Editing Harvest (Neil Young album)

{{Short description|1972 studio album by Neil Young}}
{{Over-quotation|date=April 2024}}
{{Infobox album
| name       = Harvest
| type       = studio
| artist     = [[Neil Young]]
| cover      = NeilYoungHarvestalbumcover.jpg
| alt        =
| released   = {{Start date|1972|2|1}}<ref>{{cite web|url= https://neilyoungarchives.com/album?id=A_012|title= Harvest by Neil Young &#124; Neil Young Archives official website}}</ref>
| recorded   = January 30 – September 28, 1971
| venue      = [[Royce Hall]], [[UCLA]]
| studio     = *[[Quad Studios Nashville|Quadrafonic Sound]] (Nashville, Tennessee)<ref name="Followed">{{cite web|title=Dylan, Cash, and the Nashville Cats: A New Music City - Part 4: Artists That Followed|url=https://countrymusichalloffame.org/exhibit/dylan-cash-and-the-nashville-cats-a-new-music-city/beyond-the-nashville-skyline/|website=Country Music Hall of Fame|access-date=27 September 2024}}</ref>
*Barking Town Hall (London, UK)
*Broken Arrow Ranch (Woodside, California)
| genre      =
* [[Folk rock]]
* [[country rock]]
| length     = 37:10
| label      = [[Reprise Records|Reprise]]
| producer   =
* Neil Young
* [[Elliot Mazer]]
* {{nowrap|[[Henry Lewy]]}}
* [[Jack Nitzsche]]
| prev_title = [[After the Gold Rush]]
| prev_year  = 1970
| next_title = [[Journey Through the Past]]
| next_year  = 1972
| misc       = {{Singles
 | name        = Harvest
 | type        = studio
 | single1     = [[Heart of Gold (Neil Young song)|Heart of Gold]]" / "[[Sugar Mountain (song)|Sugar Mountain]]
 | single1date = January 1972
 | single2     = [[Old Man (song)|Old Man]]" / "[[The Needle and the Damage Done]]
 | single2date = April 17, 1972
}}
}}

'''''Harvest''''' is the fourth studio album by Canadian-American musician [[Neil Young]], released on February 1, 1972, by [[Reprise Records]], catalogue number MS 2032. It featured the [[London Symphony Orchestra]] on two tracks and vocals by guests [[David Crosby]], [[Graham Nash]], [[Linda Ronstadt]], [[Stephen Stills]], and [[James Taylor]]. It topped the [[Billboard 200|''Billboard'' 200]] album chart<ref name=BillboardAlbum>{{AllMusic |class=album |tab=charts-awards |id=r22504  |label=''Harvest'' – Neil Young > Charts & Awards > Billboard Album |publisher=[[Billboard (magazine)|Billboard]] |access-date=6 October 2011 }}</ref> for two weeks, and spawned two hit singles, "[[Old Man (song)|Old Man]]", which peaked at No. 31 on the US [[Billboard Hot 100|''Billboard'' Hot 100]], and "[[Heart of Gold (Neil Young song)|Heart of Gold]]", which reached No. 1.<ref name=BillboardSingles>{{AllMusic |class=artist |tab=charts-awards/billboard-singles |id=p5896 |label=Neil Young > Charts & Awards > Billboard Singles |publisher=[[Billboard (magazine)|Billboard]] |access-date=6 October 2011 }}</ref> It was the best-selling album of 1972 in the United States.<ref>{{cite magazine|url=http://www.billboard.com/bbcom/charts/yearend_chart_display.jsp?f=The+Billboard+200&g=Year-end+Albums&year=1972  |title=Year End Charts – Year-end Albums – The Billboard 200 |magazine=Billboard.com |access-date=2009-08-05 |archive-url = https://web.archive.org/web/20071211063945/http://www.billboard.com/bbcom/charts/yearend_chart_display.jsp?f=The+Billboard+200&g=Year-end+Albums&year=1972 |archive-date = 2007-12-11}}</ref>

The album has been described as "[contain[ing] some of the most arresting imagery of Young's career to date". According to ''[[The Times]]''{{'}} deputy [[Feature story|features]] editor Burhan Wazir, the album "evoked both the dying optimism of [[San Francisco]]'s [[Counterculture of the 1960s|counterculture]] movement and the burgeoning cynicism of the [[Watergate scandal|Watergate]] generation."<ref>{{Cite book |last=Wazir |first=Burhan |title=1001 Albums You Must Hear Before You Die |publisher=Universe Publishing |year=2005 |pages=258}}</ref>

The album has since remained Neil Young's signature album as well as his best selling.<ref>{{Cite magazine |last=Lynch |first=Joe |date=2021-01-13 |title=The 25 Best Neil Young Songs: Staff Picks |url=https://www.billboard.com/media/lists/neil-young-best-songs-9510459/ |access-date=2022-03-28 |magazine=[[Billboard (magazine)|Billboard]] |language=en-US}}</ref><ref>{{Cite magazine |date=2012-08-08 |title=Readers' Poll: The Best Neil Young Albums of All Time |url=https://www.rollingstone.com/music/music-lists/readers-poll-the-best-neil-young-albums-of-all-time-18676/ |access-date=2022-03-28 |magazine=Rolling Stone |language=en-US}}</ref> In 2015, ''Harvest'' was inducted into the [[Grammy Hall of Fame]].<ref>{{Cite web|url=https://www.grammy.com/grammys/awards/hall-of-fame#h |title=Grammy Hall of Fame Letter H|work=Grammy|date=18 October 2010|access-date=11 August 2021}}</ref>

==Background==
In 1970, Young released both ''[[Déjà Vu (Crosby, Stills, Nash & Young album)|Déjà Vu]]'' with [[Crosby, Stills, Nash & Young]] and his third solo album, ''[[After the Gold Rush]]''. The year also saw Young tour as a solo act and with both CSNY and his collaborators [[Crazy Horse (band)|Crazy Horse]]. In the fall of 1970, Young released ''After the Gold Rush'', divorced his wife Susan Acevedo, and purchased Broken Arrow Ranch in Redwood City, California, where he would live for the next four decades. While renovating his new home, Young injured his back, limiting his mobility and ability to perform electric guitar. Around the same time, Young would also begin his relationship with actress [[Carrie Snodgress]]. Young's new home and romantic relationship would inspire several new songs.

