Editing DuMont Television Network

{{Short description|American television network (1940–1956)}}
{{Use mdy dates|date=June 2023}}
{{Infobox television channel
| name = DuMont Television Network
| logo = DuMont.svg
| logo_size = 250px
| logo_caption = Logo used from 1946 to 1952
| type = [[Terrestrial television|Broadcast]] [[television network]]
| country = United States
| language = English
| owner = [[DuMont Laboratories|Allen B. DuMont Laboratories]]<ref name=allenbdumontlabs>{{cite web |title=Allen B. DuMont {{!}} American engineer and inventor |url=https://www.britannica.com/biography/Allen-B-DuMont |website=Encyclopædia Britannica |language=en |access-date=July 30, 2019 |archive-url=https://web.archive.org/web/20190703222020/https://www.britannica.com/biography/Allen-B-DuMont |archive-date=July 3, 2019 |url-status=live }}</ref>
| founded = {{Start date|1940|4|13}}
| founder = [[Allen B. DuMont]]
| launch_date = {{Start date|1946|08|15}}
| closed_date = {{End date|1956|08|06}}<br />({{Age in years and days|1946|08|15|1956|08|06}})
| key_people = [[Thomas T. Goldsmith, Jr.]] ([[vice president]]; director of research)<br />Mortimer Loewi (financial consultant)<br />Ted Bergmann (director of sales, 1951–1953; [[general manager]], 1953–1955)<br />Lawrence Phillips (director of broadcasting)<br />Chris Witting (director of broadcasting)<br />Tom Gallery (director of sales)<br />Don McGannon (general manager of O&Os)<br />James Caddigan (director of programming and production)<br />Paul Raibourn (executive vice president, Paramount; Paramount liaison)
}}

The '''DuMont Television Network''' (also the '''DuMont Network''', '''DuMont Television''', '''DuMont'''/'''Du Mont''', or (incorrectly) '''Dumont'''{{refn|The name of the network has been spelled both "DuMont" and "Du Mont". "Dumont" and "DUMONT" are generally considered incorrect. Weinstein (2004) uses "DuMont" for the name of the network. Bergmann (2002) prefers "Du Mont".{{sfn|Weinstein|2004|p=vi}} For the purposes of this article, the Weinstein spelling is used. (The name was pronounced on-air to sound like DOO-mont, with an accent on the "Du".)|group=lower-alpha|name=name}} {{IPAc-en|'|d|u:|m|Q|n|t|}}) was one of America's pioneer commercial [[television network]]s, rivaling [[NBC]] and [[CBS]] for the distinction of being first overall in the United States. It was owned by [[DuMont Laboratories|Allen B. DuMont Laboratories]],<ref name=allenbdumontlabs/> a television equipment and television set manufacturer and broadcasting company. DuMont was founded in 1940 and began operation on August 15, 1946.{{sfn|Weinstein|2004|p=16}}<ref>{{Cite web|url=http://jeff560.tripod.com/chronotv.html|title=A U. S. Television Chronology, 1875-1970|website=jeff560.tripod.com|access-date=June 20, 2019|archive-url=https://web.archive.org/web/20110613095409/http://jeff560.tripod.com/chronotv.html|archive-date=June 13, 2011|url-status=live}}</ref>

The network was hindered by the cost of [[broadcasting]], a freeze on new television stations in 1948 by the [[Federal Communications Commission]] (FCC),<ref>{{Cite web|last=Ponce de Leon|first=Charles L.|date=2015|title=That's the Way It Is: A History of Television News in America|url=https://press.uchicago.edu/books/excerpt/2015/De_Leon_Thats_Way_It_Is.html|url-status=dead|archive-url=https://web.archive.org/web/20200728224642/https://press.uchicago.edu/books/excerpt/2015/De_Leon_Thats_Way_It_Is.html|archive-date=July 28, 2020|access-date=July 26, 2020|website=press.uchicago.edua|at=Beginnings}}</ref> and even the company's partner, [[Paramount Pictures]]. Despite its innovations in broadcasting, and launching  one of television's biggest stars of the 1950s — [[Jackie Gleason]] — the network never reached solid finances. Forced to expand on [[Ultra high frequency|UHF]] channels when UHF tuning was not yet standard on television sets, DuMont fought an uphill battle for program clearance outside its three owned-and-operated stations: [[WNYW|WABD]] [[New York City|New York City -- which used its founder's initials as its call letters]], [[WTTG]] [[Washington, D.C.|Washington, DC]], and [[KDKA-TV|WDTV]] [[Pittsburgh]], ultimately ending network operations on August 6, 1956, leaving three main networks other than [[public broadcasting]] until the founding of [[Fox Broadcasting Company|Fox]] in 1986.

DuMont's obscurity, caused mainly by the [[List of surviving DuMont Television Network broadcasts|destruction of its extensive program archive]] by the 1970s, has prompted TV historian David Weinstein to refer to it as the "forgotten network."{{sfn|Weinstein|2004|page=vii}} A few popular DuMont programs, such as ''[[The Jackie Gleason Show|Cavalcade of Stars]]'' and [[Emmy Award]] winner ''[[Life Is Worth Living]]'', appear in television [[retrospective]]s or are mentioned briefly in books about American television history. In addition, a collection of programs and promos is available on the [[Roku]] streaming television channel under the DuMont name.

==History==
===Origins===
[[File:DuMont Affiliates 1949.png|thumb|right|300px|DuMont programs aired in 32 cities by 1949. The live [[coaxial cable]] feed stretched from Boston to St. Louis. Other stations received programs via [[kinescope]] recordings.]]
[[DuMont Laboratories|Allen B. DuMont Laboratories]] was founded with $1,000 in 1931 by [[Allen B. DuMont]] in a laboratory in his basement. He and his staff were responsible for such early technical innovations as the first consumer [[History of television#Electronic television|electronic television receiver]] in 1938. Their most revolutionary contribution came when the team extended the life of a [[cathode-ray tube|cathode ray tube]] from 24 to 1,000 hours, making television sets practical for consumers.<ref>{{Cite magazine|url=https://www.wired.com/2010/01/jan-29-1901-dumont-will-make-tv-work-2/|title=Jan. 29, 1901: DuMont Will Make TV Work|last=Hart|first=Hugh|magazine=WIRED|access-date=December 27, 2017|language=en-US|archive-url=https://web.archive.org/web/20171228054524/https://www.wired.com/2010/01/jan-29-1901-dumont-will-make-tv-work-2/|archive-date=December 28, 2017|url-status=live}}</ref> The company's television receivers soon became the standard of the industry.<ref name="RWPDTV">Dean, L. [http://www.r-vcr.com/~television/TV/TV11.htm DuMont TV — KTTV TV11] {{webarchive |url=https://web.archive.org/web/20061231105843/http://www.r-vcr.com/~television/TV/TV11.htm |date=December 31, 2006 }}. Larry Dean's R-VCR Television Production website. Retrieved December 28, 2006.</ref> 

During [[World War II]], DuMont worked with the U.S. Army in developing [[radar]] during . This brought in $5 million for the company in1942.{{sfn|Bergmann|Skutch|2002}} (For purposes of comparison, that sum in 2025 dollars would be $101,808,064, [https://www.amortization.org/inflation/amount.php?year=1942&amount=5000000 according to Ammortization.org].)

Early sales of television receivers were hampered by the lack of regularly scheduled programming. A few months after selling his first set in 1938, DuMont opened his own New York-area television station (W2XVT) in [[Passaic, New Jersey]]. In 1940, the station moved to Manhattan as W2XWV on channel 4 and commenced broadcasting on April 13, 1940.{{Citation needed|date=October 2021}} Unlike [[CBS]] and [[NBC]], which reduced their television broadcasting during World War II, DuMont continued experimental and commercial broadcasts throughout the war. In 1944, W2XWV received its commercial license, the third in New York, under the call letters [[WABD-TV|WABD]]. In 1945, it moved to channel 5. On May 19, 1945, DuMont opened experimental W3XWT in [[Washington, D.C.|Washington, DC.]], which became commercial station [[WTTG]].

