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{{Short description|1955 American film directed by Nicholas Ray}} {{Use American English|date=January 2025}} {{Infobox film | name = Rebel Without a Cause | image = Rebel Without a Cause (1955 poster).jpg | alt = | caption = Theatrical release poster | director = [[Nicholas Ray]] | producer = [[David Weisbart]] | screenplay = [[Stewart Stern]]<br />[[Irving Shulman]] (adaptation) | story = Nicholas Ray | starring = [[James Dean]]<br />[[Natalie Wood]]<br />[[Sal Mineo]]<br>[[Jim Backus]]<br>[[Ann Doran]]<br>[[Corey Allen]]<br>[[William Hopper]] | music = [[Leonard Rosenman]] | cinematography = [[Ernest Haller]] | editing = [[William H. Ziegler]] | studio = [[Warner Bros. Pictures]] | distributor = Warner Bros. Pictures | released = {{Film date|1955|10|27|ref1=<ref name="Bisbort2010">{{cite book|author=Alan Bisbort|title=Beatniks: A Guide to an American Subculture|url=https://books.google.com/books?id=vctXAAAAYAAJ&q=%22October%2027,%201955%22|year=2010|publisher=Greenwood Press/ABC-CLIO|isbn=978-0-313-36574-4|page=xxi}}</ref>}} | runtime = 111 minutes | country = United States | language = English | budget = $1.5 million | gross = $4.5 million {{small|(US rentals)}}<ref>'The Top Box-Office Hits of 1956', ''Variety Weekly'', January 2, 1957</ref> }} '''''Rebel Without a Cause''''' is a 1955 American [[List of coming-of-age stories|coming-of-age]] [[melodrama film]],<ref>{{cite book|first=Thomas|last=Schatz|year=1981|title=Hollywood Genres: Formulas, Filmmaking, and the Studio System|isbn=0-394-32255-X|location=New York|publisher=[[Random House]]|pages=239–241}}</ref><ref>{{cite book|title=Melodrama: Genre, Style, Sensibility|isbn=978-0-231-50306-8|type=eBook|year=2013|orig-year=2004|publisher=Wallflower, [[Columbia University Press]]|location=London; New York|series=Short Cuts|last=Mercer|first=John|first2=Martin|last2=Shingler|chapter=Case studies: Broken Blossoms, Stella Dallas and Rebel Without a Cause}}</ref><ref>{{cite book|editor-first=Christine|editor-last=Gledhill|title=Home is Where the Heart Is: Studies in Melodrama and the Woman's Film|publisher=[[British Film Institute]]|year=1987|location=London|isbn=0-85170-200-7|page=56}}</ref> directed by [[Nicholas Ray]]. The film stars [[James Dean]], [[Natalie Wood]], [[Sal Mineo]], [[Jim Backus]], [[Ann Doran]], [[Corey Allen]] and [[William Hopper]]. It is also the film debut of [[Dennis Hopper]], albeit in a minor role. It was filmed in the then recently introduced [[CinemaScope]] format. Focusing on emotionally confused [[suburban]], [[middle-class]] [[teenager]]s, the film offers both social commentary and an alternative to previous films depicting delinquents in [[Urban area|urban]] [[slum]] environments.<ref name="WVrev">''[[Variety Film Reviews|Variety]]'' film review; October 26, 1955, page 6.</ref><ref name="HRrev">''[[Harrison's Reports and Film Reviews|Harrison's Reports]]'' film review; October 22, 1955, page 170.</ref> The film was an attempt to portray the moral decay of American youth, critique parental styles, and explore the [[generation gap|differences and conflicts between generations]], namely the [[Interbellum Generation]] and the [[Silent Generation]]. The title was adopted from psychologist [[Robert M. Lindner]]'s 1944 book, ''Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath'', although the film itself does not make any other references to Lindner's book. [[Warner Bros.]] released the film on October 27, 1955, nearly a month after Dean's death in a car crash on September 30, 1955. Over the years, the film has achieved landmark status for the performance of Dean, fresh from his [[Academy Award for Best Actor|Oscar-nominated]] role in ''[[East of Eden (film)|East of Eden]]'', in his most celebrated role. This was the only film of Dean's in which he received top billing. In 1990, ''Rebel Without a Cause'' was added to the [[Library of Congress]]'s [[National Film Registry]] as being deemed "culturally, historically, and aesthetically significant".