Editing Hamlet (1996 film)

{{Short description|Film by Kenneth Branagh}}
{{Use British English|date=September 2024}}
{{Use dmy dates|date=September 2024}}
{{Infobox film
| image          = Hamlet_a192cc9d.png
| alt            = Prince Hamlet views a wedding raining with confetti.
| caption        = Theatrical release poster
| director       = [[Kenneth Branagh]]
| screenplay     = Kenneth Branagh
| based_on       = {{Based on|''[[Hamlet]]''|[[William Shakespeare]]}}
| producer       = [[David Barron (film producer)|David Barron]]
| starring       = {{plainlist|
*Kenneth Branagh
*[[Julie Christie]]
*[[Billy Crystal]]
*[[Gérard Depardieu]]
*[[Charlton Heston]]
*[[Derek Jacobi]]
*[[Jack Lemmon]]
*[[Rufus Sewell]]
*[[Robin Williams]]
*[[Kate Winslet]]}}
| cinematography = [[Alex Thomson (cinematographer)|Alex Thomson]]
| editing        = Neil Farrell
| music          = [[Patrick Doyle]]
| studio         = [[Castle Rock Entertainment]]
| distributor    = {{Plainlist|
*[[Rank Film Distributors|Rank]]-Castle Rock/[[Turner Entertainment|Turner]] (United Kingdom)<ref>{{cite web|title=Hamlet (1996)|work=[[BBFC]]|access-date=31 March 2021|url=https://www.bbfc.co.uk/release/hamlet-q29sbgvjdglvbjpwwc0yotu5mzy}}</ref>
*[[Columbia Pictures]] (through [[Sony Pictures Releasing]]; Select territories)
}}
| released       = {{Film date|df=y|1996|12|25}}
| runtime        = 242 minutes
| country        = {{plainlist|
*United Kingdom
*United States}}
| language       = [[Early Modern English]]
| budget         = $18 million<ref name="Box Office Mojo">[https://boxofficemojo.com/movies/?id=hamlet96.htm Hamlet (1996)] {{webarchive|url=https://web.archive.org/web/20111113075311/http://boxofficemojo.com/movies/?id=hamlet96.htm |date=13 November 2011 }}. ''[[Box Office Mojo]]''. Retrieved 26 January 2012.</ref>
| gross          = $4.7 million<ref name="Box Office Mojo" />
}}

'''''Hamlet''''' is a 1996 British [[Epic film|epic]] [[historical drama film]] serving as an adaptation of [[William Shakespeare]]'s play ''[[The Tragedy of Hamlet, Prince of Denmark]]'', adapted and directed by [[Kenneth Branagh]], who also stars as [[Prince Hamlet]]. The film also features [[Derek Jacobi]] as [[King Claudius]], [[Julie Christie]] as [[Gertrude (Hamlet)|Queen Gertrude]], [[Kate Winslet]] as [[Ophelia (character)|Ophelia]], [[Michael Maloney]] as [[Laertes (Hamlet)|Laertes]], [[Richard Briers]] as [[Polonius]], and [[Nicholas Farrell]] as [[Horatio (character)|Horatio]]. Other cast members include [[Robin Williams]], [[Gérard Depardieu]], [[Jack Lemmon]], [[Billy Crystal]], [[Rufus Sewell]], [[Charlton Heston]], [[Richard Attenborough]], [[Judi Dench]], [[John Gielgud]] and [[Ken Dodd]].

The film is the first unabridged theatrical film version of ''Hamlet'', running more than four hours. The setting is updated to the 19th century, but its [[Elizabethan English]] text remains the same. [[Blenheim Palace]] is the setting used for the exterior grounds of [[Elsinore Castle]], and interiors were photographed at [[Shepperton Studios]]. ''Hamlet'' was the last major dramatic motion picture to be filmed entirely on [[70 mm film]] until 2011, with the release of the documentary ''[[Samsara (2011 film)|Samsara]]''.

Branagh's ''Hamlet'' has been regarded as one of the best Shakespeare film adaptations ever made.<ref name="Rotten Tomatoes" /><ref name="Roger Ebert" /><ref name="ReelViews" /><ref name="Greatest Shakespeare" /> However, it was a [[box-office bomb]], mostly due to its limited release, grossing just under US$5 million on a budget of $18 million.<ref name="Box Office Mojo" /> The film received four [[Academy Awards|Oscar]] nominations for the [[69th Academy Awards]] for [[Academy Award for Best Production Design|Best Art Direction]] ([[Tim Harvey (film designer)|Tim Harvey]]), [[Academy Award for Best Costume Design|Best Costume Design]] ([[Alexandra Byrne]]), [[Academy Award for Best Original Score|Best Original Score]] ([[Patrick Doyle]]) and [[Academy Award for Best Adapted Screenplay|Best Writing, Adapted Screenplay]] (Kenneth Branagh).

== Plot ==
{{Long plot|date=April 2024}}<!--word count is nearly 1,600 words; plot summaries should be between 400 and 700 words per [[MOS:FILMPLOT]]; Shakespeare's storylines are especially well known; they should not be excessively detailed; you can help by reducing this plot-->

[[Prince Hamlet]] of [[Denmark]] is the son of the recently deceased [[King Hamlet]] and nephew of [[King Claudius]], his father's brother and successor. Claudius hastily married King Hamlet's widow Gertrude, Hamlet's mother, and took the throne for himself. Denmark has a longstanding feud with neighbouring [[Norway]], in which King Hamlet slew King Fortinbras of Norway in a battle some years ago. Although Denmark defeated Norway and the Norwegian throne fell to King Fortinbras's infirm brother, Denmark fears that an invasion led by the dead Norwegian king's son, Prince [[Fortinbras]], is imminent.

On a cold night on the ramparts of [[Kronborg Slot|Elsinore]], the Danish royal castle, the [[Characters in Hamlet#Elsinore sentries|sentries]] Bernardo and Marcellus discuss a [[Ghost (Hamlet)|ghost]] resembling the late King Hamlet that they have recently seen, and bring Prince Hamlet's friend [[Horatio (Hamlet)|Horatio]] as a witness. After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed.