[[Paramount Pictures]] became a minority shareholder in DuMont Laboratories when it advanced $400,000 in 1939 for a 40% share in the company.<ref name="WT">Castleman, H. & Podrazik, W. (1982) ''Watching TV: Four Decades of American Television'', p.&nbsp;11. New York: McGraw-Hill.</ref><ref name="DTOFTN">Auter, P. & Boyd, D. [https://onlinelibrary.wiley.com/doi/abs/10.1111/j.0022-3840.1995.00063.x DuMont: The Original Fourth Television Network]. ''The Journal of Popular Culture''. Vol. 29 Issue 3 Page 63 Winter 1995. Retrieved on December 28, 2006.</ref> Paramount had television interests of its own, having launched stations in [[Los Angeles]] in 1939 and [[Chicago]] in 1940. DuMont's association with Paramount would later come back to haunt DuMont.<ref name="TH">Spadoni, M. (June 2003). [http://www.televisionheaven.co.uk/dumont.htm DuMont: America's First "Fourth Network"] {{webarchive|url=https://web.archive.org/web/20070211110856/https://televisionheaven.co.uk/dumont.htm|date=February 11, 2007|title=Archive}}. Television Heaven. Retrieved on September 6, 2019.</ref><ref name="RTDNACSA" />
[[File:"DUMONT" "First with the Finest in Television" art detail, 1951 - Chas L Bell Company - Matchbook - Allentown PA (cropped).jpg|thumb|"DUMONT First with the Finest in Television" 1951 [[Matchbook]]]]
Soon after his experimental Washington station [[Sign-on and sign-off|signed on]], DuMont began experimental [[coaxial cable]] hookups between his laboratories in Passaic and his two stations. It is said that one of those broadcasts on the hookup announced that the U.S. had dropped an [[atomic bomb]] on [[Nagasaki]], Japan, on August 9, 1945. This was later considered the official beginning of the DuMont Network by both [[Thomas T. Goldsmith]], the network's chief engineer and DuMont's best friend, and DuMont himself.<ref name="TH" /> Regular network service began on August 15, 1946, on WABD and W3XWT. In November 1946, W3XWT was granted a commercial license, the capital's first, as [[WTTG]],<ref>{{cite news|last=Brennan|first=Patricia|date=May 14, 1995|title=WTTG Marks 50 Years|newspaper=The Washington Post|url=https://www.washingtonpost.com/archive/lifestyle/tv/1995/05/14/wttg-marks-50-years/d9d37479-3e2d-46a7-9a1e-54b9a10cf0d5/?noredirect=on|access-date=October 25, 2020}}</ref> named after Goldsmith. These two DuMont [[owned-and-operated station]]s were joined by [[WDTV (Pittsburgh)|WDTV]] (channel 3) in [[Pittsburgh]] on January 11, 1949.<ref>{{Cite news|date=January 11, 1949|title=Network Television to Reach City|pages=29|work=The Pittsburgh Press|url=https://www.newspapers.com/clip/32045862/the-pittsburgh-press/|access-date=October 26, 2020}}</ref>

Although NBC in New York had station-to-station television links as early as 1940 with WPTZ ([[KYW-TV|KYW]]) in Philadelphia and [[WRGB]] in [[Schenectady, New York]], DuMont received its [[broadcast license|station licenses]] before NBC resumed its previously sporadic network broadcasts after the war.<ref name="Bergmann1">Bergmann, Ted; Skutch, Ira (2002). The DuMont Television Network: What Happened?, pp. 16–18. Lanham, Maryland: Scarecrow Press. {{ISBN|0-8108-4270-X}}</ref> [[American Broadcasting Company|ABC]] had just come into existence as a radio network in 1943 and did not enter network television until 1948 when its flagship station in New York City, WJZ-TV ([[WABC-TV]]), began broadcasting. CBS also waited until 1948 to begin network operations, because it was waiting for the Federal Communications Commission to approve its color television system (which it eventually did not, due to its mechanical nature and incompatibility with black and white receivers). Other companies, including [[Mutual Broadcasting System|Mutual]], the [[Yankee Network]], and Paramount, were interested in starting television networks, but were prevented from doing so by restrictive FCC regulations, although the [[Paramount Television Network]] had limited success in network operations in the late 1940s and early 1950s.{{citation needed|date=August 2012}}

===Programming===
[[File:Rocky King Detective DuMont Television Network.JPG|right|thumb|Still from ''[[Rocky King, Inside Detective]]'', one of DuMont's most popular programs.]]
Despite no history of radio programming, no stable of radio stars to draw on like competitors NBC, CBS, and ABC had, and perennial cash shortages, DuMont was an innovative and creative network,<ref name="ABDTMOBC">Auter, P. (2005)[https://web.archive.org/web/20060923044856/http://www.museum.tv/archives/etv/D/htmlD/DuMont/DuMont.htm DuMont, Allen B] </ref> its programmers often using its connections with [[Broadway theatre|Broadway]].{{sfn|Weinstein|2004|pp=46, 94}}

The network largely ignored the standard business model of 1950s TV, in which one advertiser sponsored an entire show, enabling it to have complete control over its content. Instead, DuMont sold [[Television advertisement|commercials]] to several different advertisers, freeing producers of its shows from the veto power held by sole sponsors.{{sfn|Weinstein|2004|p=43}} This eventually became the standard model for U.S. television. Some commercial time was sold regionally on a co-op basis, while other spots were sold network-wide.

DuMont also holds another important place in American TV history. WDTV's sign-on made it possible for stations in the [[Midwestern United States|Midwest]] to receive live network programming from stations on the [[East Coast of the United States|East Coast]], and vice versa.<ref name="GAOPT">Downs, S. (November 3, 1996). [http://www.nb.net/~schaefer/tv1103.htm "The Golden Age of Pittsburgh Television"] {{webarchive |url=https://web.archive.org/web/20070311024829/http://www.nb.net/~schaefer/tv1103.htm |date=March 11, 2007 }}. ''[[Greensburg Tribune-Review]]''. Retrieved on December 28, 2006.</ref> Before then, the networks relied on separate regional networks in the two time zones for live programming, and the [[West Coast of the United States|West Coast]] received network programming from [[kinescope]]s (films shot directly from live television screens) originating from the East Coast. On January 11, 1949, the coaxial cable linking East and Midwest (known in television circles as "the Golden Spike," in reference to the [[golden spike]] that united the [[First transcontinental railroad]]) was activated. The ceremony, hosted by DuMont and WDTV, was carried on all four networks.<ref name="RWFT">Hundt, B. (July 30, 2006). [http://observer-reporter.com/Main.asp?SectionID=6&ArticleID=24581 "Remember When: First tube"] {{dead link|date=August 2017|bot=medic}}{{cbignore|bot=medic}}. ''Observer-Reporter Publishing''. Retrieved on January 7, 2007.</ref> [[WGN-TV]] (channel 9) in Chicago and WABD in New York were able to share programs through a live coaxial cable feed when WDTV signed on in Pittsburgh, because the station completed the East Coast-to-Midwest chain, allowing stations in both regions to air the same program simultaneously, which is still the standard for American TV. It was another two years before the West Coast got live programming from the East (and the East able to get live programming from the West), but this was the beginning of the modern era of network television.<ref name="ATT">[http://www.corp.att.com/history/nethistory/milestones.html History of the AT&T Network — Milestones in AT&T Network History] {{Webarchive|url=https://web.archive.org/web/20070107114157/http://www.corp.att.com/history/nethistory/milestones.html |date=January 7, 2007 }}. AT&T, 2006. Retrieved on December 28, 2006</ref>

[[File:DuMont television network WDTV broadcast 1952.JPG|thumb|WDTV broadcast of ''We, the People'' on April 18, 1952. The tall guest is [[New York Yankees]] player [[Bill Bevens]].]]
[[File:Benny Goodman Star Time DuMont Network.JPG|thumb|{{center|[[Benny Goodman]] and his band on the DuMont show ''[[Star Time (TV series)|Star Time]]'', circa 1950.}}]]
The first broadcasts came from DuMont's [[DuMont Building|515 Madison Avenue]] headquarters. The company soon found additional space, including a fully functioning theater, in the New York branch of [[Wanamaker's]] department store at Ninth Street and Broadway.<ref name = "TH"/><ref>{{Cite book|url=https://books.google.com/books?id=1AoEAAAAMBAJ&q=wanamaker+studios+captain+video&pg=PA4|title=Billboard|date=August 15, 1953|publisher=Nielsen Business Media, Inc.|location=[[New York City]]|pages=4|language=en|quote='''DU M SHUTS DOWN STORE OPERATION . . .''' NEW YORK, Aug. 8. — Du Mont Television Network is closing down its studios and master control unit at [[770 Broadway|Wanamaker's department store]] next Friday (14). Master control will begin operating at the Du Mont's Tele-Center the next day. Among the shows that had been originating at Wanamaker's was "[[Captain Video and His Video Rangers|Captain Video]]".|access-date=March 5, 2020}}</ref> Later, a lease on the [[Adelphi Theatre (New York)|Adelphi Theatre]] on [[54th Street (Manhattan)|54th Street]] and the [[Ambassador Theatre (New York City)|Ambassador Theatre]] on West 49th Street gave the network a site for variety shows. In 1954, the lavish DuMont Tele-Centre opened in the former [[Jacob Ruppert]]'s Central Opera House at 205 East 67th Street, today the site of the Fox Television Center and home of WABD successor station WNYW.<ref>{{cite web |title=WYNW - TV Station Profile |url=https://publicfiles.fcc.gov/tv-profile/wnyw |website=FCC Public Inspection Files |publisher=Federal Communications Commission |access-date=February 19, 2020 |ref=FCC |archive-url=https://web.archive.org/web/20200711142700/https://publicfiles.fcc.gov/tv-profile/wnyw |archive-date=July 11, 2020 |url-status=dead }}</ref><ref>{{Cite book|url=https://books.google.com/books?id=4h4EAAAAMBAJ&q=Du+Mont's+Tele-Center+%22new+york%22&pg=PA14|title=Billboard|date=June 19, 1954|publisher=Nielsen Business Media, Inc.|location=[[New York City]]|pages=14|language=en|quote='''Du M. Tele-Center To Be Officially Opened on Monday''' NEW YORK, June 12[, 1954]. [[The Boys from Boise (TV program)|The Boys from Boise]], the first original televised musical, was aired on the network in 1944. — Du Mont on Monday will hold the official tape-cutting ceremonies for its Tele-Center, which has actually been in use for over a year. Speakers at the event will be [[Allen B. DuMont|Dr. Allen Du Mont]] and Mayor [[Robert F. Wagner Jr.|Robert Wagner]].[...]It was originally the Central Opera House. Du Mont invested {{US$|5000000|1954|long=no|round=-5|about=yes}} to re-build it for TV use.}}</ref>

DuMont was the first network to broadcast a film production for TV: ''[[Talk Fast, Mister]]'', produced by [[RKO Radio Pictures|RKO]] in 1944. DuMont also aired the first TV [[situation comedy]], ''[[Mary Kay and Johnny]]'', as well as the first network-televised [[soap opera]], ''[[Faraway Hill]]''. 