<ref name="FilmRegistry1990">{{Cite web|title=Complete National Film Registry Listing |url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|website=Library of Congress|access-date=2020-05-08}}</ref><ref>{{Cite news|last1=Gamarekian|first1=Barbara|date=1990-10-19|title=Library of Congress Adds 25 Titles to National Film Registry|language=en-US|work=The New York Times|url=https://www.nytimes.com/1990/10/19/movies/library-of-congress-adds-25-titles-to-national-film-registry.html|access-date=2020-08-06|issn=0362-4331}}</ref> ==Plot== [[Image:Virginia Brissac, Jim Backus, Ann Doran, Edward Platt and James Dean in Rebel Without a Cause trailer.jpg|right|thumb|Jim Stark in police custody.]] In Los Angeles during the mid-1950s, teenager Jim Stark is arrested and taken to the juvenile division of a police station for public intoxication. At the station he crosses paths with John "Plato" Crawford, who was brought in for killing a litter of puppies, and Judy, who was brought in for curfew violation. The three separately reveal their innermost frustrations to the officers; all three of them suffer from problems at home. Jim feels anguished by his constantly bickering parents, Frank and Carol, but even more so by his timid father's failure to stand up to Carol; the issues are further complicated by Frank's interfering mother. His frustrations are made manifest to officer Ray Fremick when Jim is released to their custody. Judy is convinced that her father ignores her because she is no longer a little girl, so she dresses up in racy clothes to get attention, which only causes her father to call her a "dirty tramp", while Plato's father abandoned his family when he was a toddler, and his mother is often away from home, leaving Plato in the care of his housekeeper. On the way to his first day at Dawson High, Jim again meets Judy and offers her a ride. Seemingly unimpressed by Jim, she declines and is instead picked up by her "friends", a gang of delinquents led by Buzz Gunderson who Judy is also dating. Jim is shunned by the rest of the student body but is befriended by Plato, who comes to idolize Jim. After a [[field trip]] to [[Griffith Observatory]], Buzz provokes and challenges Jim to a knife fight; Jim bests Buzz by knocking his switchblade out of his hand, then throws his own blade away. To preserve his status as gang leader, Buzz suggests stealing some cars to have a "[[chicken (game)|Chickie Run]]" at a seaside cliff.<ref name="Slocum2005">{{cite book |last1=Slocum |first1=J. David |title=Rebel Without a Cause: Approaches to a Maverick Masterwork |date=2005 |publisher=SUNY Press |isbn=978-0-7914-6646-9 |page=157 |url=https://books.google.com/books?id=EXLSUA4Rk60C&pg=PA157}}</ref> At home, Jim ambiguously asks his father about defending one's honor in a dangerous situation, but Frank advises him against confrontation of any kind. That night, during the chickie run, Buzz plunges to his death when the strap on his jacket sleeve becomes entangled with his door-latch lever, preventing him from exiting the car. As police approach, the gang flees, leaving Judy behind, but Jim persuades her to leave with him and Plato. [[Image:Ann Doran, James Dean and Jim Backus in Rebel Without a Cause trailer.jpg|right|thumb|Jim confronts his father while his mother watches.]] Jim later confides to his parents his involvement in the crash and considers turning himself in. When Carol declares they are moving again, Jim pleads with Frank to stand up for him. When Frank refuses, Jim attacks him in frustration, then storms off to the police station to confess, only to be turned away by the desk sergeant. Jim drives back home, finding Judy waiting for him. She apologizes for her prior treatment of him due to peer pressure, and the two begin to fall in love. Agreeing to never return to their respective homes, Jim suggests they visit an old deserted mansion Plato told him about. Meanwhile, Plato is intercepted by three members of Buzz's gang, who are convinced that Jim betrayed them to the police. They steal Plato's address book and pursue Jim; Plato retrieves his mother's gun and leaves to warn Jim and Judy, finding them at the mansion. The three new friends act out a fantasy as a family. Plato then falls asleep, and Jim and Judy leave to explore the mansion, where they share their first kiss. Buzz's gang find and wake up Plato, who, frightened and distraught, shoots and wounds one of the gang. When Jim returns, he attempts to restrain Plato, who flees, accusing Jim of abandoning him. Plato runs to the observatory and barricades himself inside as more police converge including Fremick who, along with Frank and Carol, has been searching for Jim. Jim and Judy follow Plato into the observatory, where Jim persuades Plato to trade the gun for his red jacket; Jim quietly removes the ammunition before returning it, and then convinces Plato to come outside. When the police notice that