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{{Short description|American violinist (1904–1992)}} {{Use mdy dates|date=October 2011}} [[File:Nathan Milstein-en.jpg|thumb|right|Nathan Milstein]] {{ external media | float = right | width = 230px | audio1 = Listen to Nathan Milstein performing [[Ludwig van Beethoven]]'s "[[Violin Concerto (Beethoven)|Violin Concerto in D major]]" Opus 61 with [[William Steinberg]] conducting the [[Pittsburgh Symphony Orchestra]] in 1955 [https://archive.org/details/BeethovenViolinConcerto-Milstein '''here on archive.org''']}} '''Nathan Mironovich Milstein''' ({{OldStyleDate|January 13, 1904| |December 31, 1903}} – December 21, 1992) was a Russian and American virtuoso violinist. Widely regarded as one of the greatest violinists of all time, Milstein was known for his interpretations of [[Johann Sebastian Bach|Bach]]'s solo violin works and for works from the [[Romantic music|Romantic]] period. He was also known for his long career: he performed at a high level into his mid-80s, retiring only after suffering a broken hand. ==Biography== Milstein was born in [[Odessa]], [[Russian Empire]], the fourth child of seven, to a middle-class Jewish family with no musical background.<ref>[https://www.jewishvirtuallibrary.org/milstein-nathan Milstein, Nathan] at ''JVL''</ref> Milstein’s mother recognized Nathan’s early interest in music and forced her young son to take [[violin]] lessons, hoping it would keep him out of trouble. In 1909, Milstein began to study with Odessa’s most prestigious violin teacher, [[Pyotr Stolyarsky]], with whom he studied until the summer of 1914. (One of his fellow students was six-year old [[David Oistrakh]].) When Milstein was 11, [[Leopold Auer]] invited him to become one of his students at the [[Saint Petersburg Conservatory|St. Petersburg Conservatory]]. Milstein reminisced: <blockquote>Every little boy who had the dream of playing better than the other boy wanted to go to Auer. He was a very gifted man and a good teacher. I used to go to the Conservatory twice a week for classes. I played every lesson with forty or fifty people sitting and listening. Two pianos were in the classroom and a pianist accompanied us. When Auer was sick, he would ask me to come to his home.<ref name="schwarz443">'' High Fidelity'', November 1977, 84, 86. As quoted in Schwarz, 443.</ref></blockquote> Milstein may in fact have been the last Russian violinist to have had personal contact with Auer. Auer did not name Milstein in his memoirs but mentions "two boys from Odessa ... both of whom disappeared after I left St. Petersburg in June 1917."<ref>Auer, Leopold, ''My Long Life in Music'', 343–344. As quoted in Schwarz, 443.</ref> Neither is Milstein's name in the registry of the St Petersburg Conservatory. Milstein also studied with [[Eugène Ysaÿe]] in Belgium. In the documentary ''Nathan Milstein – In Portrait'', Milstein told the director [[Christopher Nupen]] that he learned almost nothing from Ysaÿe but enjoyed his company enormously. In a 1977 interview printed in ''[[High Fidelity (magazine)|High Fidelity]]'', he said, "I went to Ysaÿe in 1926 but he never paid any attention to me. I think it might have been better this way. I had to think for myself."<ref>''High Fidelity'', November 1977, 86. As quoted in Schwarz, Boris, ''Great Masters of the Violin'' (New York: Simon and Schuster, 1983), p. 444.</ref> Milstein met [[Vladimir Horowitz]] and his pianist sister Regina in 1921 when he played a recital in [[Kiev]]. They invited him for tea at their parents' home. Milstein later said, "I came for tea and stayed three years."<ref>Schwarz, 443.