''[[Cavalcade of Stars]]'', a [[variety show]] hosted by [[Jackie Gleason]], was the birthplace of ''[[The Honeymooners]]'' skits (Gleason took his variety show to CBS in 1952, but filmed the [[The Honeymooners#The "Classic 39" episodes|"Classic 39"]] Honeymooners episodes at DuMont's Adelphi Theater studio in 1955–56). Roman Catholic Bishop [[Fulton J. Sheen]]'s [[Religious broadcasting|devotional program]] ''[[Life Is Worth Living]]'' went up against [[Milton Berle|Milton Berle's]] variety show in many cities, becoming the first show to compete successfully in the ratings against the comedian known as "Mr. Television." In 1952, Sheen won an [[Emmy Award]] for "Most Outstanding Personality".<ref>McNeil, Alex (1996). ''Total Television'' (4th ed.), p. 1040. New York: Penguin Books. {{ISBN|0-14-024916-8}}</ref> The network's other notable programs include:
* ''[[Ted Mack (radio-TV host)|Ted Mack]]'s [[The Original Amateur Hour]]'', which began on radio in the 1930s under original host [[Edward Bowes|Major Edward Bowes]]
* ''[[The Morey Amsterdam Show]]'', a comedy/variety show hosted by [[Morey Amsterdam]], which started on CBS before moving to DuMont in 1949
* ''[[Captain Video and His Video Rangers]]'', a hugely popular children's [[science fiction]] series<ref name="RR">Merlin, J. [http://www.slick-net.com/space/text/index.phtml Roaring Rockets: The Space Hero Files] {{Webarchive|url=https://web.archive.org/web/20060113022008/http://www.slick-net.com/space/text/index.phtml |date=January 13, 2006 }}. Retrieved on December 28, 2006.</ref><ref name="Weinstein">Weinstein, D. (2004). ''The Forgotten Network: DuMont and the Birth of American Television'', p. 69. Philadelphia: Temple University Press. {{ISBN|1-59213-499-8}}</ref>
* ''[[The Arthur Murray Party]]'', a dance program
* ''[[Down You Go]]'', a popular panel show
* ''[[Rocky King, Inside Detective]]'', a private eye series starring [[Roscoe Karns]]
* ''[[The Plainclothesman]]'', a camera's-eye-view detective series
* Live coverage of [[boxing]] and [[professional wrestling]], the latter featuring matches staged by [[National Wrestling Alliance]] member [[Fred Kohler Enterprises]] in [[Chicago]] under the name ''[[Wrestling from Marigold|Wrestling from Marigold Arena]]''
* ''[[The Johns Hopkins Science Review]]'', a Peabody Award-winning education program
* ''[[Cash and Carry (TV series)|Cash and Carry]]'', the first network-televised [[game show]]
* ''[[The Ernie Kovacs Show]]'', a comedy variety show hosted by [[Ernie Kovacs]]
* [[The Magic Cottage (TV series)|''The Magic Cottage'']], a children's show starring artist Patricia Meikle
* ''[[The Goldbergs (broadcast series)|The Goldbergs]],'' a warm look at an immigrant Jewish family in New York City, starring its creator and writer ''[[Gertrude Berg]]''

The network also was a pioneer in TV programming aimed at minority audiences and featuring minority performers at a time when the other American networks aired few television series aimed at non-whites. Among DuMont's minority programs were ''[[The Gallery of Madame Liu-Tsong]]'', starring film actress [[Anna May Wong]], the first American TV show to star an Asian American person;<ref>[http://www.today.ucla.edu/out-about/080103_anna-may-wong/ "Film reveals real-life struggles of an onscreen 'Dragon Lady'."] {{webarchive |url=https://web.archive.org/web/20120327104822/http://www.today.ucla.edu/out-about/080103_anna-may-wong/ |date=March 27, 2012 }} ''[http://www.today.ucla.edu/ UCLA Today Online] {{webarchive |url=https://web.archive.org/web/20080903090621/http://www.today.ucla.edu/ |date=September 3, 2008 }}'', January 3, 2008. Retrieved: May 27, 2008.</ref> and ''[[The Hazel Scott Show]]'', starring the eponymous singer-pianist in the first American network TV series to be hosted by a [[black people|black]] woman.<ref name="Brooks" /><ref name="McNeil4" />

Although DuMont's programming pre-dated [[videotape]], many DuMont offerings were recorded on the [https://www.earlytelevision.org/kinescope.html kinescope device developed by Eastman Kodak]. These kinescopes were said to be stored in a warehouse until the 1970s.<ref name="TH" /> Actress [[Edie Adams]], the wife of comedian [[Ernie Kovacs]] (both regular performers on early television) testified in 1996 before a panel of the [[Library of Congress]] on the preservation of television and video. Adams claimed that so little value was given to these films that the stored kinescopes were loaded into three trucks and dumped into [[Upper New York Bay]].<ref name="LoC">{{cite web|last=Adams |first=Edie |author-link=Edie Adams |title=Television/Video Preservation Study: Los Angeles Public Hearing |work=National Film Preservation Board |publisher=Library of Congress |date=March 1996 |url=https://www.loc.gov/film/hrng96la.html |access-date=September 24, 2007 |url-status=dead |archive-url=https://web.archive.org/web/20070927072638/http://www.loc.gov/film/hrng96la.html |archive-date=September 27, 2007 }}</ref> Nevertheless, a number of DuMont programs survive at [[The Paley Center for Media]] in New York, the [[UCLA Film and Television Archive]] in Los Angeles, in the [[Peabody Award]]s Collection at the [[University of Georgia]], and in the [[Museum of Broadcast Communications]] in Chicago,<ref name="UCLA">[http://www.cinema.ucla.edu/collections/Profiles/earlytv.html Collections — Early television] {{webarchive|url=https://web.archive.org/web/20110103215747/http://www.cinema.ucla.edu/collections/Profiles/earlytv.html |date=January 3, 2011 }}. The UCLA Film and Television Archive. Retrieved on December 28, 2006.</ref> and several surviving DuMont shows have been released on [[DVD]]. 

Much of what survived was either never properly copyrighted (live telecasts, because they were not set on a fixed medium, were not eligible for copyright at the time, although films of those telecasts could if they contained a proper copyright notice) or lapsed into the [[public domain]] in the late 1970s when DuMont's successor-company [[Metromedia]] declined to renew the copyrights. 

A large number of episodes of ''Life Is Worth Living'' have been saved, and they are aired weekly on [[Catholicism|Catholic]]-oriented cable network, the [[Eternal Word Television Network]], which also makes a collection of them available on DVD. Several companies that distribute DVDs over the internet have released a small number of episodes of ''Cavalcade of Stars'' and ''The Morey Amsterdam Show''. Two more DuMont programs, ''Captain Video and His Video Rangers'' and ''Rocky King, Inside Detective'', have had a small number of surviving episodes released commercially by at least one major distributor of public domain programming. Because so few episodes remain of most DuMont series, they are seldom rerun, even though there is no licensing cost to do so. 

====Awards====
DuMont programs were by necessity low-budget affairs, and the network received relatively few awards from the TV industry. Most awards during the 1950s went to NBC and CBS, who were able to out-spend other companies and draw on their extensive history of radio broadcasting in the relatively new television medium.

During the 1952–53 TV season, the aforementioned Bishop Sheen won an [[Emmy Award]] for ''Most Outstanding Personality''. Sheen beat out three CBS nominees -- [[Arthur Godfrey]], [[Edward R. Murrow]], and [[Lucille Ball]] -- for the honors. Sheen also was nominated for Public Service Emmys in 1952, 1953, and 1954.<ref name="Weinstein2">Weinstein, D. (2004). ''The Forgotten Network: DuMont and the Birth of American Television'', p. 156-157. Philadelphia: Temple University Press. {{ISBN|1-59213-499-8}}</ref>

DuMont received an Emmy nomination for ''[[Down You Go]]'', a popular game show during the 1952–53 television season (in the category ''Best Audience Participation, Quiz, or Panel Program''). The network was nominated twice for [[NFL on DuMont|its coverage of professional football]] during the 1953–54 and 1954–55 television seasons.<ref name="ATAS">{{cite web|title=Advanced Primetime Awards Search |publisher=Academy of Television Arts & Sciences |year=2005 |url=http://www.emmys.org/awards/awardsearch.php |access-date=September 24, 2007 |url-status=dead |archive-url=https://web.archive.org/web/20090403022947/http://www.emmys.org/awards/awardsearch.php |archive-date=April 3, 2009 }}</ref>

''[[The Johns Hopkins Science Review]]'', a DuMont [[public affairs (broadcasting)|public affairs]] program, was awarded a [[Peabody Award]] in 1952 in the Education category. Sheen's Emmy and the ''Science Review'' Peabody were the only national awards the DuMont Network received.<ref name="McNeil3">McNeil, Alex (1996). ''Total Television'' (4th ed.), 1121. New York: Penguin Books. {{ISBN|0-14-024916-8}}</ref> Though DuMont series and performers continued to win local TV awards, by the mid-1950s the DuMont network no longer had a national presence.{{Citation needed|date=August 2019}}

