Editing Public Enemy

{{short description|American hip hop group}}
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{{Use American English|date=May 2023}}
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{{Infobox musical artist
| name              = Public Enemy
| image             = Public Enemy-01-mika.jpg
| caption           = Public Enemy performing in 2000. Left to right: [[Flavor Flav]] and [[Chuck D]].
| alias             = 
| image_upright     = 1.25
| background        = group_or_band
| origin            = [[Hempstead, New York]], U.S.
| genre             = {{hlist|[[East Coast hip-hop]]|[[political hip-hop]]|[[hardcore hip-hop]]|[[progressive rap]]<ref name="Pinn">{{cite book|last=Pinn|first=Anthony|authorlink=Anthony B. Pinn|chapter=Rap Music and Its Message|chapter-url=https://books.google.com/books?id=q8QFBAAAQBAJ|page=262|title=Religion and Popular Culture in America|editor1-last=Forbes|editor1-first=Bruce|editor2-last=Mahan|editor2-first=Jeffrey H.|year=2005|publisher=[[University of California Press]]|isbn=9780520932579|access-date=March 1, 2021|via=[[Google Books]]}}</ref>}}
| discography       = [[Public Enemy discography]]
| years_active      = 1985–present
| label             = {{hlist|[[Def Jam Recordings|Def Jam]]|[[Columbia Records|Columbia]]|[[Play It Again Sam (record label)|PIAS]]}}
| associated_acts   = {{hlist|[[PE 2.0]]|[[The Bomb Squad]]|[[Paris (rapper)|Paris]]|[[Beastie Boys]]|[[Anthrax (American band)|Anthrax]]|[[Young Black Teenagers]]|[[Boogie Down Productions]]|[[Prophets of Rage]]}}
| website           = {{URL|publicenemy.com}}
| current_members   = [[Chuck D]]<br />[[Flavor Flav]]<br />[[DJ Lord]]
| past_members      = [[Professor Griff]]<br />[[Terminator X]]<br />[[Sister Souljah]]
}}

'''Public Enemy''' is an American [[Hip-hop|hip hop]] group formed in [[Roosevelt, New York]] in 1985 by [[Chuck D]] and [[Flavor Flav]].<ref>{{Cite news|url=https://www.theguardian.com/theobserver/2000/jul/09/features.review97|title=Flavor of the month|work=TheGuardian.com|date=July 9, 2000|access-date=September 26, 2019|language=en}}</ref><ref name="usatoday">{{Cite news|url=https://www.usatoday.com/story/entertainment/music/2020/03/01/flavor-flav-slams-bernie-sanders-campaign-promoting-public-enemy-show/4923987002/|title=Public Enemy is 'moving forward without Flavor Flav' after Bernie Sanders rally dispute|work=[[USA Today]]|access-date=March 6, 2020|language=en}}</ref> The group rose to prominence for their political messages including subjects such as [[Racism in the United States|American racism]] and the [[Mass media in the United States|American media]]. Their debut album, ''[[Yo! Bum Rush the Show]]'', was released in 1987 to critical acclaim, and their second album, ''[[It Takes a Nation of Millions to Hold Us Back]]'' (1988), was the first hip hop album to top ''[[The Village Voice]]''{{'}}s [[Pazz & Jop]] critics' poll.<ref name=":0" /> Their next three albums, ''[[Fear of a Black Planet]]'' (1990), ''[[Apocalypse 91... The Enemy Strikes Black]]'' (1991), and ''[[Muse Sick-n-Hour Mess Age]]'' (1994), were also well received. The group has since released twelve more studio albums, including [[He Got Game (soundtrack)|the soundtrack]] to the 1998 sports-drama film ''[[He Got Game]]'' and a collaborative album with [[Paris (rapper)|Paris]], ''[[Rebirth of a Nation]]'' (2006).

Public Enemy has gone through many lineup changes over the years, with Chuck D and Flavor Flav remaining the only constant members. Co-founder [[Professor Griff]] left in 1989 but rejoined in 1998, before parting ways again some years later{{when?|date=May 2025}}. [[DJ Lord]] also joined Public Enemy in 1998 as the replacement of the group's original DJ [[Terminator X]]. In 2020, it was announced that Flavor Flav had been fired from the group.<ref name="usatoday" /> His firing was later revealed to be a publicity stunt that was called an [[April Fools' Day]] prank.<ref name=":2" /><ref name=":1">{{Cite web|date=April 1, 2020|title=On April Fools' Day, Public Enemy reveals Flavor Flav's firing was a hoax|url=https://www.latimes.com/entertainment-arts/music/story/2020-04-01/chuck-d-flavor-flav-firing-public-enemy-radio|access-date=July 9, 2020|website=Los Angeles Times|language=en-US}}</ref> Public Enemy, without Flavor Flav, would also tour and record music under the name of Public Enemy Radio which consists of the lineup of Chuck D, Jahi, DJ Lord and the S1Ws.

Public Enemy's first four albums during the late 1980s and early 1990s were all certified either [[RIAA certification|gold or platinum]] and were, according to music critic [[Robert Hilburn]] in 1998, "the most acclaimed body of work ever by a hip hop act".<ref name="Hilburn">{{cite news|last=Hilburn|first=Robert|author-link=Robert Hilburn|date=July 5, 1998|url=https://www.latimes.com/archives/la-xpm-1998-jul-05-ca-788-story.html|title=Is Anyone Out There Really Listening?|newspaper=[[Los Angeles Times]]|access-date=June 11, 2013}}</ref> Critic [[Stephen Thomas Erlewine]] called them "the most influential and radical band of their time".<ref name="allm">{{cite web|last1=Erlewine|first1=Stephen Thomas|title=Public Enemy – Biography & History|url=http://www.allmusic.com/artist/public-enemy-mn0000856785/biography|website=[[AllMusic]]|access-date=March 4, 2017}}</ref> They were inducted into the [[Rock and Roll Hall of Fame]] in 2013.<ref>{{Cite news|url=http://www.ew.com/article/2012/12/11/rock-and-roll-hall-of-fame-rush-public-enemy|title=Public Enemy, Rush, Heart, Donna Summer to be inducted into Rock and Roll Hall of Fame|work=EW.com|access-date=July 16, 2018|language=en}}</ref> They were honored with the [[Grammy Lifetime Achievement Award]] at the [[62nd Annual Grammy Awards|62nd Grammy Awards]].

==History==
===1985–1987: Formation and early years===
[[File:Public Enemy.png|thumb|Public Enemy's official logo]]
Public Enemy was formed in 1985 by Carlton Ridenhour ([[Chuck D]]) and William Drayton ([[Flavor Flav]]), who met at [[Adelphi University]] on [[Long Island]] in the mid-1980s.{{citation needed|date=November 2020}} Developing his talents as an [[Master of Ceremonies|MC]] with Flav while delivering furniture for his father's business, Chuck D and Spectrum City, as the group was called, released the record "Check Out the Radio", backed by "Lies", a social commentary—both of which would influence RUSH Productions' [[Run-DMC|Run–D.M.C.]] and [[Beastie Boys]].<ref>Chang 2005, pp. 239, 241–242.</ref> Chuck D put out a tape to promote [[WBAU]] (the radio station where he was working at the time) and to fend off a local MC who wanted to [[freestyle battle|battle]] him. He called the tape ''Public Enemy #1'' because he felt like he was being persecuted by people in the local [[Subculture|scene]].{{citation needed|date=November 2020}} This was the first reference to the notion of a [[public enemy]] in any of Chuck D's songs. The single was created by Chuck D with a contribution by Flavor Flav, though this was before the group ''Public Enemy'' was officially assembled.{{citation needed|date=November 2020}} Around 1986, Bill Stephney, the former Program Director at WBAU, was approached by Sam Mulderrig, who offered Stephney a position with the label.{{citation needed|date=November 2020}} Stephney accepted, and his first assignment was to help fledgling producer [[Rick Rubin]] sign Chuck D, whose song "Public Enemy Number One" Rubin had heard from [[Doctor Dré|Andre "Doctor Dré" Brown]].{{citation needed|date=November 2020}}

