Editing Bad Girl (1931 film)

{{short description|1931 film}}
{{Use American English|date=January 2025}}
{{Use mdy dates|date=November 2020}}
{{Infobox film 
| name           = Bad Girl
| image          = Badgirl_movieposter.jpg
| caption        = Theatrical release poster
| director       = [[Frank Borzage]]
| producer       = 
| writer         = [[Edwin J. Burke]] ''(continuity & dialogue)''<br>Rudolf Sieber ''(uncredited)'' 
| based_on       = ''Bad Girl'' (1928 novel) by [[Viña Delmar]]<br>''Bad Girl'' (1930 play) by Viña Delmar and Brian Marlowe
| starring       = [[Sally Eilers]]<br/>[[James Dunn (actor)|James Dunn]]<br/>[[Minna Gombell]]
| music          = 
| cinematography = [[Chester A. Lyons]]
| editing        = [[Margaret Clancey]]
| studio         = [[Fox Film Corporation]]
| distributor    = Fox Film Corporation
| released       = {{Film date|1931|08|14}}
| runtime        = 90 minutes
| language       = English
| country        = United States
| budget         = Under $100,000
| gross          = $1.1 million
}}
'''''Bad Girl''''' is a 1931 American [[Pre-Code Hollywood|pre-Code]] [[Drama (film and television)|drama film]] directed by [[Frank Borzage]] and starring [[Sally Eilers]], [[James Dunn (actor)|James Dunn]], and [[Minna Gombell]]. The screenplay was adapted by [[Edwin J. Burke]] from the 1928 novel by [[Viña Delmar]] and the 1930 play by Delmar and Brian Marlowe. The plot follows the courtship and marriage of two young, working-class people and the misunderstandings that result from their not having learned to trust and communicate with one another.{{sfn|Dumont|2015|p=171}} The film propelled then-unknown actors Eilers and Dunn to stardom. It was nominated for three [[Academy Awards]], including [[Academy Award for Best Picture|Best Picture]], and won for [[Academy Award for Best Director|Best Director]] and [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]].

==Plot==
Dorothy Haley and Edna Driggs are store models, first seen in bridal clothes at their job one afternoon. After work Dorothy fends off her boss, who wants to take her for a ride, by claiming to be married to a [[Boxing|prizefighter]]. The girls then go to [[Coney Island]]. On the return [[steamboat]] trip, the women make a bet about attracting a certain man's attention, and Dorothy proceeds to annoy him by playing a [[ukulele]]. This man is Eddie Collins; after his initial grouchy reaction to the women, he slowly forms a connection with Dorothy and sees her home. Eddie works in a radio shop and dreams of having a shop on his own, for which he has been saving.

Eddie forgets to show up for a date and Dorothy angrily finds him in his boarding house, where they remain together until 4 a.m. Eddie walks her home but she is afraid to go up, fearing the reaction of her abusive elder brother who is her guardian. Eddie proposes marriage as a solution and Dorothy joyfully accepts. Her brother calls her a tramp and evicts her from her home. Dorothy suffers some anxiety the next day when Eddie seems to have disappeared; he then turns up, having made arrangements for a new place to live, and the two are happily married.

Ten weeks later, Dorothy confides to Edna that she is pregnant, but is reluctant to tell Eddie the news when she learns that he is ready to open his new shop, an expensive commitment. Instead she tells Eddie that she would like to return to work, to which he objects. Wrongly guessing that she really wants a larger place to live, Eddie cancels his plans for the shop in favor of a lavish new apartment and the purchase of new furnishings, increasing Dorothy's worries. By the time Eddie finally finds out he is to become a father, the two mutually misunderstand that the other is unhappy about the pregnancy, resulting in a strain on their marriage. The strain intensifies when Eddie stays out late at night to earn extra money as a boxer to pay for the services of Dr. Burgess, the best [[obstetrician]] in the city, all without telling Dorothy. Eddie is being pummeled in one of these prizefights while Dorothy leaves for the hospital; when he returns and Dorothy sees him bruised and bandaged, she assumes he was in a barroom brawl and turns her back on him. After their son is born, Dorothy plans to leave Eddie; however, before that can happen the misunderstanding is cleared up, and the couple returns home together to raise their child.