====Ratings====
{| class="wikitable" style="float: right; margin: .46em 0 0 .2em;"
|-
! style="background: #D3CD8B; color: black;" colspan=5|Videodex 62 City Ratings
|-
| style="background: #C9CAC8; color: black; text-align: center;" colspan=5|'''First week of August 1950'''
|-
! Rank
! Series
! Network
! # of cities
! % TV homes
|-
| 1
| ''[[Toast of the Town]]''
| CBS
| 34
| 37.2
|-
| 2
| ''[[Stop the Music (American game show)|Stop the Music]]''
| ABC
| 50
| 28.4
|-
| 3
| ''[[Kraft Television Theater]]''
| NBC
| 34
| 27.5
|-
| 4
| ''[[Ford Star Revue]]''
| NBC
| 45
| 26.9
|-
| 5
| ''[[The Garry Moore Show]]''
| CBS
| 19
| 26.4
|-
| 6
| ''[[The Big Story (radio and TV series)|The Big Story]]''
| NBC
| 32
| 25.6
|-
| 7
| ''[[The Original Amateur Hour]]''
| NBC
| 54
| 25.3
|-
| 8
| ''[[Break the Bank (1948 game show)|Break the Bank]]''
| NBC
| 42
| 24.2
|-
| 9
| ''[[The Lone Ranger (TV series)|The Lone Ranger]]''
| ABC
| 39
| 23.9
|-
| 10
| ''[[Your Hit Parade]]''
| NBC
| 18
| 23.7
|-
|<span style="color:green;"> 11 </span>
|''[[Cavalcade of Stars|<span style="color:green">Cavalcade of Stars</span>]]''
|<span style="color:green;"> DuMont </span>
|<span style="color:green;"> 20 </span>
|<span style="color:green;"> 22.2 </span>
|-
| 12
| ''[[Mama (American TV series)|Mama]]''
| CBS
| 16
| 22.0
|-
|<span style="color:green;"> 13 </span>
|<span style="color:green;"> ''Wrestling'' </span>
|<span style="color:green;"> DuMont </span>
|<span style="color:green;"> 15 </span>
|<span style="color:green;"> 21.4 </span>
|-
| 14
| ''[[Beat the Clock]]''
| CBS
| 33
| 20.7
|-
| 15
| ''[[Masterpiece Playhouse]]''
| NBC
| 32
| 19.2
|}

The earliest measurements of TV audiences were performed by the [[C. E. Hooper]] company of New York. DuMont performed well in the Hooper ratings; in fact, DuMont's talent program, [[The Original Amateur Hour,|''The Original Amateur Hour'',]] was the most popular series of the 1947–48 season.<ref name="CTTDN" /> Two seasons later, ''[[Variety (magazine)|Variety]]'' ranked DuMont's popular variety series ''Cavalcade of Stars'' as the 10th most popular series.<ref name="McNeil2">McNeil, Alex (1996). ''Total Television'' (4th ed.), 1143–1145. New York: Penguin Books. {{ISBN|0-14-024916-8}}</ref>

In February 1950, Hooper's competitor [[ACNielsen|A. C. Nielsen]] bought out the Hooper ratings system. DuMont did not fare well with the change: none of its shows appeared on Nielsen's annual top 20 lists of the most popular series.<ref name="McNeil2" /> The aforementioned ''Life is Worth Living'' did receive Nielsen ratings of up to 11.1, meaning that it attracted more than 10 million viewers. Bishop Sheen's one-man program – in which he discussed philosophy, psychology, and other fields of thought from a Christian perspective – was the most widely viewed religious series in the history of television. 169 local television stations aired ''Life'', and for three years the program competed successfully against NBC's popular ''[[The Milton Berle Show]]''. The ABC and CBS programs that aired in the same timeslot were canceled.<ref name="Weinstein2" />

''Life is Worth Living'' was not the only DuMont program to achieve double-digit ratings. In 1952, ''[[Time (magazine)|Time]]'' magazine reported that popular DuMont game show ''Down You Go'' had attracted an audience estimated at 16 million viewers.<ref name="Time">{{cite magazine| title =The Adenoidal Moderator| magazine =Time| date =April 28, 1952| url =http://www.time.com/time/magazine/article/0,9171,816367,00.html?promoid=googlep| access-date =September 30, 2007| archive-url =https://web.archive.org/web/20090121002952/http://www.time.com/time/magazine/article/0,9171,816367,00.html?promoid=googlep| archive-date =January 21, 2009| url-status =dead}}</ref> Similarly, DuMont's summer 1954 replacement series, ''[[The Goldbergs (broadcast series)|The Goldbergs]]'', achieved audiences estimated at 10 million.<ref name="Smith">{{cite book| last =Smith| first =Glenn D. Jr.| title =Something on My Own: Gertrude Berg and American Broadcasting, 1929–1956| year =2007| isbn =978-0-8156-0887-5| publisher =Syracuse University Press| location =Syracuse, N.Y.}}</ref>{{page needed|date=August 2020}} Still, these series were only moderately popular compared to NBC's and CBS's highest-rated programs.

Nielsen was not the only company to report TV ratings. Companies such as [[Trendex]], [[Videodex]], and [[Arbitron]] had also measured TV viewership. The chart in this section comes from Videodex's August 1950 ratings breakdown, as reported in ''[[Billboard (magazine)|Billboard]]'' magazine.<ref name="billboard1950">{{cite magazine|date=September 30, 1950|title=Videodex 62-Market Survey|magazine=Billboard|volume=62|issue=39|pages=6}}</ref>

===Disputes with AT&T and Paramount===
DuMont struggled to get its programs aired in many parts of the country, in part due to technical limitations of network lines maintained by telephone company [[AT&T Corporation]]. During the 1940s and 1950s, television signals were sent between stations via [[coaxial cable]] and [[microwave]] links owned by AT&T. The service provider did not have enough circuits to provide signal relay service from the four networks to all of their affiliates at the same time, so AT&T allocated times when each network could offer live programs to its affiliates. In 1950, AT&T allotted NBC and CBS each over 100 hours of live [[prime time]] network service, but gave ABC 53 hours, and DuMont 37. AT&T also required each television network to lease both radio and television lines. DuMont was the only television network without a radio network, so it was the only network forced to pay for a service it did not use. DuMont protested AT&T's actions with the Federal Communications Commission, and eventually reached a compromise.<ref name="Auter">{{cite journal| last = Auter| first = P.J.| author2 = Boyd, D.A.| title = DuMont: The Original Fourth Television Network| journal = Journal of Popular Culture| volume = 29| issue = 3| pages = 63–83| year = 1995| url = http://www.auter.tv/info/publications/articles/DuMontJPC.pdf| doi = 10.1111/j.0022-3840.1995.00063.x| access-date = June 28, 2009| archive-url = https://web.archive.org/web/20110904175321/http://www.auter.tv/info/publications/articles/DuMontJPC.pdf| archive-date = September 4, 2011| url-status = live}}</ref>

DuMont's biggest corporate hurdle may have been with the company's own partner, Paramount. Relations between the two companies were strained as early as 1939 when Paramount opened experimental television stations in Los Angeles and Chicago without DuMont's involvement. Dr. DuMont claimed that the original 1937 acquisition proposal required Paramount to expand its television interests "through DuMont". Paramount representative Paul Raibourn, who also was a member of DuMont's board of directors, denied that any such restriction had ever been discussed, but Dr. DuMont was vindicated by a 1953 examination of the original draft document.<ref name="Hess1">Hess, Gary Newton (1979). ''An Historical Study of the DuMont Television Network'', p 91. New York: Arno Press. {{ISBN|0-405-11758-2}}.</ref>

DuMont aspired to grow beyond its three stations, applying for new television station licenses in [[Cincinnati]] and [[Cleveland]] in 1947.<ref name="Hess2">Hess, Gary Newton (1979). ''An Historical Study of the DuMont Television Network'', pp. 52–53. New York: Arno Press. {{ISBN|0-405-11758-2}}.</ref> This would have given the network five [[owned-and-operated station]]s (O&Os), the maximum allowed by the FCC at the time. However, DuMont was hampered by Paramount's two stations -- [[KTLA]] (channel 5) in Los Angeles and WBKB (channel 4, now [[WBBM-TV]] on channel 2) in Chicago – the descendants of the two experimental stations that rankled DuMont in 1940. Although these stations generally did not carry DuMont programming (KTLA did for just one year, 1947 to 1948), and, in fact, competed against DuMont's affiliates in those cities the FCC ruled that Paramount essentially controlled DuMont, which effectively placed the network at the five-station cap.<ref>[http://www.ieee.org/web/aboutus/history_center/oral_history/abstracts/goldsmith8ab.html IEEE History Center: Thomas Goldsmith Abstract] {{webarchive |url=https://web.archive.org/web/20081209110341/http://www.ieee.org/web/aboutus/history_center/oral_history/abstracts/goldsmith8ab.html |date=December 9, 2008 }} (May 14, 1973). IEEE History Center. Retrieved on January 6, 2007.</ref> Paramount's exertion of influence over the network's management and the power of its voting stock led the FCC to its conclusion.<ref>Weinstein, David (2004). ''The Forgotten Network: DuMont and the Birth of American Television'' (pp. 24–25). Philadelphia: Temple University.</ref> Thus, DuMont was unable to open additional stations as long as Paramount owned stations or owned a portion of DuMont. Paramount refused to sell.

