Editing Industrial Light & Magic (section)

=== 2020s ===
{| class="wikitable"
!Year
!Films
!Director(s)
!Studio(s) and Distributor(s)
!Budget
!Gross
|-
| rowspan="4" |2020
|''[[Artemis Fowl (film)|Artemis Fowl]]''
|[[Kenneth Branagh]]
|Walt Disney Pictures<br />[[Disney+]]
|$125 million<ref>{{cite news|last=Katz|first=Brandon|date=December 31, 2019|title=Which Movies Are Most Likely to Bomb in 2020?|work=[[The New York Observer]]|url=https://observer.com/2019/12/2020-movie-release-schedule-box-office-bombs-prediction/|access-date=February 1, 2020}}</ref>
|N/A
|-
|''[[Mank]]''<ref>{{Cite web|title=Mank|url=https://www.ilm.com/vfx/mank/|access-date=2020-03-11|website=Industrial Light & Magic}}</ref>''
|[[David Fincher]]
| rowspan="4" |[[Netflix]]
|$20–30 million<ref name="Moreau-Oct2020">{{cite web|last=Moreau|first=Jordan|date=October 30, 2020|title='Mank' First Reactions: David Fincher Is a 'Technical Genius' With 'Exquisitely Crafted' Film|url=https://variety.com/2020/film/awards/mank-review-david-fincher-reactions-1234819591/|url-status=live|archive-url=https://web.archive.org/web/20201101210532/https://variety.com/2020/film/awards/mank-review-david-fincher-reactions-1234819591/|archive-date=November 1, 2020|access-date=November 2, 2020|website=[[Variety (magazine)|Variety]]}}</ref>
|$99,752<ref name="NUM">{{Cite web|title=Mank (2020) - Financial Information|url=https://m.the-numbers.com/movie/Mank#tab=summary|url-status=live|archive-url=https://web.archive.org/web/20201208023939/https://m.the-numbers.com/movie/Mank#tab=summary|archive-date=December 8, 2020|access-date=November 30, 2020|publisher=[[The Numbers (website)|The Numbers]]}}</ref>
|-
|''[[We Can Be Heroes (2020 film)|We Can Be Heroes]]''
|[[Robert Rodriguez]]
|N/A
|N/A
|-
|''[[The Midnight Sky]]<ref>{{Cite web|title=The Midnight Sky|url=https://www.ilm.com/vfx/the-midnight-sky/|access-date=2021-02-15|website=Industrial Light & Magic}}</ref>''
|[[George Clooney]]
|$100 million<ref>{{Cite web|last=Thompson|first=Anne|date=2020-12-07|title=George Clooney's 'The Midnight Sky' Could Bring Netflix to the Oscars — Here's Why|url=https://www.indiewire.com/2020/12/george-clooney-the-midnight-sky-oscars-1234602777/|access-date=2021-02-15|website=IndieWire}}</ref>
|$62,557<ref>{{Cite web|title=The Midnight Sky|url=https://www.boxofficemojo.com/title/tt10539608/?ref_=bo_se_r_1|access-date=2021-02-15|website=Box Office Mojo}}</ref>
|-
| rowspan="13" |2021
|''[[Finding ʻOhana|Finding 'Ohana]]<ref>{{cite web|last=|first=|date=|title=Finding 'Ohana credits|url=https://www.ilm.com/vfx/finding-ohana-credits/|publisher=Industrial Light and Magic website|accessdate=March 14, 2021|archive-date=April 17, 2021|archive-url=https://web.archive.org/web/20210417111722/https://www.ilm.com/vfx/finding-ohana-credits/|url-status=dead}}</ref>''
|[[Jude Weng]]
|N/A
|N/A
|-
|''[[Chaos Walking (film)|Chaos Walking]]''
|[[Doug Liman]]
|[[Lionsgate]]
|$100 million
|$21.9 million
|-
|''[[Coming 2 America]]<ref>{{cite web|last=Frei|first=Vincent|date=4 February 2021|title=Coming 2 America Art of VFX|url=https://www.artofvfx.com/coming-2-america/|publisher=Art of VFX.com|accessdate=March 14, 2021}}</ref>''
|[[Craig Brewer]]
