Editing Electronic body music (section)

== Derivatives and alternative terms ==
===Electro-industrial===
{{Main|Electro-industrial}}
Electro-industrial is an outgrowth of the EBM and [[industrial music]] that developed in the mid-1980s. While EBM has minimal structures and a clean production, electro-industrial draws on deep, complex and layered sounds, incorporating elements of [[ambient industrial]]. Electro-industrial was pioneered by [[Skinny Puppy]], [[Numb (band)|Numb]] and [[Mentallo & The Fixer]]. In the early 1990s, the style spawned the [[dark electro]] genre and, in the end of the decade, a strongly [[techno]]- and [[Hard trance|hard-trance]]-inspired style called "hellektro" or "[[aggrotech]]."

===Industrial dance===
Industrial dance is a North American umbrella term for electronic body music and [[electro-industrial]] music. Fans associated with these genres call themselves ''[[rivethead]]s''.

In general, industrial dance is characterized by its "electronic beats, symphonic keyboard lines, [[pile driver|pile-driver]] rhythms, angst-ridden or sampled vocals, and [[cyberpunk]] imagery".<ref name="cyber">{{cite book | title=ECO-TEC: Architecture of the In-Between - | publisher=Princeton Architectural Press | author=Marras, Amerigo | year=1999 | pages=[https://archive.org/details/ecotecarchitectu0000unse/page/54 54] | isbn=1568981597 | url=https://archive.org/details/ecotecarchitectu0000unse/page/54 }}</ref><ref name="lollapalooza"/>