Plato still has the gun, they shoot Plato dead as he charges them, unaware that Jim had removed the bullets. Frank comforts his grieving son, vowing to be a better father. Now reconciled with his parents, Jim introduces them to Judy. ==Cast== [[File:Rebel Without a Cause (1955) - Trailer.webm|thumb|Original trailer of the film]] {{Cast listing| * [[James Dean]] as James "Jim" Stark * [[Natalie Wood]] as Judy * [[Sal Mineo]] as John "Plato" Crawford * [[Jim Backus]] as Frank Stark * [[Ann Doran]] as Carol Stark * [[Corey Allen]] as Buzz Gunderson * [[William Hopper]] as Judy's father * [[Rochelle Hudson]] as Judy's mother * [[Edward Platt]] as Inspector Ray Fremick * [[Marietta Canty]] as the Crawford family maid * [[Virginia Brissac]] as Grandma Stark * [[Dennis Hopper]] as Goon * [[Jack Grinnage]] as Moose * [[Frank Mazzola]] as Crunch * [[Ian Wolfe]] as Dr. Minton, lecturer at planetarium * [[Beverly Long (actress)|Beverly Long]] as Helen * [[Robert Foulk]] as Gene * Jack Simmons as Cookie * Tom Bernard as Harry * [[Nick Adams (actor, born 1931)|Nick Adams]] as Chick * {{ill|Steffi Sidney|de}} as Mil * Clifford Morris as Cliff }} ==Production== Warner Brothers had bought the rights to [[Robert M. Lindner|Lindner's]] book, intending to use the title for a film. Attempts to create a film version in the late 1940s eventually ended without a film or even a full script being produced. When [[Marlon Brando]] did a five-minute [[screen test]] for the studio in 1947, he was given fragments of one of the partial scripts. However, Brando was not auditioning for ''Rebel Without a Cause'', and there was no offer of any part made by the studio. The film, as it later appeared, was the result of a totally new script written in the 1950s that had nothing to do with the Brando test. The screen test is included on a 2006 special edition [[DVD]] of the 1951 film ''[[A Streetcar Named Desire (1951 film)|A Streetcar Named Desire]]''. According to a biography of Natalie Wood, she almost did not get the role of Judy because Nicholas Ray thought that she did not fit the role of the wild teen character. While on a night out with friends, she was in a car accident. Upon hearing this, Ray rushed to the hospital. While in delirium, Wood overheard the doctor murmuring and calling her a "goddamn juvenile delinquent"; she soon yelled to Ray, "Did you hear what he called me, Nick?! He called me a goddamn juvenile delinquent! ''Now'' do I get the part?!"<ref name=Finstead2009>{{cite book |last=Finstead |first=Susan |title=Natasha: The Biography of Natalie Wood |page=176 |url=https://books.google.com/books?id=ShQPhimir3EC&pg=PA176 |year=2009 |publisher=[[Random House]] |isbn=9780307428660 |access-date=July 11, 2014}} Latest Wood biography.</ref><ref name=Higgins2011>{{cite journal |last=Higgins |first=Bill |title=How Natalie Wood Seduced Her Way Into 'Rebel Without a Cause' |url=http://www.hollywoodreporter.com/news/natalie-wood-death-rebel-without-266053 |journal=The Hollywood Reporter |date=24 November 2011 |access-date=July 11, 2014}} Tells of the quote being from 1974 interview.</ref> Dawson High School, the school in the film, was actually [[Santa Monica High School]], located in [[Santa Monica, California]]. Exterior scenes at the abandoned mansion to which the characters retreat were filmed at the [[William O. Jenkins House]], previously used in the film ''[[Sunset Boulevard (film)|Sunset Boulevard]]'' (1950). It was demolished just two years after filming.{{sfn|Frascella|Weisel|2005|p=[{{GBurl|id=B92ZdPN9ut8C|PA155}} 155]}} [[Irving Shulman]], who adapted Nicholas Ray's initial film story into the screenplay, had considered changing the name of James Dean's character to Herman Deville, according to Jurgen Muller's ''Movies of the '50s''. He originally had written a number of scenes that were shot and later cut from the final version of the film. According to an AFI interview with Stewart Stern, with whom Shulman worked on the screenplay, one of the scenes was thought to be too emotionally provocative to be included in the final print of the film. It portrayed the character of Jim Stark inebriated to the point of belligerence screaming at a car in the parking lot "It's a little jeep jeep! Little jeep, jeep!" The scene was considered unproductive to the story's progression by head editor [[William H. Ziegler]] and ultimately was cut. In 2006, members of the [[Film at Lincoln Center|Film Society of Lincoln Center]] petitioned to have the scene printed and archived for historical preservation. Sal Mineo would later note in a 1972 interview that the character of Plato Crawford was intended to have been gay. Speaking to [[Boze Hadleigh]], he said, "[It m]akes sense [that Plato was killed off]: he was, in a way, the first gay teenager in films. You watch it now, you ''know'' he had the hots for James Dean. You watch it now, and everyone knows about Jimmy['s bisexuality], so it's like he had the hots for Natalie [Wood] and me. Ergo, I had to be bumped off, out of the way."