</ref> Milstein and Horowitz performed together, as "children of the revolution", throughout the [[Soviet Union]] and struck up a lifelong friendship. The premiere of [[Violin Concerto No. 1 (Prokofiev)]] in the [[Soviet Union]] in 1923 is worth noting since it was given just three days after the Paris premiere by two 19-year-olds, Milstein and Horowitz. Horowitz played the orchestral part on the piano. Milstein later wrote in his memoirs, ''From Russia to the West'', "I feel that if you have a great pianist like Horowitz playing with you, you don't need an orchestra."<ref>Quoted in Steinberg, 350.</ref> Milstein and Horowitz also introduced [[Karol Szymanowski]]'s First Violin Concerto at the same concert.<ref name="stein350">Steinberg, 350.</ref> In 1925, they went on a concert tour of Western Europe together. In 1929, Milstein made his American debut with [[Leopold Stokowski]] and the [[Philadelphia Orchestra]]. He eventually settled in New York, gaining American citizenship in 1942.<ref>{{Cite encyclopedia| publisher = Oxford University Press| last = Schwarz| first = Boris| title = Milstein, Nathan| encyclopedia = Grove Music Online| accessdate = 2023-06-12| date = 2001| url = https://www.oxfordmusiconline.com/grovemusic/display/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000018714| doi = 10.1093/gmo/9781561592630.article.18714}}</ref> He toured repeatedly throughout Europe, maintaining residences in London and Paris. A transcriber and composer, Milstein arranged many works for violin and wrote his own [[cadenza]]s for many concertos. He was obsessed with articulating each note perfectly and would often spend long periods of time working out fingerings which would make passages sound more articulated. One of his best-known compositions is ''Paganiniana'', a set of variations on various themes from the works of [[Niccolò Paganini]]. After playing many different violins in his earlier days, Milstein finally acquired the [[List of Stradivarius instruments|1716 "Goldman" Stradivarius]] in 1945 which he used for the rest of his life. He renamed this Stradivarius the "Maria Teresa" in honor of his daughter Maria and his wife Therese. He also performed on the [[List of Stradivarius instruments|1710 ex-"Dancla" Stradivarius]] for a short period. In 1948, [[Mendelssohn Violin Concerto (Nathan Milstein album)|Milstein's recording of Felix Mendelssohn's Violin Concerto in E minor]], with [[Bruno Walter]] conducting the [[New York Philharmonic]], was the first recording issued in [[Columbia Records|Columbia]]'s [[LP record|LP]] format.<ref>D. Kern Holoman ''The Orchestra: A Very Short Introduction'' 2012 Page 107 "The first classical LP was the Mendelssohn Violin Concerto with Nathan Milstein, Bruno Walter, and the New York Philharmonic-Symphony, Columbia ML-4001. RCA capitulated in 1950, leaving 45s as the medium of choice for pop singles."</ref><ref>John F. Morton ''Backstory in Blue: Ellington at Newport '56'' 2008 Page 49 "1947.. The following year Columbia made what it regarded as record history, introducing the first twelve-inch LP, Mendelssohn's Violin Concerto in E minor, with violinist Nathan Milstein and the New York Philharmonic Orchestra, Bruno Walter ... Within a year and a half of the introduction of the LP, Columbia had sold twice as many Masterworks as RCA was selling of Red Seal. RCA had begun to lose its artists. Some, like opera tenor Ezio Pinza, would go to Columbia..."