==Cast==
*[[Sally Eilers]] as Dorothy Haley
*[[James Dunn (actor)|James Dunn]] as Eddie Collins
*[[Minna Gombell]] as Edna Driggs

'''Uncredited:'''
{{div col}}
*[[Frank Austin (actor)|Frank Austin]] as upstairs tenement neighbor
*[[Irving Bacon]] as expectant father
*[[Frank Darien]] as Lathrop
*[[Jesse De Vorska]] as expectant father
*[[Paul Fix]] as nervous expectant father
*[[Guy Edward Hearn]] as male nurse
*[[Aggie Herring]] as seamstress
*[[Claude King (actor)|Claude King]] as Dr. Burgess
*[[Louis Natheaux]] as Mr. Thompson
*[[Sarah Padden]] as Mrs. Gardner
*William Pawley as Jim Haley
*[[Charles Sullivan (actor)|Charles Sullivan]] as Mike the prizefighter
*William Watson as Floyd
{{end div col}}

==Themes==
The [[Great Depression|Depression]]-era backdrop of poverty and deprivation tinges the characters' preoccupation with and fears about earning money and paying for their needs.{{sfn|Dumont|2015|pp=170-1}}

==Production==
===Development===
The development of ''Bad Girl'' from the novel and play into a film required extensive purging and rewriting of the material to conform to the dictates of the [[Motion Picture Production Code|Hays Office]]. A November 16, 1928, memo from the Hays Office put a damper on the whole production, stating: "'Bad Girl' might be produced as a sex hygiene picture called 'Motherhood.' It is simply the story of girl who is 'bad' for one night, marries the boy the next day, and then has a baby". The memo described the novel as a "nauseating story of doctors, illnesses, etc." and as "cheap and shoddy writing about cheap and shoddy people".<ref name=afi/> Several studios besides Fox were interested in the rights to the novel and play, including [[Pathé]], [[Metro-Goldwyn-Mayer]], [[Paramount Pictures]], [[Universal Pictures]], and [[Columbia Pictures]], but were either scared off by the Hays Office's warnings of extensive cuts by the censor or the difficulty of dramatizing the novel's main subject of [[obstetrics]].{{sfn|Dumont|2015|p=167}} Between 1929 and 1930, the Hays Office advised numerous producers not to attempt an adaptation because it would be "too censorable".<ref name=afi>{{cite web |url= https://catalog.afi.com/Catalog/moviedetails/7252|title=Bad Girl (1931)|year=2019|work=[[AFI Catalog of Feature Films]]|publisher=[[American Film Institute]]|access-date=May 18, 2020}}</ref>

Fox, however, came up with a treatment that avoided the scandalous elements of the story and smoothed over the whole issue of [[premarital sex]] which Dorothy had with Eddie during their late night in his apartment. Instead, the implications of their night together are not addressed and Eddie's proposal of marriage to save Dorothy from the shame of facing her brother at 4 a.m. comes off as spontaneous.{{sfn|Dumont|2015|p=168}} All that remains of the provocative content of the novel is the title, ''Bad Girl''.{{sfn|Reid|2011|p=10}} The script was approved by the Hays Office in May 1931 with only a small number of "relatively minor" changes.<ref name=afi/>

Despite the vote of approval, Fox executives did not hold much stock in the film's commercial appeal and even Borzage refused to direct it. But Fox pressured Borzage into accepting the assignment since his contract was about to expire and was not expected to be renewed.{{sfn|Dumont|2015|p=167}} The studio further showed its lack of enthusiasm for the project by budgeting less than $100,000 for the production and hiring unknown actors.{{sfn|Dumont|2015|p=167}} As a result, Borzage had a "fairly free hand" in the production.{{sfn|Dumont|2015|p=167}}

[[File:Sally Eilers and James Dunn in "Bad Girl" (cropped 2).jpg|right|225px|thumb|[[Sally Eilers]] and [[James Dunn (actor)|James Dunn]] in a scene from the film]]

