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{{Short description|French painter (1836–1904)}} {{use dmy dates|date=February 2020}} {{Infobox artist | name = Henri Fantin-Latour | image = Henri Fantin-Latour autoportrait.jpg | caption = [[Self Portrait (Fantin-Latour)|''Self-portrait'']] (1859), [[Museum of Grenoble]] | birth_name = <!--only use if different from name--> | birth_date = {{Birth date|1836|01|14|df=yes}} | birth_place = [[Grenoble]], France | death_date = {{Death date and age|1904|08|25|1836|01|14|df=yes}} | death_place = [[Buré]], France | resting_place = [[Cimetière du Montparnasse]] | resting_place_coordinates = <!-- {{Coord|LAT|LONG|type:landmark|display=inline}} --> | nationality = French | education = [[École des Beaux-Arts]] | known_for = | notable_works = | style = | movement = [[Realism (arts)|Realism]], [[Symbolism (arts)|symbolism]] | spouse = [[Victoria Dubourg]] | awards = | elected = | patrons = | memorials = | website = <!-- {{URL|Example.com}} --> }} '''Henri Fantin-Latour''' ({{IPA|fr|ɑ̃ʁi fɑ̃tɛ̃ latuʁ}}; 14 January 1836 – 25 August 1904) was a French painter and [[lithography|lithographer]] best known for his flower paintings and group portraits of [[Paris]]ian artists and writers.<ref>Rosenblum 1989, p. 162.</ref> ==Early life== Born in [[Grenoble]], [[Isère]], Ignace Henri Jean Théodore Fantin-Latour first had drawing lessons with his father Théodore Fantin-Latour (1805-1875), who was a painter.<ref name="Poulet73">Poulet & Murphy 1979, p. 73.</ref> In 1850 he moved to Paris where he enrolled in the small Paris School of Drawing, where he studied with Louis-Alexandre Péron and [[Horace Lecoq de Boisbaudran]], an innovative and non-traditional instructor who developed his own teaching method based on painting and drawing from memory. He entered the [[École des Beaux-Arts]], in [[Paris]], in 1854, where he had for classmates, [[Edgar Degas]], [[Alphonse Legros]] and [[Jean-Charles Cazin]]. After studying there, he spent long time copying the works of the old masters in the [[Musée du Louvre]].<ref name="Poulet73" /> Although Fantin-Latour befriended several of the young artists who would later be associated with [[Impressionism]], including [[James McNeill Whistler|Whistler]] and [[Édouard Manet|Manet]], his own work remained conservative in style.<ref name="Poulet73" /> In 1861, he briefly frequented the studio of [[Gustave Courbet]]. A painting from this period represents him with the painter and caricaturist Oulevay. At the start of his career, between 1854 and 1861, he produced a large number of self-portraits in chalk, charcoal and oil. He had one of them refused at the Salon of 1859. He participated again with ''La Liseuse'' in 1861. A member of the so-called Cénacle des Batignolles, or group of 1863, from where from [[Impressionism]] originated, he was, according to Gustave Kahn, a kind of the link between their painters and [[romanticism|romantic]] painting. In 1862, one of his still lifes was exhibited at the Royal Academy in London. It was the first of a long series, for thereafter he presented several almost every year and which invariably occupied a prominent place in the exhibition building. During his third trip to England, from July to October 1864, he once again painted still lifes there. He had commercial success. ==The 1860s and his still lifes== Encouraged by American painter [[James McNeill Whistler]] (1834-1903), whom he met in 1858 at the [[Louvre]], he made several stays in London from 1859 to 1881. In the 1860s, he cultivated the genre of the still life, who would play a capital role in his career.