As the court gathers the next day while King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser, [[Polonius]], Hamlet watches glumly. During the court, Claudius grants permission for Polonius's son, [[Laertes (Hamlet)|Laertes]], to return to school in France and sends envoys to inform the King of Norway of Fortinbras. Claudius also scolds Hamlet for continuing to grieve over his father and forbids him to return to his schooling in [[Wittenberg]]. After the court exits, Hamlet despairs of his father's death and his mother's hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself.

As Laertes prepares to depart for a visit to France, Polonius offers him advice that culminates in the maxim, "to thine own self be true".<ref>{{cite book |title=Sincerity and Authenticity |last=Trilling |first=Lionel |author-link=Lionel Trilling |series=The Charles Eliot Norton Lectures |publisher=[[Harvard University Press]] |year=2009 |isbn=978-0-674-50419-6 |page=8}}</ref> Polonius's daughter, [[Ophelia (character)|Ophelia]], admits that she has interest in Hamlet, but Laertes warns her against seeking the prince's attention, and Polonius orders her to reject his advances. That night on the rampart, the ghost appears to Hamlet, telling the prince that he was murdered by Claudius and demanding that Hamlet avenge him. Hamlet agrees, and the ghost vanishes. The prince confides to Horatio and the sentries that he plans to "put an antic disposition on", or act like he has gone mad, and forces them to swear to keep secret his plans for revenge. However, he remains uncertain of the ghost's reliability.

Soon after, Ophelia rushes to her father, telling him that Hamlet arrived at her door the night before, half-dressed and behaving erratically. Polonius blames the love for Hamlet's madness and resolves to inform Claudius and Gertrude. As he enters to do so, the King and Queen finish welcoming [[Rosencrantz and Guildenstern]], two student acquaintances of Hamlet, to Elsinore. The royal couple has requested that the students investigate the cause of Hamlet's mood and behaviour. Additional news requires that Polonius waits to be heard: messengers from Norway inform Claudius that the King of Norway has rebuked Prince Fortinbras for attempting to re-fight his father's battles. The forces that Fortinbras had conscripted to march against Denmark will instead be sent against [[Poland]], although they will pass through Danish territory to get there.

Polonius tells Claudius and Gertrude of his theory regarding Hamlet's behaviour and speaks to Hamlet in a hall of the castle to try to uncover more information. Hamlet feigns madness and subtly insults Polonius all the while. When Rosencrantz and Guildenstern arrive, Hamlet warmly greets his "friends" but quickly discerns that they are spies. Hamlet admits that he is upset at his situation but refuses to give the true reason, instead commenting on "[[What a piece of work is a man]]". Rosencrantz and Guildenstern tell Hamlet that they have brought with them a troupe of actors whom they met while travelling to Elsinore. Hamlet, after welcoming the actors and dismissing his friends-turned-spies, asks them to deliver a soliloquy about the death of [[Priam|King Priam]], as witnessed by [[Hecuba|Queen Hecuba]], at the climax of the [[Trojan War]]. Impressed by their delivery of the speech, he plots to stage ''The Murder of Gonzago'', a play featuring a death in the style of his father's murder, and to determine the truth of the ghost's story, as well as Claudius's guilt or innocence, by studying Claudius's reaction.

Polonius forces Ophelia to return Hamlet's love letters and tokens of affection to the prince while he and Claudius watch from afar to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance, musing whether "[[To be, or not to be|to be or not to be]]". When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery", though it is unclear whether this, too, is a show of madness or genuine distress. His reaction convinces Claudius that Hamlet is not mad for love. Shortly thereafter, the court assembles to watch the play Hamlet has commissioned. After seeing the [[Characters in Hamlet#The Players|Player King]] murdered by his rival pouring poison in his ear, Claudius abruptly rises and runs from the room; for Hamlet, this is proof positive of his uncle's guilt.

Gertrude summons Hamlet to her chamber to demand an explanation. Meanwhile, Claudius talks to himself about the impossibility of repenting, since he still has possession of his ill-gotten goods: his brother's crown and wife. He sinks to his knees. On his way to visit his mother, Hamlet sneaks up behind Claudius but does not kill him, reasoning that killing Claudius while he is praying will send him straight to heaven while the ghost of Hamlet's father is stuck in purgatory. In the queen's bedchamber, Hamlet and Gertrude fight bitterly. Polonius, spying on the conversation from behind a [[tapestry]], calls for help as Gertrude, believing Hamlet wants to kill her, calls out for help herself.

Hamlet, believing it is Claudius, stabs wildly, killing Polonius, but he pulls aside the curtain and sees his error. In a rage, Hamlet brutally insults his mother for her apparent ignorance of Claudius's villainy, but the ghost enters and reprimands Hamlet for his inaction and harsh words. Unable to see or hear the ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness. After begging the queen to stop sleeping with Claudius, Hamlet leaves, dragging Polonius's corpse away.

Hamlet jokes with Claudius about where he has hidden Polonius's body, and the King, fearing for his life, sends Rosencrantz and Guildenstern to accompany Hamlet to [[England]] with a sealed letter to the King of England requesting that Hamlet be executed immediately.

Unhinged by grief at Polonius's death, Ophelia wanders Elsinore. Laertes arrives back from France, enraged by his father's death and his sister's madness. Claudius convinces Laertes that Hamlet is solely responsible, but a letter soon arrives indicating that Hamlet has returned to Denmark, foiling Claudius's plan. Claudius switches tactics, proposing a fencing match between Laertes and Hamlet to settle their differences. Laertes will be given a poison-tipped foil, and, if that fails, Claudius will offer Hamlet poisoned wine as a congratulation. Gertrude interrupts to report that Ophelia has drowned, though it is unclear whether it was suicide or an accident caused by her madness.

Horatio has received a letter from Hamlet, explaining that the prince escaped by negotiating with pirates who attempted to attack his England-bound ship, and the friends reunite offstage. Two [[Characters in Hamlet#Ophelia's funeral|gravediggers]] discuss Ophelia's apparent suicide while digging her grave. Hamlet arrives with Horatio and banters with one of the gravediggers, who unearths the skull of a [[jester]] from Hamlet's childhood, [[Yorick (Hamlet)|Yorick]]. Hamlet picks up the skull, saying, "alas, poor Yorick", as he contemplates mortality. Ophelia's [[funeral procession]] approaches, led by Laertes. Hamlet and Horatio initially hide, but when Hamlet realizes that Ophelia is the one being buried, he reveals himself, proclaiming his love for her. Laertes and Hamlet fight by Ophelia's graveside, but the brawl is broken up.

