Editing Chinatown (1974 film) (section)

===Soundtrack===
{{Infobox album
| name       = Chinatown
| type       = film
| artist     = [[Jerry Goldsmith]]
| cover      =
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| released   = 1974
| recorded   =
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| genre      = [[Jazz]], [[soundtrack]]
| length     =
| label      = [[Varèse Sarabande]]
| producer   =
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}}
[[Jerry Goldsmith]] composed and recorded the film's score in ten days, after producer Robert Evans rejected Phillip Lambro's original effort at the last minute. It received an [[Academy Award]] nomination and remains widely praised,<ref>{{cite web | first=Terry | last=Teachout | title=The Perfect Film Score | work=The Wall Street Journal | url=https://www.wsj.com/articles/SB10001424052970204261704574274152752739772 | date=July 10, 2009 | access-date=December 7, 2016 | archive-date=October 28, 2016 | archive-url=https://web.archive.org/web/20161028144134/http://www.wsj.com/articles/SB10001424052970204261704574274152752739772 | url-status=live}}</ref><ref name=empire>{{cite web | author=Team Empire | title=The 20 Soundtracks That Defined The 1970s | url=http://www.empireonline.com/movies/features/decade-defining-soundtracks-70s/ | work=[[Empire (magazine)|Empire]] | date=April 27, 2013 | access-date=December 7, 2016 | archive-date=December 4, 2016 | archive-url=https://web.archive.org/web/20161204074322/http://www.empireonline.com/movies/features/decade-defining-soundtracks-70s/ | url-status=live}}</ref><ref>{{cite web | last=Schweiger | first=Daniel | title=CD Review: The Ghost Writer – Original Soundtrack | url=http://www.filmmusicmag.com/?p=5171 | work=Film Music Magazine | date=March 15, 2010 | publisher=Global Media Online | access-date=December 7, 2016 | quote=...of all of his movies that involve some sort of conspiracy, Jerry Goldsmith's Oscar-nominated film noir stylings for ''Chinatown'' are the most renowned. I can dare to say that while nothing is going to top that classic score... | archive-date=January 15, 2017 | archive-url=https://web.archive.org/web/20170115105926/http://www.filmmusicmag.com/?p=5171 | url-status=live}}</ref> ranking ninth on the [[American Film Institute]]'s list of the [[AFI's 100 Years of Film Scores|top 25 American film scores]].<ref>{{cite web | title=AFI's 100 Years of Film Scores | url=http://www.afi.com/100years/scores.aspx | publisher=[[American Film Institute]] | access-date=December 7, 2016 | archive-date=March 30, 2014 | archive-url=https://web.archive.org/web/20140330194723/http://www.afi.com/100Years/scores.aspx | url-status=live}}</ref> Goldsmith's score, with "haunting" trumpet solos by Hollywood studio musician and MGM's first trumpet [[Uan Rasey]], was released through [[ABC Records]] and features 12 tracks at a running time just over 30 minutes. It was later reissued on CD by the [[Varèse Sarabande]] label. Rasey related that Goldsmith "told [him] to play it sexy — but like it's not good sex!"<ref name=empire />

# "Love Theme from Chinatown (Main Title)"
# "Noah Cross"
# "[[Easy Living (song)|Easy Living]]" ([[Ralph Rainger|Rainger]], [[Leo Robin|Robin]])
# "Jake and Evelyn"
# "[[I Can't Get Started]]" ([[Vernon Duke|Duke]], [[Ira Gershwin|Gershwin]])
# "The Last of Ida"
# "The Captive"
# "The Boy on a Horse"
# "[[The Way You Look Tonight]]" ([[Jerome Kern|Kern]], [[Dorothy Fields|Fields]])
# "The Wrong Clue"
# "J. J. Gittes"
# "Love Theme from Chinatown (End Title)"