According to the book ''The History of Rap Music'' by [[Cookie Lommel]], "Stephney thought it was time to mesh the hard-hitting style of Run DMC with politics that addressed black youth. Chuck recruited Spectrum City, which included Hank Shocklee, his brother Keith Shocklee, and Eric "Vietnam" Sadler, collectively known as [[the Bomb Squad]], to be his production team and added another Spectrum City partner, [[Professor Griff]], to become the group's Minister of Information. With the addition of Flavor Flav and another local mobile DJ named [[Terminator X]], the group Public Enemy was born".{{citation needed|date=November 2020}} According to Chuck, The S1W, which stands for Security of the First World, "represents that the black man can be just as intelligent as he is strong. It stands for the fact that we're not third-world people, we're first-world people; we're the [[Recent African origin of modern humans|original]] people".<ref>Chuck D. and Yusuf Jah, ''[[Fight the Power (Public Enemy song)|Fight the Power]]'', p. 82.</ref> Hank Shocklee came up with the name Public Enemy based on "underdog love and their developing politics" and the idea from Def Jam staffer Bill Stephney following the [[Howard Beach racial incident]], [[Bernhard Goetz]], and the [[death of Michael Stewart]]: "The Black man is definitely the public enemy."<ref>Chang 2005, p. 247.</ref>

Public Enemy started out as opening act for the Beastie Boys during the latter's ''[[Licensed to Ill]]'' popularity.{{citation needed|date=November 2020}}

===1987–1993: Mainstream success===
[[File:Flavor Flav - Public Enemy- konser-Slakthuset-Malmö-1991.jpg|thumb|[[Flavor Flav]] performing in [[Malmö]], Sweden, in 1991]]
[[File:Chuck D. Slakthuset i Malmö 1991.jpg|thumb|[[Chuck D.]] performing in Malmö, Sweden, in 1991]]
The group's debut album, ''[[Yo! Bum Rush the Show]]'', was released in March 1987.<ref>{{cite news |title=Superstar Winds Blow in March Releases |url=https://www.worldradiohistory.com/hd2/IDX-Business/Music/Billboard-Index/IDX/1987/1987-03-07-Billboard-Page-0006.pdf|pages=8, 89|location=New York|editor-last=Schlager|editor-first=Ken|work=[[Billboard (magazine)|Billboard]] |publisher=Billboard Publications, Inc. |date=March 7, 1987}} [https://www.worldradiohistory.com/hd2/IDX-Business/Music/Billboard-Index/IDX/1987/1987-03-07-Billboard-Page-0119.pdf p. 89]</ref><ref>{{cite news |title=Album Releases |url=https://www.worldradiohistory.com/hd2/IDX-Business/Music/Archive-Cash-Box-IDX/80s/1987/CB-1987-03-28-OCR-Page-0008.pdf|location=New York|page=8|editor-last=Padgett|editor-first=Stephen|work=[[Cashbox (magazine)|Cash Box]] |publisher=Cash Box Publications |date=March 28, 1987}}</ref> In October 1987, music critic [[Simon Reynolds]] dubbed Public Enemy "a superlative ''rock'' band".<ref>Reynolds, Simon. "Public Enemy", ''Melody Maker'', October 17, 1987.</ref> They released their second album, ''[[It Takes a Nation of Millions to Hold Us Back]]'', in 1988, which performed better in the charts than their previous release, and included the hit single "[[Don't Believe the Hype]]" in addition to "[[Bring The Noise|Bring the Noise]]".{{citation needed|date=November 2020}} It was the first hip hop album to be voted album of the year in ''[[The Village Voice]]''{{'}}s influential [[Pazz & Jop]] critics' poll.<ref name=":0">{{cite magazine|last=McCombs|first=Joseph|date=December 11, 2012|url=https://entertainment.time.com/2012/12/12/decking-the-hall-the-rock-and-roll-hall-of-fames-new-members/slide/public-enemy/|title=Decking the Hall: The Rock and Roll Hall of Fame's New Members – Public Enemy|magazine=[[Time (magazine)|Time]]|location=New York|access-date=June 11, 2013}}</ref>

In 1989, the group returned to the studio to record their third album, ''[[Fear of a Black Planet]]'', which continued their politically charged themes. The album was supposed to be released in late 1989,<ref>{{cite book|url=https://books.google.com/books?id=PK1uLUXpAzoC&pg=PA100 |title=SPIN – Google Books |date= September 1989|access-date=April 19, 2014}}</ref> but was pushed back to April 1990.{{citation needed|date=November 2020}} It was the most successful of any of their albums and, in 2005, was selected for preservation in the [[National Recording Registry]].<ref>{{Cite web |title=Complete National Recording Registry Listing {{!}} Recording Registry {{!}} National Recording Preservation Board {{!}} Programs {{!}} Library of Congress |url=https://www.loc.gov/programs/national-recording-preservation-board/recording-registry/complete-national-recording-registry-listing/ |access-date=2023-10-10 |website=Library of Congress, Washington, D.C. 20540 USA}}</ref> It included the singles "[[Welcome to the Terrordome]]", written after the band was criticized by Jews for Professor Griff's anti-semitic comments, "[[911 Is a Joke]]", which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community, and "[[Fight the Power (Public Enemy song)|Fight the Power]]".<ref>{{cite web |url=http://music.aol.ca/article/vh1-crowns-public-enemys-fight-the-power-as-best-hip-hop-song/353728/ |title=Canadian Music – HuffPost Canada |website=music.aol.ca |access-date=April 19, 2014 |archive-date=September 26, 2018 |archive-url=https://web.archive.org/web/20180926170422/http://music.aol.ca/article/vh1-crowns-public-enemys-fight-the-power-as-best-hip-hop-song/353728/ |url-status=dead }}</ref> "Fight the Power" is regarded as one of the most popular and influential songs in hip hop history.<ref>[[Spike Lee|Lee, Spike]]. "[https://www.rollingstone.com/music/news/riot-on-the-set-how-public-enemy-crafted-the-anthem-fight-the-power-20140630 Riot on the Set: How Public Enemy Crafted the Anthem 'Fight the Power']". rollingstone.com, June 30, 2014. Retrieved May 28, 2017</ref> It was the theme song of [[Spike Lee]]'s ''[[Do the Right Thing]]''.

