Editing Maurice Merleau-Ponty (section)

===Science===
In his essay ''Cézanne's Doubt'', in which he identifies [[Paul Cézanne]]'s impressionistic theory of painting as analogous to his own concept of radical reflection, the attempt to return to, and reflect on, prereflective consciousness, Merleau-Ponty identifies science as the opposite of art. In Merleau-Ponty's account, whereas art is an attempt to capture an individual's perception, science is anti-individualistic. In the preface to his ''Phenomenology of Perception'', Merleau-Ponty presents a phenomenological objection to [[positivism]]: that it can reveal nothing about human subjectivity. All that a scientific text can explain is the particular individual experience of that scientist, which cannot be transcended. For Merleau-Ponty, science neglects the depth and profundity of the phenomena that it endeavors to explain.

Merleau-Ponty understood science to be an ''ex post facto'' abstraction. Causal and physiological accounts of perception, for example, explain perception in terms that are arrived at only after abstracting from the phenomenon itself. Merleau-Ponty chastised science for taking itself to be the area in which a complete account of nature may be given. The subjective depth of phenomena cannot be given in science as it is. This characterizes Merleau-Ponty's attempt to ground science in phenomenological objectivity and, in essence, to institute a "return to the phenomena".