Back at Elsinore, Hamlet explains to Horatio that he had discovered Claudius's letter with Rosencrantz and Guildenstern's belongings and replaced it with a forged copy indicating that his former friends should be killed instead of him. A foppish courtier, [[Characters in Hamlet#Osric|Osric]], interrupts the conversation to deliver the fencing challenge to Hamlet, who, despite Horatio's pleas, accepts it. Hamlet does well at first, leading the match by two hits to none, and Gertrude raises a toast to him using the poisoned glass of wine Claudius had set aside for Hamlet. Claudius tries to stop her but is too late: she drinks, and Laertes realizes the plot will be revealed. Laertes slashes Hamlet with his poisoned blade. In the ensuing scuffle, they switch weapons, and Hamlet wounds Laertes with his own poisoned sword. Gertrude collapses and, claiming she has been poisoned, dies. In his dying moments, Laertes reconciles with Hamlet and reveals Claudius's plan. Hamlet rushes at Claudius and kills him. As the poison takes effect, Hamlet, hearing that Fortinbras is marching through the area, names the Norwegian prince as his successor.

Horatio, distraught at the thought of being the last survivor and living while Hamlet does not, says that he will perform [[suicide]] by drinking the dregs of Gertrude's poisoned wine, but Hamlet begs him to live and tell his story. Hamlet dies on the floor in front of Horatio, proclaiming "the rest is silence". Fortinbras, who was ostensibly marching toward Poland with his army, arrives at the palace, along with an English ambassador bringing news of Rosencrantz's and Guildenstern's deaths. Horatio promises to recount the full story of what happened, and Fortinbras, seeing the entire Danish royal family dead, takes the crown for himself and orders a military funeral to honour Prince Hamlet.

==Cast==

===Main characters===
*[[Kenneth Branagh]] as [[Prince Hamlet]], the story's protagonist and Prince of Denmark. He is the son of the late King Hamlet and heir to the throne of Denmark. At first, Hamlet is depressed about his father's death and is angered by his mother Gertrude's swift remarriage to his uncle Claudius. However, Hamlet is told by the ghost of his father that Claudius murdered him, usurping his throne. Hamlet swears to avenge his father's murder. Branagh described his interpretation of the title role as considerably less "neurotic" than others, removing the [[Oedipus complex|Oedipal fixation]] prominently featured in [[Laurence Olivier]]'s [[Hamlet (1948 film)|1948 film adaptation]], among others. During the scenes in which Hamlet pretends to be insane, Branagh portrayed the Prince as [[Mania|manic]].<ref>{{cite web |url=https://www.rogerebert.com/reviews/hamlet-1996 |title=Hamlet: Review |author=Roger Ebert |date=24 January 1997}}</ref>
*[[Derek Jacobi]] as [[King Claudius]], the play's antagonist and brother of the late king. He murders his brother by pouring poison into his ear while he sleeps. He usurps his brother's title and marries his widow. At first, believing Hamlet to have been driven mad by the loss of his father, Claudius tries to spy on Hamlet. When Claudius learns that Hamlet knows of the murder, he tries to use [[Rosencrantz and Guildenstern]], two of Hamlet's schoolmates, to murder his nephew. Jacobi appeared in the title role in the [[BBC]]'s [[Hamlet (1980 film)|1980 made-for-television version of ''Hamlet'']].
*[[Julie Christie]] as [[Gertrude (Hamlet)|Gertrude]], Queen of Denmark and wife to both the late King Hamlet and King Claudius, whom she swiftly married following the former's death — ignorant of the foul play that caused his death.
*[[Richard Briers]] as [[Polonius]], the Lord Chamberlain. An impertinent busybody, Polonius believes Hamlet to be mad and convinces Claudius to join him in spying on the prince. Hamlet eventually kills him, believing him to be Claudius.
*[[Kate Winslet]] as [[Ophelia]], noblewoman of Denmark and daughter of Polonius. Ophelia is in love with Hamlet until she is advised by her father Polonius and brother Laertes to end their relationship. She is eventually driven mad by both Hamlet's rejection and her father's murder and drowns herself.
*[[Nicholas Farrell]] as [[Horatio (character)|Horatio]], a good friend of Hamlet whom he met while attending [[University of Halle-Wittenberg|Wittenberg University]].
*[[Michael Maloney]] as [[Laertes (Hamlet)|Laertes]], the son of Polonius and brother of Ophelia. After instructing his sister to have no further relations with Hamlet, he departs for Paris. On news of his father's murder, Laertes returns to Denmark, leading a mob to storm the castle. Claudius incites Laertes to kill Hamlet and avenge Polonius's death. He later conspires with Claudius to murder Hamlet during a fencing duel.
*[[Rufus Sewell]] as [[Fortinbras]], the Norwegian crown prince. Played mostly in flashback and frequently referenced throughout the film, Fortinbras storms Elsinore castle with his army during the final scene, and assumes the vacant throne of Denmark.