|[[Amazon Studios]]<br />[[Paramount Pictures]]
|$60 million
|N/A
|-
|''[[A Quiet Place Part II]]<ref>{{cite web|last=|first=|date=|title=A Quiet Place Part II ilm|url=https://www.ilm.com/vfx/a-quiet-place-part-ii/|publisher=ilm.com|accessdate=June 4, 2021}}</ref>''
|[[John Krasinski]]
|Paramount Pictures
|$61 million
|$293.5 million
|-
|''[[F9 (film)|F9]]<ref>{{Cite web|title=F9 {{!}} Industrial Light & Magic|url=https://www.ilm.com/vfx/f9/|access-date=2021-06-13}}</ref>''
|[[Justin Lin]]
|[[Universal Pictures]]
|$200–225 million
|$726.2 million
|-
|''[[Black Widow (2021 film)|Black Widow]]''<ref>{{cite web |last=|first=|date=|url=https://www.ilm.com/vfx/black-widow/|title=Black Widow Industrial Light & Magic listing|publisher=Industrial Light & Magic|accessdate=October 1, 2021}}</ref>
|[[Cate Shortland]]
|[[Marvel Studios]]
|$200 million
|$379.6 million
|-
|''[[Space Jam: A New Legacy]]''
|[[Malcolm D. Lee]]
|[[Warner Bros.]]
|$150 million
|$162.8 million
|-
|''[[Malignant (2021 film)|Malignant]]''<ref>{{cite web|last=Frei|first=Vincent|date=2021-03-09 |url=https://www.artofvfx.com/malignant/ |title=Malignant |website=Art of VFX |publisher=Art of VFX.com|accessdate=September 3, 2021}}</ref>
|[[James Wan]]
|[[New Line Cinema]]
|$40 million
|$30.3 million
|-
|''[[Jungle Cruise (film)|Jungle Cruise]]<ref>{{cite news|title=Jungle Cruise|newspaper=Industrial Light & Magic|url=https://www.ilm.com/vfx/jungle-cruise/|access-date=2018-11-20}}</ref>''
|[[Jaume Collet-Serra]]
|Walt Disney Pictures
|$200 million
|$220.9 million
|-
|''[[Free Guy]]<ref>{{Cite web|title=Free Guy {{!}} Industrial Light & Magic|url=https://www.ilm.com/vfx/free-guy/|access-date=2021-06-13}}</ref>''
|[[Shawn Levy]]
|[[20th Century Studios]]
|$100–125 million
|$331.5 million
|-
|''[[No Time to Die]]''<ref>{{cite web |last=Frei|first=Vincent|date=September 1, 2021|url=https://www.artofvfx.com/no-time-to-die/|title=No Time To Die Art of VFX|publisher=Art of VFX.com|accessdate=October 3, 2021}}</ref>
|[[Cary Joji Fukunaga]]
|[[Metro-Goldwyn-Mayer|Metro-Goldwyn Mayer]]<br />[[Universal Pictures]]
|$250 million
|$774 million
|-
|''[[Eternals (film)|Eternals]]''
|[[Chloé Zhao]]
|Marvel Studios
|$200 million
|$402.1 million
|-
|''[[Red Notice (film)|Red Notice]]''<ref>{{Cite web|title=Red Notice {{!}} Industrial Light & Magic|url=https://www.ilm.com/vfx/red-notice/|access-date=2021-11-26}}</ref>
|[[Rawson Marshall Thurber]]
|Netflix
|$200 million
|$2 million
|-
| rowspan="13" |2022
|''[[The Batman (film)|The Batman]]<ref>{{Cite web|title=The Batman {{!}} Industrial Light & Magic|url=https://www.ilm.com/vfx/the-batman/|access-date=2021-06-13}}</ref>''
|[[Matt Reeves]]
|Warner Bros. Pictures
|$200 million
|$770.8 million
|-
|''[[The Bubble (2022 film)|The Bubble]]''<ref>{{Cite web |title=The Bubble {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/the-bubble/ |access-date=2022-05-12 |website=www.ilm.com}}</ref>
|[[Judd Apatow]]
|Netflix
|$100 million
|N/A
|-
|''[[Doctor Strange in the Multiverse of Madness]]''<ref name=":1">{{Cite web |last=Frei |first=Vincent |date=2022-02-14 |title=Doctor Strange in the Multiverse of Madness |url=https://www.artofvfx.com/doctor-strange-in-the-multiverse-of-madness/ |access-date=2022-03-24 |website=The Art of VFX}}</ref>