<ref name="salmineo1972">{{cite web |url=http://www.salmineo.com/news/inter_hadleigh.html |title=Boze Hadleigh interview with Sal Mineo, 1972 |access-date=November 26, 2021 |url-status=dead |archive-url=https://web.archive.org/web/20150924093740/http://www.salmineo.com/news/inter_hadleigh.html |archive-date=September 24, 2015 }}</ref> The film was in production from March 28 to May 26, 1955. When production began, Warner Bros. considered it a B-movie project, and Ray used black-and-white film stock. When [[Jack L. Warner]] realized James Dean was a rising star and a hot property, filming was switched to color stock, and many scenes had to be reshot in color. It was shot in the widescreen [[CinemaScope]] format, which had been introduced two years previously. With its densely expressive images, the film has been called a "landmark ... a quantum leap forward in the artistic and technical evolution of a format."<ref name="ASC">{{cite journal|title=DVD Playback: Rebel Without a Cause (1955)|journal=American Cinematographer|date=October 2005|volume=86|issue=10}}</ref> The 1949 Mercury two-door sedan James Dean drove in the movie is part of the permanent collection at the [[National Automobile Museum]] in Reno, Nevada. ==Reception== ''Rebel Without a Cause'' holds a 93% fresh rating on [[Rotten Tomatoes]] based on 61 reviews, with an average rating of 8.30/10. The critical consensus reads, "''Rebel Without a Cause'' is a searing melodrama featuring keen insight into '50s juvenile attitude and James Dean's cool, iconic performance."<ref>{{cite Rotten Tomatoes |title=Rebel Without a Cause |type=m |id=rebel_without_a_cause |access-date=March 30, 2022 |publisher_hide=yes}}</ref> [[Metacritic]], which uses a [[Weighted arithmetic mean|weighted average]], assigned the film a score of 89 out of 100, based on 19 critics, indicating "universal acclaim".<ref>{{cite Metacritic |id=rebel-without-a-cause |type=movie |title=Rebel Without a Cause |access-date=May 13, 2024 |publisher_hide=yes}}</ref> Natalie Wood, Sal Mineo, and Nicholas Ray were nominated for Academy Awards for their roles in ''Rebel Without a Cause'', which grossed $7,197,000 (equivalent to ${{Inflation|US|7.197|1955|r=1}} million in {{Inflation/year|US}}) in domestic and overseas screenings, making it Warner Bros.' second-biggest box-office draw that year.<ref name="Carter2008">{{cite book|author=Graydon Carter|title=Vanity Fair's Tales of Hollywood: Rebels, Reds, and Graduates and the Wild Stories Behind the Making of 13 Iconic Films|url=https://books.google.com/books?id=BdCSPtFh69EC&pg=PA71|year=2008|publisher=Penguin Books|isbn=978-0-14-311471-0|pages=71–72}}</ref> The movie opened to mixed reviews when it was released on October 27, 1955, less than a month after James Dean, whose performance was praised all around by film critics, died on September 30. [[William Zinsser]] wrote a scathing review of ''Rebel'' in his ''New York Herald Tribune'' column, concluding his summary of the film's plot with the words, "All this takes two hours, but it seems more like two days. The movie is written and acted so ineptly, directed so sluggishly, that all names but one will be omitted here. The exception is Dean, the gifted young actor who was killed last month. His rare talent and appealing personality even shine through this turgid melodrama."<ref name="Carter2008"/> [[Bosley Crowther]], writing in ''The New York Times'', described ''Rebel Without a Cause'' as "violent, brutal and disturbing", and as an excessively graphic depiction of teenagers and their "weird ways". He referred to a "horrifying duel with switchblades", a "brutal scene", and a "shocking presentation" of a race in stolen automobiles. Although he admitted that there are moments of accuracy and truth in the film, he found these "excruciating", and discerned a "pictorial slickness" in the production's use of the CinemaScope process and its filming in the [[widescreen]] format, a slickness he declared was at odds with the realism of Ray's directing. Crowther was not impressed by James Dean's acting, and cited the various mannerisms he believed Dean copied from Marlon Brando, asserting that "Never have we seen a performer so clearly follow another's style" and calling Dean's interpretation of the Jim Stark role a "clumsy display".