<ref name="Poulet73" /> Fantin-Latour would find recognition in [[England]] for his compositions of flowers and fruits, at a time when French Impressionist painting was still not very widely there. It was said that his still lifes were "practically unknown in France during his lifetime".<ref name="Poulet73" /> Thanks to Whistler he met his brother-in-law Francis Seymour Haden and the engraver Edwin Edwards, and it was in London that he learned engraving.<ref name="ReferenceA">Gustave Kahn, ''Fantin-Latour'', Paris, Rieder, 1926 (French)</ref> His decision to make still lifes may seem surprising at the time of Impressionism, however, the choice of such a subject wasn't innocent. In the hierarchy of genres enacted by the Academy of Fine Arts since the 17th century, the still life of fruit or flowers was considered a minor category. By ignoring any literary, religious or historical context, supposed to confer value and nobility on the work, he adopted the opposite stance of [[academicism]]. Edwin and Ruth Edwards, his English patrons and merchants, recommended that he always used simple vases and table tops in order to exhibit his great talent in rendering texture and color.<ref>Jean-Louis Roux, "Des pétales au bout du pinceau", in ''Les Affiches de Grenoble et du Dauphiné'', no 4594, 21 September 2012, pp. 132-133 (French)</ref> Fantin-Latour still lifes were also very appreciated in the [[Netherlands]] at his time. At the Living Masters Exhibition in Amsterdam, in 1889, one of his still lifes with roses sold by 2,000 guilders, a considerable sum back then. Dutch art dealers from [[Amsterdam]] regularly sold works by Fantin-Latour well into the 1930s. Many of these works would end in Dutch museums such as the [[Rijksmuseum]], in [[Amsterdam]], and the [[Kröller-Müller Museum]], in [[Otterlo]].<ref>[https://www.boijmans.nl/en/collection/artworks/113469/glass-bowl-with-white-and-blue-grapes-peaches-and-plums Boimans van Beuning Museum, Rotterdam]</ref> ==Artistic universe== After his first Salon submissions were rejected in 1859, he began exhibiting with his friend [[Édouard Manet]] and the future Impressionists [[Pierre-Auguste Renoir]] and [[Claude Monet]]. In 1865, he wrote to [[Edwin Edwards]] : “We form a group and make noise because there are many painters and one is easily forgotten. When we come together... we grow in numbers and become more adventurous. I thought it could last, it was my mistake”.<ref>Edward Lucie-Smith, ''Henri Fantin-Latour'', Rizzoli, 1977, p. 13</ref> In 1867, he was also one of the nine members of the Japanese Jinglar Society, with [[Carolus-Duran]], who painted his portrait twice in 1861, and the ceramists Bracquemond and Solon, who they met to dinner at the Japanese style. “One always felt when approaching him, a small feeling of fear, because of these rough manners which the artists of his generation often affected as inseparable from a noble independence”, would say Jacques-Émile Blanche, a friend painter of the following generation.<ref>Jacques-Émile Blanche, "Fantin-Latour", ''Revue de Paris'', 1906, pp. 289-313 (French)</ref> Fantin renovated the collective portraiture with paintings who served as large manifestos: ''[[Homage to Delacroix]]'' (1864), ''[[A Studio at Les Batignolles]]'' (1870), a tribute to Manet, ''[[The Corner of the Table]]'' (1872), a homage to the Parnassian poets, including [[Paul Verlaine]] and [[Arthur Rimbaud]], and ''[[Around the Piano]]'' (1885), a tribute to musicians and musicologists of his time.