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===''The Bell Jar''=== {{Main|The Bell Jar}}{{Quote box | quote = I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked [...] as I sat there, unable to decide [which fig], the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet. | author = [[The Bell Jar]] | source = 1963 | align = left | width = 25% | bgcolor = #FFDCF5 }} Plath's semi-autobiographical novel—her mother wanted to block publication—was published in 1963 and in the US in 1971.<ref name="Kirk-xxi" />{{sfn|McCullough|2005|p=xii}} Describing the compilation of the book to her mother, she wrote, "What I've done is to throw together events from my own life, fictionalizing to add color—it's a [[potboiler|pot boiler]] really, but I think it will show how isolated a person feels when he is suffering a breakdown... I've tried to picture my world and the people in it as seen through the distorting lens of a bell jar".<ref>Plath ''Biographical Note'' 294–295. From {{harvnb|Wagner-Martin|1988|p=107}}</ref> She described her novel as "an autobiographical apprentice work which I had to write in order to free myself from the past".<ref>Plath ''Biographical Note 293''. From {{harvnb|Wagner-Martin|1988|p=112}}</ref> Plath dated a Yale senior named Dick Norton during her junior year. Norton, upon whom the character of Buddy in ''[[The Bell Jar]]'' is based, contracted tuberculosis and was treated at the [[Ray Brook Sanatorium]]. While visiting Norton, Plath broke her leg skiing, an incident that was fictionalized in the novel.{{sfn|Taylor|1986|pp=270, 274–275}} Plath also used the novel to highlight the issue of women in the workforce during the 1950s. She strongly believed in women's abilities to be writers and editors while society forced them to fulfill secretarial roles:<ref>{{cite journal |last=Jernigan |first=Adam T. |date=January 1, 2014 |title=Paraliterary Labors in Sylvia Plath's The Bell Jar: Typists, Teachers, and the Pink-Collar Subtext |journal=Modern Fiction Studies |volume=60 |issue=1 |pages=1–27 |doi=10.1353/mfs.2014.0010 |oclc=5561439112 |s2cid=162359742}}</ref><blockquote> Now with me, writing is the first delight in life. I want time and money to write, both very necessary. I will not sacrifice my time to learn shorthand because I do not want any of the jobs which shorthand would open up, although those jobs are no doubt very interesting for girls who want them. I do not want the rigid hours of a magazine or publishing job. I do not want to type other people's letters and read their manuscripts. I want to type my own and write my own. So secretarial training is out for me. That I know. (Sylvia Plath's letter to her mother, 10 Feb 1955)</blockquote>
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