<ref name="Crowther1955">{{cite news |author1=Bosley Crowther |title=The Screen: Delinquency; 'Rebel Without Cause' Has Debut at Astor |url=https://www.nytimes.com/1955/10/27/archives/the-screen-delinquency-rebel-without-cause-has-debut-at-astor.html |work=The New York Times |date=October 27, 1955}}</ref> Reviewer [[Jack Moffitt (screenwriter)|Jack Moffitt]] of ''The Hollywood Reporter'', who correctly thought the film would be a money maker, wrote a less critical, more laudatory review. He found the acting of James Dean, Natalie Wood, and Sal Mineo to be "extraordinarily good", and the direction by Nicholas Ray to be "outstanding". He praised the realistic manner in which Ray depicted the police station scenes and the engaging manner, according to Moffitt, in which he captured the nihilism of the teenage subculture for his audience. Moffitt took issue with the underlying ideology of the film, especially its implication, as he saw it, that professional bureaucrats could better guide youth than the American family unit itself. He criticized the film for overgeneralizing, calling this aspect a "convenient cliche", and summed up his review by describing the film as "a superficial treatment of a vital problem that has been staged brilliantly".<ref name="Moffitt1955">{{cite news |author1=Jack Moffitt |title='Rebel Without a Cause': THR's 1955 Review |url=https://www.hollywoodreporter.com/review/rebel-a-cause-1955-film-review-940868 |work=The Hollywood Reporter |date=October 21, 1955 |archive-url=https://web.archive.org/web/20190504190224/https://www.hollywoodreporter.com/review/rebel-a-cause-1955-film-review-940868 |archive-date=4 May 2019 |language=en}}</ref> Robert J. Landry, managing editor of ''Variety'' magazine at the time, wrote a review published on October 26. He described ''Rebel'' as a "fairly exciting, suspenseful and provocative, if also occasionally far-fetched, melodrama of unhappy youth on another delinquency kick." Unlike some movie critics, Landry thought that James Dean, under the influence of Nicholas Ray's direction, had mostly freed his acting of the mannerisms characteristic of Marlon Brando's style, and that his performance in the movie was "very effective". He praised Dean's interpretation of a maladjusted teenager, noting his ability "to get inside the skin" of his character as "not often encountered".<ref name="Landry1955">{{cite magazine |author1=Robert J. Landry |title=Rebel Without a Cause |journal=Variety |date=October 26, 1955 |url=https://variety.com/1955/film/reviews/rebel-without-a-cause-1200417958/ |publisher=Variety Inc. |language=en}}</ref> Wanda Hale of the ''[[New York Daily News]]'' found fault with ''Rebel''{{'}}s depiction, in her view, of its adults as cardboard figures and of its middle-class teenagers as hoodlums, arguing that it lacked credibility and that "[a]s an honest purposeful drama of juvenile hardness and violence the film just doesn't measure up." On the other hand, she praised James Dean's acting, writing, "[w]ith complete control of the character, he gives a fine, sensitive performance of an unhappy, lonely teenager, tormented by the knowledge of his emotional instability."<ref name="Rathgeb2015">{{cite book|author=Douglas L. Rathgeb|title=The Making of Rebel Without a Cause|url=https://books.google.com/books?id=A7_eCQAAQBAJ&pg=PA186|date=June 8, 2015|publisher=McFarland|isbn=978-0-7864-8750-9|page=186}}</ref> ''Rebel'' was censored in Britain by the British Board of Film Censors and released with scenes cut and an [[X rating#United Kingdom|X-rating]].<ref name="Rathgeb2015189">{{cite book|author=Douglas L. Rathgeb|title=The Making of Rebel Without a Cause|url=https://books.google.com/books?id=A7_eCQAAQBAJ&pg=PA189|date=2015|publisher=McFarland|isbn=978-0-7864-1976-0|pages=189–190}}</ref><ref>{{cite news|url=https://www.telegraph.co.uk/culture/film/film-news/5586314/To-cut-or-not-to-cut-a-censors-dilemma.html |archive-url=https://ghostarchive.org/archive/20220112/https://www.telegraph.co.uk/culture/film/film-news/5586314/To-cut-or-not-to-cut-a-censors-dilemma.html |archive-date=2022-01-12 |url-access=subscription |url-status=live|title=To cut or not to cut – a censor's dilemma|author=Roya Nikkhah|newspaper=The Daily Telegraph|date=2009-06-21}}{{cbignore}}</ref> Most of the knife fight was excised and not shown on British screens until 1967.