Editing Paths of Glory (section)

===Score and use of sounds===
The musical score by [[Gerald Fried]] makes extensive use of [[percussion]] instruments, specifically [[military drums]].<ref>Hischak, Thomas S. (2015), ''[https://books.google.com/books?id=Xz99CAAAQBAJ&q=paths+&pg=PA242 The Encyclopedia of Film Composers] {{Webarchive|url=https://web.archive.org/web/20190209180024/https://books.google.co.uk/books?id=Xz99CAAAQBAJ&pg=PA242&lpg=PA242&dq=paths+of+glory+score+only+percussion&source=bl&ots=54n6niRjqr&sig=ACfU3U16vru2m1UtujXwfvn59D0s7Uu89w&hl=en&sa=X&ved=2ahUKEwjQhOOei6zgAhUyrHEKHW4zBWgQ6AEwCXoECAcQAQ#v=onepage&q=paths%20 |date=February 9, 2019 }}.'' Lanham: Rowman & Littlefield, Pg. 242</ref>

Kubrick used sound, or the lack thereof, to build tension and suspense in the film, particularly towards the beginning when the three soldiers are given orders to check on the Anthill. This scene is in silence, with no use of diegetic/non-diegetic sound, working well to add depth and rawness. Much of what the viewer can hear throughout the film is explosions in the distance and the sound of a whistle being blown, further adding to the overall documentary style of the film. The lack of a big bold score gives no suggestion of heroism to the plot of the film, and the sounds of people dying are a common trope associated with Stanley Kubrick's films. The song towards the ending happens within the narrative.<ref>{{Cite book|url=https://books.google.com/books?id=Xz99CAAAQBAJ&q=paths+&pg=PA242|title=The Encyclopedia of Film Composers|last=Hischak|first=Thomas S.|date=2015-04-16|publisher=Rowman & Littlefield|isbn=9781442245501|language=ar|access-date=October 5, 2020|archive-date=April 15, 2021|archive-url=https://web.archive.org/web/20210415222244/https://books.google.com/books?id=Xz99CAAAQBAJ&q=paths+&pg=PA242|url-status=live}}</ref> In the tavern with the French soldiers of Dax's regiment, a young woman sings a traditional German folk song of that era, [[The Faithful Hussar|"Der treue Husar"]]. With Kubrick's use of mise-en-scene, the audience is able to see the German woman's performance bring the men to tears through various close-ups and angles. The troopers begin to hum and eventually sing along to the tune in an expression of their basic humanity. ''Paths of Glory'' later ends in the same way it began with the familiar snare/drum roll used in the opening, indicative of a lack of change throughout the film. Kubrick's use of sounds and song functions as a kind of narration for the audience, linking each sound to a later or earlier scene in the film.<ref>{{Cite web |url=https://www.academia.edu/20223220 |title=Similarities and differences on Paths of Glory and Full Metal Jacket |last=Haft |first=Nima |date=2016-01-13 |website=[[Academia.edu]] |language=en |access-date=August 15, 2024 |url-status=live |archive-url=https://web.archive.org/web/20220719035629/https://www.academia.edu/20223220 |archive-date=July 19, 2022}}</ref>