<ref name="ReferenceA"/> In ''[[A Studio at Les Batignolles]]'', Manet is depicted in the center in the act of painting, while he is surrounded of several important painters and writers, including [[Pierre-Auguste Renoir]], [[Zacharie Astruc]], [[Emile Zola]], [[Frédéric Bazille]] and [[Claude Monet]]. This canvas testifies to the links he maintained with the artistic and literary avant-garde of the time and to Manet in particular; it also seems to be an echo of Zola s opinion of Manet: "Around the painter reviled by the public, a common front has been created of painters and writers claiming him as a master". In addition to his realistic paintings, Fantin-Latour created imaginative [[lithograph]]s inspired by the music of some of the great classical composers. In 1876, Fantin-Latour attended a performance of the [[Der Ring des Nibelungen|''Ring'' cycle]] at Bayreuth, which he found particularly moving.<ref name=":0">{{Cite journal|last=Sloan|first=Rachel|date=2009|title=The Condition of printmaking: Wagnerism and printmaking in France and Britain|url=https://onlinelibrary.wiley.com/doi/10.1111/j.1467-8365.2009.00681.x|journal=Art History|language=en|volume=32|issue=3|pages=545–577|doi=10.1111/j.1467-8365.2009.00681.x}}</ref> He would later publish lithographs inspired by [[Richard Wagner]] in ''[[La Revue wagnérienne|La revue wagnérienne]]'', which helped solidify his reputation among Paris' avant-garde as an anti-naturalist painter.<ref name=":0" /> In 1876, Fantin-Latour married a fellow painter, [[Victoria Dubourg]], whom he met when both were copying the same painting at the Louvre.<ref>{{Cite news |last=Crawford |first=Amy |date=January–February 2025 |title=Feast Your Eyes on These Paintings From the Impressionist Era |url=https://www.smithsonianmag.com/arts-culture/feast-your-eyes-paintings-food-impressionist-era-180985635/ |url-status=live |access-date=3 January 2025 |work=Smithsonian Magazine}}</ref> He would spend his summers on the country estate of his wife's family at [[Buré]], [[Orne]] in [[Lower Normandy]], where he died on 25 August 1904.<ref>Edward Lucie-Smith, ''Henri Fantin-Latour'', Rizzoli, 1977</ref> Like many painters of his time, he became interested in photography, taking pictures for his work. He was also a big collector of erotic photographs; his estate lists more than 1,400 which are kept in the [[Museum of Grenoble]].<ref>"Au musée du Luxembourg, les photos licencieuses de Fantin-Latour", ''Lefigaro.fr'', 12 September 2016 (French)</ref> He was interred in the [[Cimetière du Montparnasse]], Paris, France. ==Legacy== [[Marcel Proust]] mentions Fantin-Latour's work in ''[[In Search of Lost Time]]'': <blockquote>"Many young women's hands would be incapable of doing what I see there," said the Prince, pointing to Mme de Villeparisis's unfinished watercolours. And he asked her whether she had seen the flower painting by Fantin-Latour which had recently been exhibited. (''The Guermantes Way'')</blockquote> His first major UK gallery exhibition in 40 years took place at the [[Bowes Museum]] in April 2011.<ref>{{cite web|url=http://www.thebowesmuseum.org.uk/exhibitions%20and%20events/exhibitions/forthcoming/233/ |archive-url=https://web.archive.org/web/20110414084305/http://www.thebowesmuseum.org.uk/exhibitions%20and%20events/exhibitions/forthcoming/233/ |url-status=dead |archive-date=2011-04-14 |title=A Bed of Roses: Fantin-Latour and the Impressionists at the Bowes Museum |publisher=Thebowesmuseum.org.uk |access-date=2013-09-17 }}</ref> [[Musée du Luxembourg]] presented a retrospective exhibition of his work in 2016–2017 entitled "À fleur de peau". A reproduction of the painting ''A Basket of Roses'' was used as the cover of [[New Order (band)|New Order]]'s album ''[[Power, Corruption & Lies]]'' by [[Peter Saville (graphic designer)|Peter Saville]] in 1983. Nine artworks by Fantin-Latour are listed concerning their Nazi-era provenance on the Lost Art Foundation website.<ref>{{Cite web |title=Fantin-Latour, Henri Suche {{!