Editing Aleatoric music (section)

==References==
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'''Sources'''
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* {{wikicite|ref={{harvid|Boehmer|1967}}|reference=[[Konrad Boehmer|Boehmer, Konrad]]. 1967. ''Zur Theorie der offenen Form in der neuen Musik''. Darmstadt: Edition Tonos. (Second printing 1988.)}}
* {{wikicite|ref={{harvid|Boulez|1957}}|reference=[[Pierre Boulez|Boulez, Pierre]]. 1957. "Aléa". ''Nouvelle Revue française'', no. 59 (1 November). Reprinted in Pierre Boulez, ''Relevés d'apprenti'', collected and presented by Paule Thévenin, 41–45. Paris: Éditions du Seuil, 1966. {{ISBN|2-02-001930-2}}. English as "Alea" in Pierre Boulez, ''Notes of an Apprenticeship'', collected and presented by Paule Thévenin, translated from the French by [[Herbert Weinstock]], 35–51. New York: Alfred A. Knopf, 1968. New English translation, as "Alea", in Pierre Boulez, ''Stocktakings from an Apprenticeship'', collected and presented by Paule Thévenin, translated from the French by [[Stephen Walsh (writer)|Stephen Walsh]], with an introduction by Robert Piencikowski, 26–38. Oxford: Clarendon Press; New York: Oxford University Press, 1991. {{ISBN|0-19-311210-8}}.}}
*{{wikicite|ref={{harvid|Chrissochoidis, Houliaras, & Mitsakis|2005}}|reference=Chrissochoidis, Ilias, Stavros Houliaras, and Christos Mitsakis. 2005.[https://www.academia.edu/249265/Set_theory_in_Xenakis_EONTA "Set theory in Xenakis' ''EONTA''"]. In ''International Symposium Iannis Xenakis'', edited by Anastasia Georgaki and [[Makis Solomos]], 241–249. Athens: The National and Kapodistrian University.}}
*{{cite web |last=Farach-Colton |first=Andrew |title=Hovhaness Concerto for 2 Pianos; (3) Pieces for 2 Pianos |work=[[Gramophone (magazine)|Gramophone]] |date=November 2005 |url=http://www.gramophone.co.uk/review/hovhaness-concerto-for-2-pianos-3-pieces-for-2-pianos |access-date=June 4, 2015}}
* {{wikicite|ref={{harvid|Fisher|2010}}|reference=Fisher, Lynn. 2010. "[http://aleacounterpoint.wordpress.com/2010/06/08/orpheus/ An Unlikely Musical Pioneer? Early Aleatory Counterpoint]". ''AleaCounterpoint'' blog site (Accessed 22 June 2010).}}
* {{wikicite|ref={{harvid|Griffiths|2001}}|reference=Griffiths, Paul. 2001. "Aleatory". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Hovhaness|1944}}|reference=[[Alan Hovhaness|Hovhaness, Alan]]. 1944. ''[[Lousadzak]]'', Op. 48 (score).  New York: Peer International Corporation.}}
* {{wikicite|ref={{harvid|Hovhaness|1958}}|reference=Hovhaness, Alan. 1958. ''Meditation on Orpheus'', Op. 155 (score). New York: C. F. Peters.}}
* {{wikicite|ref={{harvid|Jacobs|1966}}|reference=Jacobs, Arthur. 1966. "Admonitoric Note". ''[[The Musical Times]]'' 107, no. 1479 (May): 414.}}
* {{wikicite|ref={{harvid|Joe & Song|2002}}|reference=Joe, Jeongwon, and S. Hoon Song. 2002. "Roland Barthes' 'Text' and Aleatoric Music: Is the Birth of the Reader the Birth of the Listener?". ''Muzikologija'' 2:263–281.}}
* {{wikicite|ref={{harvid|Karlin & Wright|2004}}|reference=Karlin, Fred, and Rayburn Wright. 2004. ''On the Track: A Guide to Contemporary Film Scoring'', second edition. New York: Routledge. {{ISBN|0-415-94135-0}} (cloth); {{ISBN|0-415-94136-9}} (pbk).}}
* {{wikicite|ref={{harvid|Lotringer|1998}}|reference=Lotringer, Sylvère. 1998. "Duchamp Werden". In ''Crossings: Kunst zum Hören und Sehen: Kunsthalle Wien, 29.5.-13. 9.1998'' [exhibition catalogue], edited by Cathrin Pichler, 55-61. Ostfildern bei Stuttgart: Cantz. {{ISBN|3-89322-443-2}}.}}
* {{wikicite|ref={{harvid|Maconie|2005}}|reference=[[Robin Maconie|Maconie, Robin]]. 2005. ''Other Planets: The Music of Karlheinz Stockhausen''. Lanham, Maryland, Toronto, Oxford: Scarecrow Press. {{ISBN|0-8108-5356-6}}.}}
* {{wikicite|ref={{harvid|Meyer-Eppler|1957}}|reference=[[Werner Meyer-Eppler|Meyer-Eppler, Werner]]. 1957. "Statistic and Psychologic Problems of Sound",  translated by Alexander Goehr. ''[[Die Reihe]]'' 1 ("Electronic Music"): 55–61. Original German edition, 1955, as "Statistische und psychologische Klangprobleme", ''Die Reihe'' 1 ("Elektronische Musik"): 22–28.}}
*{{Wikicite|ref={{harvid|Platte|2014}}|reference=Platte, Nathan. [https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002263168 "Snow, Mark".] [[Grove Music Online]]. 1 July 2014; Accessed 10 December 2020.}}
* {{wikicite|ref={{harvid|Pritchett|1993}}|reference=Pritchett, James. 1993. ''The Music of John Cage''. Music in the 20th Century. Cambridge, New York, Melbourne: Cambridge University Press. {{ISBN|0-521-41621-3}} (cloth); {{ISBN|0-521-56544-8}} (pbk).}}
* {{wikicite|ref={{harvid|Rae|2001}}|reference=Rae, Charles Bodman. 2001. "Lutosławski, Witold (Roman)". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Randel|2002}}|reference=[[Don Michael Randel|Randel, Don Michael]]. 2002. ''The Harvard Concise Dictionary of Music and Musicians''. {{ISBN|0-674-00978-9}}.}}
* {{wikicite|ref={{harvid|Roig-Francolí|2008}}|reference=Roig-Francolí, Miguel A. 2008. ''Understanding Post-Tonal Music''. Boston: McGraw-Hill. {{ISBN|0-07-293624-X}}.}}
* {{wikicite|ref={{harvid|Rosner & Wolverton|2001}}|reference=Rosner, Arnold, and Vance Wolverton. 2001. "Hovhaness [Hovaness], Alan [Chakmakjian, Alan Hovhaness]". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Wölfflin|1915}}|reference=[[Heinrich Wölfflin|Wölfflin, Heinrich]]. 1915. ''Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst''. Munich, F. Bruckmann.}}
** Wölfflin, Heinrich. 1932. ''Principles of Art History: The Problem of the Development of Style in Later Art'', translated from the seventh German edition (1929) by Marie D. Hottinger. London: G. Bell and Sons, Ltd. Reprinted, New York: Dover Publications, 1950.
* {{wikicite|ref={{harvid|Xenakis|1971}}|reference=Xenakis, Iannis. 1971. ''Formalized Music:  Thought and Mathematics in Composition''. Bloomington and London: Indiana University Press. {{ISBN|978-0-253-32378-1}}.}}
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