After completing ''After the Gold Rush'', Young promoted the album through a series of solo acoustic concerts. After playing [[Carnegie Hall]] in December 1970, Young returned to his ranch for a break in touring. While picking up a slab of walnut, Young injured his back, which prevented him from standing up while performing, limiting him to playing acoustic music. Young explains in an August 1975 interview with [[Cameron Crowe]] for ''[[Rolling Stone]]'': {{blockquote|I was in and out of hospitals for the two years between ''After the Gold Rush'' and ''Harvest''. I have one weak side and all the muscles slipped on me. My discs slipped. I couldn't hold my guitar up. That's why I sat down on my whole solo tour. I couldn't move around too well, so I laid low for a long time on the ranch and just didn't have any contact, you know. I wore a brace. Crosby would come up to see how I was, we'd go for a walk and it took me 45 minutes to get to the studio, which is only 400 yards from the house. I could only stand up four hours a day. I recorded most of ''Harvest'' in the brace. That's a lot of the reason it's such a mellow album. I couldn't physically play an electric guitar. "Are You Ready for the Country", "Alabama", and "Words" were all done after I had the operation. The doctors were starting to talk about wheelchairs and shit, so I had some discs removed. But for the most part, I spent two years flat on my back.<ref>Crowe, Cameron. "Neil Young: The Rolling Stone Interview". ''Rolling Stone''. August 14, 1975. https://www.rollingstone.com/music/music-news/neil-young-the-rolling-stone-interview-123513/.</ref>}}

Young embarked on a solo acoustic tour in January and February 1971 where he debuted many of the album's songs. A performance on ''[[The Johnny Cash Show]]'' led to collaborations with record producer [[Elliot Mazer]] and Nashville studio musicians. In Nashville, Young recruited a group of country session musicians, whom he would dub [[The Stray Gators]] to record his new songs. The resulting record was a massive hit, producing a US number one single in "Heart of Gold". The album's success caught Young off guard and his first instinct was to back away from stardom. He would later write that the record "put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there."<ref>Bronson, Fred (2003). ''The Billboard Book of Number 1 Hits'', p. 308. Billboard Books. {{ISBN|0-8230-7677-6}}.</ref>

==Writing==
In a post on his website, Young shares that much of ''Harvest'' "was written about or for [[Carrie Snodgress]], a wonderful actress and person and Zeke Young's mother."<ref>{{cite web|url=https://images.ctfassets.net/2okapnzdylk2/3R1ZG4ptkKS2HNyuOOcvbJ/bfa630d631a35620b37f3ce2d1afa6c0/Large_NYATC_right_aotw-harvest.png|format=PNG|title=Photographic image of magazine review|website=Images.ctfassets.net|access-date=24 December 2021}}</ref> In a radio interview, Young specifically cites "[[Heart of Gold (Neil Young song)|Heart of Gold]]", "[[Harvest (Neil Young song)|Harvest]]" and "[[Out on the Weekend]]" as being inspired by his then blossoming love.<ref>{{cite AV media|people=Neil Young|date=February 1, 2022|publisher=Sirius XM|title=Neil Young Radio}}</ref>

"[[A Man Needs a Maid (song)|A Man Needs a Maid]]" was also inspired by Young's budding relationship with Snodgress, whom he contacted after seeing her picture in a magazine. At a Philadelphia concert in October 2014, Young shared that the song was also inspired by a light switch in a hotel he stayed at while touring with CSNY: {{blockquote|Now maid is a word that's been hijacked. It doesn't mean what it means anymore. Now it's like a derogatory thing. It's something bad. Someone working. Sometimes I tell a little story here about something. Kinda tears it for people a little bit. So a while ago a long time ago I was in a band and we were playing in London. I was in this hotel and there was this light switch on the wall. I walked over to it but it wasn't a light switch. I was surprised to see two buttons. The top one you pressed a MAN and the second one you pressed MAID. I immediately went to the piano. That's how it happened.<ref>Comments to the audience, October 9, 2014. Academy of Music, Philadelphia</ref>}}

"[[Heart of Gold (Neil Young song)|Heart of Gold]]" has become Young's signature song and was his only number 1 hit in the United States. In 1974, he would tell a journalist that its composition was influenced by French song "[[L'amour est bleu|Love Is Blue]]."<ref>Neil Young in Amsterdam. Constant Meijers. Muziekkrant Oor. September/October 1974. Blues Online. Accessed October 29, 2023. http://bluesonline.weebly.com/the-loner.html.</ref>

"[[Are You Ready for the Country (song)|Are You Ready for the Country?]]" was written shortly before being recorded for the album. It, like "Words" and "Alabama", was recorded to provide contrast to the acoustic songs on the album. Young explains in a post on his website: "Are You Ready for the Country?" was written at the ranch shortly before the barn sessions happened. It's a simple song based on an old blues melody that has been used many times. I thought it would bring some welcome relief from the other songs."<ref>August 24, 2018. Neil Young Archives. neilyoungarchives.com</ref>

"[[Old Man (song)|Old Man]]" was inspired by Louis Avila, the caretaker of the Northern California ranch Young had recently purchased. He explains to an audience in January 1971: "This is a new song that I wrote about my ranch. I live on a ranch now. Lucky me. There's this old man who lives on it, that uh, he came with the place when I bought it. Ranches have foremen you know usually that sort of like stay there with the cows, no matter who owns it."<ref name="ReferenceA">Comments to the audience, January 19, 1971. Massey Hall, Toronto.</ref> He further describes Avila in his 2015 memoir, ''Special Deluxe'': {{blockquote|Louis and Clara were each about sixty years old and Louis had a very leathery face from being out in the sun working the land his whole life. His hair was full and white and he talked slowly in a friendly way. Clara, his wife of about forty years, was a very nice, soft-spoken lady. They were very much in love and lived in a little house about two hundred yards from my cabin, just on the other side of the beautiful little lake. They were there the day I first saw the place. Louis stood a little off-center due to an injury he sustained while walking through a field one day when he stepped in a deep hole and put his back out. He never got it fixed. He just soldiered on. His manner was always casual, country.<ref>Young, Neil. 2015. ''Special Deluxe''. New York, New York: Plume, An Imprint Of Penguin Random House Llc.</ref>}}

"Alabama" is "an unblushing rehash of '[[Southern Man (song)|Southern Man]]'";<ref>So characterized by Jim Miller in ''Rolling Stone''; quoted in Inglis, Sam (2003), ''Harvest'', pp. 93-94. The Continuum International Publishing Group. {{ISBN|0-8264-1495-8}}.</ref> to which American [[southern rock]] band [[Lynyrd Skynyrd]] wrote their 1973 hit "[[Sweet Home Alabama]]" in reply, stating "I hope Neil Young will remember, a southern man don't need him around, anyhow". Young later wrote of "Alabama" in his autobiography ''[[Waging Heavy Peace]]'', saying it "richly deserved the shot Lynyrd Skynyrd gave me with their great record. I don't like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue."<ref>{{cite book |last=Young|first=Neil |title=Waging Heavy Peace: A Hippie Dream|year=2012|publisher=Penguin Books|location=New York, New York |isbn=978-0-14-218031-0 |page=417|chapter=Chapter Fifty-seven}}</ref>

"[[The Needle and the Damage Done]]" was inspired directly by an overdose by bandmate [[Danny Whitten]], who would later succumb to his addictions.<ref>Henke, James. "Interview: Neil Young." ''Rolling Stone''. June 2, 1988. https://www.rollingstone.com/music/music-features/interview-neil-young-79380/.</ref> The song was also inspired by several artists Young had seen fall to heroin, as he explained to a January 1971 audience: {{blockquote|I got to see to see a lot of great musicians before they happened. Before they became famous. When they were just gigging. Five and six sets a night. Things like that. I got to see a lot of great musicians who nobody got to see for one reason or another. But strangely enough the real good ones that you never got to see was because of heroin. And that started happening over and over. And then it happened to some that everybody knew about.<ref name="ReferenceA"/>}}