}} Lost Art-Datenbank |url=https://www.lostart.de/de/suche?term=Fantin-Latour,%20Henri&filter%5Btype%5D%5B0%5D=Objektdaten |access-date=2023-11-01 |website=www.lostart.de}}</ref> ==Gallery== <gallery widths="154px" heights="154px" perrow="6" caption="Flower paintings"> Henri Fantin-Latour - Still Life with a Carafe, Flowers and Fruit - Google Art Project.jpg|''Still Life with a Carafe, Flowers and Fruit'' (1865) File:Still-Life - Henri Fantin-Latour - Artizon Museum Tokyo.jpg|''Still Life with Flowers, Fruits, Wineglass and a Tea Cup'' (1865) Henri Fantin-Latour - Flowers and Fruit - Google Art Project (807372).jpg|''Flowers and Fruit'' (1866) Henri Fantin-Latour - Roses (15615114481).jpg|''White Roses'' (1871) Henri Fantin-Latour - Still life (primroses, pears and pomegranates) - Google Art Project.jpg|''Still Life, primroses, pears and promenates'' (1873) Henri Fantin-Latour - Roses in a Stemmed Glass (13358717034).jpg|''Vase of Roses'' (1875) File:Japanese Anemones - Henri Fantin-Latour - ABDAG002274.jpg|Japanese Anemones (1884) Henri Fantin-Latour - Vase of Flowers with a Coffee Cup (13648335833).jpg|''Vase of Flowers with a Coffee Cup'' (1885) Henri FANTIN-Latour - Poppies - Google Art Project.jpg|''Peonies'' (1891) Henri Fantin-Latour - Roses (15408789567).jpg|''Roses'' </gallery> <br /> <gallery widths="154px" heights="154px" perrow="6" caption="Other still lifes"> File:Henri Fantin-Latour, Still Life with Mustard Pot, 1860, NGA 164918.jpg|''Still Life with Mustard Pot'' (1860), [[National Gallery of Art]] File:MMoCA 89MA Henri Fantin-Latour, Figues, Reine-Claude et Abricot.jpg|''Figues, Reine-Claude et abricot'' (1864), [[Mougins Museum of Classical Art]] </gallery> <br /> <gallery widths="154px" heights="154px" perrow="6" caption="Portraits and allegorical paintings"> Henri Fantin-Latour - Retrato de M. e Mme Edwards, 1875.jpg|''Mr. and Mrs. [[Edwin Edwards (artist)|Edwards]]'' (1875), [[Tate|Tate Gallery]] Image:Edouard Manet by Fantin-Latour.jpg|''Édouard Manet'' (1867), [[Art Institute of Chicago]] Image:M-Y de Fitz-James by Fantin-Latour.jpg|''Marie-Yolande de Fitz-James'' (1867) Henri Fantin-Latour - By the Table - Google Art Project.jpg|''[[The Corner of the Table]]'' (1872) The Dubourg Family by Fantin-Latour.jpg|''Dubourg Family'' (1878), [[Musée d'Orsay]] File:Henri Fantin-Latour Venus and Cupid.jpg|''[[Venus]] and [[Cupid]]'' (1867) Henri Fantin-Latour - A Studio at Les Batignolles - Google Art Project.jpg|''[[A Studio at Les Batignolles]]'' (1870) Henri Fantin-Latour - The Temptation of St. Anthony - Google Art Project.jpg|''[[The temptation of St. Anthony in visual arts|The Temptation of St. Anthony]]'' Image:La Lecture (Fantin-Latour).jpg|''[[The Reading (Fantin-Latour, Lyon)|La Lecture]]'' (1877), [[Musée des Beaux-Arts de Lyon]] Image:Charlotte Dubourg par Fantin-Latour.jpg|''Portrait of Charlotte Dubourg'' (1882), [[Paris]], [[musée d'Orsay]] File:'Madame Lerolle' by Henri Fantin-Latour, 1882.JPG|''Madame Lerolle'' (1882) File:Henri Fantin-Latour - Dawn - Google Art Project.jpg|''Dawn'' (c. 1883) File:FantinLatour Danaé.jpg|''[[Danae]]'' Image:Henri Fantin-Latour - Portrait of Sonia.jpg|''Sonia'' (1890), [[National Gallery of Art]] </gallery> <br /> <gallery widths="154" heights="154" perrow="6" caption="Self-portraits"> File:Fantin-latour-autoportrait-MBALYON.jpg|''Self-portrait'' (1859) File:Bemberg Fondation Toulouse - Self-portrait paintings by Henri Fantin-Latour.jpg|''Self-portrait'' (1860) File:Self-Portrait by Fantin-Latour 1860.jpg|''Self-Portrait'', pencil, charcoal, and whitening (1860) File:Henri Fantin-Latour - Self-Portrait - Google Art Project.jpg|''Self-Portrait'' (1861) File:Henri Fantin-Latour, Self-portrait (1861).jpg|''Self-portrait'' (1861) </gallery> ==Public collections== {{More citations needed section|date=February 2018}} {{div col|colwidth=20em}} *[[Aberdeen Art Gallery]] ([[Scotland]]) *[[Armand Hammer Museum of Art]] ([[California]]) *[[Art Gallery of New South Wales]] ([[Sydney, Australia]]) *Art Gallery of the University of Rochester ([[New York City|New York]]) *[[Art Institute of Chicago]] *Arthur Ross Gallery ([[University of Pennsylvania]]) *[[Ashmolean Museum]] ([[University of Oxford]]) *[[Birmingham Museums & Art Gallery]] (UK) *[[Bristol Museum & Art Gallery]] (UK) *[[Bowes Museum]] ([[County Durham]], England) *[[British Museum]]<ref>{{Cite web|title=drawing {{!