The group's fourth album, ''[[Apocalypse 91... The Enemy Strikes Black]]'', continued this trend, with songs like "Can't Truss It", which addressed the history of slavery and how the black community can fight back against oppression; "I Don't Wanna be Called Yo Nigga", a track that takes issue with the use of the word ''nigga'' outside of its original derogatory context.{{citation needed|date=November 2020}} The album also included the controversial song and video "[[By the Time I Get to Arizona]]", which chronicled the black community's frustration that some US states did not recognize [[Martin Luther King Jr.]]'s birthday as a national holiday. The video featured members of Public Enemy taking out their frustrations on politicians in the states not recognizing the holiday.<ref>{{cite web| title = Public Enemy Look Back at 20 Years of 'By the Time I Get to Arizona'| work = Spin Magazine| publisher = SpinMedia| url =http://www.spin.com/2011/11/public-enemy-look-back-20-years-time-i-get-arizona/| date = November 10, 2011}}</ref>

In 1992, the group was one of the first rap acts to perform at the [[Reading Festival]] in the UK, headlining the second day of the three-day festival.<ref>{{Cite magazine|last=Azerrad|first=Michael|date=29 October 1992|title=Nirvana, Public Enemy, Beastie Boys Cross the Pond for Reading Fest|url=https://www.rollingstone.com/music/music-news/nirvana-public-enemy-beastie-boys-cross-the-pond-for-reading-fest-83644/|access-date=25 September 2021|magazine=Rolling Stone}}</ref>

===1994–2019: Later years and member changes===
[[File:PE at Vegoose 2007.jpg|thumb|Public Enemy performing in [[Las Vegas]] in October 2007. Left to right: [[DJ Lord]], [[Chuck D]], and [[Flavor Flav]].]]
After a 1994 motorcycle accident shattered his left leg and kept him in the hospital for a full month,{{citation needed|date=November 2020}} Terminator X relocated to his 15-acre farm in [[Vance County, North Carolina]].{{citation needed|date=November 2020}} By 1998, he was ready to retire from the group and focus full-time on raising African black ostriches on his farm.<ref>{{cite news|title=My Ostrich Weighs a Ton|url=https://books.google.com/books?id=iCsEAAAAMBAJ&pg=PA33|newspaper=Vibe|date=March 1998}}{{Dead link|date=October 2023 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> In late 1998, the group started looking for Terminator X's permanent replacement. Following several months of searching for a DJ, Professor Griff saw [[DJ Lord]] at a [[Vestax]] Battle and approached him about becoming the DJ for Public Enemy.<ref>{{cite web|title=Dj Lord of the battle|url=http://www.inthemix.com.au/features/5459/DJ_Lord_of_the_battle|publisher=In the Mix|date=June 4, 2002|access-date=January 19, 2012|archive-date=September 24, 2015|archive-url=https://web.archive.org/web/20150924035904/http://www.inthemix.com.au/features/5459/DJ_Lord_of_the_battle|url-status=dead}}</ref> DJ Lord joined as the group's full-time DJ just in time for Public Enemy's 40th World Tour.<ref>{{cite web|title=DMC Kicks Back ... Mr. Lord-Public Enemy Spinner & Hip Hop King|url=http://www.dmcworld.net/features/entry/features/dmc-kicks-back-mrlord---public-enemy-spinner--hip-hop-king.html|publisher=DMC World Magazine|access-date=April 19, 2014|archive-date=March 2, 2014|archive-url=https://web.archive.org/web/20140302093456/http://www.dmcworld.net/features/entry/features/dmc-kicks-back-mrlord---public-enemy-spinner--hip-hop-king.html|url-status=dead}}</ref>  Since 1999, he has been the official DJ for Public Enemy on albums and world tours while winning numerous turntablist competitions, including multiple [[DMC World DJ Championships|DMC]] finals.<ref>{{cite web|title=Dj Lord Biography|url=http://www.rapartists.com/artists/djlord/biography|archive-url=https://web.archive.org/web/20080610200330/http://www.rapartists.com/artists/djlord/biography|url-status=dead|archive-date=June 10, 2008|publisher=Rap Artists|access-date=April 19, 2014}}</ref>

In 2007, the group released an album entitled ''[[How You Sell Soul to a Soulless People Who Sold Their Soul?]]''.<ref>{{Citation |title=How You Sell Soul to a Soulless People Who Sold Their Soul? by Public Enemy |url=https://www.metacritic.com/music/how-you-sell-soul-to-a-soulless-people-who-sold-their-soul/public-enemy |access-date=2023-10-10 |language=en}}</ref> Public Enemy's single from the album was "[[Harder Than You Think]]".{{citation needed|date=November 2020}} Four years after ''How You Sell Soul ... '', in January 2011, Public Enemy released the album ''[[Public Enemy discography#Compilation albums|Beats and Places]]'', a compilation of remixes and "lost" tracks.{{citation needed|date=November 2020}} On July 13, 2012, ''[[Most of My Heroes Still Don't Appear on No Stamp]]'' was released and was exclusively available on iTunes.{{citation needed|date=November 2020}} In July 2012, on UK television an advert for the London [[2012 Summer Paralympics]] featured a short remix of the song "Harder Than You Think". The advert caused the song to reach No. 4<ref>{{Cite web|url=https://www.officialcharts.com/artist/29085/public-enemy/|title=PUBLIC ENEMY &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=October 4, 2019}}</ref> in the [[UK Singles Chart]] on September 2, 2012.<ref>{{cite web| title = UK Top 40 Singles Chart = Radio 1| url = http://www.bbc.co.uk/radio1/chart/singles|website=Bbc.co.uk|access-date=April 19, 2014}}</ref> On July 30, 2012, Public Enemy performed a free concert with [[Salt-N-Pepa]] and [[Kid 'n Play]] at [[Wingate Park]] in [[Brooklyn]], New York City, as part of the [[Martin Luther King Jr. Concert Series]].{{citation needed|date=November 2020}} On August 26, 2012, Public Enemy performed at South West Four music festival in [[Clapham Common]] in London.{{citation needed|date=November 2020}} On October 1, 2012 ''[[The Evil Empire of Everything]]'' was released.<ref>{{Citation |title=Public Enemy - The Evil Empire of Everything Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/the-evil-empire-of-everything-mw0002421125 |access-date=2023-10-10 |language=en}}</ref> On June 29, 2013, they performed at [[Glastonbury Festival 2013]].<ref>{{Cite web |title=BBC Music - BBC Music - A short history of hip hop at Glastonbury |url=https://www.bbc.co.uk/programmes/articles/2TYRPngRNgGH5pbf5kTKs5H/a-short-history-of-hip-hop-at-glastonbury |access-date=2023-10-10 |website=BBC |language=en-GB}}</ref> On September 14, 2013, they performed at [[Riot Fest]] & Carnival 2013 in Chicago, Illinois.{{citation needed|date=November 2020}} On September 20, 2013, they performed at Riot Fest & Side Show in Byers, Colorado.{{citation needed|date=November 2020}}