In 1949, Paramount Pictures launched the [[Paramount Television Network]], a service that provided local television stations with filmed television programs. Paramount's network "undercut the company that it had invested in."<ref name="Auter"/> Paramount did not share its stars, big budgets, or filmed programs with DuMont; the company had stopped financially supporting DuMont in 1941.<ref name="Auter"/> Although Paramount executives indicated they would produce programs for DuMont, the studio never supplied the network with programs or technical assistance.<ref name="White3">{{cite book|last=White|first=Timothy R.|title=Hollywood's Attempt to Appropriate Television: The Case of Paramount Pictures|publisher=UMI|location=Ann Arbor, MI|year=1992|pages=117–118}}</ref> The acrimonious relationship between Paramount and DuMont climaxed during the 1953 FCC hearings regarding the ABC–[[United Paramount Theaters]] merger when Paul Raibourn, an executive at Paramount, publicly derided the quality of DuMont television sets in court testimony.<ref name="White">White, Timothy R. (1992). [https://www.jstor.org/stable/1225506 "Hollywood on (Re)Trial: The American Broadcasting-United Paramount Merger Hearing"] {{Webarchive|url=https://web.archive.org/web/20161007034251/https://www.jstor.org/stable/1225506 |date=October 7, 2016 }} ''Cinema Journal'', Vol. 31, No. 3. (Spring, 1992), pp. 19–36.</ref>

===Early troubles===
[[File:Dumont-building.jpg|thumb|The [[DuMont Building]] at 515 Madison Avenue in New York, with the original WABD broadcast tower still standing, April 2008.]]
DuMont began with one basic disadvantage: unlike NBC, CBS and ABC, it did not have a radio network from which to draw big-name talent, affiliate loyalty, or radio profits to underwrite television operations until the television medium itself became profitable.<ref name="ABDTMOBC2">[http://www.museum.tv/archives/etv/D/htmlD/DuMont/DuMont.htm DUMONT, ALLEN B. ] The Museum of Broadcast Communications. {{Webarchive|url=https://web.archive.org/web/20060923044856/http://www.museum.tv/archives/etv/D/htmlD/DuMont/DuMont.htm |date=September 23, 2006 }}</ref> Most early television licenses were granted to established radio broadcasters, and many longtime relationships with radio networks carried over to the new medium. As CBS and NBC (and to a lesser extent, ABC) gained their footing, they began to offer programming that drew on their radio backgrounds, bringing over the most popular radio stars. Early television station owners, when deciding which network would receive their main affiliation, were more likely to choose CBS's roster of Lucille Ball, [[Jack Benny]], and [[Ed Sullivan]], or NBC's lineup of [[Milton Berle]] and [[Sid Caesar]], over DuMont, which offered a then-unknown Jackie Gleason and Bishop [[Fulton J. Sheen]].<ref name="CTTDN">Jajkowski, S. (2001). [http://www.chicagotelevision.com/dumont.htm Chicago Television: And Then There Was… DuMont] {{Webarchive|url=https://web.archive.org/web/20061005112145/http://www.chicagotelevision.com/dumont.htm |date=October 5, 2006 }}. Retrieved on December 28, 2006.</ref> In smaller markets, with a limited number of stations, DuMont and ABC were often relegated to secondary status, so their programs got clearance only if the primary network was off the air or delayed via [[kinescope]] recording ("tele-transcriptions," in DuMont parlance).{{Citation needed|date=August 2019}}

Adding to DuMont's troubles was the [[Federal Communications Commission#Freeze of 1948|FCC's 1948 "freeze" on television license applications]].<ref name = "CTTDN"/> This was done to sort out the thousands of applications that had come streaming in, but also to rethink the allocation and technical standards laid down prior to World War II. It became clear soon after the war that 12 channels ("[[channel 1 (NTSC-M)|channel 1]]" had been removed from television broadcasting in 1948 for allocation to land-mobile radio) were not nearly enough for national television service. What was to be a six-month freeze lasted until 1952, when the FCC opened the [[Ultra high frequency|UHF]] spectrum. The FCC, however, did not require television manufacturers to include UHF capability.<ref name="RTDNACSA">McDowell, W. [http://list.msu.edu/cgi-bin/wa?A2=ind0109b&L=aejmc&T=0&P=9926 Remembering the DuMont Network: A Case Study Approach] {{Webarchive|url=https://web.archive.org/web/20060906124413/http://list.msu.edu/cgi-bin/wa?A2=ind0109b&L=aejmc&T=0&P=9926 |date=September 6, 2006 }}. College of Mass Communication and Media Arts, Southern Illinois University. Retrieved on December 28, 2006.</ref> To see UHF stations, most consumers had to buy expensive [[set-top box|converters]]. Even then, the picture quality was marginal at best, depending on geographic location. {{crossreference|(see also: {{section link|UHF television broadcasting|UHF reception issues}})}}.<ref name="Ingram6">Ingram, Clarke. [https://www.uhfhistory.com/DuMont/6.html "Channel Six: UHF"] {{webarchive|url=https://web.archive.org/web/20090804163725/https://dumonthistory.com/6.html |date=August 4, 2009 }} DuMont Television Network Historical Web Site. Accessed January 21, 2010.</ref> Tied to this was a decision to restrict [[Very high frequency|VHF]] allocations in medium- and smaller-sized markets. Meanwhile, television sets would not be ''required'' to have [[All-Channel Receiver Act|all-channel tuning]] until 1964, with the passage of the [[All-Channel Receiver Act]].<ref>[http://www.fcc.gov/Bureaus/OSEC/library/legislative_histories/612.pdf The FCC and the All-Channel Receiver Bill of 1962], LAWRENCE D. LONGLEY, JOURNAL OF BROADCASTING. Vol. XLII. NO. 3 (Summer 1969)</ref>

Forced to rely on UHF to expand, DuMont saw one station after another go dark due to dismal ratings.<ref name = "CTTDN"/> It bought small, distressed UHF station [[KCTY (defunct)|KCTY]] (channel 25) in [[Kansas City, Missouri|Kansas City]], [[Missouri]], in 1954, but ran it for just three months before shutting it down at a considerable loss<ref>[[Clarke Ingram]]'s historical account at https://uhfhistory.com/articles/kcty.html has this as exactly two months; DuMont closed on the acquisition at the start of January 1, 1954, and took the station dark at the end of February 28, 1954. It lost DuMont $250,000 and lost Empire Coil, the original proprietor, $750,000. It was the third of a long list of UHF pioneers to fail.</ref> after attempting to compete with three established VHF stations.<ref name="Bergmann6">Bergmann, Ted; Skutch, Ira (2002). ''The DuMont Television Network: What Happened?'', p. 66. Lanham, Maryland: Scarecrow Press, 2002. {{ISBN|0-8108-4270-X}}.</ref>

The FCC's Hyman H. Goldin said in 1960, "If there had been four VHF outlets in the top markets, there's no question DuMont would have lived and would have eventually turned the corner in terms of profitability."<ref name="AHSOTDTN">Hess, Gary Newton (1979). A Historical Study of the DuMont Television Network. New York: Ayer Publishers. {{ISBN|0-405-11758-2}}.</ref>{{page needed|date=August 2020}}

===Decline and the end of the network===
During the early years of television, there was some measure of cooperation among the four major U.S. networks. However, as television grew into a profitable business, an intense rivalry developed among the networks, just as it had in radio. NBC and CBS competed fiercely for viewers and advertising dollars, a contest neither underfunded DuMont nor ABC could hope to win. According to author Dennis Mazzocco, "NBC tried to make an arrangement with ABC and CBS to destroy the DuMont network." The plan was for NBC and CBS to exclusively offer ABC their most popular series after they had aired on the bigger networks. ABC would become a network of re-runs, but DuMont would be shut out. ABC president [[Leonard Goldenson]] rejected NBC executive [[David Sarnoff]]'s proposal, but did not report it to the [[United States Department of Justice|Justice Department]].<ref name="NOP">{{cite book|last=Mazzocco|first=Dennis|title=Networks of Power: Corporate TV's Threat to Democracy|publisher=[[South End Press]]|year=1999|pages=[https://archive.org/details/networksofpowerc00mazz/page/33 33]|isbn=978-0-89608-472-8|url=https://archive.org/details/networksofpowerc00mazz|url-access=registration}}</ref>