"Words (Between the Lines of Age)", the last song on the album, featured a lengthy guitar workout with the band. In his 2012 memoir ''Waging Heavy Peace'', Young reveals that the song "Words" was inspired by Young's growing fame, and the first cracks in his relationship with Snodgress: {{Blockquote|"Words" is the first song that reveals a little of my early doubts of being in a long-term relationship with Carrie. It was a new relationship. There were so many people around all the time, talking and talking, sitting in a circle smoking cigarettes in my living room. It had never been like that before. I am a very quiet and private person. The peace was going away. It was changing too fast. I remember actually jumping out the living room window onto the lawn to get out of there; I couldn't wait long enough to use the door! Words - too many of them, it seemed to me. I was young and not ready for what I had gotten myself into. I became paranoid and aware of mind games others were trying to play on me. I had never even thought of that before. That was how we did ''Harvest'', in love in the beginning and with some doubts at the end.<ref name="Young, Neil 2012">Young, Neil. 2012. ''Waging Heavy Peace''. Penguin Publishing Group.</ref>}}

==Recording==
The album was recorded across several different sessions in multiple locations in 1971. "The Needle and the Damage Done" was taken from a live solo performance at UCLA on January 30 during a solo acoustic tour. Multiple sessions in February and April were held in Nashville with established local studio musicians, produced by Elliot Mazer. "A Man Needs a Maid" and "There's a World" were recorded with the [[London Symphony Orchestra]] with [[Jack Nitzsche]] on March 1. The album's electric tracks were recorded at Young's ranch in September.

Young engaged in a solo acoustic tour in North America and the United Kingdom in January and February 1971. During the tour, he played several new songs inspired by life on his new ranch or the beginnings of his romantic relationship with Carrie Snodgress. Several of the shows were recorded for potential release as a live album. Young arrived in [[Nashville]] in early February 1971 to perform on an episode of the ''[[The Johnny Cash Show (TV series)|Johnny Cash Show]]''. [[Linda Ronstadt]] and [[James Taylor]] were also slated to appear on the broadcast.

While in Nashville, Young met record producer Elliot Mazer. Mazer had recently opened [[Quadrafonic Sound Studios]] in Nashville in a converted house. Mazer remembers: "The control room was the old porch. The living room and the dining room became the two live rooms, and the kitchen became a drum area. We called it 'Quadraphonic' as a joke, although it did have four speakers in the control room."<ref name="guitar.com">The Genius Of Harvest by Neil Young. Michael Leonard. May 12, 2021. Guitar.com. Accessed November 15, 2023. https://guitar.com/reviews/album/the-genius-of-harvest-by-neil-young/.</ref> Eager to record his new songs, Mazer helped Young assemble a band of local Nashville musicians. Young remembers: {{blockquote|I went on to Nashville at the end of the tour to do the [[Johnny Cash]] television show, which was new and really hot at the time. [[Bob Dylan]] had just done the first one, and everyone wanted to do it. James Taylor and Linda Ronstadt were doing the second show, and so was I. Everyone loved Johnny Cash; he was the real thing. The show was all about music, and it was cool, very real. While I was there I met Elliot Mazer, the record producer, and we went into the studio to try some studio versions of all my new songs. [[Tim Drummond]] was there, and he put together a great band, with [[Kenny Buttrey]], John Harris, [[Ben Keith]], and another guitarist who played some tasty things like the harmonics on "Heart of Gold." This was a great-sounding band. James and Linda came in and added some vocals; James even played banjo on "Old Man." That session was a solid beginning for ''Harvest''.<ref name="Young, Neil 2012">Young, Neil. 2012. ''Waging Heavy Peace''. Penguin Publishing Group.</ref>}}

Young would continue to work with Mazer and Drummond on several subsequent projects. Ben Keith would become one of Young's most frequent collaborators until his death in 2010. Several of the musicians had performed with Nashville bands [[Area Code 615 (band)|Area Code 615]] and [[Barefoot Jerry]]. At these first sessions in early February the band was able to capture "Heart of Gold", "Old Man", "[[Bad Fog of Loneliness]]", and "Dance Dance Dance". Linda Ronstadt and James Taylor also visited the studio to contribute to the sessions with Young. The three sat on a couch and recorded the background vocals for "Heart of Gold" and "Old Man". Taylor overdubbed a part for the latter song on Young's [[banjo guitar]]. Ronstadt remembers the session in a ''Mojo'' interview: "We were sat on the couch in the control room, but I had to get up on my knees to be on the same level as James because he's so tall. Then we sang all night, the highest notes I could sing. It was so hard, but nobody minded. It was dawn when we walked out of the studio."<ref name="longlivevinyl.net">Neil Young's Harvest – in Depth. 2017. Long Live Vinyl. June 2, 2017. https://longlivevinyl.net/2017/06/02/classic-album-neil-young-harvest/.</ref> Mazer recalls Young's drive and the magical atmosphere: {{Blockquote|Neil was very specific about what he wanted. When Neil Young plays a song, his body language dictates everything about the arrangement. Neil sat in the control room of Quadrafonic and played "Heart Of Gold". Kenny and I looked at each other, and we both knew it was a number one record. We heard the song and all we had to do was move Neil into the studio and get the band out there, start the machine and make it sound good. It was incredible!<ref>Elliot Mazer: Neil Young, Linda Ronstadt, Janis Joplin. Bren Davies. July/August 2009. Tapeop.com. Accessed November 15, 2023. https://tapeop.com/interviews/72/elliot-mazer/.</ref>}}

At the end of February, Young traveled to London record a performance for [[BBC Television]] and to perform a concert at the [[Royal Festival Hall]]. While there, he recorded two more songs for the album with orchestra accompaniment. "[[A Man Needs a Maid (song)|A Man Needs a Maid]]" and "There's a World" were recorded by [[Jack Nitzsche]] with the [[London Symphony Orchestra]] March 1 at [[The Broadway (theatre)|Barking Town Hall]]. Young recalled the sessions in ''Waging Heavy Peace'': "I was in London and recorded "A Man Needs a Maid" and "There's a World" with the London Symphony Orchestra, produced and arranged by Jack Nitzsche. After hearing the playback in [[Rolling Stones Mobile Studio|Glyn Johns's truck]], where the pieces were recorded outside the Barking Town Hall, Jack said, 'I think it's a bit overblown.' We knew it was over-the-top, but we had done it and we loved it."<ref name="Young, Neil 2012">Young, Neil. 2012. ''Waging Heavy Peace''. Penguin Publishing Group.</ref> In the liner notes to ''[[Decade (Neil Young album)|Decade]]'', Young remembers Bob Dylan reacting favorably to the production.<ref>''Decade'' liner notes. Neil Young. 1977</ref>