}} British Museum|url=https://www.britishmuseum.org/collection/object/P_1927-1112-3|access-date=2021-03-12|website=The British Museum|language=en}}</ref> *[[Carnegie Museum of Art]] ([[Pittsburgh, Pennsylvania]]) *[[Clark Art Institute]] ([[Williamstown, Massachusetts]]) *[[Cleveland Museum of Art]]<ref>{{Cite web|title=Fantin-Latour: Independent Artist, Friend of the Impressionists|url=https://www.clevelandart.org/sites/default/files/documents/gallery-card/Henri%20Fantin-Latour.pdf|access-date=12 March 2021|archive-date=31 August 2021|archive-url=https://web.archive.org/web/20210831115151/https://www.clevelandart.org/sites/default/files/documents/gallery-card/Henri%20Fantin-Latour.pdf|url-status=dead}}</ref> *[[Dallas Museum of Art]] *[[Detroit Institute of Arts]] *[[Dixon Gallery and Gardens]] ([[Tennessee]]) *[[Fine Arts Museums of San Francisco]] *[[Fitzwilliam Museum]] ([[University of Cambridge]]) *[[Fondation Bemberg]] Museum ([[Toulouse, France]]) *[[Foundation E.G. Bührle]] ([[Zürich]]) *[[Hammer Museum]]<ref>{{Cite web|title=Art {{!}} Hammer Museum|url=https://hammer.ucla.edu/collections/grunwald-center-collection/loss-and-restitution-the-story-of-the-grunwald-family-collection/art|access-date=2021-03-12|website=hammer.ucla.edu|language=en}}</ref> *[[Harvard University Art Museums]] *[[Hermitage Museum]] *[[Honolulu Museum of Art]] *[[Indiana University Art Museum]] *[[J. Paul Getty Museum]]<ref>{{Cite web|title=Henri Fantin-Latour (French, 1836 - 1904) (Getty Museum)|url=https://www.getty.edu/art/collection/artists/3823/henri-fantin-latour-french-1836-1904/|access-date=2021-03-12|website=The J. Paul Getty in Los Angeles|language=en}}</ref> *[[Kröller-Müller Museum]] ([[Otterlo]], [[Netherlands]]) *[[Lady Lever Art Gallery]] (UK) *[[La Piscine (museum of art and industry)|La Piscine]] ([[Roubaix]], France) *[[Los Angeles County Museum of Art]] *[[MacKenzie Art Gallery]] (Regina, Saskatchewan) *[[Manchester City Art Gallery]] (UK) *[[Metropolitan Museum of Art]] *[[Montreal Museum of Fine Arts]], (Canada) *[[Museum of Grenoble]] (France) *[[Museum of Modern Art]]<ref>{{Cite web|title=Henri Fantin-Latour {{!}} MoMA|url=https://www.moma.org/artists/1800|access-date=2021-03-12|website=The Museum of Modern Art|language=en}}</ref> *[[Musée de Picardie]] ([[Amiens]], France) *[[Musée des Beaux-Arts de Bordeaux]] (France) *[[Musée des Beaux-Arts de Lyon]] (France) *{{ill|Musée des beaux-arts de Pau|fr}} ([[Pau, Pyrénées-Atlantiques|Pau, France]]) *[[Museum of Fine Arts, Rheims|Musée des Beaux-Arts]] ([[Reims]], France) *[[Museum Geelvinck-Hinlopen House|Museum Geelvinck]] ([[Amsterdam]], Netherlands) *[[Musée des Beaux-Arts de Rouen]] (France) *[[Musée d'Orsay]] ([[Paris]]) *[[Musée du Louvre]] ([[Paris]]) *{{ill|Musée des Ursulines|fr|3=Musée des Ursulines de Mâcon}} ([[Mâcon]], France) *[[Museo Nacional de Bellas Artes (Buenos Aires)|Museo Nacional de Bellas Artes]] ([[Buenos Aires]], [[Argentina]]) *[[Museu Calouste Gulbenkian]] ([[Lisbon]]) *[[Museum of Fine Arts, Boston]] *[[National Gallery of Art]] ([[Washington D.C.]]) *[[National Gallery of Canada]] *[[National Gallery, London]] *[[National Museum Cardiff]]<ref>{{Cite web|title=Larkspurs - FANTIN-LATOUR, Henri|url=https://museum.wales/art/online/?action=show_item&item=562|access-date=2021-03-12|website=Amgueddfa