DuMont survived the early 1950s only because of WDTV in Pittsburgh, the lone commercial VHF station in what then was the sixth-largest market in the country after New York City, Chicago, Los Angeles, Philadelphia, and Washington. WDTV's only competition came from UHF stations [[WENS (TV)|WENS-TV]] (on the frequency now occupied by [[WINP-TV]]) and WKJF-TV (now [[WPGH-TV]]) and distant stations from [[Johnstown, Pennsylvania]], [[Youngstown, Ohio]], and [[Wheeling, West Virginia]].<ref name = "Bergmann5"/> There also were external factors such as the FCC's freeze on licenses and intense competition for the remaining VHF licenses in Pittsburgh, including WENS-TV appealing the FCC's granting of the channel 11 license that was eventually affirmed for WIIC-TV (now [[WPXI]]), the battle between the [[Hearst Communications|Hearst Corporation]] (then-owners of [[WPGP|WCAE]]) and [[KQV]] over the channel 4 license that eventually would become [[WTAE-TV]], and -- perhaps the most impactful one to DuMont's future -- locally-based [[Westinghouse Electric Corporation]] (owners of radio pioneer [[KDKA (AM)|KDKA]]) battling with local interest groups for the channel 13 license that was intended to be a [[Public television|non-commercial]] license. The FCC also denied CBS's request to be granted the [[WTOV-TV|channel 9 allocation]] in nearby [[Steubenville, Ohio]], and move it to Pittsburgh so Steubenville had a chance to have its own television station. As a result, no other commercial VHF station signed on in Pittsburgh until WIIC-TV in 1957, giving WDTV a de facto monopoly on television in the area.<ref name="PARAT">O'Brien, E. (July 1, 2003). [http://www.pbrtv.com/pbrtvtv.html Pittsburgh Area Radio and TV] {{webarchive|url=https://web.archive.org/web/20061211125232/http://pbrtv.com/pbrtvtv.html |date=December 11, 2006 }}. Retrieved on December 28, 2006.</ref> Since WDTV carried secondary affiliations with the other three networks, DuMont used this as a bargaining chip to get its programs cleared in other large markets.<ref name = "Bergmann5"/><ref name="WT2">Castleman, H. & Podrazik, W. (1982) ''Watching TV: Four Decades of American Television'', p. 39. New York: McGraw-Hill.</ref>
[[File:"DUMONT TELEVISION" ART DETAIL, 1951 - Chas L Bell Company - Matchbook - Allentown PA (cropped).jpg|thumb|"DUMONT TELEVISION" art on a 1951 Matchbook. The logo in the art was also used as the network's logo from 1952 until the network's shutdown in 1956]]
Despite its severe financial straits, by 1953 DuMont appeared to be on its way to establishing itself as the third national network.<ref name="Brooks">Brooks, Tim & Marsh, Earle (1964). ''The Complete Directory to Prime Time Network TV Shows'' (3rd ed.). New York: Ballantine. p. xiv. {{ISBN|0-345-31864-1}}.</ref><ref name="RC2YDMS">Grace, R. (October 3, 2002). [http://www.metnews.com/articles/reminiscing100302.htm "Reminiscing: Channel 2, Your Du Mont Station"] {{Webarchive|url=https://web.archive.org/web/20070825161838/http://www.metnews.com/articles/reminiscing100302.htm |date=August 25, 2007 }}. ''Metropolitan News-Enterprise'' Online. Retrieved on December 28, 2006.</ref> despite a smaller footprint than ABC. While DuMont programs aired live on 16 stations, the network could count on only seven primary stations – its three [[owned-and-operated station]]s ("O&Os) plus WGN-TV in Chicago, [[KTTV]] (channel 11) in Los Angeles, KFEL-TV (channel 2, now [[KWGN-TV]]) in [[Denver]], and WTVN-TV (channel 6, now [[WSYX]]) in [[Columbus, Ohio]].

In contrast, by 1953 ABC had a full complement of five O&Os, augmented by nine primary affiliates.<ref name="CTAC">Jajkowski, S. (2005). [http://www.chicagotelevision.com/REDXXX3.htm Chicago Television: My Afternoon With Red] {{Webarchive|url=https://web.archive.org/web/20061105021751/http://www.chicagotelevision.com/REDXXX3.htm |date=November 5, 2006 }}. Retrieved on January 6, 2007.</ref> ABC also had a radio network descended from NBC's [[Blue Network]] from which to draw talent, affiliate loyalty, and generate income to subsidize television operations.<ref name="CTTDN" /> However, ABC had only 14 primary stations, while CBS and NBC had over 40 each. By 1951, ABC was badly overextended and on the verge of bankruptcy.<ref name="Goldenson">Goldenson, Leonard H. and Wolf, Marvin J. (1991). ''Beating the Odds''. Charles Scribner's Sons {{ISBN|0-684-19055-9}}. pp 114–115</ref> That year, the company announced a merger with [[United Paramount Theaters]] (UPT) (the former theater division of Paramount Pictures, which was spun off as a result of the ''[[United States v. Paramount Pictures, Inc.]]'' antitrust decision), but it was not until 1953 that the FCC approved the merger.{{Citation needed|date=August 2019}}

By this time, DuMont had begun to [[product differentiation|differentiate]] itself from NBC and CBS. It allowed its advertisers to choose the locations where their advertising ran, potentially saving them millions of dollars. By contrast, ABC followed NBC's and CBS's practice of forcing advertisers to purchase a large "must-buy" list of stations, even though it was only a fourth the size of NBC and CBS.<ref name="Bergmann7">Bergmann, Ted; Skutch, Ira (2002). ''The DuMont Television Network: What Happened?'', pp. 69–70. Lanham, Maryland: Scarecrow Press, 2002. {{ISBN|0-8108-4270-X}}.</ref>

ABC's fortunes were dramatically altered in February 1953, when the FCC cleared the way for UPT to buy the network. The merger provided ABC with a badly needed cash infusion, giving it the resources to mount "top shelf" programming and to provide a national television service on a scale approaching that of CBS and NBC.<ref name="50AA">Jajkowski, S. (2005). [http://www.museum.tv/exhibitionssection.php?page=88 "Flashback: The 50th Anniversary of ABC"] {{Webarchive|url=https://web.archive.org/web/20050411074406/http://www.museum.tv/exhibitionssection.php?page=88 |date=April 11, 2005 }}. Museum of Broadcast Communications. Retrieved on December 28, 2006.</ref> Through UPT president [[Leonard Goldenson]], ABC also gained ties with the Hollywood studios that more than matched those DuMont's producers had with Broadway.{{Citation needed|date=August 2019}}

Realizing that ABC had more resources than they could even begin to match, DuMont officials were receptive to a merger offer from ABC. Goldenson quickly brokered a deal with Ted Bergmann, DuMont's managing director, under which the merged network would have been called "ABC-DuMont" until at least 1958 and would have honored all of DuMont's network commitments. In return, DuMont would get $5 million in cash, guaranteed advertising time for DuMont sets, and a secure future for its staff.<ref name="Bergmann5">Bergmann, Ted; Skutch, Ira (2002). ''The DuMont Television Network: What Happened?'', pp. 79–83. Lanham, Maryland: Scarecrow Press, 2002. {{ISBN|0-8108-4270-X}}.</ref> 

A merged ABC-DuMont would have been an entity rivaling CBS and NBC, as it would have owned stations in five of the six largest U.S. television markets (excluding only Philadelphia) as well as ABC's radio network. It also would have inherited DuMont's de facto monopoly in Pittsburgh and would have been one of two networks, along with NBC, to have full ownership of a station in the nation's capital. However, it would have had to sell a New York station – either DuMont's WABD or ABC's flagship WJZ-TV (channel 7, now [[WABC-TV]]), probably the former. It also would have had to sell two other stations – most likely ABC's two smallest O&Os, [[WXYZ-TV]] in [[Detroit]] and [[KGO-TV]] in [[San Francisco]] (both broadcasting on channel 7) – to get under the FCC's limit of five stations per owner.{{Citation needed|date=August 2019}}

However, Paramount vetoed the plan almost out of hand due to [[antitrust]] concerns.<ref name="RWPDTV" /> A few months earlier, the FCC had ruled that Paramount controlled DuMont, and there still were some questions about whether UPT had really separated from Paramount.{{Citation needed|date=August 2019}}

[[File:Primary Network Affiliates May 1954.png|thumb|250px|right|Table showing primary station affiliation for each of the four U.S. commercial television networks in 1954. DuMont had primary affiliation agreements with 39 stations in the largest markets, but most of these stations were poorly watched UHF stations.<ref name="DTNWH20">Bergmann, Ted; Skutch, Ira (2002). ''The DuMont Television Network: What Happened?''. Lanham, Maryland: Scarecrow Press, pp 116–126. {{ISBN|0-8108-4270-X}}.</ref>]]
With no other way to readily obtain cash, DuMont sold WDTV to Westinghouse for $9.75 million in late 1954, after Westinghouse decided to give public backing to the public interest groups for the channel 13 allocation in Pittsburgh, allowing the station to launch that spring as educational [[WQED (TV)|WQED]].<ref name = "Bergmann5"/> While this gave DuMont a short-term cash infusion, it eliminated the leverage the network had to get program clearances in other markets. Without its de facto monopoly in Pittsburgh, the company's advertising revenue shrank to less than half that of 1953. By February 1955, DuMont realized it could not continue as a television network.<ref name="Bergmann30">Bergmann, Ted; Skutch, Ira (2002). ''The DuMont Television Network: What Happened?'', pp. 82–83. Lanham, Maryland: Scarecrow Press, 2002. {{ISBN|0-8108-4270-X}}.</ref> The decision was made to shut down network operations and operate WABD and WTTG as [[Independent station (North America)|independent stations]].