===Supporting characters===
*[[Robin Williams]] as [[Characters in Hamlet#Osric|Osric]], the Elsinore courtier sent by Claudius to invite Hamlet to participate in the duel with Laertes.
*[[Gérard Depardieu]] as Reynaldo, a servant to Polonius. He is sent by Polonius to Paris to spy on Laertes.
*[[Timothy Spall]] as [[Rosencrantz and Guildenstern|Rosencrantz]] and [[Reece Dinsdale]] as [[Rosencrantz and Guildenstern|Guildenstern]], courtier friends of Hamlet who are sent by Claudius to spy on Hamlet.
*[[Jack Lemmon]] as Marcellus and [[Ian McElhinney]] as Bernardo, sentries at Elsinore who alert Horatio of the appearance of King Hamlet's Ghost.
*[[Ray Fearon]] as Francisco, a sentry at Elsinore and the first character to appear on screen.
*[[Brian Blessed]] as the [[Ghost (Hamlet)|Ghost of Hamlet's Father]], an apparition in the form of the late King who informs Hamlet of his murder and Claudius's usurpation of the throne.
*[[Billy Crystal]] as the [[The Gravediggers|First Gravedigger]], a sexton digging Ophelia's grave who makes a case for why she should not receive a Christian burial before having a quick dialogue with Hamlet. Later, he presents the skull of [[Yorick]] to Hamlet, not knowing Hamlet's history with the jester.
*[[Simon Russell Beale]] as the [[The Gravediggers|Second Gravedigger]].
*[[Don Warrington]] as Voltemand, an ambassador sent by King Claudius to Old King Norway.
*[[Ravil Isyanov]] as Cornelius, an ambassador sent by King Claudius to Old King Norway.
*[[Charlton Heston]] as the Player King.
*[[Rosemary Harris]] as the Player Queen.
*[[Richard Attenborough]] as the English Ambassador.
*[[John Gielgud]] as [[Priam]], the King of [[Troy]], played in flashback during the Player King's speech.
*[[Judi Dench]] as [[Hecuba]], the Queen of Troy and wife of Priam, played in flashback during the Player King's speech.
*[[John Mills]] as Old King Norway, uncle of Fortinbras, played in flashback, reprimanding his nephew for claims against Denmark.
*[[Ken Dodd]] as [[Yorick]], the King's Jester, played in flashback entertaining the royals of Elsinore during the gravediggers scene.
*[[John Spencer-Churchill, 11th Duke of Marlborough]], appears in a cameo as the Norwegian captain.

==Production==

===Origins===
Aspects of the film's staging were based on [[Adrian Noble]]'s [[Royal Shakespeare Company]] production of the play, in which Branagh played the title role.<ref>{{cite book|first=Samuel|last=Crowl|chapter=Flamboyant Realist: Kenneth Branagh|editor-first=Russell|editor-last=Jackson|title=The Cambridge Companion to Shakespeare on Film|url=https://archive.org/details/cambridgecompani00jack_577|url-access=limited|publisher=[[Cambridge University Press]]|location=Cambridge, England|date=2000|isbn=978-0521866002|page=[https://archive.org/details/cambridgecompani00jack_577/page/n240 225]}}</ref>

===Text===
The film uses a conflated text based on the 1623 [[First Folio]], with additions from the [[Second Quarto]] and amendments from other sources. According to a note appended to the published screenplay:

{{blockquote|The screenplay is based on the text of ''Hamlet'' as it appears in the First Folio – the edition of Shakespeare's plays collected by his theatrical associates Heminges and Condell and published in 1623 by a syndicate of booksellers. Nothing has been cut from this text, and some passages absent from it (including the soliloquy "How all occasions do inform against me ...") have been supplied from the Second Quarto (an edition of the play which exists in copies dated 1604 and 1605). We have also incorporated some readings of words and phrases from this source and from other early printed texts, and in a few cases emendations from modern editors of the play. Thus in I, 4, in the passage (from the Second Quarto) about the "dram of eale", we use an emendation from the Oxford edition of the ''Complete Works'' (edited by Stanley Wells and Gary Taylor, 1988): "doth all the noble substance ''over-daub''" – rather than the original's "of a doubt".<ref>Branagh, Kenneth (1996), ''"Hamlet" by William Shakespeare: Screenplay and Introduction by Kenneth Branagh; production diary by Russell Jackson'' (New York: W W Norton), p.174.  {{ISBN|0393045196}}</ref>}}

===Style===
Despite using a full text, Branagh's film is also very visual; it makes frequent use of [[Flashback (narrative)|flashbacks]] to depict scenes that are described but not performed in Shakespeare's text, such as Hamlet's childhood friendship with Yorick, or scenes merely implied by the play's text, such as Hamlet's sexual relationship with Ophelia.<ref>Keyishian, p.79</ref> The film also uses very [[long take|long single takes]] for numerous scenes.

In a radical departure from previous ''Hamlet'' films, Branagh set the internal scenes in a vibrantly colourful setting, featuring a throne room dominated by mirrored doors. Film scholar Samuel Crowl called the setting "''film noir'' with all the lights on".<ref>Crowl, p.227</ref> Branagh chose [[Victorian era]] costuming and furnishings, using [[Blenheim Palace]], built in the early 18th century as the seat of the Dukes of Marlborough, as Elsinore Castle for the external scenes. Harry Keyishan has suggested that the film is structured as an [[Epic film|epic]], courting comparison with ''[[Ben-Hur (1959 film)|Ben-Hur]]'', ''[[The Ten Commandments (1956 film)|The Ten Commandments]]'' and ''[[Doctor Zhivago (film)|Doctor Zhivago]]''.<ref>Keyishian, p.78</ref> As J. Lawrence Guntner pointed out, comparisons with the latter are heightened by the presence of [[Julie Christie]] (''Zhivago''{{'s}} Lara) as Gertrude.<ref>Guntner, pp. 122–123.</ref>

===Filming===
''Hamlet'' was shot in [[Super Panavision 70|Panavision Super 70]] by [[Alex Thomson (cinematographer)|Alex Thomson]]. It was the last feature film to be entirely shot in 70&nbsp;mm until production of ''[[Samsara (2011 film)|Samsara]]'' in 2011.<ref>{{cite web |last=McGavin |first=Patrick |url=http://movieline.com/2012/08/17/the-master-chicago-screening-paul-thomas-anderson-music-box/ |title=The Master Rules in Chicago: 70 mm Screening of Anderson Film Recalls Welles' The Lady From Shanghai |publisher=[[Movieline]] |work=Movieline.com |date=17 August 2012 |access-date=21 August 2012 |url-status=live |archive-url=https://web.archive.org/web/20120819002100/http://movieline.com/2012/08/17/the-master-chicago-screening-paul-thomas-anderson-music-box/ |archive-date=19 August 2012 }}</ref> Branagh was among the few to use [[65mm film]] cameras after that, on his 2017 film ''[[Murder on the Orient Express (2017 film)|Murder on the Orient Express]]''.<ref>{{cite web |url=https://www.hollywoodreporter.com/review/murder-orient-express-review-1053433 |title='Murder on the Orient Express' Review &#124; Hollywood Reporter |website=[[The Hollywood Reporter]] |date=2 November 2017 |access-date=2017-11-09 |url-status=live |archive-url=https://web.archive.org/web/20171103041759/http://www.hollywoodreporter.com/review/murder-orient-express-review-1053433 |archive-date=3 November 2017 }}</ref> The filming was done from 25 January to 12 April 1996.