|[[Sam Raimi]]
|Marvel Studios
|$200 million
|$955.8 million
|-
|''[[Jurassic World Dominion]]<ref>{{Cite web|title=Jurassic World: Dominion {{!}} Industrial Light & Magic|url=https://www.ilm.com/vfx/jurassic-world-dominion/|access-date=2021-06-13}}</ref>''
|[[Colin Trevorrow]]
|Universal Pictures<br />Amblin Entertainment
|$165–185 million
|$1.003 billion
|-
|''[[Thor: Love and Thunder]]<ref>{{Cite web|title=Thor: Love and Thunder {{!}} Industrial Light & Magic|url=https://www.ilm.com/vfx/thor-love-and-thunder/|access-date=2021-06-13}}</ref>''
|[[Taika Waititi]]
|Marvel Studios
|$250 million<ref>{{cite web|url= https://www.indiewire.com/2022/07/thor-love-and-thunder-review-1234738041/|title= 'Thor: Love and Thunder' Review: Fun and Quirky Space Epic Confronts Aimlessness of Post-Thanos MCU|first=David|last=Ehrlich|work=[[IndieWire]]|date=July 5, 2022|access-date=July 7, 2022}}</ref>
|$760.9 million
|-
|''[[The Gray Man (2022 film)|The Gray Man]]''<ref>{{Cite web |title=The Gray Man {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/the-gray-man/ |access-date=2022-08-18 |language=en-US}}</ref>
|[[Russo brothers|Anthony and Joe Russo]]
|Netflix
|$200 million
|$454,023
|-
|''[[Prey (2022 film)|Prey]]''
|[[Dan Trachtenberg]]
|[[Hulu]]/[[20th Century Studios]]
|$65 million
|N/A
|-
|''[[Good Night Oppy]]''<ref>{{Cite web |title=Good Night Oppy {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/good-night-oppy/ |access-date=2022-05-12 |website=www.ilm.com}}</ref>
|[[Ryan White (filmmaker)|Ryan White]]
|[[Amazon Studios]]
|N/A
|$3,663<ref>{{cite web | url=https://www.boxofficemojo.com/title/tt14179942/ | title=Good Night Oppy }}</ref>
|-
|''[[Black Panther: Wakanda Forever]]''<ref>{{Cite web |title=Black Panther: Wakanda Forever {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/black-panther-wakanda-forever/ |access-date=2022-06-23 |language=en-US}}</ref>
|[[Ryan Coogler]]
|Marvel Studios
|$250 million
|$859.2 million
|-
|''[[The Fabelmans]]''<ref>{{Cite web |title=The Fablemans {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/the-fablemans/ |access-date=2022-09-12 |website=www.ilm.com}}</ref>
|[[Steven Spielberg]]
|Universal Pictures
|$40 million
|$45.1 million
|-
|''[[Avatar: The Way of Water]]''<ref>{{Cite web |title=Avatar: The Way of Water {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/avatar-the-way-of-water/ |access-date=2022-07-20 |language=en-US}}</ref>
|[[James Cameron]]
|20th Century Studios<br />Lightstorm Entertainment
|$350–460 million
|$2.320 billion
|-
|''[[Babylon (2022 film)|Babylon]]''<ref>{{Cite web |title=Babylon {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/babylon/ |access-date=2022-12-14 |website=www.ilm.com}}</ref>
|[[Damien Chazelle]]
|Paramount Pictures
|$78–80 million
|$63.4 million
|-
|''[[The Pale Blue Eye]]''<ref>{{Cite web |title=The Pale Blue Eye {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/the-pale-blue-eye/ |access-date=2022-10-27 |website=www.ilm.com}}</ref>
|[[Scott Cooper (director)|Scott Cooper]]
|Netflix
|$72 million
|$129,928
|-
| rowspan="18" |2023