In April, Young returned to Nashville to record "Out on the Weekend", "Harvest" and "Journey Through the Past" with Mazer at Quadrafonic.<ref name="Young, Neil 2012">Young, Neil. 2012. ''Waging Heavy Peace''. Penguin Publishing Group.</ref> Mazer recalls Young being specific about what sound he wanted from the musicians during the sessions: "At one point, Neil said to Kenny that his hi-hat was too busy, so Kenny said, 'Fine. I'll sit on my right hand.' He played the whole take (for "Out on the Weekend") sitting on his right hand.<ref name="longlivevinyl.net"/><ref name="guitar.com"/> Buttrey elaborates on his experiences playing with Young in ''Shakey'': {{Blockquote|Basically every drum part that I ever did with Neil are his drum parts, not mine. He said, 'I don't want any right hand' — no cymbals — which was really tough for me, because I was havin' to think about what I was playin' instead of lettin' it come natural. 'Less is more' is the phrase he used over and over. Only lick I ever came up with on my own is the high-hat on the "Heart of Gold" verse. Neil tells everybody what to play, note for note. If you play somethin' he doesn't like, boy, he'll put a look on you you'll never forget. Neil hires some of the best musicians in the world and has 'em play as stupid as they possibly can. It's just ultra-, ultra-simple, a laidback kinda thing nobody but Neil does, and if you're right with him it sounds great, and it sounds awful if you're not. If I can't see Neil's right hand when he's playin' guitar, then I'm not playing. His rhythm playing is just perfect—it'll feel like he's slowing down, but it's just the Neil Young feel. No drummer should ever hold Neil to a certain tempo, because if you put a metronome on it, you kill the Neil Young feel.<ref name="mcd">{{cite book |last=McDonough |first=Jim |author-link=Jimmy McDonough |title=Shakey: Neil Young's Biography |year=2002 |publisher=Jonathan Cape |isbn=978-0-224-06914-4 }}</ref>}}

On August 11, Young went in for successful back surgery which allowed him to resume playing electric guitar with a band.<ref name="mcd">{{cite book |last=McDonough |first=Jim |author-link=Jimmy McDonough |title=Shakey: Neil Young's Biography |year=2002 |publisher=Jonathan Cape |isbn=978-0-224-06914-4 }}</ref>

The electric-based songs were recorded in a barn at Young's ranch in California in September. Using a [[remote recording]] system, Mazer set up PA speakers in the barn for monitors rather than have the players wear headphones. This resulted in a lot of "leakage" as each microphone picked up sound from other instruments, but Young and Mazer liked the resulting sound. "Are You Ready for the Country", "Alabama", and "Words" were recorded in these sessions with Buttrey, Drummond, Keith, along with Nitzsche on piano and lap steel. Young named this band, which would accompany him on his tour in the winter of 1973, [[The Stray Gators]].

Background vocals by [[Crosby, Stills & Nash]] were later recorded by Mazer in New York.

Mixing was done both at Quadrafonic and at Young's ranch. Young invited Graham Nash to review playback of the album as it was being completed. Graham Nash recalls the experience in his 2013 memoir, ''Wild Tales'': {{Blockquote|I remember the day that Neil asked me to listen to the record. No big speakers, but a boat. That's right, he asked me to get into a small boat and he rowed us both out into the middle of the lake. Once there he asked his producer Elliot Mazer to play the record. Neil was using his entire house as the left speaker and his huge barn as the right speaker. What an incredible record it was, and after the music stopped blaring, Elliot came down to the shore of the lake and shouted, 'How was that, Neil?' and I swear this is true, Neil shouted back, 'More barn!' That's Neil, no doubt about it.<ref>Nash, Graham. 2013. ''Wild Tales''. Penguin UK.</ref>}}

During the production of the album, Young hired filmmaker [[David Myers (cinematographer)|David Myers]] to film the sessions.<ref>Doggett, Peter. 2019. ''Crosby, Stills, Nash & Young: The Biography''. London: The Bodley Head.</ref> The footage was used in two documentaries, the 1973 film ''[[Journey Through the Past (film)|Journey Through the Past]]'' and the 2022 documentary ''Harvest Time''. ''Harvest Time'' shows much of the recording process in Nashville, London, Los Angeles and New York. Dutch director [[Wim van der Linden]] also recorded footage of the artist at his ranch and in concert during the era for the ''Swing In'' German television documentary series.<ref>Linden, Wim van der, and Neil Young. Neil Young. IMDb. April 23, 1971. https://www.imdb.com/title/tt13835904/.</ref>

==Release==
The album cover was designed by art director [[Tom Wilkes]].<ref name="mcd">{{cite book |last=McDonough |first=Jim |author-link=Jimmy McDonough |title=Shakey: Neil Young's Biography |year=2002 |publisher=Jonathan Cape |isbn=978-0-224-06914-4 }}</ref> According to a ''[[Rolling Stone]]'' interview, Young had wanted the album sleeve to biodegrade after the shrink-wrap was broken, but was overruled by the record company on the basis of expense and the possible product loss due to shipping accidents. [[Mo Ostin]] mentioned this request at the 22nd Annual ASCAP Pop Music Awards.<ref>{{cite news|url=http://articles.latimes.com/2005/may/18/entertainment/et-young18/2 |archive-url=https://archive.today/20120707093808/http://articles.latimes.com/2005/may/18/entertainment/et-young18/2 |url-status=dead |archive-date=July 7, 2012 | title= Comes a time for a tux |author=Randy Lewis |newspaper=LA Times|date= May 18, 2005}}</ref>

On October 15, 2002, ''Harvest'' was digitally remixed and remastered for the [[DVD-Audio]] format. The new 5.1 mix was the subject of minor controversy due to its unconventional panning, with the vocals in the centre of the room and the drums in the rear speakers. ''Harvest'' was remastered and released on [[HDCD]]-encoded CD and digital download on July 14, 2009, as part of the [[Neil Young Archives#Original Release Series|Neil Young Archives Original Release Series]]. A 180-gram remastered vinyl edition was released on December 1, 2009, along with remastered vinyl editions of Young's first four albums.<ref>{{cite web|url=http://www.becausesoundmatters.com/product/neil-young-official-release-series-vinyl-1-4|title=Because Sound Matters, Retrieved September 15, 2010 |website=becausesoundmatters.com|url-status=dead|archive-url=https://web.archive.org/web/20091114125001/http://www.becausesoundmatters.com/product/neil-young-official-release-series-vinyl-1-4|archive-date=November 14, 2009}}</ref> The remastered CD exists both as a standalone album and as Disc 4 of a 4-CD box set ''Official Release Series Discs 1-4'', released in the US in 2009 and Europe in 2012.<ref>{{Cite web|url=https://www.discogs.com/master/421064-Neil-Young-Official-Release-Series-Discs-1-4|title=Neil Young - Official Release Series Discs 1-4|website=Discogs.com|access-date=24 December 2021}}</ref>

