Editing A Song to Remember

{{short description|1945 film by Charles Vidor}}
{{About|the movie|the Singaporean TV drama|A Song to Remember (TV series)}}
{{Use American English|date=January 2025}}
{{Infobox film
| name           = A Song to Remember
| image          = Asongtoremember1945.jpg
| caption        = Film poster
| director       = [[Charles Vidor]]
| producer       = [[Louis F. Edelman]]
| screenplay     = [[Sidney Buchman]]
| story          = [[Ernst Marischka]]
| starring       = [[Paul Muni]]<br>[[Merle Oberon]]<br>[[Cornel Wilde]]
| music          = [[Miklós Rózsa]]
| cinematography = [[Tony Gaudio]]<br>[[Allen M. Davey]]
| editing        = [[Charles Nelson (film editor)|Charles Nelson]]
| color_process  = [[Technicolor]]
| studio         = Columbia Pictures 
| distributor    = [[Columbia Pictures]]
| released       = {{film date|1945|1|18}}
| runtime        = 112 minutes
| country        = United States
| language       = English
| budget         = $0.5-$2 million<ref name=wall/>
| gross          = $7 million<ref name=wall>{{cite magazine|url=https://archive.org/details/variety-1962-11/page/n5/mode/2up|title=Wall St. Researchers' Cheery Tone|magazine=[[Variety (magazine)|Variety]]|date=November 7, 1962|page=7|access-date=2022-06-08|via=[[Archive.org]]}}</ref>
}}

'''''A Song to Remember''''' is a 1945 American [[biographical film]] which tells a fictionalised life story of Polish pianist and composer [[Frédéric Chopin]]. Directed by [[Charles Vidor]] and starring [[Paul Muni]], [[Merle Oberon]], and [[Cornel Wilde]].

==Plot==
Frederic Chopin, a talented young pianist and composer, captivates his teacher Professor [[Józef Elsner]] with his extraordinary skills at the age of 11. Elsner receives an invitation from the renowned music publisher Louis Pleyel to bring Chopin to [[Paris]], hoping to replicate the success of [[Franz Liszt]]. However, Chopin's father cannot afford the expenses. While discussing the future, Chopin's attention is diverted by the plight of Polish people being taken prisoners by the Russian authorities. He becomes determined to fight for Poland's freedom. Amidst his secret political activities, Chopin continues his musical journey with the support of Elsner, who is still determined to see him succeed in Paris.

Chopin is invited to perform at Count Wyszynka's banquet, but he discovers that the Russian Governor of Poland is among the guests. Outraged, Chopin refuses to play for the oppressors and storms out. His friends warn him of the impending danger, urging him to flee to Paris. With Elsner's help, Chopin finally arrives in Paris, where they meet Pleyel, who initially dismisses them until he hears Chopin's ''Polonaise''. Impressed, Pleyel promises to arrange a concert for Chopin.

The professor takes Chopin to Café de la Bohème, where they encounter famous personalities such as Liszt, [[Victor Hugo]], [[Alexandre Dumas]], and [[Honoré de Balzac]]. Despite a turbulent encounter with a critic, [[Friedrich Kalkbrenner]], Chopin is introduced to Liszt, who introduces him to [[George Sand]], a writer known for her masculine attire. The night before Chopin's crucial debut, a letter arrives bearing tragic news of his friends' arrests and deaths in Poland. Overwhelmed by grief, Chopin performs the first bars of his ''[[Polonaise in A-flat major, Op. 53|Heroic Polonaise]]'' during his concert and abruptly leaves the stage. The reviews are harsh, except for one written by George Sand, who praises Chopin as a genius.

Sand invites Chopin and Elsner to a reception hosted by the Duchess of Orléans, where Chopin's talent is acknowledged by Liszt and the attendees. Pleyel expresses interest in promoting Chopin's music and arranges a meeting for the following day. However, Chopin chooses to spend time with Sand instead, reveling in their success. Sand convinces Chopin to stay with her in [[Mallorca|Majorca]], where he can focus solely on composition. While Sand supports Chopin's fame, her insistence on keeping him away from the concert stage prolongs his life as he battles [[tuberculosis]].

Back in Paris, Pleyel eagerly awaits Chopin's return to arrange concerts and publish his music. Meanwhile, Elsner faces financial struggles and returns to teaching. The professor learns from Liszt that Chopin occasionally performs at salons and secures invitations for Elsner. With news of Poland's crushed uprising and the plight of their imprisoned comrades, Constantia, a friend of Chopin's, implores him to rally support or gather funds to aid the cause. Initially disengaged, Chopin's sense of patriotism is awakened when Constantia brings him Polish earth.

Chopin reunites with Elsner and ends his relationship with Sand to embark on an international tour to raise money for Poland, fully aware that it will further deteriorate his health. His illness worsens, and during a passionate performance, blood stains the keys. Eventually, the strain of the tour takes its toll, and Chopin's health deteriorates further. On his deathbed, he longs to see Sand one last time, but she, posing for Delacroix, refuses to visit. Chopin dies with Kalkbrenner, Pleyel, Elsner, and Constantia by his side, while Liszt plays the piano in the adjacent room.

