Editing Neal Adams (section)

===Other work for DC===
After ''Green Lantern/Green Arrow'', Adams' contributions to DC, apart from his work on ''[[Batman (comic book)|Batman]]'', were sporadic, limiting to draw a Clark Kent back-up story in ''[[Superman (comic book)|Superman]]'' #254 (1972) and sharing credits with [[Jim Aparo]] pencilling the [[Teen Titans]] in ''[[The Brave and the Bold]]'' #102 (1972). Adams also drew a few stories for ''[[Weird Western Tales]]'' and ''[[House of Mystery]]'' and covers for ''[[Action Comics]]'' and ''[[Justice League of America]]'' as well.  Adams worked on the first [[intercompany crossover|intercompany superhero crossover]] ''[[Superman vs. the Amazing Spider-Man]]''. Several of the Superman figures were redrawn by him.<ref>McAvennie "1970s" in Dolan, p. 170: "Many talents from both Marvel and DC contributed to this landmark publication – in addition to inker Dick Giordano, Neal Adams provided several re-drawings of Superman while John Romita Sr. worked on numerous Peter Parker/Spider-Man likenesses."</ref>

The last complete story that Adams drew at DC before opening his own company, [[Continuity Associates]], was the oversize ''[[Superman vs. Muhammad Ali]]'' (1978) which Adams has called a personal favorite.<ref>McAvennie "1970s" in Dolan, p. 178: "Writer/artist Neal Adams proclaimed that ''Superman vs. Muhammad Ali'' was "the best comic book" he and co-writer Denny O'Neil had ever produced."</ref><ref>{{cite journal|last= Schumer|first= Arlen|title= The Greatest: Neal Adams and Superman vs. Muhammad Ali|journal= Comic Book Artist Special Edition|issue= 1|publisher= TwoMorrows Publishing|date = 1999|location= Raleigh, North Carolina|url= http://twomorrows.com/comicbookartist/articles/spali.html|archive-url= https://web.archive.org/web/20130602210021/http://twomorrows.com/comicbookartist/articles/spali.html|archive-date= June 2, 2013|url-status=live|access-date= July 4, 2013|quote= Arlen Schuer: Do you feel Superman vs. Muhammad Ali is the best comic you ever did?<br />Neal Adams: I would have to say yes. I've been asked lots of times, but I must admit, even I enjoy reading this book over and over again.}}</ref> After this, Adams' production for DC and Marvel was mainly limited to new covers for reprint editions of some of his work, such as ''Green Lantern/Green Arrow'', ''The Avengers: [[The Kree-Skrull War]]'', ''X-Men: Visionaries'', ''Deadman Collection'' and ''The Saga of Ra's al Ghul'', which were variously published as reprint [[miniseries]]<ref>{{cite journal|last= Trumbull|first= John|title= DC Comics Deluxe Reprint Series of 1983 to 1988|journal= [[Back Issue!]]|issue= 81|pages= 89–95|publisher= TwoMorrows Publishing|date= July 2015|location= Raleigh, North Carolina}}</ref> or [[trade paperback (comics)|trade paperback]] collections. In 1988, he designed a new costume for DC's [[Robin (character)|Robin]] character Dick Grayson.<ref>Manning, Matthew K. "1990s" in Dolan, p. 247: "When WB made the decision to include Dick Grayson in the Batman Movie DC editorial was required to modify the classic costume of the iconic Boy Wonder to better suit the tone of the movie, they called upon several artists to put their own spin on it. It was legendary artist Neal Adams who delivered the winning concept. Robin is Dick Grayson. An Acrobat that calls himself Robin. I was charmed by the Robin costume as a child so I just made it more sensible. Tights, turned the cape inside out and the boots, well Dick is an acrobat so I gave him footwear that allows him to have better grip"</ref> DC loved the redesign and adopted it to the comics years later when they introduced new Robin Tim Drake. a miniposter included in the first issue of the ''Robin'' limited series.<ref>Manning "1990s" in Dolan, p. 248: "Complete with a Neal Adams poster stapled to its spine, the first issue [of ''Robin''] featured an apprehensive Robin doubting his place by Batman's side."</ref>