joseph Schenck wanted Keaton to add another 1,000 feet of film (approximately 11 minutes), but Keaton refused.{{sfn|Meade|p=147}}

The film was retitled ''Sherlock Jr.'' and released on April 21, 1924. It made $448,337, slightly less than ''Three Ages''. Keaton considered the film "alright [but] not one of the big ones", possibly due to the fact that it was his first real failure after a 25-year career on stage and screen.{{sfn|Meade|p=147}}

''Sherlock Jr.'' received mixed critical reviews. It received good reviews from ''The New York Times'', which called it "one of the best screen tricks ever incorporated in a comedy",<ref>''The New York Times''. Film review, May 26, 1924.</ref> and ''[[Photoplay]]'', which called it "rare and refreshing".{{sfn|Meade|p=147}}  Other positive notices came from ''The Los Angeles Times'', ''The Washington Post'', and ''The Atlanta Constitution''.<ref>''The Los Angeles Times''. Film review, April 28, 1924.</ref><ref>''The Washington Post''. Film review, May 12, 1924.</ref><ref>''The Atlanta Constitution''. Film review, April 27, 1924.</ref> Negative reviews included ''[[Picture Play (magazine)|Picture Play]]'', which wrote that it was devoid of "ingenuity and originality". ''[[Variety (magazine)|Variety]]'' wrote it was as funny as "a hospital operating room". [[Edmund Wilson]] of ''[[The New Republic]]'' criticized Keaton's performance for not having enough character development and the film for having too much "machinery and stunts".{{sfn|Meade|p=147}} 
In ''[[The Nation (magazine)| The Nation]]'' in 1946, critic [[James Agee]] wrote, "''Sherlock, Jr.'' is not one of Buster Keaton's funniest—none of his full-length films were—but it is about a hundred times as funny as anything made today. Some of the houses, yards, and streets are even more beautifully photographed than was usual in the old comedies. And one chase gag, involving a motorcycle and a long line of ditch-diggers, is hair-raising both in its mechanical perfection and as a piece of better-than-conscious surrealism."<ref>Agee, James - ''Agee on Film Vol.1'' © 1958 by The James Agee Trust</ref>

===Legacy===
[[Dwight Macdonald]], in his book ''On Movies'', notes the sophistication of the premise: <blockquote>the second half of ''Sherlock Junior'' cuts free across magical territory. By a great stroke of invention, the lovesick Buster is a movie projectionist, so that the medium becomes the artist's material, an advanced approach Buster had never heard of&nbsp;... He falls asleep in the projection booth, dreaming about his girl and his frustrated love. His ''doppelganger'' extracts itself from his sleeping body&nbsp;... and walks down the aisle of the darkened theatre to climb up on the stage and into the society-crook melodrama being projected on the screen&nbsp;... There's no explanation for this or any other ''lapsus naturalis'' in this 1924 film which makes later efforts by [[Salvador Dalí|Dalí]], [[Luis Buñuel|Buñuel]] and [[Jean Cocteau|Cocteau]] look pedestrian and a bit timid. They felt obliged to clarify matters by a symbolistic apparatus. Keaton never rose—or sunk—to that.<ref>{{Cite book |last=Macdonald |first=Dwight |title=On Movies |year=1969}}</ref></blockquote>

In 2005, ''[[Time (magazine)|Time]]'' named ''Sherlock Jr.'' as one of the All-Time 100 Movies, writing "The impeccable comedian directs himself in an impeccable silent comedy&nbsp;... Is this, as some critics have argued, an example of primitive American surrealism? Sure. But let's not get fancy about it. It is more significantly, a great example of American minimalism—simple objects and movement manipulated in casually complex ways to generate a steadily rising gale of laughter. The whole thing is only 45 minutes long, not a second of which is wasted. In an age when most comedies are all windup and no punch, this is the most treasurable of virtues."<ref>{{cite magazine |last1=Schickel |first1=Richard |title=Sherlock, Jr. (1924) |url=http://www.time.com/time/2005/100movies/0,23220,sherlock_jr,00.html |access-date=November 11, 2018 |magazine=Time |date=February 12, 2005 |url-status=dead |archive-url=https://web.archive.org/web/20050525013303/http://www.time.com/time/2005/100movies/0,23220,sherlock_jr,00.html |archive-date=May 25, 2005}}</ref>