===Casting===
Borzage wanted [[Spencer Tracy]] to play the lead role, but Fox would not agree to this.<ref name=afi/> After seeing a screen test that New York stage actor [[James Dunn (actor)|James Dunn]] had done at Fox Film's [[Kaufman Astoria Studios|Astoria Studios]] in [[Queens]], Borzage chose him for the role of Eddie and Dunn was signed to a Fox contract.<ref>{{cite news|url=https://www.newspapers.com/clip/48351771/detroit-free-press/|title=Casual Test Put Dunn in Films|date=December 30, 1931|newspaper=[[Detroit Free Press]]|page=13|via=[[Newspapers.com]]}}{{open access}}</ref> Dunn made his screen debut in ''Bad Girl''.<ref name=afi /> Eilers had previously appeared in [[Buster Keaton]] films as an ingénue and was known for using "the filthiest language in Hollywood", thus connecting her in some way to the title character.{{sfn|Dumont|2015|pp=167-8}}

===Filming===
Production took place between June 1 and July 4, 1931.<ref name=afi/>

==Release==
The film premiered at the [[Roxy Theatre (New York City)|Roxy Theatre]] in [[New York City]] on August 14, 1931, and in [[Los Angeles]] on August 25.<ref name=afi/> It had its official U.S. release on September 13, 1931.<ref name=afi/> The film was not released in Europe.{{sfn|Dumont|2015|p=171}}

Stage producer Robert V. Newman filed suit against Fox and the Roxy Theatre after the New York premiere, contending that he had sold Fox the rights to the play on the condition that the film not be released before September 1. The [[New York Supreme Court]] threw out the case, stating that "no substantial damage" had been done by the earlier premiere date.<ref name=afi/>

==Reception==
===Box office===
''Bad Girl'' was one of Fox's most successful releases of 1931, earning $1.1 million at the box office.{{sfn|Dumont|2015|p=171}}<ref>{{cite news|url=http://nla.gov.au/nla.news-article32824883|title=Financial Successes|newspaper=[[The West Australian]] |location=Perth|date=October 19, 1934|access-date=April 19, 2014|page=2|publisher=National Library of Australia}}</ref>

===Critical reception===
The ''[[Pittsburgh Post-Gazette]]'' praised the film as a modern take on contemporary life, describing it as "so human, so free from pretense and so provocatively real".<ref name=pitts/> According to Borzage biographer Hervé Dumont, the film surprised contemporary critics as it was "stripped of all conventional ingredients—love triangles, jealousy, sex appeal or crimes—but buoyed by the cheerful exuberance that apparently effortlessly metamorphoses a mixture of little nothings into a gem of subtlety and charm".{{sfn|Dumont|2015|p=170}} Dumont notes that Borzage deftly circumvented anything that could be considered provocative and instead brought out the humor and sentimentality of the relationship between the main characters.{{sfn|Dumont|2015|p=167}} Reid calls the result both realistic and romantic.{{sfn|Reid|2011|p=11}} A ''[[Los Angeles Times]]'' review credits Borzage as "the dominant force" behind the film, but also commends screenwriter [[Edwin J. Burke]]'s dialogue "as amazingly skillful in satisfying the demand for wisecracks while retaining the quality of naturalness and always keeping in character".<ref name=lat/>