|''[[Ant-Man and the Wasp: Quantumania]]''<ref>{{Cite web |title=Ant-Man and the Wasp: Quantumania {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/ant-man-and-the-wasp-quantumania/ |access-date=2022-10-25 |website=www.ilm.com}}</ref>
|[[Peyton Reed]]
|Marvel Studios
|$250–275 million 
|$476.1 million
|-
|''[[Dungeons & Dragons: Honor Among Thieves]]''<ref>{{Cite web |title=Dungeons & Dragons: Honor Among Thieves {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/dungeons-dragons-honor-among-thieves/ |access-date=2022-04-24 |language=en-US}}</ref>
|[[Jonathan Goldstein (filmmaker)|Jonathan Goldstein]]<br />[[John Francis Daley]]
|Paramount Pictures
|$150 million<ref>{{Cite web |last=Vary |first=Adam B. |date=2023-03-01 |title=Building 'Dungeons & Dragons: Honor Among Thieves': How Jonathan Goldstein and John Francis Daley Brought the Ultimate Nerd Property to Movie Theaters |url=https://variety.com/2023/film/news/dungeons-dragons-honor-among-thieves-directors-chris-pine-rege-jean-page-hugh-grant-1235539888/ |access-date=2023-03-30 |website=Variety |language=en-US}}</ref>
|$208.2 million
|-
|''[[Renfield (film)|Renfield]]''<ref>{{Cite web |title=Renfield {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/renfield/ |access-date=May 25, 2024 |website=www.ilm.com}}</ref>
|[[Chris McKay]]
|Universal Pictures
|$65 million
|$26.9 million
|-
|''[[Guardians of the Galaxy Vol. 3]]''<ref>{{Cite web |title=Guardians of the Galaxy Vol. 3 - The Art of VFX |url=https://www.artofvfx.com/guardians-of-the-galaxy-vol-3/ |access-date=2022-12-02 |website=www.artofvfx.com}}</ref>
|[[James Gunn]]
|Marvel Studios
|$250 million
|$845.6 million
|-
|''[[Fast X]]''<ref>{{Cite web |title=Fast X {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/fast-x/ |access-date=2022-09-12 |website=www.ilm.com}}</ref>
|[[Louis Leterrier]]
|Universal Pictures
|$340 million
|$714.6 million
|-
|''[[The Little Mermaid (2023 film)|The Little Mermaid]]''<!--Industrial Light & Magic is listed in the film's end credits for the Motion Capture-->
|[[Rob Marshall]]
|Walt Disney Pictures
|$240.2 million
|$569.6 million
|-
|''[[Indiana Jones and the Dial of Destiny]]''<ref>{{Cite web |title=Indiana Jones and the Dial of Destiny {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/indiana-jones-and-the-dial-of-destiny/ |access-date=2023-02-12 |website=www.ilm.com}}</ref>
|[[James Mangold]]
|Walt Disney Pictures<br />Lucasfilm Ltd.<br/>Paramount Pictures
|$295 million
|$384 million
|-
|''[[Mission: Impossible – Dead Reckoning Part One]]''<ref>{{Cite web |title=Mission: Impossible – Dead Reckoning Part One |url=https://www.ilm.com/vfx/mission-impossible-dead-reckoning-part-one/ |access-date=2023-06-28 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Christopher McQuarrie]]
|Paramount Pictures
|$219–291 million
|$567.5 million
|-
|''[[Haunted Mansion (2023 film)|Haunted Mansion]]''<ref>{{Cite web |title=Haunted Mansion |url=https://www.ilm.com/vfx/haunted-mansion/ |access-date=2023-06-29 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Justin Simien]]
|Walt Disney Pictures
|$150 million
|$117.5 million
|-