Dennis Schwartz wrote that ''Sherlock Jr.'' is "one of Buster's superior silent comedies that's noted for his usual deadpan humor, frolicsome slapstick, the number of very funny sight gags, the many innovative technical accomplishments and that he did his own stunts (including the dangerous one where he was hanging off a ladder connected to a huge water basin as the water poured out and washed him onto the railroad track, fracturing his neck nearly to the point of breaking it. Keaton suffered from severe migraines for years after making this movie)."<ref>Schwartz, Dennis. [http://www.sover.net/~ozus/sherlockjr.htm ''Ozus' World Movie Reviews''], film review, November 20, 2006. Last accessed: February 21, 2008.</ref> [[David Thomson (film critic)|David Thomson]] calls ''Sherlock Jr.'' Keaton's "masterpiece" and "the most philosophically eloquent of silent comedies".<ref>{{Cite book |last=Thomson |first=David |title=[[The New Biographical Dictionary of Film]]}}</ref>

Rotten Tomatoes reports an 88% approval from 41 critics, with an average rating of 9.8/10.<ref>{{cite web |title=''Sherlock Jr.'' (1924) |url=https://www.rottentomatoes.com/m/sherlock_jr |website=[[Rotten Tomatoes]] |access-date=February 23, 2024}}</ref>

''Sherlock Jr.'' was a major influence on [[Woody Allen]]'s ''[[The Purple Rose of Cairo]]'' (1985), in which a character walks out of a movie and into real life.{{sfn|Meade|p=142}} Forty minutes into the film, Buster jams on the brakes of the car he is driving, causing the chassis to stop and the body to keep going, a gag reused in the [[James Bond]] film ''[[The Living Daylights]]'' (1987). In 2012, it was ranked number 61 in a list of the best-edited films of all time as selected by the members of the Motion Picture Editors Guild.<ref>[https://www.editorsguild.com/magazine.cfm?ArticleID=1101 ''The 75 Best Edited Films'']. Last accessed: January 5, 2013.</ref>  In the [[The Sight & Sound Greatest Films of All Time 2012|2012]] ''[[Sight & Sound]]'' polls, it was ranked the 59th-greatest film ever made in the critics' poll.<ref name="bfi">{{cite journal |url=http://www.bfi.org.uk/news/50-greatest-films-all-time |title=The Top 50 Greatest Films of All Time |issue=September 2012 |date=August 1, 2012 |journal=[[Sight & Sound]] |publisher=[[British Film Institute]] |access-date=June 6, 2013 |editor-link=Ian Christie (film scholar) |editor-first=Ian |editor-last=Christie |url-status=dead |archive-url=https://web.archive.org/web/20170301135739/http://www.bfi.org.uk/news/50-greatest-films-all-time |archive-date=March 1, 2017}}</ref> In 2015, ''Sherlock Jr.'' ranked 44th on [[BBC]]'s "100 Greatest American Films" list, voted on by film critics from around the world.<ref>{{cite web |date=July 20, 2015 |title=100 Greatest American Films |url=http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films |url-status=live |archive-url=https://web.archive.org/web/20160916105535/http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films |archive-date=September 16, 2016 |access-date=July 21, 2015 |publisher=BBC}}</ref> On January 5, 2023, Richard Brody included it on his list of "Thirty-four Movies That Celebrate the Movies".<ref>{{Cite magazine |last=Brody |first=Richard |date=January 5, 2023 |title=Thirty-four Movies That Celebrate the Movies |magazine=[[The New Yorker]] |url=https://www.newyorker.com/culture/the-front-row/thirty-four-movies-that-celebrate-the-movies#intcid=_the-new-yorker-bottom-recirc_323183df-37e2-4666-b0ae-b0e6830b8af7_text2vec1}}</ref>