==Cast==
* [[Paul Muni]] as Professor [[Józef Elsner]]
* [[Merle Oberon]] as [[George Sand]]
* [[Cornel Wilde]] as [[Frédéric Chopin]] 
* [[Nina Foch]] as [[Konstancja Gładkowska|Constantia]]
* [[George Coulouris]] as Louis Pleyel
* [[Howard Freeman]] as [[Friedrich Kalkbrenner]]
* [[Stephen Bekassy]] as [[Franz Liszt]]
* Roxy Roth as [[Niccolò Paganini]]

==Reception==
''A Song to Remember'' was nominated for several Academy Awards: [[Academy Award for Best Actor|Best Actor in a Leading Role]] (Cornel Wilde), [[Academy Award for Best Cinematography|Best Cinematography, Color]], [[Academy Award for Best Film Editing|Best Film Editing]], [[Academy Award for Best Original Score|Best Music, Scoring of a Dramatic or Comedy Picture]], [[Academy Award for Best Sound|Best Sound, Recording]] ([[John P. Livadary]]), and [[Academy Award for Best Story|Best Writing, Original Story]].<ref name="Oscars1946">{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1946 |title=The 18th Academy Awards (1946) Nominees and Winners |access-date=2011-08-16|work=oscars.org| archive-url= https://web.archive.org/web/20110706093754/http://www.oscars.org/awards/academyawards/legacy/ceremony/18th-winners.html| archive-date= 6 July 2011 | url-status= live}}</ref>

Though Chopin was a true Polish patriot, Vidor highly romanticizes Chopin's patriotism in the film, which was produced during [[World War II]]. He fictionalizes Chopin's relationship with Elsner (who did not really accompany him to Paris) and greatly distorts Chopin's relationship with Sand to produce a "good vs. evil" struggle for Chopin's soul between Elsner and Sand. The script occasionally sounds more like propaganda for wartime self-sacrifice over individualism than like the real story of Chopin's life.

[[Ayn Rand]] was sharply critical of the film, strongly taking the side of the George Sand character as against the Polish nationalist ones – a value judgment diametrically opposite to that taken by the film makers: "George Sand, according to the film, is evil because she provides a beautiful, private retreat where Chopin can live in peace and luxury, because she takes care of his every need, attends to his health, and urges him to forget the world and devote himself exclusively to the work of writing music, which he is desperately eager to do. The young Polish girl, according to the film, is good because she urges Chopin to drop the work that he loves and go out on a concert tour to collect money 'for the people', for a cause that is identified as national or revolutionary or both, and this is supposed to justify everything – so she demands that Chopin renounce his genius, sacrifice his composing and go out to entertain paying audiences – even though he hates concert playing, is ill with tuberculosis and has been warned by the doctors that the strain of a tour will kill him".<ref>The highly critical review of "A Song to Remember" appears in "Journals of Ayn Rand", edited by David Harriman, Plume Books ([[Penguin Group]]), 1999, Ch.10, P.369-370.</ref>

Victor Brown noted that "The breakup of George Sand's relationship with Chopin was for personal reasons completely different from those shown in the film – mainly Chopin's siding with Sand's estranged daughter against her mother. In fact, George Sand was an outspoken supporter of the Polish national cause in her own right, an allegiance which lasted long past the end of the relationship with Chopin. During the [[Revolution of 1848 in France]], George Sand took part in a Polish solidarity demonstration held in Paris on May 15, 1848, calling for the French Army to be sent to liberate Poland".<ref>[[Andre Maurois]], "Lelia - the Life of George Sand" quoted in Victor Brown, "Holywood Films as a Highly Unreliable History Book" in Hilary Kagan (ed.) "Retrospective Essays on Twentieth Century Popular Culture".</ref>

The pianist [[José Iturbi]] played the piano music, and also orchestrated part of the [[Piano Sonata No. 3 (Chopin)|B minor Sonata]] for the scene when Chopin and George Sand arrive in [[Majorca]]. The hands of pianist [[Ervin Nyiregyházi]] are shown playing the piano.

==Legacy==
[[Liberace]]'s trademark electric candelabrum was inspired by a similar prop in ''A Song to Remember''.<ref>{{cite news | url=https://www.chicagotribune.com/1987/02/05/liberace-67-pianist-turned-one-man-musical-circus/ | title=Liberace, 67, Pianist Turned One-man Musical Circus' | newspaper=[[Chicago Tribune]] | date=February 5, 1987 | access-date=7 January 2014 | author=Kart, Larry}}</ref>

==References==
{{reflist}}

==External links==
* {{IMDb title}}
* {{tcmdb title}}
* {{AFI film}}
* {{Rotten-tomatoes|id=song_to_remember}}
*[https://archive.org/stream/variety157-1945-01#page/n283/mode/1up Review of film] at ''Variety''
{{Charles Vidor}}

{{DEFAULTSORT:Song To Remember, A}}
[[Category:1945 films]]
[[Category:1940s biographical drama films]]
[[Category:American biographical drama films]]
[[Category:Films directed by Charles Vidor]]
[[Category:Columbia Pictures films]]
[[Category:Films about classical music and musicians]]
[[Category:Biographical films about musicians]]
[[Category:Films about composers]]
[[Category:Films about pianos and pianists]]
[[Category:Musical films based on actual events]]
[[Category:Films scored by Miklós Rózsa]]
[[Category:Films scored by Morris Stoloff]]
[[Category:Films set in the 1820s]]
[[Category:Films set in the 1830s]]
[[Category:Films set in the 1840s]]
[[Category:Films set in Paris]]
[[Category:Films set in France]]
[[Category:Films set in Poland]]
[[Category:Films set in Mallorca]]
[[Category:Films with screenplays by F. Hugh Herbert]]
[[Category:Cultural depictions of Niccolò Paganini]]
[[Category:Cultural depictions of Frédéric Chopin]]
[[Category:Cultural depictions of Franz Liszt]]
[[Category:Cultural depictions of George Sand]]
[[Category:1945 drama films]]
[[Category:1940s English-language films]]
[[Category:1940s American films]]
[[Category:English-language biographical drama films]]