Editing The Beggar's Opera (section)

==Legacy ==
=== Sequel ===
In 1729, Gay wrote a sequel, ''[[Polly (opera)|Polly]]'', set in the [[West Indies]]: Macheath, sentenced to transportation, has escaped and become a pirate, while Mrs Trapes has set up in white-slaving and shanghais Polly to sell her to the wealthy planter Mr Ducat. Polly escapes dressed as a boy, and after many adventures marries the son of a [[Island Caribs|Carib]] chief.

The political satire, however, was even more pointed in ''Polly'' than in ''The Beggar's Opera'', with the result that Prime Minister Robert Walpole leaned on the [[Lord Chamberlain]] to have it banned, and it was not performed until fifty years later.<ref>{{cite journal|last=O'Shaughnessy|first=Toni-Lynn|jstor=2739105|title=A Single Capacity in ''The Beggar's Opera''|journal=[[Eighteenth-Century Studies]]|volume=21|number=2|date=Winter 1987–1988|pages=212–227|publisher=Johns Hopkins University Press|doi=10.2307/2739105}} {{Subscription required}}</ref>

=== Adaptations ===
[[File:Beggar's Opera.jpg|thumb|upright=1.4|[[Frederic Austin]]'s 1920s version]]
As was typical practice of the time in London, a commemorative "score" of the entire opera was assembled and published quickly. As was common, this consisted of the fully arranged overture followed by the melodies of the 69 songs, supported by only the simplest bass accompaniments. There are no indications of dance music, accompanying instrumental figures or the like, except in three instances: Lucy's "Is Then His Fate Decree'd Sir" – one measure of descending scale marked "Viol." –; Trape's "In the Days of My Youth", in which the "fa la la chorus is written as "viol."; and the final reprieve dance, Macheath's "Thus I Stand Like A Turk", which includes two sections of 16 measures of "dance" marked "viol." (See the 1729 score, formerly published by Dover).