On [[2020 in public domain|January 1, 2020]], the film entered into the [[public domain]] in the United States.<ref>{{Cite web |url=https://www.npr.org/2019/12/30/792302139/1924-copyrighted-works-to-become-part-of-the-public-domain |title=1924 Copyrighted Works To Become Part Of The Public Domain |date=December 30, 2019 |publisher=[[NPR]] |access-date=January 1, 2020}}</ref><ref>{{Cite web |url=https://web.law.duke.edu/cspd/publicdomainday/2020/ |title=Public Domain Day 2020 |publisher=Duke Law School's [[Center for the Study of the Public Domain]] |access-date=January 1, 2020}}</ref>

A clip from the film was included in the ''[[Star Trek: Discovery]]'' episode "Forget Me Not". [https://www.youtube.com/watch?v=uD2ry-RXkkw]

In Sherlock Jr. (1924), the butler, who is the villain’s accomplice, tries to poison Sherlock Jr., the hero, by putting poison in a shot glass.  Sherlock Jr., played by Buster Keaton, manages to avoid the poison, and in a subsequent scene, the butler accidentally drinks the poisoned drink himself. In the Malayalam movie [[Minnaram]] (1994), Unnunni, [[Jagathy Sreekumar]]’s character, tries unsuccessfully to poison Bobby, the character played by [[Mohanlal]], by adding poison powder to Bobby’s drink at 1:33:44 of the film [https://www.youtube.com/watch?v=OPUqZQ0yT2U]. However, in a comedic twist, Unnunni ends up poisoning himself.

===Accolades===
In 1991, ''Sherlock Jr.'' was selected for preservation in the United States [[National Film Registry]] by the [[Library of Congress]] as being "culturally, historically, or aesthetically significant".

The film was ranked 62nd on the [[American Film Institute]]'s list [[AFI's 100 Years...100 Laughs]] (2000).<ref>{{cite web |title=AFI's 100 Years...100 Laughs |url=http://www.afi.com/Docs/100Years/laughs100.pdf |publisher=[[American Film Institute]] |access-date=August 7, 2016 |archive-date=June 24, 2016 |archive-url=https://web.archive.org/web/20160624052741/http://afi.com/Docs/100Years/laughs100.pdf |url-status=dead}}</ref>

==See also==
* [[Buster Keaton filmography]]
* [[List of United States comedy films]]
* [[List of films featuring fictional films]]

==References==
{{Reflist}}

==Bibliography==
* {{cite book |last1=Meade |first1=Marion |title=Buster Keaton: Cut to the Chase |date=1997 |publisher=Da Capo Press |location=New York |isbn=0306808021 |edition=1st |ref={{sfnRef|Meade}}}}
* {{cite book |url=https://books.google.com/books?id=fU5qDx7tawIC&pg=PA104 |title=The Theater and Cinema of Buster Keaton |first=Robert |last=Knopf |year=1999 |publisher=Princeton University Press |isbn=9780691004426}}

==External links==
{{Commons category|Sherlock Jr.}}
* {{IMDb title|0015324}}
* [https://www.allmovie.com/movie/sherlock-jr-am6870 ''Sherlock Jr.'' at AllMovie]
* {{tcmdb title|id=500975}}
* {{AFI film|12044}}

{{Buster Keaton}}
{{Authority control}}

[[Category:1924 films]]
[[Category:1924 comedy films]]
[[Category:1920s American films]]
[[Category:Silent American comedy films]]
[[Category:American silent feature films]]
[[Category:American black-and-white films]]
[[Category:Films directed by Buster Keaton]]
[[Category:Films set in a movie theatre]]
[[Category:Metro Pictures films]]
[[Category:United States National Film Registry films]]
[[Category:Films produced by Joseph M. Schenck]]
[[Category:Surviving American silent films]]
[[Category:Articles containing video clips]]