<ref name="Kreidl1977">{{cite book|author=John Francis Kreidl|title=Nicholas Ray|url=https://books.google.com/books?id=4KhZAAAAMAAJ&q=%22censored%20in%20Britain%22|year=1977|publisher=Twayne|isbn=978-0-8057-9250-8|page=155}}</ref> The film was banned in New Zealand in 1955 by Chief Censor [[Gordon Mirams]], out of fears that it would incite "teenage delinquency", only to be released on appeal the following year with scenes cut and an R16 rating.<ref name="ConrichMurray2008">{{cite book|author1=Ian Conrich|author2=Stuart Murray|title=Contemporary New Zealand Cinema: From New Wave to Blockbuster|url=https://books.google.com/books?id=1nYAAwAAQBAJ&pg=PA73|date=September 30, 2008|publisher=I.B.Tauris|isbn=978-0-85771-162-5|page=73}}</ref><ref>{{cite web|url=http://www.censor.org.nz/resources/history/1955.html|title=History of Censorship: 1955 – Rebel Without a Cause|publisher=NZ Office of Film & Literature Classification}}</ref> ''Rebel'' was also banned in Spain, where it had to be smuggled into the country for private screenings, and was not officially released there until 1964.<ref name="Carter2008" /> ==Accolades== {| class="wikitable plainrowheaders" |- ! Award ! Category ! Nominee(s) ! Result ! Ref. |- | rowspan="3"| [[28th Academy Awards|Academy Awards]] | [[Academy Award for Best Supporting Actor|Best Supporting Actor]] | [[Sal Mineo]] | {{nom}} | align="center" rowspan="3"| <ref>{{Cite web |url=http://www.oscars.org/oscars/ceremonies/1956 |title=The 28th Academy Awards (1956) Nominees and Winners |access-date=August 20, 2011 |publisher=[[Academy of Motion Picture Arts and Sciences]] |archive-url=https://web.archive.org/web/20110706094007/http://www.oscars.org/awards/academyawards/legacy/ceremony/28th-winners.html |archive-date=July 6, 2011 |url-status=live}}</ref> |- | [[Academy Award for Best Supporting Actress|Best Supporting Actress]] | [[Natalie Wood]] | {{nom}} |- | [[Academy Award for Best Story|Best Motion Picture Story]] | [[Nicholas Ray]] | {{nom}} |- | rowspan="2"| [[10th British Academy Film Awards|British Academy Film Awards]] | colspan="2"| [[BAFTA Award for Best Film|Best Film]] | {{nom}} | align="center" rowspan="2"| <ref>{{Cite web |url=https://awards.bafta.org/award/1957/film |title=Film in 1957 |publisher=[[British Academy Film Awards]] |access-date=May 13, 2024 |archive-url=https://web.archive.org/web/20230929201257/http://awards.bafta.org/award/1957/film |archive-date=September 29, 2023 |url-status=live}}</ref> |- | [[BAFTA Award for Best Actor in a Leading Role|Best Foreign Actor]] | [[James Dean]] | {{nom}} |- | [[Cahiers du cinéma's Annual Top 10 Lists|Cahiers du Cinéma]] | Best Film | Nicholas Ray | {{nom}} |- | [[14th Golden Globe Awards|Golden Globe Awards]] | [[Golden Globe Award for New Star of the Year – Actress|Most Promising Newcomer – Female]] | Natalie Wood | {{won}} | align="center"| <ref>{{Cite web |url=https://goldenglobes.com/film/rebel-without-a-cause/ |title=Rebel Without a Cause |publisher=[[Golden Globe Awards]] |access-date=May 3, 2024 |archive-url=https://web.archive.org/web/20240114052859/https://goldenglobes.com/film/rebel-without-a-cause/ |archive-date=January 14, 2024 |url-status=live}}</ref> |- | [[National Film Preservation Board]] | colspan="2"| [[National Film Registry]] | {{won|Inducted}} | align="center"| <ref name="FilmRegistry1990"/> |- | Online Film & Television Association Awards | colspan="2"| Film Hall of Fame: Productions | {{won}} | align="center"| <ref>{{Cite web |url=https://www.oftaawards.com/film-hall-of-fame/film-hall-of-fame-productions/ |title=Film Hall of Fame: Productions |publisher=Online Film & Television Association |access-date=December 20, 2024}}</ref> |- | [[40th Saturn Awards|Saturn Awards]] | [[Saturn Award for Best DVD or Blu-ray Collection|Best DVD or Blu-ray Collection]] | ''James Dean Ultimate Collector's Collection'' | {{nom}} | align="center"| |} '''American Film Institute recognition''' * 1998 [[AFI's 100 Years... 100 Movies]] #59 * 2005 [[AFI's 100 Years... 100 Movie Quotes]] ** "You're tearing me apart!" Nominated '''''Empire'' magazine recognition''' * Ranked 477th on list of the 500 greatest movies of all time in 2008.