Since the mid-1980s,<ref>{{cite book|author=Gail Priest|title=Experimental Music: Audio Explorations in Australia|page=48|publisher=[[University of New South Wales]] Press|year=2009|isbn=978-1-921410-07-9}}</ref> the term ''industrial dance'' has been used to describe the music of [[Cabaret Voltaire (band)|Cabaret Voltaire]] (early 1980s),<ref>Holly George-Warren / Patricia Romanowski / Jon Pareles: ''The Rolling Stone Encyclopedia of Rock & Roll'', Fireside, 2001, {{ISBN|0-7432-0120-5}}, p.&nbsp;140.</ref><ref>{{cite book|title=The Secret History of Rock 'n' Roll|publisher=Viva Editions|author=Knowles, Christopher|author-link=Christopher Knowles (comics)|year=2010|isbn=9781573444057|url=https://archive.org/details/secrethistoryofr00know/page/236|page=[https://archive.org/details/secrethistoryofr00know/page/236 236]|via=the Internet Archive}}</ref> early [[Die Krupps]],<ref name="Nobahkt">David Nobahkt: ''Suicide: No Compromise'' SAF Publishing Ltd., 2004, {{ISBN|0-946719-71-3}}, p.&nbsp;166.</ref> [[Portion Control (band)|Portion Control]],<ref>The Wire, Volume 269-274, C. Parker, 2006, p.&nbsp;32.</ref> [[The Neon Judgement]],<ref name="Nobahkt" /> [[Clock DVA]],<ref name="Mondo 2000" /> [[Nitzer Ebb]],<ref>{{cite magazine|author=Tony Fletcher|title=Hard-boiled Ebb – Interview with Nitzer Ebb|magazine=[[Spin (magazine)|Spin]]|date=February 1992|publication-date=February 1992|pages=16–17|url=https://books.google.com/books?id=yLVeu01ciK8C&pg=PT18|access-date=24 October 2017}}</ref><ref name="Zingales">Christian Zingales: ''Electronica'' Giunti Gruppo Editoriale, 2002, {{ISBN|88-09-02523-7}}, p.&nbsp;59.</ref> [[KMFDM]],<ref>{{cite magazine|first=Chuck|last=Eddy|url=https://books.google.com/books?id=_hQxGHrtDC0C&pg=PT74|title=KMFDM, ''Money'', Wax Trax!|department=Spins|magazine=[[Spin (magazine)|Spin Magazine]]|volume=8|issue=4|date=July 1992|page=71|access-date=21 August 2018|via=Google Books}}</ref><ref>Amy Sciarretto: ''Wax Trax! / TVT Offers KMFDM's Final Statement with „Adios"'', CMJ New Music Report, 5. April 1999, p.&nbsp;1.</ref><ref>Amy Sciarretto: ''Review of the album „MDFMK" by MDFMK'', CMJ New Music Report, 14. February 2000, p.&nbsp;22</ref> [[Skinny Puppy]], [[Front Line Assembly]],<ref>David Jarman: ''Review of the album „Flavour of the Weak" by Front Line Assembly'', [[CMJ New Music Monthly]], April 1998, p.&nbsp;50.</ref><ref>David Jarman: ''Review of the album „Implode" by Front Line Assembly'', [[CMJ New Music Monthly]], August 1999, p.&nbsp;44.</ref><ref>Vladimir Bogdanov / Chris Woodstra / Stephen Thomas Erlewine: ''All Music Guide to Electronica: The Definitive Guide to Electronic Music'', Backbeat Books, 2001, {{ISBN|0-87930-628-9}}, p.&nbsp;198.</ref> [[Front 242]],<ref name="lollapalooza">Tony Fletcher: ''Let's Go - Lollapalooza '93'', [[Spin (magazine)|SPIN magazine]], July 1993, p.&nbsp;44.</ref><ref name="Nobahkt" /><ref name="Zingales" /><ref>{{cite journal | title=Front 242 - Mut@ge.Mix@ge | author=Macdonald - Heidi | journal=[[CMJ]] |date=May 1998 | issue=57 | issn=1074-6978 }}</ref> [[Ministry (band)|Ministry]],<ref name="DeRogatis-2003-p95">{{cite book|author=Jim DeRogatis|author-link=Jim Derogatis|title=Milk it!: Collected Musings on the Alternative Music Explosion of the 90s|page=[https://archive.org/details/milkitcollectedm00dero/page/95 95]|publisher=Da Capo Press|year=2003|isbn=0-306-81271-1|quote=Big Black's relentless noise guitars, jackhammer rhythms and lyrical tales of America's underbelly continue to inspire cutting-edge bands such as Helmet, Tar and, the Jesus Lizard", as well as industrial dance groups such as Nine Inch Nails and Ministry.|url=https://archive.org/details/milkitcollectedm00dero|url-access=registration}}</ref> [[Nine Inch Nails]],<ref>{{cite magazine| title=Metal Machine Music | author=Eddy, Chuck | magazine=Spin Magazine |date=June 1998 | volume=14 | issue=6 | pages=139 | issn=0886-3032 }}</ref><ref name="DeRogatis-2003-p95"/><ref>{{cite book | title=The A to X of Alternative Music | publisher=[[Continuum International Publishing Group]] | author=Taylor, Steve | year=2006 | pages=165 | isbn=0826482171}}</ref> [[Manufacture (band)|Manufacture]],<ref name="John Leland 1989, p. 78">{{cite magazine|first=John|last=Leland|title=A Dilettante's Guide to Industrial Dance Music|url=https://books.google.com/books?id=bT9Dc3mzdZ8C&pg=PA78|department=Singles|magazine=Spin Magazine|date=March 1989|volume=4|issue=12|page=78|access-date=21 August 2018|via=Google Books}}</ref> [[Yeht Mae]],<ref name="Mondo 2000">Rudy von Bitter Rucker / R. U. Sirius / Queen Mu: ''Mondo 2000: A User's Guide to the New Edge'', HarperPerennial, 1992, {{ISBN|0-06-096928-8}}</ref> [[My Life with the Thrill Kill Kult]],<ref>{{cite magazine| title=Recordnews | author=Jacks, Kelso | magazine=[[CMJ]] |date=November 1999 | volume=60 | issue=643 | pages=10 | issn=0890-0795 }}</ref> [[Leæther Strip]]<ref>{{Cite web |url=http://www.allmusic.com/explore/style/industrial-dance-d4382 |title=Industrial Dance : Significant Albums, Artists and Songs, Most Viewed : AllMusic<!-- Bot generated title --> |website=[[AllMusic]] |access-date=6 September 2012 |archive-date=2 May 2012 |archive-url=https://web.archive.org/web/20120502152728/http://www.allmusic.com/explore/style/industrial-dance-d4382 |url-status=dead }}</ref> or early [[Spahn Ranch (band)|Spahn Ranch]].<ref>David Jarman: ''Review of the album „Beat Noir" by Spahn Ranch'', [[CMJ New Music Monthly]], January 1999, p.&nbsp;51.</ref> In March 1989, ''[[Spin (magazine)|Spin Magazine]]'' presented a two-paged special report about the industrial dance movement in Canada and the U.S.<ref name="John Leland 1989, p. 78"/>