Editing Greed (1924 film) (section)

===Themes===
Frank Norris's novel belongs to the literary school of [[Naturalism (literature)|naturalism]] founded by French author [[Émile Zola]].{{sfn|Lennig|2000|p=187}} ''McTeague'' depicts the fate of its lower-class characters in terms of heredity and their environment,{{sfn|Wakeman|1987|p=1073}} with the belief that "man's nature, despite free will, is determined by genetic and environmental factors"{{sfn|Lennig|2000|p=187}} and that heredity controls fate, despite efforts at upward mobility.{{sfn|Koszarski|1983|p=118}} This literary style was influenced by [[Charles Darwin]] and portrayed characters whose higher states of being, the rational and compassionate, are in conflict with their lower states, the ''bête humaine'' (human beast).{{sfn|Koszarski|1983|p=118}} ''McTeague'' was first published in 1899 and was inspired by an October 1893 murder case in which Patrick Collins, a poor husband with a history of beating his wife Sarah, finally stole her money and stabbed her to death at her San Francisco workplace. Sarah Collins worked at the Lest Norris kindergarten, which was financed by Norris's family.{{sfn|Lennig|2000|p=186}}{{sfn|Rosenbaum|1993|pp=16-18}}

Von Stroheim did not see ''Greed'' as political and told a journalist that he considered it to be like a [[Greek tragedy]]. Despite the characters' struggles with poverty and class, von Stroheim followed the naturalist technique of portraying characters whose lives are driven by fate and their inner nature. Von Stroheim employed variations of this theme in his other films, which often involved a commoner falling in love with an aristocrat or royal.{{sfn|Koszarski|1983|p=129}}

[[File:Greed, 1924, 06 banchetto.jpg|thumb|right|In the wedding banquet scene, Trina's mother grotesquely devours her food.]]

One of the cinematic techniques by which von Stroheim portrayed naturalism was animal symbolism.{{sfn|Lennig|2000|pp=195–196}} In ''Greed'' McTeague is associated with a canary, only briefly mentioned in the novel.{{sfn|Lennig|2000|p=198}} Von Stroheim altered Norris's original ending and has McTeague release the canary in Death Valley.{{sfn|Lennig|2000|p=214}} McTeague buys Trina a female canary as a wedding gift and early in their marriage von Stroheim cuts from a shot of them kissing to birds fluttering wildly in their cage.{{sfn|Lennig|2000|pp=198, 200}} Another scene with animal imagery includes cross-cutting between a cat attempting to pounce on the canaries in the scene where Schouler bids goodbye to McTeague and Trina without telling them that he has informed on McTeague.{{sfn|Lennig|2000|p=198}} Dogs, cats and monkeys are associated with various supporting characters.{{sfn|Lennig|2000|pp=195–196}} Von Stroheim also used the naturalist technique of giving characters specific objects, gestures or phrases that repeat throughout the film as a visual ''[[leitmotif]]''. For example, Trina tugs on her lips and McTeague fiddles with his birdcage.{{sfn|Finler|1968|pp=31, 38}}

Throughout his career von Stroheim used grotesque imagery and characters. This is most apparent in the wedding-banquet scene, which includes a midget, a hunchback, a woman with buck teeth and a boy on crutches.{{sfn|Lennig|2000|pp=87–88}} The wedding guests violently and crudely devour their meal like animals. This scene was unlike any other in films of that period, which treated meals with dignity and a sense of communion.{{sfn|Lennig|2000|pp=204–206}} Other instances of grotesque imagery include Trina's fingers becoming infected and amputated.{{sfn|Lennig|2000|p=211}} Von Stroheim contrasted love scenes between McTeague and Trina with their ugly, lower-class environment, such as the sewer with the dead rat and a garbage truck driving by as they kiss.{{sfn|Lennig|2000|p=95}}

As in his other films, von Stroheim used Christian imagery and symbols, such as crosses and churches.{{sfn|Lennig|2000|p=91}} Trina first shows signs of greed on [[Easter Sunday]] and is murdered by McTeague on [[Christmas Eve]]. Christmas Eve was often depicted in von Stroheim's films and was close to the date of his father's death.{{sfn|Lennig|2000|p=90}} Lennig asserted that the character of McTeague's father (who was only briefly mentioned in the novel) is based on von Stroheim's own father, while McTeague's mother is a tribute to von Stroheim's mother, to whom ''Greed'' is dedicated.{{sfn|Lennig|2000|p=193}} Von Stroheim stated that he considered all of his good qualities to have come from his mother and all of his bad qualities to have come from his father.{{sfn|Lennig|2000|p=194}}