|''[[Blue Beetle (film)|Blue Beetle]]''<ref>{{Cite web |title=Blue Beetle |website=The Art of VFX |date=27 October 2023 |url=https://www.artofvfx.com/blue-beetle/ |quote=ILM (VFX Supervisors: Russell Earl, Malcolm Humphreys) |access-date=2024-05-31 }}</ref>
|[[Ángel Manuel Soto]]
|Warner Bros. Pictures
|$104–125 million
|$130.8 million
|-
|''[[The Creator (2023 film)|The Creator]]''<ref>{{Cite web |title=The Creator {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/the-creator/ |access-date=2023-05-18 |website=www.ilm.com}}</ref>
|[[Gareth Edwards (filmmaker)|Gareth Edwards]]
|20th Century Studios
|$80 million
|$104 million
|- 
|''[[Killers of the Flower Moon (film)|Killers of the Flower Moon]]''<ref>{{Cite web |title=Killers of the Flower Moon |url=https://www.ilm.com/vfx/killers-of-the-flower-moon/ |access-date=2023-10-12 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Martin Scorsese]]
|Paramount Pictures<br />[[Apple Original Films]]
|$200 million
|$156.9 million
|-
|''[[The Marvels]]''<ref>{{Cite web |title=The Marvels {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/the-marvels/ |access-date=2023-04-22 |website=www.ilm.com}}</ref>
|[[Nia DaCosta]]
|Marvel Studios
|$220–378 million
|$206.1 million
|-
|''[[Napoleon (2023 film)|Napoleon]]''<ref>{{Cite web |title=Napoleon |url=https://www.ilm.com/vfx/napoleon/ |access-date=2023-10-05 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Ridley Scott]]
|Columbia Pictures<br />Apple Original Films<br />Sony Pictures Entertainment 
|$130–200 million 
|$220.9 million
|-
|''[[Candy Cane Lane (film)|Candy Cane Lane]]''<ref>{{Cite web |title=Candy Cane Lane |url=https://www.ilm.com/vfx/candy-cane-lane/ |access-date=2023-10-13 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Reginald Hudlin]]
|[[Amazon Prime Video]]
|N/A
|rowspan="2" |N/A
|-
|''[[Rebel Moon]]''<ref>{{Cite web |title= Rebel Moon - Part One: A Child of Fire (ILM Art Department, conceptual development) | website=[[IMDb]] |url=https://www.imdb.com/title/tt14998742/companycredits/?ref_=tt_dt_cmpy | access-date=2024-12-20|language=en-US}}</ref><!--In the final credits of the film they appear credited as ILM Art. The Art department of Industrial Light & Magic worked on this film -->
|[[Zack Snyder]]
|Netflix
|$90–166 million
|-
|''[[Aquaman and the Lost Kingdom]]''<ref>{{Cite web |title=Aquaman and the Lost Kingdom {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/aquaman-and-the-lost-kingdom/ |access-date=2023-04-04 |website=www.ilm.com}}</ref>
|James Wan
|Warner Bros. Pictures
|$205–215 million
|$434.3 million
|-
|''[[The Boys in the Boat (film)|The Boys in the Boat]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2023-12-04 |title=The Boys in the Boat |url=https://www.artofvfx.com/the-boys-in-the-boat/ |access-date=2024-01-13 |website=The Art of VFX}}</ref><!-- Even though ILM worked on this film and posted this on their social media. They never got credited in the film -->
|George Clooney
|Metro-Goldwyn-Mayer
|$40 million
|$55.3 million
|-
| rowspan="15" | 2024
|''[[Madame Web (film)|Madame Web]]''<!--Industrial Light & Magic is listed in the film's end credits-->
|[[S. J. Clarkson]]
|Columbia Pictures<br/>Sony Pictures Entertainment
|$80–100 million
|$100.3 million
|-
