Editing Richard D'Oyly Carte (section)

==Death and legacy==
[[File:Richard DOyly Carte Grave.JPG|right|upright|thumb|Carte's grave at St Andrews church, Fairlight]]
Carte died at his London home from [[dropsy]] and heart disease in 1901, just short of his 57th birthday.<ref name=DNB/> He is buried in the churchyard of St Andrew's in [[Fairlight, East Sussex]], near his parents' graves. A memorial service was held at the Chapel Royal of the Savoy, where a memorial stained glass window was later dedicated to him.<ref name=goodman/> He left an estate valued at £250,000.<ref name=DNB/><ref>This sum is equivalent to more than £100,000,000 in 2007 values: see [http://www.measuringworth.com measuring worth.com.] {{Webarchive|url=https://web.archive.org/web/20130103085858/http://www.measuringworth.com/ |date=3 January 2013 }}</ref>

Carte was instrumental in bringing the British theatre from its low status in the mid-Victorian age to a position of respectable eminence, with knighthoods for actors, such as [[Henry Irving]], and for dramatists, including Gilbert.<ref name=b128>Baily, p. 128</ref>{{refn|Baily quotes Gilbert's description of mid-19th century productions as "crude, unintelligent, and sometimes frankly improper"<ref name=b128/>|group= n}} Bernard Shaw wrote of Carte's theatrical legacy, "Mr D'Oyly Carte founded a new school of English comic opera; raised operatic inscenation to the rank of a fine art; and finally built a new English Opera House and made a magnificent effort to do for English grand opera what he had done for comic opera."<ref>''The World'', 2 August 1893, ''quoted'' in Laurence, p. 592</ref> In Carte's obituary, ''[[The Times]]'' noted, "By his refined taste he raised the reputation of the ''mise en scène'' of the Savoy operas to a very high pitch. He set a high standard".<ref name=timesobit/> Beyond this, however, Carte's influence, through the production of the Savoy operas, heavily influenced the course of the [[Cultural influence of Gilbert and Sullivan#Musical theatre and comedy|development of modern musical theatre]].<ref>Bargainnier, pp. 120–133; and Jones, pp. 10–11</ref>

Carte was also a prime mover in making hotels respectable and respected: in the words of the ''[[Oxford Dictionary of National Biography]]'': "Led by the prince of Wales [the Savoy] became the meeting place for London high society and the ''nouveaux riches'' of the British empire.... [The] food and the ambience lured people from the clubs to dine in public and give great parties there. It allowed ladies, hitherto fearful of dining in public, to be seen in full regalia in the Savoy dining and supper rooms."<ref>Ashburner, F.[http://www.oxforddnb.com/view/article/50441 "Escoffier, Georges Auguste (1846–1935)"] {{Webarchive|url=https://web.archive.org/web/20150924155827/http://www.oxforddnb.com/view/article/50441 |date=24 September 2015 }}, ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; online edition, May 2006, accessed 17 September 2009</ref>

[[File:DOCplanter.jpg|left|upright=1.5|thumb|Planter in the Embankment Gardens behind the Savoy Hotel]]
Carte left the theatre, opera company, hotels and his other business interests to Helen.<ref>Joseph, p. 133</ref> Her London and touring companies continued to present the Savoy Operas in Britain and overseas.<ref>Rollins and Witts, pp. 111–127</ref> In 1901 she leased the Savoy Theatre to [[William Greet]], overseeing his management of a revival of ''Iolanthe'' and several new comic operas.<ref>Joseph, p. 138</ref> Rupert became chairman of the Savoy Hotel by 1903, which Helen continued to own.<ref>Joseph, p. 160</ref> In late 1906, Helen staged a Gilbert and Sullivan repertory season at the Savoy Theatre.<ref>Joseph, p. 146</ref> The season, and the following one, which were both directed by Gilbert, earned excellent reviews and sold well, revitalising the company. After the second repertory season concluded in 1909 the company did not perform in London again until 1919, only touring throughout Britain during that time.<ref>Joseph, pp. 138 and 186</ref>

At her death in 1913, Helen passed the family businesses to Carte's son, Rupert. He maintained the hotel business, disposing of the Grand Hotel in Rome, but expanding the group in London.<ref name=profit/> The Savoy Group remained under the control of the Carte family and its associates until 1994.<ref name=billions>Prynn, Jonathan. [http://www.thisislondon.co.uk/standard/article-23676788-details/Savoy+%27up+for+sale%27+as+Saudi+owner%27s+billions+dwindle/article.do "Savoy 'up for sale' as Saudi owner's billions dwindle"] {{Webarchive|url=https://web.archive.org/web/20090419060158/http://www.thisislondon.co.uk/standard/article-23676788-details/Savoy+%27up+for+sale%27+as+Saudi+owner%27s+billions+dwindle/article.do |date=19 April 2009 }}, 16 April 2009</ref> Carte's hotels have remained among the most prestigious in London, with the ''[[Evening Standard|London Evening Standard]]'' calling the Savoy "London's most famous hotel" in 2009.<ref name=billions/>

[[File:Carte1891.jpg|right|thumb|upright|"[[Leslie Ward|Spy]]" cartoon in ''[[Vanity Fair (UK magazine)|Vanity Fair]]'']]
Rupert D'Oyly Carte refreshed the opera company's productions and added London seasons, beginning in 1919, as well as provincial and foreign tours.<ref>Joseph, pp. 160 ''et seq.''</ref> In 1948 Rupert died, leaving a strong company to his daughter [[Bridget D'Oyly Carte]].<ref>Joseph, pp. 273–274</ref> However, the rising costs of mounting professional light opera without any government support eventually became too much for the company. Bridget was forced to close the company in 1982.<ref>Joseph, p. 358</ref> Nevertheless, the Gilbert and Sullivan operas continue to be produced frequently today throughout the English-speaking world and beyond, and Carte's vision of wholesome light operas that celebrate Great Britain endures.<ref>{{Cite book | last = Bradley | first = Ian | author-link = Ian Bradley | title = Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan, passim | publisher = Oxford University Press | year = 2005 | isbn = 0-19-516700-7 | url = https://archive.org/details/ohjoyohraptureen00brad }}</ref><ref>[https://www.gsarchive.net/html/perf_grps/websites/index.html List of 200 amateur G&S performing groups] at ''The Gilbert and Sullivan Archive'', accessed 29 August 2020</ref><ref>Lee, Bernard. [http://www.sheffieldtelegraph.co.uk/classical/Gilbert-and-Sullivan-are-still.4348394.jp "Gilbert and Sullivan are still going strong after a century"] {{Webarchive|url=https://web.archive.org/web/20081006142908/http://www.sheffieldtelegraph.co.uk/classical/Gilbert-and-Sullivan-are-still.4348394.jp |date=6 October 2008 }}, ''Sheffield Telegraph'', 1 August 2008</ref>