Editing Sandro Botticelli (section)

===''San Barnaba Altarpiece''===
A larger and more crowded altarpiece is the '''''San Barnaba Altarpiece''''' of about 1487, now in the Uffizi, where elements of Botticelli's emotional late style begin to appear. Here the setting is a palatial heavenly interior in the latest style, showing Botticelli taking a new degree of interest in architecture, possibly influenced by Sangallo. The Virgin and Child are raised high on a throne, at the same level as four angels carrying the [[instruments of the Passion]]. Six saints stand in line below the throne. Several figures have rather large heads, and the infant Jesus is again very large. While the faces of the Virgin, child and angels have the linear beauty of his tondos, the saints are given varied and intense expressions. Four small and rather simple ''[[predella]]'' panels survive; there were probably originally seven.<ref>Lightbown, 187–190; Legouix, 31, 42.</ref>