</ref> {{external media | float = right | width = 230px | audio1 = You may hear Nathan Milstein performing [[Pyotr Ilyich Tchaikovsky]]'s [[Violin Concerto (Tchaikovsky)|Violin Concerto in D major]] Opus 35 with [[Frederick Stock]] conducting the [[Chicago Symphony Orchestra]] in 1940 [https://archive.org/details/TCHAIKOVSKYViolinConcerto-Milstein-NewTransfer/01.I.AllegroModerato.mp3 '''here on archive.org''']}} Milstein was awarded the [[Légion d'honneur]] by France in 1968 and received a [[Grammy Award]] for his recording of Bach's ''[[Sonatas and Partitas for Solo Violin (Bach)|Sonatas and Partitas]]'' in 1975. He was also awarded [[Kennedy Center]] honors by US President [[Ronald Reagan]]. A recital he gave in Stockholm in June 1986, one of his last performances, was recorded in its entirety<ref>{{Cite web|url=https://www.analogphonic.com/product-page/the-last-recital|title = The Last Recital}}</ref> and shows the remarkable condition of his technique at age 82. A fall shortly afterward in which he severely broke his left hand ended his career. During the late 1980s, Milstein published his memoirs, ''From Russia to the West'', in which he discussed his life of constant performance and socializing. Milstein discusses the personalities of composers such as [[Alexander Glazunov]], [[Sergei Prokofiev]], [[Sergei Rachmaninoff]] and [[Igor Stravinsky]] and conductors such as [[Arturo Toscanini]] and Leopold Stokowski, all of whom he knew personally. He also discusses his best friends, pianist Vladimir Horowitz, cellist [[Gregor Piatigorsky]] and ballet director [[George Balanchine]], as well as other violinists such as [[Fritz Kreisler]] and [[David Oistrakh]]. Milstein was married to Therese Kaufman, with whom he had one daughter, Maria Bernadette. He died of a heart attack in London on December 21, 1992, 23 days before his 89th birthday.<ref name=perfect>[http://inkpot.com/classical/milstein.html Inkpot biography] {{webarchive|url=https://web.archive.org/web/20051216142020/http://inkpot.com/classical/milstein.html |date=December 16, 2005}}</ref> Therese died in 1999 aged 83. ==Notes== {{reflist|colwidth=30em}} ==References== *'' From Russia to the West: The Musical Memoirs & Reminiscences of Nathan Milstein'' by Nathan Milstein & Solomon Volkov. Limelight Edition, 1991. *'' Nathan Milstein'' by Tully Potter, 1995. From CD booklet notes (Testament SBT 1047). *Henry Roth, ''Nathan Milstein'', in ''Violin Virtuosos, From Paganini to the 21st Century'', Los Angeles, California Classics Books, 1997, pp. 130–138 *Paolo Cecchinelli, ''Nathan Milstein. Paganiniana. Variations for violin solo'', in ''Quaderni dell’Istituto di Studi Paganiniani'', n. 12 (2000), pp. 25–36. *Beethoven and Brahms violin concertos. (2001) EMI Records Ltd. Barcode 0724356758353 *[[Michael Steinberg (music critic)|Steinberg, Michael]]. ''The Concerto'' (Oxford and New York: Oxford University Press, 1998). {{ISBN|0-19-510330-0}} ==External links== * [http://www.geometry.net/violinists/milstein_nathan.html Geometry.net] * [https://web.archive.org/web/20051216142020/http://inkpot.com/classical/milstein.html Inkpot.com biography] * [https://archive.org/search.php?query=Nathan%20milstein archive.org - Nathan Milstein's recordings] {{Kennedy Center Honorees 1980s}} {{Gramophone Hall of Fame}} {{Authority control}} {{DEFAULTSORT:Milstein, Nathan}} [[Category:1904 births]] [[Category:1992 deaths]] [[Category:Musicians from Odesa]] [[Category:People from Kherson Governorate]] [[Category:Soviet emigrants to the United States]] [[Category:Soviet classical violinists]] [[Category:Ukrainian classical violinists]] [[Category:Jews from the Russian Empire]] [[Category:American male classical violinists]] [[Category:Jewish classical violinists]] [[Category:Jewish violinists]] [[Category:Saint Petersburg Conservatory alumni]] [[Category:Knights of the Legion of Honour]] [[Category:Grammy Award winners]] [[Category:Kennedy Center honorees]] [[Category:Odesa Jews]] [[Category:Jewish Ukrainian musicians]] [[Category:20th-century American male musicians]] [[Category:Russian classical musicians]] [[Category:Russian violinists]] [[Category:Russian classical violinists]] [[Category:20th-century Russian Jews]] [[Category:20th-century Russian male musicians]] [[Category:20th-century American classical violinists]]
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