|''[[Road House (2024 film)|Road House]]''<ref>{{Cite web |title=Road House {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/road-house/ |access-date=May 25, 2024 |website=www.ilm.com}}</ref>
|Doug Liman
|Amazon Prime Video
|$85 million
| N/A
|-
|''[[Rebel Moon - Part Two: The Scargiver]]''<ref>{{Cite web |title= Rebel Moon - Part Two: The Scargiver (ILM Art Department, conceptual development) | website=[[IMDb]] |url=https://www.imdb.com/title/tt23137904/companycredits/?ref_=tt_dt_cmpy | access-date=2024-12-20|language=en-US}}</ref><!--In the final credits of the film they appear credited as ILM Art. The Art department of Industrial Light & Magic worked on this film -->
|Zack Snyder
|rowspan="2" | Netflix
|$83–166 million
|rowspan="2" |N/A
|-
|''[[Atlas (2024 film)|Atlas]]''<ref>{{Cite web |title=Atlas {{!}} Industrial Light & Magic |url=https://www.ilm.com/vfx/atlas/ |access-date=May 25, 2024 |website=www.ilm.com}}</ref>
|[[Brad Peyton]]
|$100 million
|-
|''[[A Quiet Place: Day One]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-02-07 |title=A Quiet Place: Day One |url=https://www.artofvfx.com/a-quiet-place-day-one/ |access-date=2024-02-08 |website=The Art of VFX}}</ref>
|[[Michael Sarnoski]]
|Paramount Pictures
|$67 million
|$261.8 million
|-
|''[[Twisters (film)|Twisters]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-02-12 |title=Twisters |url=https://www.artofvfx.com/twisters/ |access-date=2024-02-12 |website=The Art of VFX}}</ref>
|[[Lee Isaac Chung]]
|Universal Pictures<br/>Warner Bros. Pictures<br/>Amblin Entertainment 
|$155–200 million
|$371 million
|-
|''[[Deadpool & Wolverine]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-02-12 |title=Deadpool & Wolverine |url=https://www.artofvfx.com/deadpool-and-wolverine/ |access-date=2024-02-12 |website=The Art of VFX}}</ref>
|Shawn Levy
|Marvel Studios
|$200 million
|$1.338 billion
|-
|''[[Alien: Romulus]]''<ref>{{Cite web |title=Alien: Romulus |url=https://www.ilm.com/vfx/alien-romulus/ |access-date=2024-03-26 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Fede Álvarez]]
|20th Century Studios
|$80 million 
|$350.8 million
|-
|''[[Rez Ball]]''<ref>{{Cite web |title=Rez Ball |url=https://www.ilm.com/vfx/rez-ball/ |access-date=2024-08-07 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Sydney Freeland]]
|Netflix
| {{TBA}}
|N/A
|-
|''[[Joker: Folie à Deux]]''<ref>{{Cite web |title=Joker: Folie à Deux|url=https://www.ilm.com/vfx/joker-folie-a-deux/ |access-date=2024-07-28 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Todd Phillips]]
|Warner Bros. Pictures
|$200 million
|$206.4 million
|-
|''[[Venom: The Last Dance]]''<ref>{{Cite web |title=Venom: The Last Dance |url=https://www.ilm.com/vfx/venom-the-last-dance/ |access-date=2024-10-19 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Kelly Marcel]]
|Columbia Pictures<br />Sony Pictures Entertainment
|$120 million
|$479 million
|-
|''[[Blitz (2024 film)|Blitz]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-10-12 |title=Blitz |url=https://www.artofvfx.com/blitz/|access-date=2024-10-12 |website=The Art of VFX}}</ref>
|[[Steve McQueen]]
|Apple TV+
| {{TBA}}
|N/A
|-