Cymru – Museum Wales|language=en}}</ref> *[[Nelson-Atkins Museum of Art]] ([[Kansas City, Missouri]]) *[[Norton Simon Museum]] ([[Pasadena, California]])<ref>{{Cite web|title=White and Pink Mallows in a Vase » Norton Simon Museum|url=https://www.nortonsimon.org/art/detail/M.2003.1.P/|access-date=2021-03-12|website=www.nortonsimon.org}}</ref> *[[Old Jail Art Center]] ([[Albany, Texas]]) *[[Philadelphia Museum of Art]] *[[Rijksmuseum]] ([[Amsterdam]]) *[[Saint Louis Art Museum]]<ref>{{Cite web|title=Asters in a Vase|url=https://www.slam.org/collection/objects/36223/|access-date=2021-03-12|website=Saint Louis Art Museum|language=en-US}}</ref> *[[San Diego Museum of Art]] *[[Smart Museum of Art]] ([[University of Chicago]]) *[[Tate Gallery]] ([[London]]) *[[Thyssen-Bornemisza Museum]]<ref>{{Cite web|title=Fantin-Latour, Henri|url=https://www.museothyssen.org/en/collection/artists/fantin-latour-henri|access-date=2021-03-12|website=Museo Nacional Thyssen-Bornemisza|language=en}}</ref> *[[Toledo Museum of Art]] ([[Ohio]])<ref>{{Cite web|title=Flowers and Fruit|url=http://emuseum.toledomuseum.org:8080/objects/55065/flowers-and-fruit;jsessionid=6EE56280D7A99FC0D1ADFA00F67704D7|access-date=2021-03-12|website=emuseum.toledomuseum.org|language=en}}</ref> *[[University of Liège|Université de Liège Collections]] (Belgium) *[[University of Michigan Museum of Art]] ([[Ann Arbor, Michigan|Ann Arbor]])<ref>{{Cite web|title=Exchange: A Victor Hugo|url=https://exchange.umma.umich.edu/resources/21334/view|access-date=2021-03-12|website=exchange.umma.umich.edu}}</ref> *[[Van Gogh Museum]]<ref>{{Cite web|title=Flowers from Normandy Henri Fantin-Latour, 1887|url=https://www.vangoghmuseum.nl/en/collection/s0089B1991|access-date=2021-03-12|website=Van Gogh Museum|language=en}}</ref> *[[Victoria and Albert Museum]] *[[Virginia Museum of Fine Arts]]<ref>{{Cite web|title=Bouquet of Zinnias (Primary Title) - (83.22)|url=https://www.vmfa.museum/piction/6027262-8118908/|access-date=2021-03-12|website=Virginia Museum of Fine Arts {{!}}|language=en-US}}</ref> *[[Wadsworth Atheneum]] ([[Hartford]]) *[[Winnipeg Art Gallery]] {{div col end}} ==Notes== {{reflist}} ==References== * {{Cite EB1911|wstitle=Fantin-Latour, Ignace Henri Jean Théodore|volume=10|page=172}} * Gibson, Frank F., ''The art of Henri Fantin-Latour, his life and work'', London, Drane's ltd., 1924. * Lucie-Smith, Edward, ''Henri Fantin-Latour'', New York, Rizzoli, 1977. * Poulet, Anne L., & Murphy, A. R., ''Corot to Braque: French Paintings from the Museum of Fine Arts, Boston'', Boston: The Museum, 1979. {{ISBN|978-0-87846-134-9}} * Rosenblum, Robert, ''Paintings in the Musée d'Orsay'', New York: Stewart, Tabori & Chang, 1989. {{ISBN|978-1-55670-099-6}} ==External links== {{commons}} {{Wikiquote}} *{{Art UK bio}} *[http://www.henri-fantin-latour.org Henri-Fantin-Latour.org] 273 works by Henri Fantin-Latour *[http://triarte.brynmawr.edu/Obj165357 Henri Fantin-Latour, ''Still Life'', 1867, watercolor, Bryn Mawr College Art and Artifact Collections] {{Henri Fantin-Latour}} {{Authority control (arts)}} {{DEFAULTSORT:Fantin-Latour, Henri}} [[Category:1836 births]] [[Category:1904 deaths]] [[Category:Artists from Grenoble]] [[Category:19th-century French painters]] [[Category:French male painters]] [[Category:20th-century French painters]] [[Category:20th-century French male artists]] [[Category:Symbolist painters]] [[Category:French Symbolist painters]] [[Category:French flower artists]] [[Category:French still life painters]] [[Category:Burials at Montparnasse Cemetery]] [[Category:20th-century French printmakers]] [[Category:19th-century French male artists]]
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