==Critical reception==
{{Music ratings
| title = Retrospective professional reviews
| rev1 = [[AllMusic]]
| rev1score = {{Rating|4.5|5}}<ref>{{AllMusic |class=album |tab=review |id=r22504 |first=William |last=Ruhlmann |access-date=2 July 2004 }}</ref>
| rev2 = ''[[Christgau's Record Guide: Rock Albums of the Seventies|Christgau's Record Guide]]''
| rev2score = B+<ref name="CG">{{cite book|last=Christgau|first=Robert|author-link=Robert Christgau|year=1981|title=[[Christgau's Record Guide: Rock Albums of the Seventies]]|publisher=[[Ticknor & Fields]]|isbn=089919026X|chapter=Consumer Guide '70s: Y|chapter-url=https://www.robertchristgau.com/get_chap.php?k=Y&bk=70|access-date=March 23, 2019|via=robertchristgau.com}}</ref>
| rev3 = ''[[Encyclopedia of Popular Music]]''
| rev3score = {{Rating|4|5}}<ref>{{cite book |editor1-last=Larkin |editor1-first=Colin |title=The Encyclopedia of Popular Music |date=2007 |publisher=Omnibus |page=1542 |edition=5th concise |ol=11913831M}}</ref>
| rev4 = ''[[MusicHound|MusicHound Rock]]''
| rev4score = 4/5<ref>{{cite book |editor1-last=Graff |editor1-first=Gary |title=MusicHound Rock: The Essential Album Guide |date=1996 |publisher=Visible Ink |location=Detroit |page=754 |ol=8145585M}}</ref>
| rev5 = ''[[Pitchfork (website)|Pitchfork]]''
| rev5score = 9.3/10<ref>{{cite web |work=[[pitchfork.com]] |date=December 11, 2009 |first=Mark |last=Richardson |title=Neil Young: ''Neil Young'' / ''Everybody Knows This is Nowhere'' / ''After the Gold Rush'' / ''Harvest'' > Album Reissue Reviews|url=http://pitchfork.com/reviews/albums/13771-neil-young-everybody-knows-this-is-nowhere-after-the-gold-rush-harvest/#review-album-14804 |access-date=11 December 2009 }}</ref>
| rev6 = ''[[The Rolling Stone Album Guide]]''
| rev6score = {{Rating|4|5}}<ref>{{cite book |editor1-last=Brackett |editor1-first=Nathan |editor2-last=Hoard |editor2-first=Christian |title=The New Rolling Stone Album Guide |date=2004 |publisher=Simon & Schuster |location=New York |page=899 |edition=4th rev. |ol=21112308M}}</ref>
| rev7 = ''[[Spin Alternative Record Guide]]''
| rev7score = 7/10<ref>{{cite book |last1=Weisbard |first1=Eric |editor1-last=Weisbard |editor1-first=Eric |editor2-last=Marks |editor2-first=Craig |title=Spin Alternative Record Guide |date=1995 |publisher=Vintage Books |location=New York |isbn=0679755748 |page=447 |chapter=Neil Young}}</ref>
}}
Assessments by critics were not overwhelmingly favorable at the time. ''[[Rolling Stone]]''{{'}}s [[John Mendelsohn (musician)|John Mendelsohn]] called the album a "disappointing retread" of earlier, superior efforts by Young, writing of "the discomfortingly unmistakable resemblance of nearly every song on this album to an earlier Young composition – it's as if he just added a steel guitar and new words to ''[[After The Gold Rush]]''."<ref name=RS1972>{{cite news |newspaper=[[Rolling Stone]] |issue=105 |date=March 30, 1972 |first=John |last=Mendelsohn |author-link=John Mendelsohn (musician) |title=Neil Young ''Harvest'' > Album Review |url=https://www.rollingstone.com/music/albumreviews/harvest-19720330 |access-date=2 July 2004 |url-status=live |archive-url=https://web.archive.org/web/20041013075720/http://www.rollingstone.com/reviews/album/_/id/306863 |archive-date=13 October 2004 }}</ref> A review in ''[[The Gazette (Montreal)|The Montreal Gazette]]'' gave the album a mixed verdict, calling it "embarrassing" in places but interesting lyrically, and singling out "Are You Ready for the Country?" as the record's best cut.<ref name="Montreal Gazette">{{cite journal |last1=Mann |first1=Bill |date=March 11, 1972 |title=A Big Month for Home Brews |journal=[[Montreal Gazette]] |publisher=Gazette Printing Company Ltd. |pages=50 |url=https://news.google.com/newspapers?id=DBQyAAAAIBAJ&pg=7002,5665524&dq }}</ref> Reappraising the record in ''[[Christgau's Record Guide: Rock Albums of the Seventies]]'' (1981), ''[[Village Voice]]'' critic [[Robert Christgau]] wrote:

{{blockquote|Anticipation and mindless instant acceptance made for critical overreaction when this came out, but it stands as proof that the genteel Young has his charms, just like the sloppy one. Rhythmically it's a little wooden, and Young is guilty of self-imitation on "Alabama" and pomposity on the unbearable [[London Symphony Orchestra]] opus "There's a World." But those two excepted, even the slightest songs here are gratifying musically, and two of them are major indeed—"The Needle and the Damage Done" and the much-maligned (by feminists as well as those critics of the London Symphony Orchestra) "A Man Needs a Maid."<ref name="CG"/>}}

More recent evaluations of the album have been far more positive: in 1998, [[Q (magazine)|''Q'' magazine]] readers voted ''Harvest'' the 64th greatest album of all time. In 1996, 2000 and 2005, ''[[Chart (magazine)|Chart]]'' polled readers to determine the 50 greatest Canadian albums of all time – ''Harvest'' placed second in all three polls, losing the top spot to [[Joni Mitchell]]'s ''[[Blue (Joni Mitchell album)|Blue]]'' in 2000, and to [[Sloan (band)|Sloan]]'s ''[[Twice Removed]]'' in the other two years. In 2003, a full three decades removed from its original harsh assessment, ''Rolling Stone'' named ''Harvest'' the 78th [[Rolling Stone's 500 Greatest Albums of All Time|greatest album of all time]],<ref name=RS500>{{cite book |chapter=78 &#124; Harvest – Neil Young |chapter-url=https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/harvest-neil-young-19691231 |access-date=5 April 2006 |url-status=dead |archive-url=https://web.archive.org/web/20060316135517/http://www.rollingstone.com/news/story/6598085/78_harvest/ |archive-date=16 March 2006 |last=Levy |first=Joe |author2=Steven Van Zandt  |title=[[Rolling Stone's 500 Greatest Albums of All Time]] |orig-year=2005 |edition=3rd |year=2006 |publisher=Turnaround |location=London |isbn=1-932958-61-4 |oclc=70672814 |ref=RS500}}</ref> then was re-ranked 82nd in a 2012 revised list,<ref>{{cite web| url=https://www.rollingstone.com/music/music-lists/500-greatest-albums-of-all-time-156826/neil-young-harvest-158644/|year=2012| title=500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time| publisher=[[Rolling Stone]]| access-date= September 23, 2019}}</ref> and re-ranked 72nd in the 2020 list.<ref>{{Cite magazine|url=https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/neil-young-harvest-2-1063161/|title=Harvest ranked 72nd greatest album by Rolling Stone magazine|magazine=Rolling Stone|access-date=11 August 2021}}</ref> In 2007, ''Harvest'' was named the No. 1 Canadian Album of All Time by [[Bob Mersereau]] in his book ''[[The Top 100 Canadian Albums]]''. The album was featured in [[Classic Rock (magazine)|TeamRock]]'s list of "The 10 Essential Country Rock Albums".<ref>{{cite web |url= http://teamrock.com/feature/2016-09-04/the-10-essential-country-rock-albums|title= The 10 Essential Country Rock Albums|last1= Ewing|first1= Jerry|date= September 5, 2016|website= [[Classic Rock (magazine)|TeamRock]]|access-date= September 12, 2016}}</ref> It was voted number 93 in [[Colin Larkin (writer)|Colin Larkin]]'s ''[[All Time Top 1000 Albums]]'' 3rd Edition (2000).<ref name="Larkin">{{cite book|title=[[All Time Top 1000 Albums]]|editor=Colin Larkin|editor-link=Colin Larkin (writer)|publisher=[[Virgin Books]]|date=2000|edition=3rd|isbn=0-7535-0493-6|page=73}}</ref>

