Editing Aksel Schiøtz

{{Short description|Danish singer}}
'''Aksel Schiøtz''' (1 September 1906{{spaced ndash}}19 April 1975) was a [[Denmark|Danish]] [[tenor]] and later [[baritone]], who was considered one of Europe's leading [[lieder]] singers of the post-World War II period.<ref name="blyth">Alan Blyth, [https://www.jstor.org/pss/957022 "Review: The Singer and His Art by Aksel Schiøtz"], ''The Musical Times'', Vol. 112, No. 1541 (Jul., 1971), p. 670</ref>

== Biography ==
[[File:Aksel Schiøtz - signature, 1951.png|thumb|Schiøtz’s signature, 1951]]
Schiøtz was born in [[Roskilde]], [[Denmark]], but grew up in [[Hellerup]] near [[Copenhagen]]. He studied singing with [[John Forsell]]. Having obtained an M.A. in Danish and English in 1930, he taught at various schools in Roskilde and Copenhagen until 1938, when he gave up teaching. In October 1936, he gave his first lieder recital, and he made his opera début at the [[Royal Danish Theatre]], [[Copenhagen]], in [[Wolfgang Amadeus Mozart|Mozart]]'s ''[[Così fan tutte]]'' in 1939. In 1940, he made a legendary recording of the tenor aria from [[George Frideric Handel|Handel]]'s ''[[Messiah (Handel)|Messiah]]''.

In 1946, he underwent an operation for tumor acousticus. In ''Our Schubert'', David Schroeder writes that the surgery "should have put an end to his career in 1945, since it left him paralyzed on one side of his face and neck; but with the encouragement of friends and loved ones he relearned how to sing, becoming a baritone instead of a tenor."  His wife Gerd particularly motivated him.

At the [[Glyndebourne Festival Opera|Glyndebourne Festival]] in 1946, he alternated with [[Peter Pears]] in the part of 'Male Chorus' in [[Benjamin Britten|Britten]]'s ''[[The Rape of Lucretia]].''<ref name="blyth"/> More than as an opera singer, however, Schiøtz is remembered for his interpretation of Danish songs and [[Franz Schubert|Schubert]]'s and [[Robert Schumann|Schumann]]'s lieder, as well as songs by [[Carl Michael Bellman]]. During the [[Nazism|Nazi]] occupation of Denmark (1940&ndash;1945), he achieved great popularity for his recording of traditional Danish songs of the 19th and early 20th centuries. During the occupation there was a strong rise in Danish nationalism. Aksel Schiøtz's lyrical and sensitive interpretation of Danish songs and his perfect command of the Danish language resulted in an everlasting gift to the Danish people.

From 1955 to 1958 he served as professor of music at the [[University of Minnesota]], Minneapolis, later in Toronto by invitation of Boyd Neel, and finally at the University of Colorado, Boulder. From 1968 he was professor in Copenhagen.  After retiring, he wrote ''The Singer and His Art'' (Hamish Hamilton, 1971).

Schiøtz died in Copenhagen in 1975, aged 68, and is buried in the churchyard of the Raabjerg Church, near Skiveren, Denmark, with his wife Gerd.

==References==
{{reflist}}
Schroeder, David. ''Our Schubert''. Lanham: Scarecrow Press, 2009. p.&nbsp;176.

==External links==
* [https://historyofthetenor.com/aksel-schiotz/ History of the Tenor / Aksel Schiøtz / Sound Clips and Narration]

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{{DEFAULTSORT:Schiotz, Aksel}}
[[Category:1906 births]]
[[Category:1975 deaths]]
[[Category:Danish operatic tenors]]
[[Category:People from Roskilde]]
[[Category:Musicians from Region Zealand]]
[[Category:20th-century Danish male opera singers]]
[[Category:Danish baritones]]
[[Category:Operatic baritones]]
[[Category:University of Minnesota faculty]]
[[Category:University of Colorado Boulder faculty]]