Editing The Good, the Bad and the Ugly (section)

== Themes ==
Like many of his films, director Sergio Leone noted that the film is a satire of the western genre. He has noted the film's theme of [[Aestheticization of violence|emphasis on violence]] and the deconstruction of [[Old West]] [[romanticism]]. The emphasis on violence is seen in how the three leads (Blondie, Angel Eyes, and Tuco) are introduced to various acts of violence. With Blondie, it is seen in his attempt to free Tuco which results in a gun battle. Angel Eyes is set up in a scene in which he learns about hidden treasure from Stevens, kills Stevens when he draws on him, then his employer Baker (fulfilling his title as 'The Bad'). Tuco is set up in a scene in which three bounty-hunters try to kill him. In the film's opening scene, three bounty-hunters enter a building in which Tuco is hiding. After the sound of gunfire is heard, Tuco escapes through a window after shooting the three, one of whom survives (fulfilling his title as 'The Ugly'). They are all after gold and will stop at nothing until they get it. The film deconstructs Old West Romanticism by portraying the characters as antiheroes. Even the character considered by the film as 'The Good' can still be considered as not living up to that title in a moral sense. Critic Drew Marton describes it as a "baroque manipulation" that criticises the American Ideology of the Western,<ref name="Drew">{{cite web |url=http://www.pajiba.com/pajiba_blockbusters/the-good-the-bad-and-the-ugly-review-happiness-is-a-warm-gun.php |title=''The Good, the Bad and the Ugly'' review |publisher=Pajiba |author=Marton, Drew|date=22 October 2010 |access-date=3 September 2014|archive-url=https://web.archive.org/web/20150402120832/http://www.pajiba.com/pajiba_blockbusters/the-good-the-bad-and-the-ugly-review-happiness-is-a-warm-gun.php|archive-date=2 April 2015|url-status=live}} 22 October 2010</ref> by replacing the heroic [[cowboy]] popularised by [[John Wayne]] with morally complex [[antiheroes]].

Negative themes such as [[cruelty]] and [[greed]] are also given focus and are traits shared by the three leads in the story. Cruelty is shown in the character of Blondie in how he treats Tuco throughout the film. He is seen to sometimes be friendly with him and in other scenes double-cross him and throw him to the side. It is shown in Angel Eyes through his attitudes in the film and his tendency for committing violent acts throughout the film. For example, when he kills Stevens he also kills his son. It is also seen when he is violently torturing Tuco later in the film. It is shown in Tuco how he shows concern for Blondie when he is heavily dehydrated but in truth, he is only keeping him alive to find the gold. It is also shown in his conversation with his brother which reveals that a life of cruelty is all he knows. Richard Aquila writes "The violent antiheroes of Italian westerns also fit into a folk tradition in southern Italy that honored mafioso and vigilante who used any means to combat corrupt government or church officials who threatened the peasants of the Mezzogiorno".<ref>{{cite book|last1=Aquila|first1=Richard|url=https://www.amazon.com/Sagebrush-Trail-Western-Twentieth-Century-American-ebook/dp/B00UHFWI3A|title=The Sagebrush Trail: Western Movies and Twentieth Century America|date=2015|publisher=University of Arizona Press|isbn=978-0816531547|location=Tucson, Arizona|page=203|access-date=2 March 2020|archive-date=14 November 2020|archive-url=https://web.archive.org/web/20201114150701/https://www.amazon.com/Sagebrush-Trail-Western-Twentieth-Century-American-ebook/dp/B00UHFWI3A|url-status=live}}</ref>

Greed is shown in the film through its main core plotline of the three characters wanting to find the $200,000 ({{Inflation|US|200000|1862|r=-6|fmt=eq}}) that Bill Carson has said is buried in a grave in Sad Hill Cemetery. The main plot concerns their greed as there is a series of double crossings and changing allegiances to get the gold. Russ Hunter writes that the film will "stress the formation of homosocial relationships as being functional only in the pursuit of wealth".<ref>{{cite journal |last1=Hunter |first1=Russ |title=The Ecstasy of Gold: Love, Greed, and Homosociality in the Dollars Trilogy |journal=Studies in European Cinema |date=2012 |volume=9 |issue=1 |page=77 |doi=10.1386/seci.9.1.69_1 |s2cid=193197332 |url=https://www.researchgate.net/publication/261668091 |access-date=2 March 2020 |archive-date=14 November 2020 |archive-url=https://web.archive.org/web/20201114150718/https://www.researchgate.net/publication/261668091_The_ecstasy_of_gold_Love_greed_and_homosociality_in_the_Dollars_trilogy |url-status=live }}</ref> This all culminates in the film's final set-piece which takes place in the cemetery. After the death of Angel Eyes, Tuco is strung up with a rope precariously placed around his neck as Blondie leaves with his share of the money.

Many critics have also noticed the film's [[list of anti-war films|anti-war]] theme.<ref name="Culture" /><ref>{{cite web |url=http://www.colesmithey.com/capsules/2013/02/the-good-the-bad-and-the-ugly.html |title=''The Good, the Bad and the Ugly''- Classic Film Pick |publisher=Colesmithey – Capsules |author=Smithey, Coley|access-date=6 September 2014|archive-url=https://web.archive.org/web/20150402093105/http://www.colesmithey.com/capsules/2013/02/the-good-the-bad-and-the-ugly.html|archive-date=2 April 2015|url-status=live}} 10 February 2013</ref> Taking place in the [[New Mexico Territory in the American Civil War|American Civil War]], the film takes the viewpoint of people such as civilians, bandits, and most notably soldiers, and presents their daily hardships during the war. This is seen in the film's rugged and rough aesthetic. The film has an air of dirtiness that can be attributed to the Civil War and in turn, it affects the actions of people, showing how the war deep down has affected the lives of many people. A scene in the extended version presents Angel Eyes arriving in an embattled Confederate outpost. Angel Eyes shows compassion towards the agonising soldiers, pointing out that even 'The Bad' is shocked by the horrors of the war.{{citation needed|date=July 2024}}

Although not fighting in the war, the three gunslingers gradually become entangled in the battles that ensue (similar to ''[[The Great War (1959 film)|The Great War]]'', a film that screenwriters Luciano Vincenzoni and Age & Scarpelli had contributed to).<ref name="The Good 2014" /> An example of this is how Tuco and Blondie blow up a bridge to disperse two sides of the battle. They need to clear a way to the cemetery and succeed in doing so. It is also seen in how Angel Eyes disguises himself as a union sergeant so he can attack and torture Tuco to get the information he needs, intertwining himself in the battle in the process.{{citation needed|date=July 2024}}