In 2014, Chuck D launched [[PE 2.0]] with Oakland rapper Jahi as a spiritual successor and "next generation"<ref>{{cite web |url=http://www.yoshis.com/event/790673-pe-20-oakland/ |title=SUN 5.31 The Next Gen of Public Enemy PE 2.0 DOORS: 9:15 PM / SHOW: 9:30 PM |website=Yoshis.com |access-date=October 8, 2015 |archive-date=March 4, 2016 |archive-url=https://web.archive.org/web/20160304075058/http://www.yoshis.com/event/790673-pe-20-oakland/ |url-status=dead }}</ref> of Public Enemy.<ref name="The Oak Q & A: Jahi as PE2.0">{{cite web|last1=Arnold|first1=Eric K.|title=The Oak Q & A: Jahi as PE2.0|url=https://oakulture.wordpress.com/2014/10/08/the-oak-q-a-jahi-of-pe-2-0/|website=Oakculture.wordpress.com|access-date=October 8, 2015|date=October 8, 2014}}</ref> Jahi met Chuck D backstage during a soundcheck at the 1999 Rock & Roll Hall of Fame and later appeared as a support act on Public Enemy's 20th Anniversary Tour in 2007.{{citation needed|date=November 2020}} PE 2.0's task is twofold, Jahi says, to "take select songs from the PE catalog and cover or revisit them" as well as new material with members of the original Public Enemy including DJ Lord, Davy DMX, Professor Griff and Chuck D.<ref>{{cite web|url=http://www.2-0pe.com/bio|title=The time is now. – The time is now. – BIO|date=October 26, 2015|access-date=December 12, 2018|archive-url=https://web.archive.org/web/20151026065223/http://www.2-0pe.com/bio|archive-date=October 26, 2015}}</ref> PE 2.0's first album ''People Get Ready'' was released on October 7, 2014. ''InsPirEd'' PE 2.0's second album and part two of a proposed trilogy was released a year later on October 11, 2015.<ref name="The Oak Q & A: Jahi as PE2.0"/>
''[[Man Plans God Laughs]]'', Public Enemy's thirteenth album, was released in July 2015.<ref>{{Citation |title=Public Enemy - Man Plans God Laughs Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/man-plans-god-laughs-mw0002860861 |access-date=2023-10-10 |language=en}}</ref> On June 29, 2017, Public Enemy released their fourteenth album, ''[[Nothing Is Quick in the Desert]]''.<ref>{{Citation |title=Public Enemy - Nothing Is Quick in the Desert Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/nothing-is-quick-in-the-desert-mw0003146396 |access-date=2023-10-10 |language=en}}</ref> The album was available for free download through [[Bandcamp]] until July 4, 2017.<ref>{{cite magazine|title=Public Enemy Release Surprise New Album 'Nothing Is Quick in the Desert'|url=https://www.rollingstone.com/music/music-news/public-enemy-release-surprise-new-album-nothing-is-quick-in-the-desert-194089/|magazine=Rolling Stone|first=Jon|last=Blistein|date=June 29, 2017}}</ref>

===2020–present: Controversy, Public Enemy Radio, and return to Def Jam===
In late February 2020, it was announced that Public Enemy (billed as Public Enemy Radio) would perform at a campaign rally in Los Angeles on March 1, 2020, for [[Bernie Sanders]], who was campaigning to be the nominee of the [[Democratic Party (United States)|Democratic Party]] in the [[2020 United States presidential election|2020 presidential election]].<ref name="SandersRally">{{cite web |last1=Moore |first1=Sam |title=Public Enemy to perform at Bernie Sanders rally |url=https://www.nme.com/news/music/public-enemy-performing-at-bernie-sanders-la-rally-2615269 |website=[[NME]] |publisher=NME |access-date=November 6, 2020 |date=February 27, 2020}}</ref> Days following the announcement, Flavor Flav's lawyer Matthew Friedman issued a cease-and desist letter asking the campaign to not use the group's name or logo, stating: "While Chuck is certainly free to express his political views as he sees fit — his voice alone does not speak for Public Enemy".<ref name="YahooCeaseDesist">{{cite news|title=Flavor Flav Sends Bernie Sanders Cease and Desist Over Public Enemy Rally Gig|url=https://www.yahoo.com/entertainment/flavor-flav-sends-bernie-sanders-175407360.html|website=Yahoo|date=March 1, 2020|access-date=March 1, 2020|archive-date=March 1, 2020|archive-url=https://web.archive.org/web/20200301200610/https://www.yahoo.com/entertainment/flavor-flav-sends-bernie-sanders-175407360.html|url-status=dead}}</ref> Chuck D responded to the statement by saying: "Flavor chooses to dance for his money and not do benevolent work like this. He has a year to get his act together and get himself straight or he's out".<ref name="YahooCeaseDesist"/> A lawyer for Chuck D added: "Chuck could perform as Public Enemy if he ever wanted to; he is the sole owner of the Public Enemy trademark. He originally drew the logo himself in the mid-80s, is also the creative visionary and the group's primary songwriter, having written Flavor's most memorable lines".<ref name="YahooCeaseDesist"/><ref>{{cite magazine|title=Chuck D Responds to Bernie Sanders Endorsement Controversy: 'I Don't Attack Flav On What He Don't Know'|url=https://www.billboard.com/articles/columns/hip-hop/9326043/chuck-d-responds-flavor-flav-bernie-sanders|magazine=Billboard|date=March 1, 2020}}</ref>

On March 1, 2020, before the group's performance at the Sanders rally, Chuck D, DJ Lord, Jahi, James Bomb and Pop Diesel issued a joint statement announcing that Flavor Flav had been fired from the group, stating: "Public Enemy and Public Enemy Radio will be moving forward without Flavor Flav. We thank him for his years of service and wish him well".<ref>{{cite magazine|title=Public Enemy Fire Flavor Flav After Bernie Sanders Rally Spat|url=https://www.rollingstone.com/music/music-news/public-enemy-flavor-flav-bernie-sanders-960272/|magazine=Rolling Stone|date=March 1, 2020}}</ref> The statement also claimed: "Flavor Flav has been on suspension since 2016 when he was MIA from the Harry Belafonte benefit in Atlanta, Georgia. That was the last straw for the group. He had previously missed numerous live gigs from Glastonbury to Canada, album recording sessions and photo shoots. He always chose to party over work".<ref name="StatementBillboard">{{cite magazine |last1=Aniftos |first1=Rania |title=Public Enemy Releases Statement on Flavor Flav Exit, Says He's Been on 'Suspension Since 2016' |url=https://www.billboard.com/articles/columns/hip-hop/9326963/public-enemy-full-statement-flavor-flav-exit |magazine=[[Billboard (magazine)|Billboard]] |publisher=Billboard |access-date=November 6, 2020 |date=March 2, 2020}}</ref> On March 2, 2020, it was announced that Public Enemy Radio would be releasing the album ''[[Loud Is Not Enough]]'', which was due for release in April 2020. The album was to feature the lineup of Chuck D, DJ Lord, Jahi and the S1Ws and according to a statement from the group it will be "taking it back to hip hop's original DJ-and-turntablist foundation".<ref>{{cite news|title=Public Enemy and Public Enemy Radio to Move Forward Without Flavor Flav|url=https://www.spin.com/2020/03/public-enemy-and-public-enemy-radio-to-move-forward-without-flavor-flav/|website=Spin|date=March 2, 2020}}</ref>

On April 1, 2020, it was revealed Flavor Flav's firing was a publicity stunt to gain attention and provide a commentary on disinformation, and Reuters claimed that Chuck D and Flavor Flav "concocted a fake split to grab attention and highlight media bias towards reporting bad news about hip hop".<ref name=":2">{{cite news|title=Public Enemy split with Flavor Flav was a hoax, group now says|url=https://www.reuters.com/article/us-music-public-enemy-split-with-flavor-flav-was-a-hoax-group-now-says-idUSKBN21J6FB|website=Reuters|date=April 1, 2020}}</ref> In an interview with rapper [[Talib Kweli]], Chuck D stated that the stunt was inspired by [[Orson Welles]]' 1938 radio drama "[[The War of the Worlds (1938 radio drama)|The War of the Worlds]]".<ref>{{cite web |last1=Reilly |first1=Nick |title=Public Enemy's Chuck D says feud with Flavor Flav was a hoax: "We takin' April Fools" |url=https://www.nme.com/news/music/public-enemys-chuck-d-says-feud-with-flavor-flav-was-a-hoax-we-takin-april-fools2638642-2638642 |website=[[NME]] |publisher=NME |access-date=November 6, 2020 |date=April 1, 2020}}</ref> In response, Flavor Flav tweeted: "I am not a part of your hoax" and: "There are more serious things in the world right now than April Fool's jokes and dropping records. The world needs better than this...you say we are leaders so act like one".<ref name="FiringStunt">{{cite news|title=Chuck D says Flavor Flav firing was a stunt, but Flav disagrees|url=https://www.cnn.com/2020/04/02/entertainment/chuck-d-flavor-flav-hoax/index.html|website=CNN|date=April 2, 2020}}</ref>