==Track listing==
All tracks are written by [[Neil Young]]. Track timings are from the original 1972 vinyl release, catalogue number MS 2032.<ref>{{Cite web|url=http://www.45worlds.com/vinyl/album/ms2032|title=Vinyl Album: Neil Young - Harvest (1972)|access-date=24 December 2021|website=45worlds.com}}</ref>

===Side one===
#"[[Out on the Weekend]]" (4:35)
#* ''Neil Young – acoustic guitar, vocal, harmonica; [[Ben Keith]] – pedal steel guitar; [[Tim Drummond]] – bass; [[Kenny Buttrey]] – drums''
#* ''Recorded at [[Quad Studios Nashville|Quadrafonic Sound Studios]], Nashville, 4/2/1971. Produced by [[Elliot Mazer]] & Neil Young.''
#"[[Harvest (Neil Young song)|Harvest]]" (3:03)
#* ''Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; [[Barefoot Jerry|John Harris]] – piano; Tim Drummond – bass; Kenny Buttrey – drums''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 4/4/1971. Produced by Elliot Mazer & Neil Young.''
#"[[A Man Needs a Maid (song)|A Man Needs a Maid]]" (4:00)
#* ''Neil Young – piano, vocal; with the London Symphony Orchestra''
#* ''Recorded at [[The Broadway (theatre)|Barking Town Hall]], London, 3/1/1971. Produced by [[Jack Nitzsche]].''
#"[[Heart of Gold (Neil Young song)|Heart of Gold]]" (3:05)
#* ''Neil Young – guitar, harmonica, vocal; Teddy Irwin – guitar; Ben Keith – pedal steel guitar; Tim Drummond – bass; Kenny Buttrey – drums; Linda Ronstadt – vocal; James Taylor – vocal''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 2/8/1971. Produced by Elliot Mazer & Neil Young.''
#"[[Are You Ready for the Country (song)|Are You Ready for the Country?]]" (3:21)
#* ''Neil Young – piano, vocal; Ben Keith – pedal steel guitar; Jack Nitzsche – lap steel guitar; Tim Drummond – bass; Kenny Buttrey – drums; David Crosby – vocal; Graham Nash – vocal''
#* ''Recorded at Barn, Broken Arrow Ranch, 9/26/1971. Produced by Elliot Mazer & Neil Young.''

===Side two===
#"[[Old Man (song)|Old Man]]" (3:22)
#* ''Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; James McMahon – piano; Tim Drummond – bass; Kenny Buttrey – drums; [[Linda Ronstadt]] – vocal; [[James Taylor]] – banjo, vocal''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 2/6/1971. Produced by Elliot Mazer & Neil Young.''
#"There's a World" (3:00)
#* ''Neil Young – piano, vocal; with the London Symphony Orchestra''
#* ''Recorded at Barking Town Hall, London, 3/1/1971. Produced by Jack Nitzsche.''
#"Alabama" (4:02)
#* ''Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; Jack Nitzsche – piano; Tim Drummond – bass; Kenny Buttrey – drums; David Crosby – vocal; Stephen Stills – vocal''
#* ''Recorded at Barn, Broken Arrow Ranch, 9/26/1971. Produced by Elliot Mazer & Neil Young.''
#"[[The Needle and the Damage Done]]" (2:00)
#* ''Neil Young – guitar, vocal''
#* ''Recorded at [[Royce Hall]], [[University of California, Los Angeles|UCLA]], 1/30/1971. Produced by [[Henry Lewy]] & Neil Young.''
#"Words (Between the Lines of Age)" (6:42)
#* ''Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; Jack Nitzsche – piano; Tim Drummond – bass; Kenny Buttrey – drums''
#* ''Recorded at Barn, Broken Arrow Ranch, 9/28/1971. Produced by Elliot Mazer & Neil Young.''

===Harvest 50th Anniversary Edition===
====Harvest Outtakes====
# "[[Bad Fog of Loneliness]]" (1:56) (from ''[[The Archives Vol. 1 1963–1972]]'')
#* ''Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; Tim Drummond – bass; Kenny Buttrey – drums; Linda Ronstadt – vocal; James Taylor – vocal''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 2/6/1971. Produced by Elliot Mazer & Neil Young.''
# "Journey Through the Past" (2:32) (previously unreleased version)
#* ''Neil Young – guitar, harmonica, vocal; Ben Keith – dobro; John Harris – piano; Tim Drummond – bass; Kenny Buttrey – drums''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 4/4/1971. Produced by Elliot Mazer & Neil Young.''
# "[[Dance, Dance, Dance (Neil Young song)|Dance Dance Dance]]" (2:34) (previously unreleased version)
#* ''Neil Young – guitar, vocal; Tim Drummond – bass; Kenny Buttrey – drums; [[Tony Joe White]] - electric guitar''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 2/7/1971. Produced by Elliot Mazer & Neil Young.''
# "See the Sky About to Rain" (3:32) (previously unreleased version)
#* ''Neil Young – piano, vocal; Ben Keith – pedal steel guitar; Tim Drummond – bass; Kenny Buttrey – drums''
#* ''Recorded at Quadrafonic Sound Studios, Nashville, 4/15/1971. Produced by Elliot Mazer & Neil Young.''

====BBC In Concert====
# "Out on the Weekend" (4:00)
# "Old Man" (Intro) (0:30)
# "Old Man" (3:37)
# "Journey Through the Past" (Intro) (0:12)
# "Journey Through the Past" (3:04)
# "Heart of Gold" (Intro) (1:46)
# "Heart of Gold" (3:32)
# "Don't Let It Bring You Down" (Intro) (0:45)
# "Don't Let It Bring You Down" (2:43)
# "A Man Needs a Maid" (Intro) (2:23)
# "A Man Needs a Maid" (3:55)
# "Love in Mind" (Intro) (0:51)
# "Love in Mind" (2:14)
# "Dance Dance Dance" (2:26)
#* ''Neil Young – guitar (1, 3, 7, 9, 14), piano (5, 11, 13), harmonica (1, 7), vocal/spoken word''
#* ''Recorded at [[BBC Radio Theatre]], London, 2/23/1971. Produced by [[Stanley Dorfman]].''

==Personnel==
'''Musicians'''
* Neil Young – lead vocals, lead and acoustic guitar, piano, harmonica
* Teddy Irwin – second acoustic guitar {{small|on "Heart of Gold"}}
* John Harris – piano {{small|on "Harvest"}}
* James McMahon – piano {{small|on "Old Man"}}
* [[James Taylor]] – banjo, backing vocals {{small|on "Heart of Gold" and "Old Man"}}
* [[Linda Ronstadt]] – backing vocals {{small|on "Heart of Gold" and "Old Man"}}
* [[David Crosby]] – backing vocals {{small|on "Are You Ready for the Country?" and "Alabama"}}
* [[Stephen Stills]] – backing vocals {{small|on "Alabama" and "Words"}}
* [[Graham Nash]] – backing vocals {{small|on "Are You Ready for the Country?" and "Words"}}
* [[London Symphony Orchestra]] – orchestra {{small|on "A Man Needs a Maid" and "There's a World"}}
* David Meecham – conductor {{small|on "A Man Needs a Maid" and "There's a World"}}

'''The Stray Gators'''
* [[Ben Keith]] – [[pedal steel guitar]]
* [[Jack Nitzsche]] – [[arrangements]] {{small|on "A Man Needs a Maid" and "There's a World"}}; [[lap steel guitar]] {{small|on "Are You Ready for the Country?"}}; piano {{small|on "Alabama" and "Words"}}
* [[Tim Drummond]] – bass guitar
* [[Kenny Buttrey]] – drums