===Music===
{{Infobox album
| name       = William Shakespeare's Hamlet: Original Motion Picture Soundtrack
| type       = soundtrack
| artist     = [[Patrick Doyle]]
| cover      = Hamlet_Doyle.jpg
| alt        =
| released   = 10 December 1996
| recorded   = 1996
| venue      =
| studio     =
| genre      = Soundtrack
| length     = 76:25
| label      = [[Sony Classical Records]]
| producer   = Patrick Doyle<br />Maggie Rodford
| prev_title =
| prev_year  =
| next_title =
| next_year  =
}}
{{Music ratings
| rev1 = [[AllMusic]]
| rev1Score = {{Rating|3|5}} [https://www.allmusic.com/album/doylewilliam-shakespeares-hamlet-soundtrack-r244048 link]
| rev2 = Film Music on the Web
| rev2Score ={{Rating|5|5}} [http://www.musicweb-international.com/film/nov99/hamlet.htm link]
| rev3 =  [[Filmtracks.com|Filmtracks]]
| rev3Score = {{Rating|3|5}} [http://www.filmtracks.com/titles/hamlet.html link]
}}
The [[Film score|score]] of ''Hamlet'' was composed and co-produced by frequent-Kenneth-Branagh-collaborator [[Patrick Doyle]], and conducted by Robert Ziegler. Doyle composed three primary themes for the film to accompany the characters of Ophelia, Claudius and Hamlet, which are varied throughout the score. The "simple, childlike" theme for Ophelia is mostly string-dominant, often performed by a [[string quartet]] yet occasionally accompanied by a full string ensemble or mixed chorus. For Claudius, Doyle composed a theme in the form of a demented [[Canon (music)|canon]], using more 20th-century harmonies. The theme for Hamlet was considered by Doyle to be "the most daunting and elusive" to conceive, before settling on a more "simple" motif to accompany the contemplative character.<ref name="Filmtracks">[http://www.filmtracks.com/titles/hamlet.html ''Hamlet'' (1996): (Patrick Doyle)] {{webarchive|url=https://web.archive.org/web/20120208204035/http://filmtracks.com/titles/hamlet.html |date=8 February 2012 }}.  ''[[Filmtracks.com]]''. Retrieved 27 January 2012.</ref>

The [[soundtrack album]] was released on 10 December 1996 through [[Sony Classical Records]] and features 26 tracks, with a running time of more than 76 minutes.<ref>[https://www.allmusic.com/album/doylewilliam-shakespeares-hamlet-soundtrack-r244048 Doyle: William Shakespeare's Hamlet (soundtrack)] {{webarchive|url=https://web.archive.org/web/20120312080611/http://www.allmusic.com/album/doylewilliam-shakespeares-hamlet-soundtrack-r244048 |date=12 March 2012 }}. ''[[AllMusic]]''. Retrieved 27 January 2012.</ref> For his work on the film, Doyle received an [[Academy Award]] nomination for [[Academy Award for Best Original Score|Best Original Score]].

# In Pace (3:07) – performed by [[Plácido Domingo]] (heard in the film during the closing credits)
# Fanfare (0:48)
# "All that lives must die" (2:40)
# "To thine own self be true" (3:04)
# The Ghost (9:55)
# "Give me up the truth" (1:05)
# "What a piece of work is a man" (1:50)
# "What players are they" (1:33)
# "Out out thou strumpet fortune" (3:11)
# "To be, or not to be" (1:53)
# "I loved you once" (3:27)
# "Oh, what a noble mind" (2:41)
# "If once a widow" (3:36)
# "Now could I drink hot blood" (6:57)
# "A foolish prating nave" (1:05)
# "Oh heavy deed" (0:56)
# "Oh here they come" (4:39)
# "My thoughts be bloody" (2:52)
# "The doors are broke" (1:20)
# "And will 'a not come again?" (1:59)
# "Alas poor Yorick" (2:49)
# "Sweets to the sweet – farewell" (4:39)
# "Give me your pardon sir" (1:24)
# "Part them they are incensed" (1:47)
# "Goodnight, sweet prince" (3:36)
# "Go bid the soldiers shoot" (2:52)

==Release==
''Hamlet'' was screened out of competition at the [[1997 Cannes Film Festival]].<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/4801/year/1997.html |title=Festival de Cannes: Hamlet |access-date=27 September 2009 |work=festival-cannes.com |url-status=live |archive-url=https://web.archive.org/web/20121006194129/http://www.festival-cannes.com/en/archives/ficheFilm/id/4801/year/1997.html |archive-date=6 October 2012 }}</ref> A shorter edit of the Branagh film, at approximately two and a half hours in length, was also shown in some markets.<ref>[https://www.imdb.com/title/tt0116477/alternateversions Alternate versions for Hamlet] {{webarchive|url=https://web.archive.org/web/20040627015549/http://www.imdb.com/title/tt0116477/alternateversions |date=27 June 2004 }}. [[IMDb]]. Retrieved 26 January 2012.</ref><ref>{{cite web |url=http://unseenfilms.blogspot.com/2011/09/hamlet-kenneth-branaugh-1996.html |title=Unseen Films: Hamlet- Kenneth Branaugh (1996) |access-date=2013-12-15 |url-status=live |archive-url=https://web.archive.org/web/20131221190024/http://unseenfilms.blogspot.com/2011/09/hamlet-kenneth-branaugh-1996.html |archive-date=21 December 2013 }}</ref>