On June 19, 2020, Public Enemy (with Flavor Flav), released the single and music video for their anti-[[Donald Trump]] song "State of the Union (STFU)".<ref>{{Cite magazine |last=Peters |first=Mitchell |date=20 June 2020 |title=Public Enemy Returns With Anti-Trump 'State of the Union (STFU)' Song: Watch |url=https://www.billboard.com/music/rb-hip-hop/public-enemy-returns-with-anti-trump-state-of-the-union-stfu-song-watch-9406256/ |access-date=October 26, 2022 |magazine=Billboard}}</ref> Chuck D stated, "Our collective voices keep getting louder. The rest of the planet is on our side.  But it's not enough to talk about change. You have to show up and demand change. Folks gotta vote like their lives depend on it, cause it does".<ref>{{cite news|title=Public Enemy Takes on Trump In Scorching New Single "State Of The Union (STFU)": Stream|url=https://consequence.net/2020/06/public-enemy-state-of-the-union-stream/|website=Consequence of Sound|date=June 19, 2020}}</ref> In 2020, the group returned to [[Def Jam]] and released their studio album ''[[What You Gonna Do When the Grid Goes Down?]]'' on September 25, 2020.<ref>{{Cite web|last=Eustice|first=Kyle|date=August 28, 2020|title=Public Enemy Returns To Def Jam Armed With New Album 'What You Gonna Do When The Grid Goes Down?'|url=https://hiphopdx.com/news/id.57566/title.public-enemy-returns-to-def-jam-armed-with-new-album-what-you-gonna-do-when-the-grid-goes-down|access-date=September 10, 2020|work=[[HipHopDX]]}}</ref>

On November 25, 2023, the authors of <nowiki>''Jesahel''</nowiki> ([[Ivano Fossati]] and [[Oscar Prudente]]) together with [[Universal Music Group]] sued Public Enemy for plagiarism, since Fossati and Prudente are not recognized as co-authors of "Harder Than You Think"<ref>{{Cite web |last=Michele |first=Bovi |date=2023-11-25 |title="Jesahel di Sanremo 1972 plagiata dai Public Enemy" (di M. Bovi) |url=https://www.huffingtonpost.it/cultura/2023/11/25/news/jesahel_sanremo_plagio_public_enemy-14287977/ |access-date=2024-01-23 |website=HuffPost Italia |language=it}}</ref><ref>{{Cite web |last=Dario |first=Freccero |date=2023-12-01 |title=Musica, la Universal fa causa ai Public Enemy per il plagio di "Jesahel" dei Delirium (che la portarono a Sanremo su un bus del Genoa) |url=https://www.ilsecoloxix.it/genova/2023/12/01/news/musica_la_universal_fa_causa_ai_public_enemy_per_il_plagio_di_jesahel_dei_delirium_che_la_portarono_a_sanremo_su_un_bus_-13904143/ |access-date=2024-01-23 |website=Il Secolo XIX |language=it}}</ref>

==Legacy==
Public Enemy made contributions to the hip-hop world with sonic experimentation as well as political and cultural consciousness, which infused itself into skilled and poetic [[rhymes]]. Critic [[Stephen Thomas Erlewine]] wrote that "PE brought in elements of [[free jazz]], hard [[funk]], even [[musique concrète]], via [its] producing team the Bomb Squad, creating a dense, ferocious sound unlike anything that came before."<ref>{{cite web|author=Stephen Thomas Erlewine |url=http://www.allmusic.com/album/it-takes-a-nation-of-millions-to-hold-us-back-mw0000196315 |title=It Takes a Nation of Millions to Hold Us Back – Public Enemy &#124; Songs, Reviews, Credits, Awards |website=[[AllMusic]] |access-date=April 19, 2014|author-link=Stephen Thomas Erlewine }}</ref><ref>{{cite web|url=http://www.guitarplayer.com/article/fight-the-presets/Jun-06/20956 |title=Electric & Acoustic Guitar Gear, Lessons, News, Blogs, Video, Tabs & Chords |website=GuitarPlayer.com |access-date=April 19, 2014}}</ref> Public Enemy held a strong, pro-black, political stance. Before PE, politically motivated hip-hop was defined by a few tracks by [[Ice-T]], [[Grandmaster Flash and the Furious Five]], [[Kurtis Blow]] and [[Boogie Down Productions]]. Other politically motivated opinions were shared by prototypical artists [[Gil Scott-Heron]] and [[the Last Poets]]. PE was a revolutionary hip-hop act whose entire image rested on a specified political stance. With the successes of Public Enemy, many hip-hop artists began to celebrate [[Afrocentricity|Afrocentric]] themes, such as [[Kool Moe Dee]], [[Gang Starr]], [[X Clan]], [[Eric B. & Rakim]], [[Queen Latifah]], [[Jungle Brothers|the Jungle Brothers]], and [[A Tribe Called Quest]].

Public Enemy was one of the first hip-hop groups to do well internationally. PE changed the Internet's music distribution capability by being one of the first groups to release [[MP3]]-only albums,<ref>{{Cite web|url=http://transcriptions.english.ucsb.edu/archive/topics/infoart/public-enemy/index.html|title=Transcriptions Topics: Artists of Information: Public Enemy and MP3|date=May 9, 2003|access-date=October 4, 2019|archive-url=https://web.archive.org/web/20030509235039/http://transcriptions.english.ucsb.edu/archive/topics/infoart/public-enemy/index.html|archive-date=May 9, 2003|url-status=dead}}</ref> a format virtually unknown at the time.

Poet and [[hip-hop]] artist [[Saul Williams]] uses a sample from Public Enemy's "Welcome to the Terrordome" in his song "Tr[n]igger" on the ''Niggy Tardust'' album.  He also used a line from the song in his poem, ''amethyst rocks''.

Public Enemy helped to create and define "[[rap metal]]" by collaborating with [[Living Colour]] in 1988 ("[[Funny Vibe]]"), with [[Sonic Youth]] on the 1990 song "[[Kool Thing]]", and with New York [[thrash metal]] outfit [[Anthrax (American band)|Anthrax]] in 1991. The single "[[Bring the Noise]]" was a mix of semi-militant [[black power]] lyrics, grinding guitars, and sporadic humor. The two bands, cemented by a mutual respect and the personal friendship between Chuck D and Anthrax's [[Scott Ian]], introduced a hitherto alien genre to rock fans, and the two seemingly disparate groups toured together. Flavor Flav's pronouncement on stage that "They said this tour would never happen" (as heard on Anthrax's ''[[Live: The Island Years]]'' CD) has become a legendary comment in both rock and hip-hop circles. Metal guitarist [[Vernon Reid]] (of [[Living Colour]]) contributed to Public Enemy's recordings, and PE sampled [[Slayer]]'s "Angel of Death" half-time riff on "She Watch Channel Zero?!"