<ref>{{cite web|url=http://www.empireonline.com/500/5.asp |title=Empire's 500 Greatest Movies Of All Time |work=Empire (film magazine) |date=2006-12-05 |access-date=2012-08-13}}</ref> == Costumes and props == The switchblade James Dean's character used in the fight scene at [[Griffith Observatory]] was offered at auction on September 30, 2015, by [[Profiles in History]] with an estimated value of US$12,000 to $15,000; the winning bid was US$12,000.<ref name="HwdAuction74">{{cite book | title = Hollywood Auction 74 |year = 2015 | publisher = [[Profiles in History]] | location = California | page = 434 | quote = Lot 1255. James Dean’s switchblade from Rebel Without a Cause. (Warner Bros.,1955) Black-handled switchblade manufactured in Italy by Astor. Engraved with the studio production number “WBM 28730” (Warner Bros. Movies). The spring mechanism currently non-operational, but easily repaired. This knife is used by Dean as "Jim" in the thrilling fight scene at Griffith Observatory, where Jim is confronted by Natalie Wood’s leather-clad hoodlum boyfriend “Buzz” (Corey Allen), who is armed with a similar white-handled knife. . . . The knife is fully 13 in. long when opened, and exhibits some abrasions to one side of the handle, incurred when it was thrown to the ground and then kicked towards James Dean in the scene. The knife is accompanied with a letter of provenance from a previous owner, stating that the knife was originally acquired from Red Turner, the property master on ''Rebel Without a Cause''. . . . Est. US$12,000 - $15,000 (winning bid $12,000.).}} (Auction took place September 30, 2015. Catalog 83MB PDF and Prices Realized List PDF available at [https://www.profilesinhistory.com/buyers/auction-archives/ ProfilesinHistory.com] {{webarchive|url=https://web.archive.org/web/20150906204431/https://www.profilesinhistory.com/buyers/auction-archives/ |date=2015-09-06 }}.)</ref> Also offered at the same auction were production photographs and a final shooting script dated August 17, 1955 for a behind-the-scenes television promotional film titled ''Behind the Cameras: Rebel Without a Cause'' hosted by Gig Young and that had scripted interviews and staged footage by the cast and crew (script winning bid US$225.)<ref name="HwdAuction74" /> ==In popular culture== ===Music=== * The 1980 [[Bruce Springsteen]] song "[[Cadillac Ranch (Bruce Springsteen song)|Cadillac Ranch]]" contains the lyric, "James Dean in that Mercury '49" as one of the people meeting at the Cadillac Ranch.{{sfn|Frascella|Weisel|2005|p=194}} * The music video for the 1991 [[Paula Abdul]] single, "[[Rush Rush (Paula Abdul song)|Rush, Rush]]", was inspired by the film. Several scenes were duplicated shot-for-shot for the video, which featured Abdul portraying Judy and [[Keanu Reeves]] portraying Jim. ===Film=== * [[Tommy Wiseau]] borrowed James Dean's line "You're tearing me apart" from ''Rebel Without a Cause'', and used it in his 2003 [[cult film]] ''[[The Room]]'', widely considered to be one of the [[List of films considered the worst|worst films ever made]].<ref name="Romano2017">{{cite news|first1=Aja |last1=Romano|title=The Room: how the worst movie ever became a Hollywood legend as bizarre as its creator|url=https://www.vox.com/culture/2017/12/2/16720012/the-room-tommy-wiseau-backstory-explained|work=[[Vox (website)|Vox]]|date=Dec 19, 2017|quote=Since its cult success, Wiseau has tried to pass his film off as a "black comedy" rather than an inept melodrama that's unintentionally funny, but he's not fooling anyone.}}</ref> In the original script for Wiseau's movie, it was written as "You're ''taking'' me apart, Lisa", a reference to Dean's line.<ref name="Sestero2017">{{cite book |last1=Sestero |first1=Greg |last2=Bissell |first2=Tom |title=[[The Disaster Artist|The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made]] |year=2017 |publisher=Sphere |location=London |isbn=9780751571769 |page=135 |author-link1=Greg Sestero |author-link2=Tom Bissell}}</ref> * In the 2016 film ''[[La La Land]]'', ''Rebel Without a Cause'' is referenced briefly. [[Ryan Gosling]]'s character Sebastian makes references to the film's ending where James Dean yells, "I got the bullets" when [[Emma Stone]]'s character Mia discusses a callback for her audition. Later, the two of them are seen at the [[Rialto Theatre (South Pasadena, California)|Rialto Theatre]] watching the opening of the film.