===Home media===
A two-disc [[DVD]] set was released in the United States and Canada on 14 August 2007. It includes a full-length commentary by Branagh and Shakespeare scholar Russell Jackson. A [[Blu-ray]] was released on 17 August 2010 in the United States and Canada with similar additional features, including an introduction by Kenneth Branagh, the featurette "To Be on Camera: A History with Hamlet", the 1996 Cannes Film Festival Promo, and a Shakespeare Movies Trailer Gallery.<ref>{{Citation |title=Hamlet Blu-ray (DigiBook) |url=https://www.blu-ray.com/movies/Hamlet-Blu-ray/10381/ |access-date=2023-10-16}}</ref>

==Reception==

===Box office===
''Hamlet'' flopped at the box office, mostly due to its limited release. The film earned more than $90,000 in its opening weekend playing on three screens. It made more than $30,000 in the Czech Republic, and more than $545,000 in Spain. It ultimately had a maximum release of 93 theaters in the United States, grossing a total of only $4,710,000 domestically on a budget of $18 million.<ref name="Box Office Mojo" />

===Critical response===
''Hamlet'' received positive reviews. It currently holds a 95% rating at [[Rotten Tomatoes]], based on 57 reviews. The consensus reads: "Kenneth Branagh's sprawling, finely textured adaptation of Shakespeare's masterpiece lives up to its source material, using strong performances and a sharp cinematic focus to create a powerfully resonant film that wastes none of its 246 minutes."<ref name="Rotten Tomatoes">{{cite web |title=Hamlet (1996) |url=https://www.rottentomatoes.com/m/1075422-hamlet/ |url-status=live |archive-url=https://web.archive.org/web/20080808173621/http://www.rottentomatoes.com/m/1075422-hamlet/ |archive-date=8 August 2008 |access-date=3 April 2024 |work=[[Rotten Tomatoes]] |publisher=[[IGN Entertainment, Inc]]}}</ref>

[[Roger Ebert]], film critic of the ''[[Chicago Sun-Times]]'', awarded the film four stars out of four, comparing it to [[Laurence Olivier]]'s [[Hamlet (1948 film)|lauded 1948 version]], stating, "Branagh's Hamlet lacks the narcissistic intensity of Laurence Olivier's (in the 1948 [[Academy Award]] winner), but the film as a whole is better, placing Hamlet in the larger context of royal politics, and making him less a subject for pity."<ref name="Roger Ebert">{{cite web | last =Ebert | first =Roger | title =Hamlet | work =[[Chicago Sun-Times]] | date =24 January 1997 | url =http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970124/REVIEWS/701240303/1023 | access-date =26 January 2012 | url-status =live | archive-url =https://web.archive.org/web/20120129115618/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19970124%2FREVIEWS%2F701240303%2F1023 | archive-date =29 January 2012 }}</ref>

[[Janet Maslin]] of ''[[The New York Times]]'' also praised both Branagh's direction and performance, writing, "This ''Hamlet'', like [[Much Ado About Nothing (1993 film)|Branagh's version]] of ''[[Much Ado About Nothing]]'', takes a frank, try-anything approach to sustaining its entertainment value, but its gambits are most often evidence of Branagh's solid showmanship. His own performance is the best evidence of all."<ref>{{cite web | last =Maslin | first =Janet | title =Hamlet  | work =[[The New York Times]] | date =15 December 1996  | url =https://www.nytimes.com/library/film/hamlet.html | access-date =4 May 2010}}</ref>

''[[The New York Review of Books]]'' praised the attention given to Shakespeare's language, "giving the meter of the verse a musician's respect";<ref>O'Brien, Geoffrey ''New York Review of Books'' 6 February 1997, cited by Samuel Crowl, "Framboyant Realist: Kenneth Branagh" in Jackson, Russell ''The Cambridge Companion to Shakespeare on Film'' (Cambridge University Press, 2000) p.228</ref> Branagh said that his aim was "telling the story with utmost clarity and simplicity".<ref>Branagh, Kenneth ''Introduction and Notes'' to ''Much Ado About Nothing: Screenplay'' p.ix cited by Crowl, p.228</ref>

Some critics, notably [[Stanley Kauffmann]], declared the film to be the finest motion picture version of ''Hamlet''. Online film critic [[James Berardinelli]] gave the film a four-star review and declared that the Branagh ''Hamlet'' is the finest Shakespeare adaptation, rating it as the best film of 1996, the fourth best film of the 1990s, and one of his top 101 favourite films of all time, saying, "From the moment it was first announced that Branagh would attempt an unabridged ''Hamlet'', I never doubted that it would be a worthy effort... I have seen dozens of versions of this play, and none has ever held me in such a grip of awe."<ref name="ReelViews">{{cite web | last =Berardinelli | first =James | title =Hamlet (1996)  | work =ReelViews.com | url =http://preview.reelviews.net/movies/h/hamlet.html| access-date =26 January 2012}}</ref>

The film did have its detractors, however. [[Lloyd Rose]] of ''[[The Washington Post]]'' called it "the film equivalent of a lushly illustrated coffee-table book".<ref>{{cite news | url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamletrose.htm | newspaper=The Washington Post| date=22 July 1997 | access-date=4 May 2010 | title='Hamlet': Kenneth Branagh's Inaction Flick | url-status=live | archive-url=https://web.archive.org/web/20121104094854/http://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamletrose.htm | archive-date=4 November 2012 }}</ref> [[Desson Thomson]] wrote of Branagh's performance that "the choices he makes are usually overextended. When it's time to be funny, he skitters over the top. When he's sad or touched, he makes a mechanical, catching noise in his throat."<ref>{{cite news | url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamlethowe.htm | newspaper=The Washington Post| date=22 July 1997 | access-date=4 May 2010 | title=Branagh's 'Hamlet': Not to Be | url-status=live | archive-url=https://web.archive.org/web/20121104094859/http://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamlethowe.htm | archive-date=4 November 2012 }}</ref>

[[John Simon (critic)|John Simon]] called Branagh's performance "brawny" and "not easy to like" and said that Branagh's direction used "explicitness where Shakespeare... settled for subtlety or mere suggestion".<ref>[https://books.google.com/books?id=1qKqcD3VMi0C&pg=PA519 John Simon On Film: Criticism, 1982–2001 – John Ivan Simon – Google Books<!-- Bot generated title -->] {{dead link|date=June 2020|bot=medic}}{{cbignore|bot=medic}}</ref>