The [[Manic Street Preachers]] track "Repeat (Stars And Stripes)" is a remix of the band's own anti-monarchy tirade by the Bomb Squad of whom [[James Dean Bradfield]] and [[Richey Edwards]] were big fans. The song samples "Countdown to Armageddon" from ''[[It Takes a Nation of Millions to Hold Us Back]]''. The band had previously sampled Public Enemy on their 1991 single "[[Motown Junk]]." Other rock bands that have cited Public Enemy and the Bomb Squad as influences include [[My Bloody Valentine (band)|My Bloody Valentine]],<ref>{{Cite web |last=Pearis |first=Bill |date=October 29, 2013 |title=an interview with Kevin Shields of My Bloody Valentine |url=https://www.brooklynvegan.com/an-interview-wi-86/ |url-status=live |archive-url=https://web.archive.org/web/20240119171031/https://www.brooklynvegan.com/an-interview-wi-86/ |archive-date=January 19, 2024 |access-date=October 6, 2024 |website=[[BrooklynVegan]] |quote=Well I’m very pleased to be beside Public Enemy, they were a very big influence on us.}}</ref><ref>{{Cite web|url=https://www.soundonsound.com/techniques/classic-tracks-my-bloody-valentine-only-shallow|title=CLASSIC TRACKS: My Bloody Valentine 'Only Shallow'|website=Soundonsound.com|access-date=October 4, 2019}}</ref> [[...And You Will Know Us by the Trail of Dead]],<ref>{{Cite web |last=Taylor |first=Katherine Yeske |date=July 22, 2022 |title=…And You Will Know Us By The Trail Of Dead: If You Want Blood, You Got It |url=https://rockandrollglobe.com/indie-rock/and-you-will-know-us-by-the-trail-of-dead-if-you-want-blood-you-got-it/ |url-status=live |archive-url=https://web.archive.org/web/20240613181203/https://rockandrollglobe.com/indie-rock/and-you-will-know-us-by-the-trail-of-dead-if-you-want-blood-you-got-it/ |archive-date=June 13, 2024 |access-date=October 6, 2024 |website=Rock & Roll Globe |quote=We were always influenced by our heroes, whether it's [[Kate Bush]] or Public Enemy or [[Sonic Youth]].}}</ref> and [[Quicksand (American band)|Quicksand]].<ref>{{Cite web |last=Hill |first=Stephen |date=November 9, 2017 |title=Quicksand's track by track guide to new album Interiors |url=https://www.loudersound.com/features/quicksands-track-by-track-guide-to-new-album-interiors |url-status=live |archive-url=https://web.archive.org/web/20230425104246/https://www.loudersound.com/features/quicksands-track-by-track-guide-to-new-album-interiors |archive-date=April 25, 2023 |access-date=October 27, 2023 |website=Louder |quote=Also, I think you hear the hip-hop influence on Quicksand here, I haven’t mentioned that, but we were influenced by Public Enemy as much as we were [[Led Zeppelin]] or [[Jane’s Addiction]] or [[Fugazi]]. I like that that influence is still there.”}}</ref>

The revolutionary influence of the band is seen throughout hip-hop and is recognized in society and politics. The band "rewrote the rules of hip-hop", changing the image, sound and message forever.<ref>{{cite web|url=https://www.allmusic.com/artist/public-enemy-mn0000856785/biography|title=Public Enemy – Biography & History|website=[[AllMusic]]|access-date=December 12, 2018}}</ref><ref>{{cite magazine|url=https://www.billboard.com/articles/columns/hip-hop/8463262/public-enemy-it-takes-a-nation-of-millions-to-hold-us-back|title=Public Enemy Talks 'It Takes a Nation of Millions to Hold Us Back' on Its 30th Anniversary|magazine=Billboard|access-date=December 12, 2018|date=June 30, 2018}}</ref> Pro-black lyrics brought political and social themes to hardcore hip hop, with stirring ideas of racial equality, and retribution against police brutality, aimed at disenfranchised blacks, but appealing to all the poor and underrepresented.<ref>{{cite web|url=https://www.smithsonianmag.com/smithsonian-institution/ballad-boombox-what-public-enemy-tells-us-about-hip-hop-race-and-society-180962095/|title=The Ballad of the Boombox: What Public Enemy Tells Us About Hip-Hop, Race and Society|first=Lorraine|last=Boissoneault|website=Smithsonian|access-date=December 12, 2018}}</ref><ref>{{cite news|url=https://www.dallasweekly.com/arts_and_entertainment/article_2f281b60-4b8f-11e2-8185-0019bb30f31a.html|title=The Undying Influence of Public Enemy|author=Jihad Hassan Muhammad|newspaper=[[The Dallas Weekly]]|access-date=December 12, 2018|archive-date=February 6, 2018|archive-url=https://web.archive.org/web/20180206115338/http://www.dallasweekly.com/arts_and_entertainment/article_2f281b60-4b8f-11e2-8185-0019bb30f31a.html|url-status=dead}}</ref> Before Public Enemy, hip hop music was seen as "throwaway entertainment", with trite sexist and homophobic lyrics.<ref>{{cite news|url=https://www.telegraph.co.uk/culture/tvandradio/8945572/Public-Enemy-Prophets-of-Rage-how-the-hip-hop-group-rescued-rap.html |archive-url=https://ghostarchive.org/archive/20220111/https://www.telegraph.co.uk/culture/tvandradio/8945572/Public-Enemy-Prophets-of-Rage-how-the-hip-hop-group-rescued-rap.html |archive-date=January 11, 2022 |url-access=subscription |url-status=live|title=Public Enemy: Prophets of Rage – how the hip hop group rescued rap|first=Andrew|last=Pettie|date=December 9, 2011|access-date=December 12, 2018|website=Telegraph.co.uk}}{{cbignore}}</ref> Public Enemy brought social relevance and strength to hip hop. They also brought black activist [[Louis Farrakhan]] to greater popularity, and they gave impetus to the [[Million Man March]] in 1995.<ref>{{cite web|url=http://hiphopdx.com/news/id.30696/title.russell-simmons-says-public-enemy-changed-everything-about-black-america|title=Russell Simmons Says "Public Enemy Changed Everything About Black America"|date=September 17, 2014|website=HipHopDX.com|access-date=December 12, 2018}}</ref>

Members of the Bomb Squad produced or remixed works for other acts, like [[Bell Biv DeVoe]], [[Ice Cube]], [[Vanessa Williams]], [[Sinéad O'Connor]], [[Blue Magic (band)|Blue Magic]], [[Peter Gabriel]], [[LL Cool J]], [[Paula Abdul]], [[Jasmine Guy]], [[Jody Watley]], [[Eric B & Rakim]], [[3rd Bass]], [[Big Daddy Kane]], [[EPMD]], and [[Chaka Khan]]. According to Chuck D, "We had tight dealings with [[MCA Records]] and were talking about taking three guys that were left over from [[New Edition]] and coming up with an album for them. The three happened to be Ricky Bell, [[Michael Bivins]], and [[Ronnie DeVoe]], later to become [[Bell Biv DeVoe]]. [[Ralph Tresvant]] had been slated to do a solo album for years, [[Bobby Brown]] had left New Edition and experienced some solo success beginning in 1988, and [[Johnny Gill]] had just been recruited to come in, but [he] had come off a solo career and could always go back to that. At MCA, Hiram Hicks, who was their manager, and Louil Silas, who was running the show, were like, 'Yo, these kids were left out in the cold. Can y'all come up with something for them?' It was a task that Hank, Keith, Eric, and I took on to try to put some kind of hip-hop-flavored R&B shit down for them. Subsequently, what happened in the four weeks of December [1989] was that the Bomb Squad knocked out a large piece of the production and arrangement on [[Bell Biv DeVoe]]'s three-million selling album ''Poison''. In January [1990], they knocked out ''Fear of a Black Planet'' in four weeks, and PE knocked out [[Ice Cube]]'s album ''[[AmeriKKKa's Most Wanted]]'' in four to five weeks in February."<ref>''Fight The Power'', pp. 236–237</ref> They have also produced local talent such as [[Son of Bazerk]], [[Young Black Teenagers]], [[Leaders of the New School]], Kings of Pressure, and True Mathematics—and gave producer [[Kip Collins]] his start in the business.

