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{{Short description|Sub-genre of dancehall music and reggae}} {{redirect|Ragamuffin music||Ragamuffin (disambiguation)}} {{Distinguish|Raga|Raga (disambiguation)}} {{More citations needed|date=July 2011}} {{Infobox music genre | name = Ragga | stylistic_origins = {{hlist|[[Dancehall]]|[[reggae]]|[[Electronic music|electronic]]|[[rocksteady]]|[[ska]]}} | cultural_origins = 1980s, [[Jamaica]] | derivatives = | subgenrelist = | subgenres = | fusiongenres = {{hlist|[[Ragga hip hop]]|[[Bouyon music#Bouyon-muffin|bouyon-muffin]]|[[ragga jungle]]}} }} '''Raggamuffin music''' (or simply '''ragga''') is a subgenre of [[dancehall]] and [[reggae]] music. The instrumentals primarily consist of [[electronic music]] with heavy use of [[Sampling (music)|sampling]]. [[Wayne Smith (musician)|Wayne Smith]]'s "[[Sleng Teng|Under Mi Sleng Teng]]", produced by [[King Jammy]] in 1985 on a [[Casio MT-40]] synthesizer, is a seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the [[riddim]], accompanied by dozens of different vocalists.{{fact|date=October 2023}} ==Origins== Ragga originated in [[Jamaica]] during the 1980s, at the same time that [[electronic dance music]]'s popularity was increasing globally. Ragga spread to Europe, North America, and Africa, eventually spreading to Japan, India, and the rest of the world. Ragga heavily influenced [[oldschool jungle|early jungle music]], and also spawned the [[wikt:syncretistic|syncretistic]] [[bhangragga]] style when fused with [[Bhangra (music)|bhangra]]. In the 1990s, ragga and [[breakcore]] music fused, creating a style known as [[raggacore]]. The term "raggamuffin" is an intentional misspelling of "[[wikt:ragamuffin|ragamuffin]]", a word that entered the [[Jamaican Patois]] lexicon after the [[British Empire]] [[Colonialism|colonized]] Jamaica in the 17th century.{{fact|date=October 2023}} Despite the British colonialists' pejorative application of the term, Jamaican youth [[Reappropriation|appropriated]] it as an [[ingroup]] designation. The term "raggamuffin music" describes the [[music of Jamaica]]'s "ghetto dwellers". ==Ragga and hip hop music== [[King Jammy]] produced 1985 hit, "[[Sleng Teng|(Under Me) Sleng Teng]]" by [[Wayne Smith (musician)|Wayne Smith]].<ref>Katz, David (2014) "[https://www.theguardian.com/music/2014/feb/20/wayne-smith-sleng-teng-revolutionised-dancehall-reggae Wayne Smith's Under Mi Sleng Teng – the song that revolutionised reggae]", ''[[The Guardian]]'', 20 February 2014</ref> In the late 1980s, Jamaican deejay [[Daddy Freddy]] and [[Asher D (rapper)|Asher D]]'s "[[Ragamuffin Hip-Hop]]" became the first multinational [[Single (music)|single]] to feature the word "ragga" in its title.<ref>Wynn, Ron "[http://www.allmusic.com/album/ragamuffin-hip-hop-r27604/review ''Ragamuffin Hip-Hop'' Review]". [[AllMusic]]. Retrieved 16 November 2020.</ref> ==See also== *[[Reggae]] *[[Ska]] *[[Bouyon music#Bouyon-muffin|Bouyon-muffin]] *[[Bhangragga]] *[[Jamaican Patois]], the language of the distinctive vocals found in ragga ==References== {{Reflist}} *[https://books.google.com/books?id=VJfi4DcwrjMC&dq=count+machuki+dj&pg=PA120 The world of DJs and the turntable culture By Todd Souvignier] * Stascha (Staša) Bader: ''Worte wie Feuer: Dancehall Reggae und Raggamuffin''. ''Words Like Fire. Dancehall Reggae and Raggamuffin''. Dissertation Thesis at the Zurich University, 1986. Buchverlag Michael Schwinn, Neustadt, Deutschland, 1. Aufl. 1988, 2. Aufl. 1992 * René Wynands: ''Do The Reggae. Reggae von Pocomania bis Ragga und der Mythos Bob Marley.'' Pieper Verlag und Schott. 1995 {{ISBN|3-492-18409-X}} (Pieper), {{ISBN|3-7957-8409-3}} (Schott) [http://www.oktober.de/reggae/ Online-Version] * Norman C. Stolzoff: ''Wake the Town and Tell the People. Dancehall Culture in Jamaica.'' Durham; London: Duke University Press, 2000. {{ISBN|0-8223-2478-4}} {{hiphop}} {{reggae}} {{Authority control}} [[Category:Ragga| ]] [[Category:Dancehall]] [[Category:Jamaican styles of music]] [[Category:Reggae genres]]
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