On April 1, 1955, most of DuMont's entertainment programs were dropped. Bishop Sheen aired his last program on DuMont on April 26 but later moved it to ABC.<ref name="McNeil4">McNeil, Alex (1996). ''Total Television'' (4th ed.), p. 479. New York: Penguin Books. {{ISBN|0-14-024916-8}}</ref> By May, just eight programs were left on the network, with only inexpensive shows and sporting events keeping the remains of the network going through the summer. The network also largely abandoned the use of the intercity network coaxial cable, on which it had spent $3 million in 1954 to transmit shows that mostly lacked station clearance.<ref name="Bergmann3">Bergmann, Ted; Skutch, Ira (2002). ''The DuMont Television Network: What Happened?'', pp. 77–78. Lanham, Maryland: Scarecrow Press, 2002. {{ISBN|0-8108-4270-X}}.</ref> The company only retained network links for live sports programming and utilizing the company's [[Electronicam]] process to produce studio-based programming. Electronicam is best remembered for being used by Jackie Gleason's producers for the 39-half-hour episodes of ''[[The Honeymooners]]'' that aired on CBS during the 1955–56 television season.{{Citation needed|date=August 2019}}

In August 1955, Paramount, with the help of other stockholders, seized full control of DuMont Laboratories. Shareholders approved a split of the manufacturing and broadcasting operations of the company in August 1955, and the sponsored shows on the network were discontinued.<ref>{{Cite magazine|id={{ProQuest|1014914488}}|title=DuMont Network To Quit In Telecasting 'Spin-Off'|page=64|magazine=Broadcasting|date=August 15, 1955}}</ref><ref>{{Cite magazine|magazine=Broadcasting|page=80|date=August 29, 1955|title=DuMont Turns Its Corporate Back On TV Network, Leaves It To Die|id={{ProQuest|1014916214}} }}</ref> The last non-sports program on DuMont, the game show ''[[What's the Story]]'', aired on September 23, 1955.<ref>McNeil, Alex (1996). ''Total Television'' (4th ed.), p. 907. New York: Penguin Books. {{ISBN|0-14-024916-8}}</ref> After that, DuMont's network feed was used only for occasional sporting events. The last broadcast on what was left of the DuMont Television Network, [[Boxing from St. Nicholas Arena|a boxing match]], aired on August 6, 1956.<ref name="BrooksandMarsh">{{cite book|title=The Complete Directory to Prime Time Network Cable and TV Shows, 1946–Present|last1=Brooks|first1=Tim|last2=Marsh|first2=Earle|publisher=Ballantine|year=2007|isbn=978-0-345-49773-4|edition=9|location=New York|page=174}}<!--|access-date=June 16, 2010--></ref> (The date has also been reported as September 1955,<ref>{{Cite web|url=https://www.newspaperarchive.com/tags/.aspx/?type=glpnews&search=mel+allen&img=%5C%5Cna0030%5C6540742%5C22888651.html|title=NewspaperArchive® &#124;.aspx historic newspaper articles including obituaries, births, marriages, divorces and arrests.|website=www.newspaperarchive.com}}</ref><ref>{{Cite web|url=https://www.newspaperarchive.com/tags/.aspx/?type=glpnews&search=mel+allen&img=%5C%5Cna0022%5C3055107%5C16080057.html|title=NewspaperArchive® &#124;.aspx historic newspaper articles including obituaries, births, marriages, divorces and arrests.|website=www.newspaperarchive.com}}</ref> November 1957<ref name="thxgvg57" /> or August 4, 1958,<ref name="Castleman">{{cite book|last1=Castleman|first1=Harry|last2=Podrazik|first2=Walter J.|title=Watching TV: Four Decades of American Television|url=https://archive.org/details/watchingtvfourde00cast|url-access=registration|year=1982|publisher=McGraw-Hill|location=New York|isbn=978-0-07-010269-9|page=[https://archive.org/details/watchingtvfourde00cast/page/121 121]|quote=August 4, 1958. ''Monday Night Fights'', the final show of the old Dumont network dies. At the end, it is carried on only five stations, nationwide.}}</ref> with the last broadcast of ''Monday Night Fights''.) According to one source, the final program aired on only five stations nationwide.<ref name="Castleman" /> It appears that the boxing show was syndicated to a few other east coast stations until 1958, but likely not as a production of DuMont or its successor company. Likewise, the remains of DuMont were used to syndicate a [[high school football]] [[American football on Thanksgiving|Thanksgiving game]] in 1957; that telecast, the only DuMont broadcast to have been sent in color, was a personal project of Allen DuMont himself, whose hometown team in [[Montclair, New Jersey]], was contending in the game for a state championship.<ref name="thxgvg57">{{Cite news|last=Tober|first=Steve|date=November 20, 2017|url=http://www.northjersey.com/story/news/essex/montclair/2017/11/20/thanksgiving-football-games/879640001/|title= Thanksgiving football games a disappearing tradition|archive-url=https://web.archive.org/web/20171201040505/http://www.northjersey.com/story/news/essex/montclair/2017/11/20/thanksgiving-football-games/879640001/ |archive-date=December 1, 2017 |work=NorthJersey.com|access-date=November 21, 2017|quote=The '57 Thanksgiving game at Foley Field was televised live and in color (both rarities in those early TV days) on Channel 5 via the old Dumont Television Network, which was under the leadership of Dr. Dumont, who – by the way – was a Montclair resident. Also, the late, great Chris Schenkel did the play by play.}}</ref>

DuMont spun off WABD and WTTG as the DuMont Broadcasting Corporation; in requesting the FCC's approval of the reorganization, it told the commission that the network "could not be operated profitably under the existing system of allocation and control of television broadcast stations and affiliations".<ref>{{Cite magazine|magazine=Broadcasting|id={{ProQuest|1014926098}}|title=FCC Filing Signifies End Of DuMont Tv Network|page=7|date=September 5, 1955}}</ref> The name was later changed to "Metropolitan Broadcasting Company" to distance the company from what was seen as a complete failure.{{sfn|Bergmann|Skutch|2002|p=85}} In 1958, [[John Kluge]] bought Paramount's shares for $4 million,<ref name="TH" /> and in 1961 renamed the company [[Metromedia]].<ref>{{cite news|id={{ProQuest|1285745524}}|work=Broadcasting|date=April 3, 1961|title=It's Metromedia: Metropolitan stockholders vote to change firm name|page=56}}</ref> WABD became WNEW-TV and later [[WNYW]]. WTTG still broadcasts under its original [[call sign|call letters]] as a [[Fox Broadcasting Company|Fox]] affiliate.

For 50 years, DuMont was the only major broadcast television network to cease operations,<ref name="T">Ryan, J. (January 24, 2006). [http://cache-origin.eonline.com/News/Items/0,1,18221,00.html "Exit WB, UPN; Enter the CW"]  {{webarchive|url=https://web.archive.org/web/20071001050452/http://cache-origin.eonline.com/News/Items/0%2C1%2C18221%2C00.html |date=October 1, 2007 }}. ''E! Online News.'' Retrieved on January 6, 2007.</ref> until [[CBS Corporation]] and [[Time Warner]] merged two other struggling networks, [[UPN]] and [[The WB]], in September 2006, to create [[The CW|The CW Television Network]].

===Failed revival of the DuMont brand===
On February 22, 2018, Lightning One, Inc., owned by [[Smashing Pumpkins]] lead singer [[Billy Corgan]], filed a U.S. trademark application for "The Dumont Network."<ref name=dumonthistory>{{cite web |title=THE DUMONT NETWORK Trademark of LIGHTNING ONE, INC. Serial Number: 87806925 :: Trademarkia Trademarks |url=https://trademark.trademarkia.com/the-dumont-network-87806925.html |website=trademark.trademarkia.com |language=en}}</ref> The application by Lightning One was very likely associated with its ownership of the "National Wrestling Alliance" trademark, the moniker of one of the oldest wrestling promotions in the United States.<ref>{{Cite web|url=http://www.chicagotribune.com/entertainment/ct-billy-corgan-national-wrestling-alliance-20171111-story.html|title=Billy Corgan reboots an old favorite, the National Wrestling Alliance|website=[[Chicago Tribune]] |date=November 11, 2017 |archive-url=https://web.archive.org/web/20180309053915/http://www.chicagotribune.com/entertainment/ct-billy-corgan-national-wrestling-alliance-20171111-story.html|archive-date=March 9, 2018|url-status=live}}</ref><ref>{{Cite web|url=http://tmsearch.uspto.gov/bin/showfield?f=doc&state=4807:trn8t7.7.1|title=TESS – NWA|archive-url=https://web.archive.org/web/20180308231948/http://tmsearch.uspto.gov/bin/showfield?f=doc&state=4807:trn8t7.7.1|archive-date=March 8, 2018|url-status=dead}}</ref> However, according to the registration filing, the trademark for "The Dumont Network" as owned by Lightning One was allowed to lapse on July 2, 2020, rendering the trademark dead.

==Fate of the DuMont stations==
All three DuMont-owned stations still are operating and are [[owned-and-operated station]]s (O&O's) of their respective networks, just as when they were part of DuMont. Of the three, only Washington's WTTG still has its original call letters.<ref>See the individual station histories, [[WNYW-TV]], [[KDKA-TV]], [[WTTG]], for details. </ref>

WTTG and New York's WABD (later WNEW-TV, and now WNYW) survived as Metromedia-owned independents until 1986, when they were purchased by the [[News Corporation]] to form the nucleus of the new [[Fox Broadcasting Company|Fox television network]]. [[Clarke Ingram]], who maintained a DuMont memorial site, has suggested that Fox can be considered a revival, or at least a linear descendant, of DuMont.<ref name="DTNHWS">[[Clarke Ingram|Ingram, C.]] (2002). [https://www.uhfhistory.com/DuMont/9.html DuMont Television Network Historical Web Site] {{webarchive|url=https://web.archive.org/web/20101027143941/https://dumonthistory.com/9.html |date=October 27, 2010 }}. Retrieved on December 28, 2006.</ref>

Westinghouse changed WDTV's call letters to [[KDKA-TV]] after the [[KDKA (AM)|pioneering radio station]] of the same name, and switched its primary affiliation to [[CBS]] immediately after the sale. Westinghouse's acquisition of CBS in 1995 made KDKA-TV a CBS owned-and-operated station.