The influence of the band goes also beyond hip-hop in a unique{{citation needed|date=May 2019}} way,  indeed the group was cited as an influence by artists as diverse as [[Autechre]] (selected in the [[All Tomorrow's Parties (festival)|All Tomorrow's Parties]] in 2003), [[Nirvana (band)|Nirvana]] (It Takes a Nation of Millions to Hold Us Back being cited by [[Kurt Cobain]] among his favorite albums), Moby (also selected ''It Takes a Nation of Millions to Hold Us Back'' as one of his favorite albums),<ref>{{Cite web|url=https://thequietus.com/articles/13423-moby-favourite-albums-baker-s-dozen?page=11|title=The Quietus &#124; Features &#124; Baker's Dozen &#124; Corrupting Sonic DNA: Moby's Favourite Albums|website=[[The Quietus]]|date=September 24, 2013 |access-date=October 5, 2021}}</ref>  [[Nine Inch Nails]] (mentioned the band in [[Pretty Hate Machine]] credits), [[Björk]] (included [[Rebel Without a Pause]] in her [[The Breezeblock]] Mix in July 2007), [[Tricky (rapper)|Tricky]] (did a cover of [[Black Steel in the Hour of Chaos]] and appears in Do You Wanna Go Our Way ??? video), The Prodigy (included Public Enemy No. 1 in [[The Dirtchamber Sessions Volume One]]), [[Ben Harper]], [[Underground Resistance]] (cited by both [[Mike Banks (musician)|Mad Mike]] and [[Jeff Mills]]), Orlando Voorn, [[M.I.A. (rapper)|M.I.A.]], [[Amon Tobin]], Mathew Jonson, [[Aphex Twin]] (Welcome To The Terrordome being the first track played after the introduction at the [[Coachella Valley Music and Arts Festival|Coachella Festival]] in April 2008), [[Rage Against the Machine]] (sampling the track in their song "Renegades of Funk"), and [[Porcupine Tree]]'s ''[[Fear of a Blank Planet]]''.

==Accusations of antisemitism==
In a 1989 interview with ''[[The Washington Times]]'', the interviewing journalist, [[David Mills (writer)|David Mills]], lifted some quotations from a UK magazine in which the band were asked their opinion on the [[Arab–Israeli conflict]]. Professor Griff commented that "Jews are responsible for the majority of the wickedness in the world" (p.&nbsp;177), a quote from ''[[The International Jew]]''. Shortly after, Chuck D expressed an apology on his behalf.<ref name="Pareles1989">{{cite news|author=Pareles, Jon|url=https://www.nytimes.com/1989/08/11/arts/public-enemy-rap-group-reorganizes-after-anti-semitic-comments.html|title=Public Enemy Rap Group Reorganizes After Anti-Semitic Comments|newspaper=[[The New York Times]]|date=August 11, 1989|access-date=April 19, 2014}}</ref> At a June 21, 1989, press conference, Chuck D announced Griff's dismissal from the group,<ref name="Pareles1989"/> and a June 28 statement by [[Russell Simmons]], president of [[Def Jam Recordings]] and Rush Artists Management, stated that Chuck D. had disbanded Public Enemy "for an indefinite period of time".<ref>{{cite news|last1=Pareles|first1=John|title=Rap Group Disbands Under Fire|url=https://www.nytimes.com/1989/06/29/arts/rap-group-disbands-under-fire.html|work=The New York Times|date=June 29, 1989|page=C19}}</ref> By August 10, however, Chuck D denied that he had disbanded the group, and stated that Griff had been re-hired as "Supreme Allied Chief of Community Relations" (in contrast to his previous position with the group as Minister of Information).<ref name="Pareles1989"/> Griff later denied holding anti-Semitic views and apologized for the remarks.<ref name="Hilburn3">{{cite news|last=Hilburn|first=Robert|date=April 10, 1990|url=https://www.latimes.com/archives/la-xpm-1990-04-10-ca-938-story.html|title=POP MUSIC REVIEW: Public Enemy Keeps Up Attack|newspaper=Los Angeles Times|location=Los Angeles|access-date=October 17, 2011}}</ref> Several people who had worked with Public Enemy expressed concern about Chuck D's leadership abilities and role as a social spokesman.<ref name="Hilburn2">{{cite news|last=Hilburn|first=Robert|author-link=Robert Hilburn|date=February 4, 1990|url=https://www.latimes.com/archives/la-xpm-1990-02-04-ca-470-story.html|title=Rap—The Power and the Controversy: Success has validated pop's most volatile form, but its future impact could be shaped by the continuing Public Enemy uproar|newspaper=[[Los Angeles Times]]|location=Los Angeles Times|access-date=October 17, 2011}}</ref>

In his 2009 book, entitled ''Analytixz'', Griff criticized his 1989 statement: "to say the Jews are responsible for the majority of wickedness that went on around the globe I would have to know about the majority of wickedness that went on around the globe, which is impossible ... I'm not the best knower. Then, not only knowing that, I would have to know who is at the crux of all of the problems in the world and then blame Jewish people, which is not correct." Griff also said that not only were his words taken out of context, but that the recording has never been released to the public for an unbiased listen.<ref>Professor Griff. Analytixz: 20 Years of Conversations and Enter-views with Public Enemy's Minister of Information. Atlanta: RATHSI Publishing, 2009, p. 12.</ref>

The controversy and apologies on behalf of Griff spurred Chuck D to reference the negative press they were receiving. In 1990, Public Enemy issued the single "Welcome to the Terrordome", which contains the lyrics: "Crucifixion ain't no fiction / So-called chosen frozen / Apologies made to whoever pleases / Still they got me like Jesus". These lyrics have been described by rock critic Robert Christgau as anti-Semitic, making supposed references to [[Chosen people|the concept of the "chosen people"]] with the lyric "so-called chosen" and [[Jewish deicide]] with the last line.<ref>Christgau, Robert. [http://www.robertchristgau.com/xg/rock/pe-90.php Jesus, Jews, and the Jackass Theory: Public Enemy]</ref>

The rapper [[Ice-T]] addressed the controversy in his track "This One's For Me" on the album ''[[The Iceberg/Freedom of Speech... Just Watch What You Say!]]''. He lamented that none of the rappers who had previously allied themselves with Public Enemy during their success was defending Professor Griff during the controversy, claiming that he had been the only one to speak out in Griff's defense.

In 1999 the group released an album entitled ''[[There's a Poison Goin' On]]''. The title of the last song on the album is called "Swindler's Lust". The Anti-Defamation League (ADL) claimed that the title of the song was a word play on the title of the Steven Spielberg movie ''[[Schindler's List]]'' about the genocide of Jews in World War II.<ref>{{cite web|url=https://www.villagevoice.com/1999/07/13/profits-of-rage/|title=Profits of Rage|website=Villagevoice.com|date=July 13, 1999|access-date=December 12, 2018}}</ref> Similarly in 2000 a Public Enemy spin off group under the name [[Confrontation Camp]], a name that the ADL saw as a pun on the term [[concentration camp]], released an album.<ref>{{cite web|url=http://www.mtv.com/news/515476/jewish-group-decries-public-enemys-swindlers-lust/|archive-url=https://web.archive.org/web/20160331173332/http://www.mtv.com/news/515476/jewish-group-decries-public-enemys-swindlers-lust/|url-status=dead|archive-date=March 31, 2016|title=Jewish Group Decries Public Enemy's 'Swindler's Lust'|last=Archive-Chris-Nelson|website=MTV News|access-date=December 12, 2018}}</ref> The group consisted of Kyle Jason, Chuck D (under the name Mistachuck) and Professor Griff.