'''Production'''
* Neil Young, [[Elliot Mazer]] – producer
* [[Henry Lewy]] – producer{{small| on "Needle and the Damage Done"}}
* [[Jack Nitzsche]] – producer{{small| on "There's a World" and "A Man Needs a Maid"}}<ref>{{Cite web|url=http://www.discogs.com/Neil-Young-Harvest/release/1044287|title=Neil Young – Harvest|website=Discogs|date=February 1972 |access-date=2016-10-10}}</ref>

==Charts==
===Weekly charts===
{| class="wikitable sortable plainrowheaders"
|+Weekly chart performance for ''Harvest''
!scope="col"|Chart (1972)
!scope="col"|Peak<br />position
|-
!scope="row"|Australian Albums ([[Kent Music Report]])<ref name="aus">{{cite book|last=Kent|first=David|title=Australian Chart Book 1970–1992|publisher=Australian Chart Book|year=1993|isbn=0-646-11917-6|edition=illustrated|location=St Ives, N.S.W.|page=295|author-link=David Kent (historian)}}</ref>
| style="text-align:center;" |1
|-
!scope="row"|Canadian [[RPM (magazine)|''RPM'' 100 Albums]]<ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.7703.pdf| title=RPM Top 100 Albums - April 1, 1972}}</ref>
| align="center" |1
|-
!scope="row"|Dutch [[MegaCharts|MegaCharts Albums]]<ref name=":0">{{Cite web|last=Hung|first=Steffen|title=The Stills-Young Band - Long May You Run|url=http://hitparade.ch/showitem.asp?interpret=The+Stills-Young+Band&titel=Long+May+You+Run&cat=a|access-date=2020-06-21|website=hitparade.ch}}</ref>
| align="center" |1
|-
!scope="row"|Finnish [[The Official Finnish Charts|Albums Chart]]<ref>{{Cite book|title=Sisältää hitin: Levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1961}}</ref>
| align="center" |12
|-
!scope="row"|German [[GfK Entertainment charts|Albums Chart]]<ref>{{Cite web|title=Offizielle Deutsche Charts - Offizielle Deutsche Charts|url=https://www.offiziellecharts.de/album-details-9768|access-date=2021-04-02|website=Offiziellecharts.de}}</ref>
| align="center" |4
|-
!scope="row"|Norwegian [[VG-lista|VG-lista Albums]]<ref>{{Cite web|title=norwegiancharts.com - Norwegian charts portal|url=https://norwegiancharts.com/search.asp?search=neil+young&cat=a|access-date=2020-06-21|website=norwegiancharts.com}}</ref>
| align="center" |1
|-
!scope="row"|Spanish [[Productores de Música de España|Albums Chart]]<ref name=":11">{{Cite book|last=Salaverri|first=Fernando|title=Sólo éxitos: año a año, 1959–2002|publisher=Fundación Autor-SGAE|year=2005|isbn=84-8048-639-2|location=|pages=}}</ref>
| align="center" |4
|-
!scope="row"|Swedish [[Sverigetopplistan|Albums Chart]]<ref>{{Cite web|title=HITSALLERTIJDEN|url=http://www.hitsallertijden.nl/charts/swedish%20charts/swedish%20charts%20index.htm|access-date=2020-11-08|website=Hitsallertijden.nl}}</ref>
| align="center" |12
|-
!scope="row"|[[UK Albums Chart]]<ref name=":22">{{Cite web|title=STEPHEN STILLS {{!}} full Official Chart History {{!}} Official Charts Company|url=https://www.officialcharts.com/artist/14258/stephen-stills/|access-date=2020-07-05|website=Officialcharts.com}}</ref>
| align="center" |1
|-
!scope="row"|US [[Billboard 200|''Billboard'' Top LPs & Tape]]<ref name=":12">{{Cite magazine|title=Stephen Stills|url=https://www.billboard.com/music/stephen-stills|access-date=2020-07-05|magazine=Billboard}}</ref>
| align="center" |1
|-
!scope="row"|US ''[[Cash Box (magazine)|Cash Box]]'' Top 100 Albums<ref name=":4">{{Cite web|title=CASH BOX MAGAZINE: Music and coin machine magazine 1942 to 1996|url=https://worldradiohistory.com/Archive-All-Music/Cash-Box-Magazine.htm|access-date=2020-07-05|website=Worldradiohistory.com}}</ref>
| align="center" |1
|-
!scope="row"|US ''[[Record World]]'' Album Chart<ref name=":5">{{Cite web|title=RECORD WORLD MAGAZINE: 1942 to 1982|url=https://worldradiohistory.com/Record_World.htm|access-date=2020-07-05|website=Worldradiohistory.com}}</ref>
| align="center" |1
|-
!Chart (1982)
!Peak<br />position
|-
!scope="row"|Japanese [[Oricon Albums Chart|Albums Chart]]<ref name=":022">{{Cite web|title=クロスビー,スティルス,ナッシュ&ヤングの売上ランキング|url=https://www.oricon.co.jp/prof/63914/rank/|access-date=2020-10-11|website=ORICON NEWS}}</ref>
| align="center" |6
|-
!Chart (1993)
!Peak<br />position
|-
!scope="row"|New Zealand [[Official New Zealand Music Chart|Albums Chart]]<ref name="NZ Albums">{{cite web|title=New Zealand Albums|url=https://charts.nz/search.asp?search=neil+young&cat=a|access-date=2016-07-22|website=Charts.nz}}</ref>
| align="center" |48
|-
!Chart (2022)
!Peak<br />position
|-
{{album chart|Austria|38|artist=Neil Young|album=Harvest|rowheader=true|access-date=December 14, 2022}}
|-
{{album chart|Flanders|39|artist=Neil Young|album=Harvest|rowheader=true|access-date=December 11, 2022}}
|-
{{album chart|Wallonia|41|artist=Neil Young|album=Harvest|rowheader=true|access-date=December 11, 2022}}
|-
! scope="row"| Italian Albums ([[Federazione Industria Musicale Italiana|FIMI]])<ref>{{cite web|url=https://www.fimi.it/top-of-the-music/classifiche.kl#/charts/1/2022/49|title=Album – Classifica settimanale WK 49 (dal 02.12.2022 al 08.12.2022)|publisher=[[Federazione Industria Musicale Italiana]]|language=it|access-date=December 13, 2022}}</ref>
| align="center"| 54
|-
{{album chart|Spain|50|M|url=https://www.elportaldemusica.es/lists/top-100-albums/2022/49|title=Top 100 Albums – Semana 49: del 02.12.2022 al 08.12.2022|publisher=[[Productores de Música de España]]|artist=Neil Young|album=Harvest|rowheader=true|access-date=December 13, 2022}}
|-
{{album chart|Switzerland|19|artist=Neil Young|album=Harvest|rowheader=true|access-date=December 11, 2022}}
|}