<ref>{{Cite web |last=Mallenbaum |first=Carly |title=Your 'La La Land' cheat sheet |url=https://www.usatoday.com/story/life/entertainthis/2016/12/27/your-la-la-land-cheat-sheet/95602260/ |access-date=2022-10-22 |website=USA TODAY |language=en-US}}</ref> ===Theater=== In 2005, an off-Broadway stage production opened at the [[American Theatre of Actors]] in New York, featuring Allie Mulholland and [[Aubrey Plaza]] in their stage debuts in the lead roles.<ref name="Mulholland2008">{{cite web |last1=Mulholland |first1=Allie |title=Rebel Without A Cause 2005 NYC |url=https://rebelwithoutacause.net/ |website=Rebel Without A Cause Theatre Production |archive-url=https://web.archive.org/web/20080810033548/http://www.rebelwithoutacause.net/ |archive-date=10 August 2008}}</ref> ===Television=== * ''[[The Sopranos]]'' episode "[[Big Girls Don't Cry (The Sopranos)|Big Girls Don't Cry]]" features [[Christopher Moltisanti]] performing the scene where Plato is killed during his "Acting for Writers" class. * According to ''[[The O.C.]]'' executive producer [[Stephanie Savage]], the film was a "big reference" for the second episode of the drama series ("[[List of The O.C. episodes|The Model Home]]"), in which Seth and Marissa hide Ryan in a vacant mcmansion. Savage also noted that the dynamic of the three characters (Ryan, Marissa, and Seth) reminded her of the film's three leads (Jim, Judy, and Plato).<ref>{{Cite web |last=Kaplan |first=Ilana |date=2023-08-14 |title=The O.C.’s Creators Are Going Right Back Where They Started From |url=https://www.vanityfair.com/hollywood/2023/08/the-oc-20th-anniversary#:~:text=Schwartz:%20Personally,%20the%20two%20most,of%20When%20Harry%20Met%20Sally |access-date=2025-01-29 |website=Vanity Fair |language=en-US}}</ref> ==See also== * [[List of American films of 1955]] * [[List of cult films]] * [[List of hood films]] ==References== {{Reflist}} ===Sources=== * {{cite book |last=Frascella |first=Lawrence |last2=Weisel |first2=Al |title=Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause |publisher=Touchstone |publication-place=New York |year=2005 |isbn=978-0-7432-9118-7 |oclc=1085228024}} ==External links== {{Commons category|Rebel Without a Cause (film)}} {{wikiquote}} * [https://www.loc.gov/static/programs/national-film-preservation-board/documents/rebel.pdf ''Rebel Without a Cause''] essay by Jay Carr at [[National Film Registry]] * {{AFI film|id=51633|title=Rebel Without a Cause}} * {{IMDb title|0048545}} * [https://www.allmovie.com/movie/rebel-without-a-cause-am6334 ''Rebel Without a Cause'' at AllMovie] * {{TCMDb title|16115}} * {{rotten-tomatoes|rebel_without_a_cause}} * [https://web.archive.org/web/20060629033817/http://www.thebookstandard.com/bookstandard/news/hollywood/article_display.jsp?vnu_content_id=1001571425 Behind the Scenes of ''Rebel Without a Cause'': James Dean, Sal Mineo, Natalie Wood—Living Fast, Dying Young, in Life and Onscreen] (Archived) * [http://www.vanityfair.com/culture/features/2005/03/rebel200503 "The Making of ''Rebel Without a Cause'' by Sam Kashner] A ''[[Vanity Fair (magazine)|Vanity Fair]]'' piece about [[Nicholas Ray]] with a particular focus on ''Rebel.'' * [http://www.eslnotes.com/movies/html/rebel-without-a-cause.html "Rebel Without a Cause" by Raymond Weschler] * [https://books.google.com/books?id=deq3xI8OmCkC ''Rebel Without a Cause''] essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 {{ISBN|0826429777}}, pages 506-507 {{Nicholas Ray}} {{Authority control}} {{DEFAULTSORT:Rebel Without A Cause}} [[Category:James Dean]] [[Category:1955 films]] [[Category:1950s English-language films]] [[Category:1950s teen drama films]] [[Category:1950s LGBTQ-related films]] [[Category:1950s coming-of-age drama films]] [[Category:1955 romantic drama films]] [[Category:American auto racing films]] [[Category:American coming-of-age drama films]] [[Category:American LGBTQ-related films]] [[Category:American teen drama films]] [[Category:CinemaScope films]] [[Category:Films scored by Leonard Rosenman]] [[Category:Films about dysfunctional families]] [[Category:Films about juvenile delinquency]] [[Category:Films directed by Nicholas Ray]] [[Category:Films set in Los Angeles]] [[Category:Films shot in Los Angeles]] [[Category:Films shot in Santa Monica, California]] [[Category:Films with screenplays by Stewart Stern]] [[Category:Melodrama films]] [[Category:Teensploitation]] [[Category:United States National Film Registry films]] [[Category:Warner Bros. films]] [[Category:1950s American films]] [[Category:Curses]] [[Category:English-language romantic drama films]]
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