[[James Dunn (actor)|James Dunn]]'s performance was singled out by many reviews as the pivot around which the film revolves. The ''[[The Baltimore Sun|Baltimore Evening Sun]]'' wrote: "Without Dunn, ''Bad Girl'' would be just another movie. With him, it's something that provokes chuckles, tears, laughs, sighs and everything else that a nice little movie hopes to provoke".<ref>{{cite news|url=https://www.newspapers.com/clip/48680307/the-evening-sun/ |title=For Film Fans|author=Q.E.D.|newspaper=[[The Baltimore Sun|Baltimore Evening Sun]]|page=22|date=September 9, 1931| via=[[Newspapers.com]]}}{{open access}}</ref> The ''Los Angeles Times'' called Dunn's first starring turn "triumphant", asserting that "no performance has lately equaled the impression made by this rather plain young man, who, aside from having a likable personality, scores a major hit by his ability as an actor".<ref name=lat>{{cite news|url=https://www.newspapers.com/clip/49185231/the-los-angeles-times/ |title='Bad Girl' In Notable Debut|first=Norbert|last=Lusk|newspaper=[[Los Angeles Times]]|date=August 23, 1931|page=35| via=[[Newspapers.com]]}}{{open access}}</ref> The ''Pittsburgh Post-Gazette'' said of Dunn: "Sincere, honest and natural, his performance is flawless".<ref name=pitts>{{cite news|url=https://www.newspapers.com/clip/49184893/pittsburgh-post-gazette/ |title=Frank Borzage Chalks Up Another Hit With 'Bad Girl'|first=Harold W.|last=Cohen|newspaper=Pittsburgh Post-Gazette|date=September 18, 1931|page=10|via=[[Newspapers.com]]}}{{open access}}</ref> Rebutting a review that claimed any actor would have succeeded in the "sure-fire part", a ''Pittsburgh Post-Gazette'' reviewer argued:
<blockquote>It was a role so skillfully conceived and executed, so sympathetically played and so warm and sincere that one's natural inclination is to put the actor in this case above the role rather than the role above the actor. ... Mr. Dunn, on the other hand, created a character. It had a definite form. It breathed life. It had depth and feeling. Not for a moment were you conscious of James Dunn. You were conscious only of Eddie Collins.<ref>{{cite news|url=https://www.newspapers.com/clip/48681065/pittsburgh-post-gazette/|title=About James Dunn And His 'Bad Girl'|first=Harold W.|last=Cohen|newspaper=[[Pittsburgh Post-Gazette]]|date=October 17, 1931|page=19|via=[[Newspapers.com]]}}{{open access}}</ref></blockquote>

The ''[[Brattleboro Reformer]]'' wrote: "James Dunn, as the sensitive, nervous, conscientious young husband in this, his first, picture gives a performance of astonishing strength. … He presents a new kind of film star and a personality of infectious charm".<ref name=brat>{{cite news|url=https://www.newspapers.com/clip/49184645/the-brattleboro-reformer/|title=Sensational Modern Drama|newspaper=[[Brattleboro Reformer]]|date=February 3, 1932|page=8| via=[[Newspapers.com]]}}{{open access}}</ref> The scene in which Dunn as Eddie pleads with Dr. Burgess to take his wife's case was cited by the ''Los Angeles Times'' as "the equal of any of the great moments in past pictures",<ref name=lat/> and by the ''Pittsburgh Post-Gazette'' as "probably the most notable work of the season".<ref name=pitts/>

Critics also praised the female performers. The ''Los Angeles Times'' called [[Sally Eilers]]'  role "easily her best performance and it, too, is perfect".<ref name=lat/> The ''Bratteboro Reformer'' commended Eilers' ability to convey a range of moods and emotions while also projecting personal charm.<ref name=brat/> [[Minna Gombell]] was cited for adding "warmth and sympathy" to her characterization of the wisecracking friend.<ref name=lat/>

===Accolades===
''Bad Girl'' was nominated in three categories at the [[5th Academy Awards]], winning in two:<ref name=afi/>
{| class="wikitable plainrowheaders"
|-
! Award
! Category
! Nominee
! Result
|-
| rowspan="3"| [[5th Academy Awards|Academy Awards]]
| [[Academy Award for Best Picture|Best Motion Picture]]
| [[Winfield Sheehan]] for [[Fox Film]]
| {{nom}}
|-
| [[Academy Award for Best Director|Best Director]]
| [[Frank Borzage]]
| {{won}}
|-
| [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]]
| [[Edwin J. Burke]]
| {{won}}
|}

''Bad Girl'' was named one of the ten best films of the year by ''[[Film Daily]]'',<ref name=afi /> and one of the "Ten Best Pictures of 1931" by ''[[The New York Times]]''.{{sfn|Reid|2011|p=10}}<ref>{{cite web |url= https://www.thestopbutton.com/lists/new-york-times-ten-best-films/|title= The New York Times's Ten Best Films|first=Andrew|last=Wickliffe|work=The Stop Button|year=2020|access-date=May 18, 2020}}</ref>