[[Leonard Maltin]], who gave the film a positive three stars in his ''Movie and Video Guide'' (and gave the Olivier version of ''Hamlet'' four stars), praised the cinematography by [[Alex Thomson (cinematographer)|Alex Thomson]], but stated that "Branagh essentially gives a stage performance that is nearly as over-the-top as some of his directorial touches".<ref>[https://books.google.com/books?id=6EgPDierNGUC&pg=PA572 Leonard Maltin's 2009 Movie Guide – Leonard Maltin – Google Books<!-- Bot generated title -->] {{webarchive|url=https://web.archive.org/web/20130617202454/http://books.google.com/books?id=6EgPDierNGUC&pg=PA572&lpg=PA572 |date=17 June 2013 }}</ref>

Kenneth Branagh's ''Hamlet'' ranks number 3 on the [[Rotten Tomatoes]] list of Greatest Shakespeare Movies, behind [[Akira Kurosawa]]'s ''[[Ran (film)|Ran]]'' (1985, based on ''[[King Lear]]''), which ranks in second place, and Branagh's ''[[Henry V (1989 film)|Henry V]]'' (1989), which ranks in first place.<ref name="Greatest Shakespeare">{{cite web |url=https://www.rottentomatoes.com/guides/greatest_shakespeare_movies/1075422-hamlet/ |title=Greatest Shakespeare Movies |access-date=21 January 2012 |work=[[Rotten Tomatoes]] |url-status=dead |archive-url=https://web.archive.org/web/20120123122251/http://www.rottentomatoes.com/guides/greatest_shakespeare_movies/1075422-hamlet/ |archive-date=23 January 2012 }}</ref>

===Accolades===
{| class="wikitable plainrowheaders" style="font-size: 95%;"
|-
! scope="col" |Award
! scope="col" |Category
! scope="col" |Recipients and nominees
! scope="col" |Result
|-
| rowspan=4 | '''[[Academy Awards]]'''
| [[Academy Award for Best Adapted Screenplay|Best Writing (Adapted Screenplay)]]
| [[Kenneth Branagh]]
| {{nom}}
|-
|  [[Academy Award for Best Production Design|Best Art Direction]]
| [[Tim Harvey (film designer)|Tim Harvey]]
| {{nom}}
|-
| [[Academy Award for Best Costume Design|Best Costume Design]]
| [[Alexandra Byrne]]
| {{nom}}
|-
| [[Academy Award for Best Original Score|Best Original Dramatic Score]]
| [[Patrick Doyle]]
| {{nom}}
|-
| '''[[Art Directors Guild|Art Directors Guild Awards]]'''
| [[ADG Excellence in Production Design Award]]
| [[Tim Harvey (Film designer)|Tim Harvey]], Desmond Crowe
| {{nom}}
|-
| rowspan=2 | '''[[British Academy Film Awards]]'''
| [[BAFTA Award for Best Costume Design|Best Costume Design]]
| [[Alexandra Byrne]]
| {{nom}}
|-
| [[BAFTA Award for Best Production Design|Best Production Design]]
| [[Tim Harvey (Film designer)|Tim Harvey]]
| {{nom}}
|-
| rowspan=2 | '''[[British Society of Cinematographers]]'''
| GBCT Operators Award
| [[Martin Kenzie]]
| {{won}}
|-
| Best Cinematography Award
| [[Alex Thomson (cinematographer)|Alex Thomson]]
| {{won}}
|-
| '''[[Broadcast Film Critics Association Award]]s'''
| [[Broadcast Film Critics Association Award for Best Film|Best Film]]
| [[Kenneth Branagh]]
| {{nom}}
|-
| '''[[Camerimage|The International Film Festival of the Art of Cinematography CAMERIMAGE]]'''
| Golden Frog Award for Best Cinematography
| [[Alex Thomson (cinematographer)|Alex Thomson]]
| {{nom}}
|-
| '''[[Chicago Film Critics Association|Chicago Film Critics Association Awards]]'''
| [[Chicago Film Critics Association Award for Best Actor|Best Actor]]
| [[Kenneth Branagh]]
| {{nom}}
|-
| '''[[3rd Empire Awards|Empire Awards]]'''
| [[Empire Award for Best British Actress|Best British Actress]]
| [[Kate Winslet]]
| {{won}}
|-
| '''[[Evening Standard British Film Awards]]'''
| Special Jury Award
| [[Kenneth Branagh]]
| {{won}}
|-
| '''[[San Diego Film Critics Society|San Diego Film Critics Society Awards]]'''
| [[San Diego Film Critics Society Award for Best Actor|Best Actor]]
| [[Kenneth Branagh]]
| {{won}}
|-
| rowspan=5 | '''[[Satellite Award]]s'''
| [[Satellite Award for Best Art Direction and Production Design|Best Art Direction and Production Design]]
| [[Tim Harvey (Film designer)|Tim Harvey]]
| {{nom}}
|-
| [[Satellite Award for Best Cinematography|Best Cinematography]]
| [[Alex Thomson (cinematographer)|Alex Thomson]]
| {{nom}}
|-
| [[Satellite Award for Best Costume Design|Best Costume Design]]
| Alex Byrne
| {{nom}}
|-
| [[Satellite Award for Best Original Score|Best Original Score]]
| [[Patrick Doyle]]
| {{nom}}
|-
| [[Satellite Award for Best Supporting Actress – Motion Picture|Best Supporting Actress – Motion Picture]]
| [[Kate Winslet]]
| {{nom}}
|-
|}