Two of the four primary DuMont affiliates would also eventually join Fox. KTTV would be purchased by DuMont descendant Metromedia in 1963 and ended up being one of the charter Fox O&O's alongside WNYW and WTTG.<ref>"KTTV to Metromedia for $10 million plus." ''Broadcasting'', January 14, 1963, pg. 9. [http://www.americanradiohistory.com/Archive-BC-IDX/63-OCR/1963-01-14-BC-0009.pdf]{{dead link|date=July 2013}}</ref> WSYX (the former WTVN-TV), which became a primary ABC affiliate upon DuMont's collapse after serving as a dual affiliate of both networks, added Fox programming to its third [[digital subchannel]] in 2021 when present day owners [[Sinclair Broadcast Group]] consolidated the [[intellectual property]] of [[Local marketing agreement|LMA]] sister station [[WTTE]] (including its "Fox 28" branding) onto WSYX as part of fellow LMA sister station [[WWHO]]'s conversation to [[ATSC 3.0]].<ref name="sbg-nctc">{{cite web|url=https://www.nctconline.org/index.php/members/resources/technical-notices/item/1690-sinclair-acquisition-of-fox-affiliation|title=Sinclair - Acquisition of Fox affiliation|date=January 1, 2021|publisher=Sinclair Broadcast Group/National Cable Television Cooperative|access-date=December 3, 2021|archive-date=December 3, 2021|archive-url=https://web.archive.org/web/20211203081413/https://www.nctconline.org/index.php/members/resources/technical-notices/item/1690-sinclair-acquisition-of-fox-affiliation|url-status=dead}}</ref> WGN-TV and KWGN-TV (the former KFEL-TV) are both currently owned by [[Nexstar Media Group]] as O&O's of The CW.

==DuMont programming library==
{{main|List of programs broadcast by the DuMont Television Network|List of surviving DuMont Television Network broadcasts}}
DuMont produced more than 20,000 television episodes from 1946 to 1956. Because they were created prior to the [[Ampex]] electronic [[videotape recorder]] in late 1956, they were broadcast live in black and white and recorded on film [[kinescope]] for West Coast rebroadcast and reruns. By the early 1970s, their vast library of [[35mm movie film|35mm]] and [[16 mm film|16mm]] kinescopes wound up in the hands of "a successor network" (most likely Metromedia) that reportedly disposed of them in New York City's [[East River]] to make warehouse space for videotapes.<ref name="LoC"/>

Although some films submerged for decades have been successfully recovered (see ''[[The Carpet from Bagdad]]'' for example), there have been no [[wreck diving|salvage-diving]] efforts to locate or recover the DuMont archive. If it survived in that environment, the films have likely been damaged. Other kinescopes were put through a reclaiming process to recover the silver from the [[photo emulsion]] on black-and-white film.<ref>{{Cite web |url=http://www.metnews.com/articles/reminiscing052903.htm |title=REMINISCING: ''Day in Court'', ''Winchell-Mahoney Time'' – DuMont Shows: Not to Be Seen Again, ROGER M. GRACE, Metropolitan News-Enterprise, May 29, 2003 |access-date=April 11, 2017 |archive-url=https://web.archive.org/web/20100105231808/http://metnews.com/articles/reminiscing052903.htm |archive-date=January 5, 2010 |url-status=dead }}</ref>

It is estimated that about 350 complete DuMont television shows survive, including seven early [[Jackie Gleason]]'s ''[[Honeymooners]]'' comedy sketches from 1951–1952. Most of the existing episodes are believed to have come from the personal archives of DuMont's hosts, such as the Gleason and [[Dennis James]].

==Affiliates==
{{main|List of former DuMont Television Network affiliates}}
[[File:DuMont Telecruiser B-101.jpg|thumb|250px|right|A DuMont Telecruiser, circa 1953. This mobile TV unit, Model B, Serial Number 101, was built by DuMont Labs for [[WFAA|KBTV]] in [[Dallas]]. It was in use until the early 1970s.]]
At its peak in 1954, DuMont was affiliated with around 200 television stations.<ref>Corarito, Gregory (1967). [http://tulsatvmemories.com/tvthesi3.html Tulsa TV History Thesis — KCEB] {{Webarchive|url=https://web.archive.org/web/20060914050317/http://www.tulsatvmemories.com/tvthesi3.html |date=September 14, 2006 }}. Retrieved on December 28, 2006.</ref> In those days, television stations were free to "cherry-pick" which programs they would air, and many stations affiliated with multiple networks, depending mainly on the number of commercial television stations available in a market at a given time (markets where only one commercial station was available carried programming from all four major networks). Many of DuMont's "affiliates" carried very little DuMont programming, choosing to air one or two more popular programs (such as ''Life Is Worth Living'') and/or sports programming on the weekends. Few stations carried the full DuMont program lineup. For example, the promising [[WKLO-TV]] (UHF Ch. 21) in the growing Louisville, Kentucky/Indiana market had to split its time between DuMont and ABC-TV. The station lasted only seven months (September 1953 – April 1954) on the air.{{citation needed|date=August 2020}}

In its later years, DuMont was carried mostly on poorly watched UHF channels or had only secondary affiliations on VHF stations. DuMont ended most operations on April 1, 1955, but honored network commitments until August 1956.{{citation needed|date=April 2011}}

===Kinescopes===
* Kinescopes of DuMont Network programs, from the [[Internet Archive]]: [https://archive.org/details/Ellery_Queen_DuMont ''The Adventures of Ellery Queen''], [https://archive.org/details/captainvideo ''Captain Video and His Video Rangers''], [https://archive.org/details/Cavalcade ''Cavalcade of Stars''], [https://archive.org/details/Life_Is_Worth_Living-Classic_TV ''Life Is Worth Living''], [https://archive.org/details/MissTelevision1950Contest ''Miss U.S. Television 1950 Contest''], [https://archive.org/details/moreyamsterdamshow ''The Morey Amsterdam Show''], [https://archive.org/details/The_Old_American_Barndance_Show ''The Old American Barn Dance''], [https://archive.org/details/Okay_Mother ''Okay Mother''], [https://archive.org/details/onYourWay1954  ''On Your Way''], [https://archive.org/details/PublicProsecutor-CaseOfTheManWhoWasntThere ''Public Prosecutor''], [https://archive.org/details/Rocky_King_Detective ''Rocky King — Detective''], [https://archive.org/details/schoolHouse1949 ''School House''], [https://archive.org/details/TheyStandAccused ''They Stand Accused''] and [https://archive.org/details/DuMont_Network A DuMont Network identification]

== See also ==
{{Portal|Television|United States|1950s|Companies}}
* [[Fourth television network]]
* [[Golden Age of Television]]
* [[List of programs broadcast by the DuMont Television Network|List of DuMont programs]]
* [[List of surviving DuMont Television Network broadcasts]]
* [[List of DuMont Television Network affiliates]]
* [[Major League Baseball on DuMont]]
* [[NBA on DuMont]]
* [[NFL on DuMont]]
* ''[[Passaic: Birthplace of Television and the DuMont Story]]'' (1951 TV special on history of DuMont)

== Notes ==
{{reflist|group=lower-alpha}}

== References ==
* {{cite book | last1 = Bergmann | first1 = Ted |last2=Skutch |first2=Ira | title = The DuMont Television Network: What Happened? | publisher = Scarecrow Press | year = 2002 | location = Lanham, Maryland | pages = 146 | isbn = 978-0-8108-4270-0 }}
* {{cite web|last=Garvin |first=Glenn |title=Who Killed Captain Video? How the FCC strangled a TV pioneer |publisher=Reason Online |date=March 2005 |url=http://www.reason.com/archives/2005/03/01/who-killed-captain-vide |access-date=January 5, 2007 }}{{dead link|date=July 2021|bot=medic}}{{cbignore|bot=medic}}
* {{cite book | last = Hess | first = Gary Newton | title = An Historical Study of the DuMont Television Network | publisher = Ayer Publishers | year = 1979 | location = New York | isbn = 978-0-405-11758-9}}
* {{cite web | last = Ingram | first = C. | title = DuMont Television Network Historical Web Site | year = 2002 | url = https://www.uhfhistory.com/DuMont/index.html | access-date = December 24, 2008 | url-status = live | archive-url = https://web.archive.org/web/20090122064526/http://www.dumonthistory.com/index.html | archive-date = January 22, 2009 }}
* {{cite web | last = Merlin | first = Jan | title = Space Hero Files: Captain Video | date = May 11, 2006 | url = http://slick-net.com/space/text/index.phtml | access-date = December 28, 2006 | archive-url = https://web.archive.org/web/20070110212802/http://www.slick-net.com/space/text/index.phtml | archive-date = January 10, 2007 | url-status = dead }}
* {{cite book | last = Weinstein | first = David | title = The Forgotten Network: DuMont and the Birth of American Television | publisher = Temple University Press | year = 2004 | location = Philadelphia | url = https://archive.org/details/forgottennetwork00wein/page/228 | isbn = 978-1-59213-245-4 }}

==Citations==
{{reflist}}

==External links==

{{commons category|DuMont Television Network}}

* Clarke Ingram's [https://www.uhfhistory.com/DuMont/ DuMont Television Network Historical] Website {{Webarchive|url=https://web.archive.org/web/20210224130936/http://www.dumonthistory.com/ |date=February 24, 2021 }}
* [https://web.archive.org/web/20070223070652/http://www.telecruiser.com/ The "Golden Telecruiser" Historic Pictures]
* [https://www.imdb.com/company/co0071248/ List of DuMont programs] at the [[Internet Movie Database]]
*[https://westmb.org/L_Networks/L_Networks-Dumont.html Dumont Television Network] — [[Western States Museum of Broadcasting]]

{{American broadcast television (English) defunct}}
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[[Category:Television channels and stations established in 1946]]
[[Category:1956 disestablishments in the United States]]
[[Category:Defunct television networks in the United States]]
[[Category:1946 establishments in the United States]]
[[Category:Television channels and stations disestablished in 1956]]