==Adaptations==
The film spawned several adaptations. In October 1931, Fox produced a Spanish-language adaptation for the South American market titled ''Marido y Mujer'' (''Husband and Wife''), directed by Bert Sebell and released in 1932.{{sfn|Dumont|2015|p=171}}<ref>{{cite web |url=https://catalog.afi.com/Film/1293-MARIDO-YMUJER?sid=b2705fcd-5e69-4232-8783-3be9984c6e54&sr=13.931802&cp=1&pos=0|title=Marido y Mujer (1932)|work=AFI Catalog of Feature Films|publisher=American Film Institute|year=2019|access-date=May 18, 2020}}</ref> ''[[Bad Boy (1935 film)|Bad Boy]]'', also starring James Dunn and directed by [[John G. Blystone]], was released in 1935.{{sfn|Dumont|2015|p=171}}<ref>{{cite web |url=https://catalog.afi.com/Film/4868-BAD-BOY?sid=d3276827-14db-4ca3-915e-1416ca376b3b&sr=10.476788&cp=1&pos=0|title=Bad Boy (1935)| work=AFI Catalog of Feature Films|publisher=American Film Institute|year=2019|access-date=May 18, 2020}}</ref> [[20th Century Fox]] remade the story in 1940 as ''[[Manhattan Heartbeat]]'', starring [[Robert Sterling]] and [[Virginia Gilmore]].<ref name=afi />

==Re-teaming Dunn and Eilers==
Following the film's success, Fox immediately teamed Dunn and Eilers in more films together. They starred in ''[[Over the Hill (1931 film)|Over the Hill]]'' (1931), ''[[Dance Team (film)|Dance Team]]'' (1932), ''[[Sailor's Luck]]'' (1933), and ''[[Hold Me Tight (1933 film)|Hold Me Tight]]'' (1933).<ref>{{cite news |url=https://www.newspapers.com/clip/48352743/st-louis-post-dispatch/|title=On Making the Movie Stars|newspaper=[[St. Louis Post-Dispatch]]|date=January 29, 1933|page=20|via=[[Newspapers.com]]}}{{open access}}</ref><ref>{{cite web |url=http://catalog.afi.com/Catalog/MovieDetails/7312|title=Hold Me Tight (1933)|work=AFI Catalog of Feature Films|publisher=[[American Film Institute]]|year=2019|access-date=April 13, 2020}}</ref> The 1933 film ''[[Jimmy and Sally]]'' was also written and titled with the duo in mind, but after Eilers declined to play the lead, her part was given to [[Claire Trevor]].{{sfn|Sculthorpe|2018|p=16}}

==References==
{{reflist}}

==Sources==
*{{cite book|url=https://books.google.com/books?id=FL3wCQAAQBAJ&pg=PA167 |title=Frank Borzage: The Life and Films of a Hollywood Romantic|first=Hervé |last=Dumont|year=2015|publisher=McFarland|isbn=978-1-476-61331-4}}
*{{cite book|url=https://books.google.com/books?id=wDzGAgAAQBAJ&pg=PA10 |title=Silent Movies & Early Sound Films on DVD: New Expanded Edition|first=John Howard|last=Reid|date=August 2011|publisher=John Howard Reid|isbn=978-0-557-43335-3}}
*{{cite book|url=https://books.google.com/books?id=zr5YDwAAQBAJ&pg=PA16|title=Claire Trevor: The Life and Films of the Queen of Noir|first= Derek |last=Sculthorpe|year=2018|publisher=McFarland|isbn=978-1-476-63069-4}}

==External links==
* {{IMDb title|0021635|Bad Girl}}
* {{AFI film|7252|Bad Girl}}
* {{TCMDb title|67961|Bad Girl}}
* {{Rotten Tomatoes|bad_girl_1931|Bad Girl}}

{{Frank Borzage}}

[[Category:1931 films]]
[[Category:1931 drama films]]
[[Category:American drama films]]
[[Category:American black-and-white films]]
[[Category:Films based on American novels]]
[[Category:American films based on plays]]
[[Category:Films directed by Frank Borzage]]
[[Category:Films whose director won the Best Directing Academy Award]]
[[Category:Films whose writer won the Best Adapted Screenplay Academy Award]]
[[Category:Fox Film films]]
[[Category:Films based on adaptations]]
[[Category:Films based on works by Viña Delmar]]
[[Category:1930s English-language films]]
[[Category:1930s American films]]
[[Category:English-language drama films]]