=== Year-end charts ===
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+Year-end chart performance for ''Harvest''
!Chart (1972)
!Position
|-
!scope="row"|Dutch Albums Chart<ref>{{cite web|title=Dutch charts jaaroverzichten 1972|url=http://dutchcharts.nl/jaaroverzichten.asp?year=1971&cat=a|access-date=2 April 2014|language=nl|format=ASP}}</ref>
|1
|-
!scope="row"| German Albums ([[GfK Entertainment charts|Offizielle Top 100]])<ref>{{cite web|url=https://www.offiziellecharts.de/charts/album-jahr/for-date-1972|title=Top 100 Album-Jahrescharts|date=1972|publisher=[[GfK Entertainment Charts]]|language=de|access-date=2 April 2022|archive-url=https://web.archive.org/web/20150509214918/https://www.offiziellecharts.de/charts/album-jahr/for-date-1972|archive-date=9 May 2015}}</ref>
| 10
|-
!scope="row"|US [[Billboard Year-End|''Billboard'' Year-End]]<ref name="USYearend71">{{cite magazine|magazine=Billboard|url=https://books.google.com/books?id=SQ8EAAAAMBAJ&q=Ram+Paul+Linda&pg=RA1-PA15|title=1971 Year-end Albums – The Billboard Pop Albums|date=25 December 1971|page=15|access-date=3 May 2013}}</ref>
|1
|-
!scope="row"|US ''[[Cashbox (magazine)|Cashbox]]'' Year-End<ref>{{Cite web|title=CASH BOX MAGAZINE: Music and coin machine magazine 1942 to 1996|url=https://worldradiohistory.com/Archive-All-Music/Cash-Box-Magazine.htm|access-date=2021-04-03|website=Worldradiohistory.com}}</ref>
|3
|-
!scope="row"|US ''[[Record World]]'' Year-End<ref>{{Cite web|title=Record World Year End 1972|url=https://worldradiohistory.com/Archive-All-Music/Record-World/70s/72/RW-1972-12-30.pdf|website=Worldradiohistory.com}}</ref>
|1
|}

==Certifications and sales==
{{Certification Table Top|caption=Certifications and sales for ''Harvest''}}
{{Certification Table Entry|region=Australia|type=album|title=Harvest|artist=Neil Young|award=Platinum|number=7|relyear=1972|certyear=2002|access-date=27 December 2021}}
{{Certification Table Entry|region=Belgium|type=album|title=Harvest|artist=Neil Young|award=Platinum|relyear=1972|certyear=2008|access-date=May 11, 2025}}
{{Certification Table Entry|region=France|type=album|title=Harvest|artist=Neil Young|award=Diamond|relyear=1972|certyear=2001}}
{{Certification Table Entry|region=Germany|type=album|title=Harvest|artist=Neil Young|award=Gold|number=3|relyear=1972|certyear=2007|access-date=1 October 2012|id=To access, user may have to click on "Suchen" if no certifications appear.}}
{{Certification Table Entry|region=Italy|artist=Neil Young|title=Harvest|type=album|nocert=true|salesamount=900,000|relyear=1972|note=sales 1972-1982|salesref=<ref>{{cite journal|title=Il rock irrompe fra i purosangue|url=http://archivio.corriere.it/Archivio/interface/view.shtml#!/MzovZXMvaXQvcmNzZGF0aWRhY3MxL0A2NTY5MA%3D%3D|date=August 14, 1982|language=it|website=[[Corriere della Sera]]|page=17|quote=Dopo gli Stones, Neil Young e senz'altro l'artista più attento dal pubblico italiano che ha sempre dimostrato il proprlo gradiemento verso il cantautore anche in termini molto "pratici", cloè  nell'acquisto di dischi. Soltanto "Harvest" ha, venduto sinora, in dieci anni, circa novocentomila copie|access-date=January 16, 2021}}</ref>}}
{{Certification Table Entry|region=Italy|title=Harvest|artist=Neil Young|type=album|award=Gold|relyear=1972|certyear=2015|note=since 2009|access-date=November 13, 2019}}
{{Certification Table Entry|region=Netherlands|title=Harvest|artist=Neil Young|type=album|award=Gold|relyear=1972|salesamount=25,000|certref=<ref name="cashbox">{{cite web|url=https://www.americanradiohistory.com/Archive-Cash-Box/70s/1972/Cash-Box-1972-09-16.pdf|title=WEA's International's...|publisher=Cash Box|page=42|date=16 September 1972}}</ref>|salesref=<ref name="billboard">{{cite web|url=https://books.google.com/books?id=hAkEAAAAMBAJ&q=%22italy%22+%22no+Silver+disk+for+singles|title=Gold/Silver Record Chart|publisher=Billboard|date=26 December 1974}}</ref>|access-date=13 November 2019}}
{{Certification Table Entry|region=Norway|title=Harvest|artist=Neil Young|type=album|award=Silver|relyear=1972|salesamount=20,000|certref=<ref name="cashbox"/>|salesref=<ref name="billboard"/>|access-date=13 November 2019}}
{{certification Table Entry|type=album|region=Spain|artist=neil Young|title=Harvest|award=Platinum|certyear=2001|relyear=1972|certref=<ref>{{cite book |last=Salaverrie |first=Fernando |date=September 2005|url=http://www.mediafire.com/file/7q55521w7go6vh6/Spanish+Certifications+for+2000-2002.pdf |title=Sólo éxitos: año a año, 1959–2002 |language=es |edition=1st |location=Madrid |publisher=[[Sociedad General de Autores y Editores|Fundación Autor/SGAE]] |page=961 |isbn=84-8048-639-2 |access-date=20 June 2019}}</ref>}}
{{Certification Table Entry|region=Switzerland|type=album|title=Harvest|artist=Neil Young|award=Platinum|relyear=1972|certyear=1992|access-date=1 October 2012}}
{{Certification Table Entry|region=United Kingdom|type=album|title=Harvest|artist=Neil Young|award=Platinum|number=3|relyear=1984|certyear=2008|access-date=1 October 2012|id=2761-261-2}}
{{Certification Table Entry|region=United States|type=album|title=Harvest|artist=Neil Young|award=Platinum|number=4|relyear=1972|certyear=1994|access-date=1 October 2012}}
{{Certification Table Bottom}}

==See also==
* [[Neil Young discography and filmography|Neil Young discography]]
* [[List of best-selling albums in France]]
* [[List of best-selling albums in Italy]]
* [[List of number-one albums in Australia during the 1970s#1972|List of number-one albums of 1972 (Australia)]]
* [[List of number-one albums of 1972 (U.S.)]]
* [[List of UK Albums Chart number ones of the 1970s]]

==References==
{{Reflist}}

==External links==
* [http://www.thrasherswheat.org/tnfy.htm Neil Young Album/CD reviews]
<!-- This is a licensed stream for the album, which is allowed under Wikipedia policies, even though it's hosted by MySpace.com -->
* [https://www.myspace.com/neilyoung/music/albums/harvest-12390986 ''Harvest''] at [[Myspace]] (streamed copy where licensed)

{{Neil Young}}
{{Billboard Year-End number one albums 1970–1989}}
{{The Stray Gators}}

{{Authority control}}

{{DEFAULTSORT:Harvest (Album)}}
[[Category:Neil Young albums]]
[[Category:1972 albums]]
[[Category:Albums produced by Jack Nitzsche]]
[[Category:Reprise Records albums]]
[[Category:Albums produced by Neil Young]]
[[Category:Albums produced by Elliot Mazer]]
[[Category:Albums produced by Henry Lewy]]
[[Category:Albums recorded in a home studio]]