== Game ==
A spin-off game titled ''Hamlet: A Murder Mystery'', directed by historian [[Jean-Pierre Isbouts]], was a co-production by Pantheon and [[Castle Rock Entertainment]].<ref>{{Cite web|url=https://videogamegeek.com/videogame/79090/hamlet-murder-mystery|title=Hamlet: A Murder Mystery|website=VideoGameGeek|access-date=2019-02-11}}</ref><ref>{{Cite web|url=http://www.cdaccess.com/html/pc/hamletmm.htm|title=Hamlet: A Murder Mystery - from CD-ROM Access|website=www.cdaccess.com|access-date=2019-02-11|archive-date=7 July 2019|archive-url=https://web.archive.org/web/20190707061625/http://www.cdaccess.com/html/pc/hamletmm.htm|url-status=dead}}</ref><ref name="Hansen">Eric Hansen, "You're the bard in 'Hamlet' game", ''Tampa Bay Times'' (14 February 1997), p. 9T.</ref> Also produced in 1996, this was arguably the first video game based on a Shakespeare work.<ref>{{Cite web|url=https://www.thefreelibrary.com/NEW+%60ELSINORE%27+CD-ROM:+TO+WIN+OR+NOT+TO+WIN+..-a084004481|title=NEW 'ELSINORE' CD-ROM: TO WIN OR NOT TO WIN ... - Free Online Library|website=www.thefreelibrary.com|access-date=2019-02-11|archive-date=12 February 2019|archive-url=https://web.archive.org/web/20190212011758/https://www.thefreelibrary.com/NEW+%60ELSINORE%27+CD-ROM:+TO+WIN+OR+NOT+TO+WIN+..-a084004481|url-status=dead}}</ref><ref>{{Cite web|url=http://www.newspapers.com/newspage/113395430/|title=The Tennessean from Nashville, Tennessee on September 15, 1996 · Page 159|website=Newspapers.com|date=15 September 1996 |access-date=2019-02-11}}</ref> The [[CD-ROM]] is divided into two parts titled: "To be" (in which players can play Hamlet in the narrative) and "Not to be" (in which players can read the texts).<ref>{{Cite web|url=http://www.emme.com:80/france2/emmemag/press/hamlet.html|archive-url=https://web.archive.org/web/19970417044808/http://www.emme.com/france2/emmemag/press/hamlet.html|url-status=dead|archive-date=17 April 1997|access-date=2019-02-11|title=Archived copy}}</ref> In gameplay, players wander through the castle trying to locate the killer.<ref>{{Cite news|url=https://www.nrc.nl/nieuws/2002/04/22/hamlet-op-het-web-als-detectivespel-7586641-a436954|title=Hamlet op het web als detectivespel|website=NRC|date=22 April 2002 |language=nl|access-date=2019-02-11}}</ref> The game combines material from the film with original footage, animation, and games and puzzles.<ref name="Hansen"/>

[[GalleyCat]] deemed it "The Hamlet Video Game That Time Forgot".<ref>{{Cite web|url=https://www.adweek.com/galleycat/14464/15468|title=The Hamlet Video Game That Time Forgot|website=www.adweek.com|date=19 October 2010 |access-date=2019-02-11}}</ref> Shakespeare Studies, Volume 38, thought that the game shows the film's potential as a middle ground for digital works by offering a sound narrative that can be manipulated by player choices.<ref>{{Cite book|url=https://books.google.com/books?id=mGqJodOK6bUC&q=%22Hamlet%3A+A+Murder+Mystery%22&pg=PA50|title=Shakespeare Studies|last1=Zimmerman|first1=Susan|last2=Sullivan|first2=Garrett|date=September 2010|publisher=Fairleigh Dickinson Univ Press|isbn=9780838642702}}</ref> "Shakespeare's ''Hamlet'' In An Era of Textual Exhaustion" felt that the game offers a reworking of the plot that gives the player agency and a sense of immersion.<ref>{{Cite book|url=https://books.google.com/books?id=y25ADwAAQBAJ&q=%22Hamlet%3A+A+Murder+Mystery%22&pg=PT48|title=SHAKESPEARE'S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION|last1=Loftis|first1=Sonya Freeman|last2=Kellar|first2=Allison|last3=Ulevich|first3=Lisa|date=2017-11-27|publisher=Routledge|isbn=9781351967457}}</ref> Quandary praised the game for its multi-layered nature and its packaging.<ref>{{Cite web|url=http://www.quandaryland.com:80/jsp/dispArticle.jsp?index=580|archive-url=https://web.archive.org/web/20040813230551/http://www.quandaryland.com/jsp/dispArticle.jsp?index=580|url-status=dead|archive-date=13 August 2004|title=Hamlet: A Murder Mystery Review by Quandary|date=2004-08-13|access-date=2019-02-11}}</ref>

==See also==
{{Portal|Film|United Kingdom|United States|History|1990s}}
*[[Hamlet in performance]]
*[[Hamlet on screen]]

==References==
{{reflist}}
* Maric, Jasminka, "Filozofija u Hamletu", Alfa BK Univerzitet, Beograd, 2015.
* Maric, Jasminka, "Philosophy in Hamlet", author's edition, Belgrade, 2018.

==External links==
* {{IMDb title|0116477|Hamlet}}
* {{rotten-tomatoes|1075422-hamlet|Hamlet}}
* {{mojo title|hamlet96|Hamlet}}

{{Hamlet}}
{{Kenneth Branagh}}
{{Authority control}}
{{Portal bar|Film|United Kingdom|United States|1990s|Denmark|History}}

{{DEFAULTSORT:Hamlet (1996 film)}}
[[Category:1996 films]]
[[Category:1996 drama films]]
[[Category:1990s historical drama films]]
[[Category:American films based on plays]]
[[Category:American drama films]]
[[Category:American historical drama films]]
[[Category:British drama films]]
[[Category:British historical drama films]]
[[Category:British films based on plays]]
[[Category:British romantic drama films]]
[[Category:Castle Rock Entertainment films]]
[[Category:Columbia Pictures films]]
[[Category:Films directed by Kenneth Branagh]]
[[Category:American films about revenge]]
[[Category:British films about revenge]]
[[Category:British ghost films]]
[[Category:Films based on Hamlet]]
[[Category:Films set in the 19th century]]
[[Category:Films scored by Patrick Doyle]]
[[Category:Films produced by David Barron]]
[[Category:Films shot at Shepperton Studios]]
[[Category:Films about death]]
[[Category:Films about murder]]
[[Category:Fiction about fratricide]]
[[Category:Films set in castles]]
[[Category:1990s English-language films]]
[[Category:1990s American films]]
[[Category:1990s British films]]
[[Category:Films with screenplays by Kenneth Branagh]]
[[Category:English-language historical drama films]]