|''[[Gladiator II]]''<ref>{{Cite web |title=Gladiator II |url=https://www.ilm.com/vfx/gladiator-ii/ |access-date=2024-07-17 |website=Industrial Light & Magic |language=en-US}}</ref>
|Ridley Scott
|Paramount Pictures
|$250–310 million
|$461.9 million
|-
|''[[Wicked (2024 film)|Wicked]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-02-12 |title=Wicked: Part One |url=https://www.artofvfx.com/wicked-part-one/ |access-date=2024-02-12 |website=The Art of VFX}}</ref>
|[[Jon M. Chu]]
|Universal Pictures
|$145–150 million
|$728.1 million
|-
|''[[Sonic the Hedgehog 3 (film)|Sonic the Hedgehog 3]]''<ref>{{Cite web |title=Sonic the Hedgehog 3 |url=https://www.ilm.com/vfx/sonic-the-hedgehog-3/ |access-date=2024-10-05 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[Jeff Fowler]]
|Paramount Pictures
|$122 million<ref>{{cite web |last=Rubin |first=Rebecca |date=December 17, 2024 |title='Sonic the Hedgehog 3' to Outrun 'Mufasa' at Domestic Box Office but 'Lion King' Prequel Will Rule Globally |url=https://variety.com/2024/film/box-office/sonic-the-hedgehog-3-mufasa-lion-king-box-office-opening-weekend-projections-1236251797/ |access-date=December 18, 2024 |website=[[Variety (magazine)|Variety]] |publisher=[[Penske Media Corporation]] |language=en-US |archive-date=December 28, 2024 |archive-url=https://web.archive.org/web/20241228012216/https://variety.com/2024/film/box-office/sonic-the-hedgehog-3-mufasa-lion-king-box-office-opening-weekend-projections-1236251797/ |url-status=live }}</ref>
|$483.3 million
|-
| rowspan="6" |2025
|''[[Back in Action (2025 film)|Back in Action]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-12-20 |title=Back in Action |url=https://www.artofvfx.com/back-in-action/ |access-date=2024-12-20 |website=The Art of VFX |language=fr-FR}}</ref>
|[[Seth Gordon]]
| rowspan="2" | Netflix
|$158.9–207.2 million
| rowspan="2" | N/A
|-
|''[[The Electric State (film)|The Electric State]]''<ref>{{Cite web |title=The Electric State |url=https://www.ilm.com/vfx/the-electric-state/ |access-date=2024-10-18 |website=Industrial Light & Magic |language=en-US}}</ref>
|Anthony and Joe Russo
|$320 million
|-
|''[[The Amateur (2025 film)|The Amateur]]''<ref>{{Cite web |title=The Amateur |url=https://www.ilm.com/vfx/the-amateur/ |access-date=2025-02-16 |website=Industrial Light & Magic |language=en-US}}</ref>
|[[James Hawes]]
|20th Century Studios
|$60 million
|$80.8 million
|-
|''[[Sinners (2025 film)|Sinners]]''<ref>{{Cite web |last=Frei |first=Vincent |date=2024-10-02 |title=Sinners |url=https://www.artofvfx.com/sinners/ |access-date=2024-10-03 |website=The Art of VFX |language=fr-FR}}</ref>
|Ryan Coogler
|Warner Bros. Pictures
|$90–100 million
|
|-
|''[[Thunderbolts*]]''<ref>{{Cite web  |date=2024-10-12 |title=Thunderbolts* |url= https://www.ilm.com/vfx/thunderbolts/|access-date=2024-10-12 |website=Industrial Light & Magic}}</ref>
|[[Jake Schreier]]
|Marvel Studios
|$180 million
|
|-
|''[[Mission: Impossible – The Final Reckoning]]''<ref>{{Cite web |title=Mission: Impossible – The Final Reckoning |url=https://www.ilm.com/vfx/mission-impossible-the-final-reckoning/ |access-date=2024-11-15 |website=Industrial Light & Magic |language=en-US}}</ref>
|Christopher McQuarrie
|Paramount Pictures
|$400 million 
|
|-
|}