==Group members==

===Current members===
* [[Chuck D]] (Carlton D. Ridenhour) – [[Master of ceremonies|MC]]
* [[Flavor Flav]] (William J. Drayton Jr.) – [[Hype man]], [[multi-instrumentalist]]
* [[DJ Lord]] (Lord Aswod) – [[Disc jockey|DJ]]
* [[Davy DMX]] (David Franklin Reeves Jr.) – [[bass guitars|bass]]
* T-Bone Motta – [[drums]], [[percussion]]
* DJ Johnny "Juice" Rosado – DJ, Scratching, Turntablist, Producer 
*'''S1W'''
** Brother James (James Norman)
** Brother Mike (Michael Williams)
** James Bomb (James Allen)
** The Interrogator (Shawn K. Carter)
** Big Casper (Tracy D. Walker)
** Pop Diesel (John Butch Oliver)

===Former members===

* [[Terminator X]] (Norman Rogers) – DJ, [[Record producer|Producer]]
* [[Professor Griff]] (Richard Griffin) – Minister of Information
*[[Sister Souljah]] (Lisa Williamson) – Minister of Information (took over Richard Griffin's place when Griffin left group)
* [[Brian Hardgroove]] – [[bass guitars|bass]], [[rhythm guitars|guitars]]
* Michael Faulkner – [[drums]], [[percussion]]
*'''S1W'''
** Jacob "Big Jake" Shankle
** Brother Roger (Roger Chillous)
* '''The Bomb Squad'''
** Hank Shocklee (James Hank Boxley III) *original member
** [[Keith Shocklee]] (Keith Boxley) *original member
** Eric "Vietnam" Sadler *original member 
** [[Gary G-Wiz]] (Gary Rinaldo) (took Eric Sadler's place when Sadler left group)

==Discography==
{{Main|Public Enemy discography}}

===Studio albums===
* ''[[Yo! Bum Rush the Show]]'' (1987)
* ''[[It Takes a Nation of Millions to Hold Us Back]]'' (1988)
* ''[[Fear of a Black Planet]]'' (1990)
* ''[[Apocalypse 91... The Enemy Strikes Black]]'' (1991)
* ''[[Muse Sick-n-Hour Mess Age]]'' (1994)
* ''[[There's a Poison Goin' On]]'' (1999)
* ''[[Revolverlution]]'' (2002)
* ''[[New Whirl Odor]]'' (2005)
* ''[[How You Sell Soul to a Soulless People Who Sold Their Soul?|How You Sell Soul to a Soulless People Who Sold Their Soul???]]'' (2007)
* ''[[Most of My Heroes Still Don't Appear on No Stamp]]'' (2012)
* ''[[The Evil Empire of Everything]]'' (2012)
* ''[[Man Plans God Laughs]]'' (2015)
* ''[[Nothing Is Quick in the Desert]]'' (2017)
* ''Loud Is Not Enough'' (2020) <small>(released under the name Enemy Radio)</small>
* ''[[What You Gonna Do When the Grid Goes Down?]]'' (2020)

===Collaboration albums===
* ''[[Rebirth of a Nation]]'' <small>with Paris</small> (2006)

===Soundtrack albums===
* ''[[He Got Game (soundtrack)|He Got Game]]'' (1998)

==Awards and nominations==
===Grammy Awards===
<ref>{{cite web|url=http://www.rockonthenet.com/ |title=ROCK ON THE NET ... your music resource and more – music charts, info pages, live tv and new release info, music news links and more |website=Rockonthenet.com |access-date=April 20, 2013}}</ref>
{| class="wikitable"
|-
!Year
!Nominated work
!Award
!Result
|-
|align=center|[[Grammy Awards of 1990|1990]]
|"Fight the Power"
|Best Rap Performance by a Duo or Group
|{{nom}}
|-
|align=center|[[Grammy Awards of 1991|1991]]
|''[[Fear of a Black Planet]]''
|Best Rap Performance by a Duo or Group
|{{nom}}
|-
|align=center|[[Grammy Awards of 1992|1992]]
|''[[Apocalypse 91... The Enemy Strikes Black]]''
|Best Rap Performance by a Duo or Group
|{{nom}}
|-
|align=center|[[Grammy Awards of 1993|1993]]
|''[[Greatest Misses]]''
|Best Rap Performance by a Duo or Group
|{{nom}}
|-
|align=center|[[Grammy Awards of 1995|1995]]
|"Bring the Noise" (with [[Anthrax (American band)|Anthrax]])
|Best Metal Performance
|{{nom}}
|}

===American Music Awards===
{| class="wikitable"
|-
!Year
!Nominated work
!Award
!Result
|-
|align=center|[[American Music Awards of 1989|1989]]
|''[[It Takes a Nation of Millions to Hold Us Back]]''
|Favorite Rap/Hip-Hop Album
|{{nom}}
|-
|align=center|[[American Music Awards of 1991|1991]]
|''[[Fear of a Black Planet]]''
|Favorite Rap/Hip-Hop Album
|{{nom}}
|-
|align=center|[[American Music Awards of 1992|1992]]
|''[[Apocalypse 91... The Enemy Strikes Black]]''
|Favorite Rap/Hip-Hop Album
|{{nom}}
|}

===Rock and Roll Hall of Fame===
Public Enemy was inducted into the [[Rock and Roll Hall of Fame]] in 2013.<ref name="RRHOF">{{cite web |last1=<!-- not stated --> |first1=<!-- not stated --> |title=Class of 2013 - Public Enemy |url=https://rockhall.com/inductees/public-enemy/ |website=Rock and Roll Hall of Fame |access-date=27 April 2025}}</ref>

==References==
{{Reflist}}

==Bibliography==
* {{cite book|author=Chang, Jeff|title=Can't Stop Won't Stop: A History of the Hip-Hop Generation|place=New York|publisher=Picador|year=2005|isbn=0312425791|url-access=registration|url=https://archive.org/details/cantstopwontstop00chang}}
* Chuck D: ''Lyrics of a Rap Revolutionary'', Off Da Books, 2007 {{ISBN|0-9749484-1-1}}
* Chuck D with Yusuf Jah, ''Fight the Power'', Delacorte Press, 1997 {{ISBN|0-385-31868-5}}
* ''[[Fuck You Heroes]], Glen E. Friedman Photographs 1976–1991'', Burning Flags Press, 1994, {{ISBN|0-9641916-0-1}}
* Serpick, Evan. "Public Enemy Look Back at 20 Years of 'By the Time I Get to Arizona'." Spin. Spin, November 10, 2011. Web.
* White, Miles. ''Race, Rap and the performance of Mascinity in American Popular Culture''. 2011. [[University of Illinois]]. Urbana. {{ISBN|978-0-252-07832-3}}

==External links==
{{Sister project links|display=Public Enemy |wikt=no |commons=Public Enemy|commonscat=yes |n=yes |q=yes |s=no |b=no |v=no |d=Q209182}}
*{{allMusic}}
* [https://web.archive.org/web/20070322034118/http://video.publicenemy.com/ Videos]

{{Public Enemy|state=expanded}}
{{2013 Rock and Roll Hall of Fame}}
{{Grammy Lifetime Achievement Award}}
{{Professor Griff}}
{{Authority control}}

[[Category:Public Enemy (band)| ]]
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