The absence of the original performing parts has allowed producers and arrangers free rein. The tradition of personalised arrangements, dating back at least as far as [[Thomas Arne]]'s later 18th century arrangements, continues today, running the gamut of musical styles from Romantic to Baroque: Austin, [[Benjamin Britten|Britten]], [[Malcolm Sargent|Sargent]], [[Richard Bonynge|Bonynge]], Dobin and other conductors have each imbued the songs with a personal stamp, highlighting different aspects of characterisation. The hornpipe tune to which [[Nancy Dawson]] danced between acts in ''The Beggar's Opera'' in the mid-1700s is now used for "[[Here We Go Round the Mulberry Bush]]".<ref>{{cite book |title=A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660–1800 |date=1975 |publisher=Southern Illinois University Press |page=239}}</ref> Following is a list of some of the most highly regarded 20th-century arrangements and settings of the opera.
* In 1920, the baritone [[Frederic Austin]] newly arranged the music (and also sang the role of Peachum) for the long-running production (1,463 performances) at the Lyric Theatre, [[Hammersmith]]. The Irish baritone [[Frederick Ranalow]] sang the role of Captain Macheath in every performance. In 1955 this version was recorded by conductor Sir [[Malcolm Sargent]] with [[John Cameron (singer)|John Cameron]] as Macheath and [[Monica Sinclair]] as Lucy.
* In 1928, on the 200th anniversary of the original production, [[Bertolt Brecht]] (words) and [[Kurt Weill]] (music) created a popular new musical adaptation of the work in Germany entitled ''Die Dreigroschenoper'' (''[[The Threepenny Opera]]''). In this work, the original plot is followed fairly closely (although the time is brought forward over a hundred years) but the music is almost all new.
* In 1946, [[John La Touche (lyricist)|John La Touche]] (book and lyrics) and [[Duke Ellington]] (music) created another musical adaptation of the work for [[Broadway theatre|Broadway]] entitled ''[[Beggar's Holiday]]''. An updated rendition of the story focused on a corrupt world inhabited by rakish [[Mobster]]s, raffish [[Procuring (prostitution)|Madam]]s and their dissolute [[whores]], [[panhandlers]] and [[street people]].
* In 1948, [[Benjamin Britten]] created an adaptation with new harmonisations and arrangements of pre-existing tunes. Additional dialogue was written by the producer, [[Tyrone Guthrie]]. [[Peter Pears]] was the first singer of Macheath.<ref>[http://www.guidetomusicaltheatre.com/shows_b/beggars_opera_britten.htm 1948 Benjamin Britten version of ''The Beggar's Opera''] {{webarchive |url=https://web.archive.org/web/20160304114737/http://www.guidetomusicaltheatre.com/shows_b/beggars_opera_britten.htm |date=4 March 2016 }} at the Guide to Musical Theatre</ref> It was dedicated to James Haldane Lawrie,<ref>{{Cite web|url=http://www.brittenproject.org/works/BTC1020|title=Britten Thematic Catalogue – BTC1020 – ''The Baggar's Opera''|website=brittenproject.org|date=May 1948|access-date=2016-03-19|url-status=live|archive-url=https://web.archive.org/web/20160403215345/http://www.brittenproject.org/works/BTC1020|archive-date=3 April 2016}}</ref> who would go on to chair the English Opera Group.<ref>{{Cite book|url=https://books.google.com/books?id=AMyKjyzEW_kC|title=Letters from a Life: 1952–1957|last1=Britten|first1=Benjamin|author1-link=Benjamin Britten|last2=Mitchell|first2=Donald|author2-link=Donald Mitchell (writer)|last3=Reed|first3=Philip|last4=Cooke|first4=Mervyn|date=1991-01-01|publisher=Boydell Press|isbn=978-1-84383-382-6}}</ref>
* The opera was made into a [[The Beggar's Opera (film)|film version in 1953]], and starred [[Laurence Olivier]] as Captain Macheath.
* In 1975, [[Czechoslovakia|Czech]] playwright (and future president) [[Václav Havel]] created a non-musical adaptation.
* In 1977, the Nigerian Nobel Prize-winning playwright and dramatist [[Wole Soyinka]] wrote, produced and directed ''Opera Wonyosi'' (published 1981), an adaptation of both John Gay's ''The Beggar's Opera'' and Bertolt Brecht's ''The Threepenny Opera''; most of his characters as well as some of the arias are from the two earlier plays.
* In 1978, the Brazilian singer-songwriter [[Chico Buarque]] wrote ''[[Ópera do Malandro]]'' (1978), an adaptation of both John Gay's ''The Beggar's Opera'' and Bertolt Brecht's ''The Threepenny Opera,'' with new songs and set in 1940s [[Rio de Janeiro]], which was later adapted as a film by director [[Ruy Guerra]].
* In 1981 [[Richard Bonynge]] and [[Douglas Gamley]] arranged a new edition for The Australian Opera (now [[Opera Australia]]). It was recorded the same year with [[Joan Sutherland]], [[Kiri Te Kanawa]], [[James Morris (bass-baritone)|James Morris]] and [[Angela Lansbury]].
* The opera was adapted for BBC television in 1983. This production was directed by [[Jonathan Miller]] and starred [[Roger Daltrey]] in the role of Macheath, [[Stratford Johns]] as Peachum, [[Gary Tibbs]] as Filch, and [[Bob Hoskins]] as the Beggar. The "happy" ending was changed so that Macheath is hanged instead of being reprieved.
* In 1984 in the play (and later film) ''[[A Chorus of Disapproval (play)|A Chorus of Disapproval]]'' by [[Alan Ayckbourn]], an amateur production of ''The Beggar's Opera'' is a major plot driver and excerpts are performed.
* In 1990 Jonathan Dobin created his period-styled performing edition for the Ten Ten Players (now Theatre 2020) and it has since been performed at venues throughout the United States. This edition is based on the 1728 printed edition and includes the full overture as detailed by Pepusch and fleshes out all of the remaining 69 airs and dances of the original 18th century production.<ref name=Dobin />
* In 1998, the all female Japanese troupe, [[Takarazuka Revue]], produced an adaptation titled ''Speakeasy''.<ref>{{usurped|1=[https://web.archive.org/web/20090626122055/http://www.takarazuka-revue.net/takawiki/tiki-index.php?page=Speakeasy+%2F+Sniper+%28Flower%2C+1998 Takarazuka Revue]}}</ref> The play was [[Maya Miki]]'s retirement play.
* In 2008 the [[Sydney Theatre Company]] of Australia and [[Out of Joint Theatre Company]] co-produced a version entitled ''The Convict's Opera'' written by [[Stephen Jeffreys]] and directed by [[Max Stafford-Clark]]. This version is set aboard a convict ship bound for [[New South Wales]], where convicts are putting on a version of ''The Beggar's Opera''. The lives of the convicts partly mirror their characters in ''The Beggars' Opera'', and modern popular songs are performed throughout the piece. ''The Convict's Opera'' began touring the UK in early 2009.<ref>[http://www.australianstage.com.au/reviews/sydney/the-convicts-opera--stc--out-of-joint-1944.html "''The Convict's Opera'' – STC & Out of Joint"] {{webarchive |url=https://web.archive.org/web/20160322122746/http://www.australianstage.com.au/reviews/sydney/the-convicts-opera--stc--out-of-joint-1944.html |date=22 March 2016 }} by Jack Teiwes, ''Australian Stage'', 8 October 2008</ref>
* The theatre company [[Vanishing Point (theatre company)|Vanishing Point]] created a modern production of ''The Beggar's Opera'' in 2009 for The [[Royal Lyceum Theatre]] and [[Belgrade Theatre]], Coventry, set in a near-future apocalypse world. It features music from [[A Band Called Quinn]].<ref>[http://www.vanishing-point.org/our-work/the-beggars-opera/ "''The Beggars Opera''"], production details, [[Vanishing Point (theatre company)|Vanishing Point]], 2009</ref>
* The original opera was performed in an 18th-century setting at the [[Regent's Park Open Air Theatre]] in summer 2011 in a production directed by [[Lucy Bailey]].<ref>{{cite news|url=https://www.theguardian.com/music/2011/jun/29/beggars-opera-review|title=Review – ''The Beggar's Opera''|work=[[The Guardian]]|location=London|date=30 June 2011|author=Michael Billington|author-link=Michael Billington (critic)|url-status=live|archive-url=https://web.archive.org/web/20170101232433/https://www.theguardian.com/music/2011/jun/29/beggars-opera-review|archive-date=1 January 2017}}</ref>
* In 2019, [[Kneehigh Theatre|Kneehigh Theatre Company]] in association with [[Everyman Theatre, Liverpool|Liverpool Everyman & Playhouse]] created and toured a reinvention of ''The Beggar's Opera'', called ''Dead Dog in a Suitcase (and other love songs)''.<ref>[https://www.kneehigh.co.uk/shows/dead-dog-in-a-suitcase/ "''Dead Dog in a Suitcase (and other love songs)'' – A new Baggar's Opera"], [[Kneehigh Theatre]]</ref>
*In 2021, French mezzo-soprano and composer Hélène Ducos created ''Minuit Montmartre'', a four-act opera inspired by ''The Beggar's Opera''. The first performance took place in Paris on 10 July.<ref>[https://www.helloasso.com/associations/des-voix-sur-les-planches/evenements/minuit-montmartre-1 "''Minuit Montmartre'' par Des Voix Sur Les Planches], July 2021, helloasso.com (in French)</ref>